tag:blogger.com,1999:blog-12211588855721154832024-03-24T05:10:42.054-02:00CINZAS e DIAMANTES“Tudo é quietude: / Escuro e claridade, / Livro e flor.”
RAINER MARIA RILKE
Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.comBlogger219125tag:blogger.com,1999:blog-1221158885572115483.post-47109906675777588102024-03-13T18:41:00.051-02:002024-03-13T23:01:58.025-02:00............................................................. A JUVENTUDE da SANTA MÃE<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrOi6YN1jrYozpDZ6ejg_NWxU_hb1t036epzp42z5q5JI6iogIharV4JIK_RSHAzbRJq3ZbnK-Vw5mxXDw0SXZ4TSSYj4DmIpDP9d6q-URrgwbtnGeaqSzVxCv63IT1mhP8i7ku16VxLGT4lLx9fu87_eppz8snf5edpXOKuV3SpJeMOHZHhPDrvvPuTAw/s1600/johnnoottonlineartgallery-terence-clarke-still-life-with-geraniums.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1540" data-original-width="1600" height="616" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrOi6YN1jrYozpDZ6ejg_NWxU_hb1t036epzp42z5q5JI6iogIharV4JIK_RSHAzbRJq3ZbnK-Vw5mxXDw0SXZ4TSSYj4DmIpDP9d6q-URrgwbtnGeaqSzVxCv63IT1mhP8i7ku16VxLGT4lLx9fu87_eppz8snf5edpXOKuV3SpJeMOHZHhPDrvvPuTAw/w640-h616/johnnoottonlineartgallery-terence-clarke-still-life-with-geraniums.jpg" width="640" /></a></div><p> <br /></p><p><!--[if gte mso 9]><xml>
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</p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Mãe! São três letras apenas,</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">As desse nome bendito:</span><br /><span style="font-size: 14pt; line-height: 107%;">Três letrinhas, nada mais...</span><br /><span style="font-size: 14pt; line-height: 107%;">E nelas cabe o Infinito</span><br /></span><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">MÁRIO QUINTANA</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1906 – 1994. Alegrete, Rio Grande do
Sul / Brasil)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ilustrações: </span></span><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">TERENCE CLARKE</span></span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1953. Reino Unido)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: right;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">em memória ao incentivo à leitura </span></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">dado por meu Pai, com jornais, </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">livros e revistas em quadrinhos. </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">em memória ao Pai </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">que pressentia a injustiça social </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">que se oculta no fundo daquilo </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">que para outros é a justiça.</span></span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Os sentimentos fazem parte de histórias
e lembranças. Enigmáticos são os caminhos do coração. Mas aqui está minha cândida Mãe. Ungida pela
fé, esse mistério que põe no espírito a força da bondade humana. Não creio que ela
seja dada à meditação. Todavia, algumas vezes deve ter refletido, como todo
mundo, sobre sua notável trajetória. Foi boa filha, boa esposa, é boa mãe e boa avó.
Foi boa dona de casa, boa cozinheira, boa conselheira. Sabe ser amiga,
compreender as fraquezas humanas e estender a mão a quem precisa. O traço
singular de sua personalidade, talvez o mais marcante, é a generosidade, sem
nunca precisar humilhar ou derrotar ninguém. Reina em casa e, em todo caso, faz
bem as coisas. Acredita no Bom Deus e sabe que tudo se passará de acordo com as
regras sagradas e não há lugar para nos atormentamos com o destino. Tive a bênção de ser filho dessa senhora virtuosa. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ela foi o alicerce na construção e
consolidação do homem que me tornei. Eu hoje sou melhor por ter essa honra de um
querer bem maternal a toda prova. Encarando a verdade face a face, meu presente
esforço para retomar os fatos e contar sua caminhada me enche, a seu respeito,
de uma simpatia cúmplice. A passagem do tempo ilumina a memória e nosso
relacionamento. Alimento com substância alquímica para tentar fazê-la viver ou
reviver. Eu a amei primeiramente com um amor egoísta e distraído, como a maior
parte das crianças. Depois, com uma afeição feita sobretudo ao hábito,
perturbada por uma juventude inquieta. Por fim, experimentei um sentimento de
ternura, misturado ao alívio de acreditar estar protegido por essa guerreira
da perigosa aventura de viver, amparado em sua lição cotidiana de valores
morais.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgidwhVbPWKpn6P_A-RcOfQH-zlbZ_XX9TzIXP4FMXeIC6VcxP77K_K2HK1gd5PcaxcMfGbhaDVqStpzhdJUn1sXwZrZyvWLa7mxl1ShcCQ10Vt47F4DI69KUta1gybkG-MkNUuO8Z-Xq23GTjptBPMF9Lwfd083RvMD754ivfYXZRfWDXgFXYVHtBlmetJ/s964/Mam%C3%A3e%202.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="964" data-original-width="628" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgidwhVbPWKpn6P_A-RcOfQH-zlbZ_XX9TzIXP4FMXeIC6VcxP77K_K2HK1gd5PcaxcMfGbhaDVqStpzhdJUn1sXwZrZyvWLa7mxl1ShcCQ10Vt47F4DI69KUta1gybkG-MkNUuO8Z-Xq23GTjptBPMF9Lwfd083RvMD754ivfYXZRfWDXgFXYVHtBlmetJ/w260-h400/Mam%C3%A3e%202.jpg" width="260" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">O tempo passou sem que eu soubesse como.
Conhecer bem as pessoas é quase sempre descobrir relevos e riquezas
inesperados. Os seis filhos (Neto, Urbano, Paulo, Marcelo, Anna Áurea e eu) de
Lurdinha sempre foram sua prioridade, e ela até se anula para dedicar total
atenção a todos. Compartilhamos anos cúmplices. De grande beleza, Mamãe é um
exemplo. Iluminada, resiliente, incapaz do mal. Nas ruas em que moramos, era
uma discreta mãezona da vizinhança. Sobrava delicadeza para distribuir com
parentes e vizinhos. Tocando o lar o dia inteiro, também cantarolava, ouvia
rádio, via telenovelas e lia as revistas femininas típicas. A sua risada é a
coisa mais linda, além do olhar suave de apurados olhos negros. Uma senhora
deslumbrante! Todos ao seu redor são encantados por ela. É o nosso orgulho, o nosso
maior amor. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O ciumento Papai a amava apaixonadamente,
mas infelizmente morreu jovem e ela continuou na cara e na coragem protegendo
seus filhos, sem cogitar outro relacionamento. Eu mudei de cidade e de país,
mas meus sentimentos por ela permaneceram blindados. Com a alma em choro, disfarçava
o semblante de uma Mãe de filho ausente. Quem se deu bem foram meus irmãos, que
ganharam a minha cota no carinho diário. Afinal, amar é como uma chuva fertilizante
dentro da alma; é benevolência que se mantém firme, independente do tempo e da
distância. Estou longe do alcance dos seus braços, mas diariamente nos falamos.
Ela costuma encerrar seus telefonemas com um <span style="color: #3d85c6;">“Filho, eu te amo, sinto
saudades”</span>. Emocionante. Que Deus a continue abençoando.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Os Anjos quebram as regras e fazem
milagres para os honestos e generosos. Mamãe nunca esteve ciente das suas
qualidades. Ela pensa mais nos outros do que em si. Toda sua vida se resume a
uma série de sacrifícios para sua família, seus amigos e até mesmo para pessoas
que nem são tão próximas. O Céu sabe disto. Neste momento, ela está
atravessando um período doloroso. É uma senhora idosa, beirando os 90 anos,
fisicamente frágil, entretanto lúcida. Precisando de cuidados apurados, fechou
sua casa e foi morar com um dos filhos, Urbano, sua esposa Rafaela e dois netos
meninos. Tem cobertura médica, fisioterapia, boa alimentação e afeição
familiar. Os filhos sempre por perto.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Católica incondicional, assiste missa na TV, faz
palavras-cruzadas, recebe visitas, passa os sábados na sua fazenda Bela Vista,
em Itapé. E após altos e baixos ao longo da existência, é de se surpreender sua crença no próximo. Os turbilhões dramáticos, as dificuldades privadas, a
preocupação por aqueles que queria ajudar. Levou em suas costas um fardo muito
pesado, mas sem merecer! Bem pelo contrário, suas lutas, sua coragem para
vencer os obstáculos, causam admiração. Raramente as emoções negativas tomam
conta da sua mente, nem sua alma se cansou. Jamais assumiu uma carga tóxica, tampouco
construiu uma muralha entre ela e os bons sentimentos. Na juventude de
Lurdinha, as mulheres criavam muitos filhos com a diferença de idade de um ano, um ano
e meio, de um para outro. Uma diferença muito pequena, uma escadinha. Tudo era
mais difícil, mais lento, demorava mais. </span><span style="font-size: 14pt; line-height: 107%;">Mas
havia cuidado, zelo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqtbszjA_guZiUBrRS5Aq_WEK-bqhgKetz1gK6SeKQp_UBZgBlFTNYkj5gQEQphjpTZ5qtRXgNIWyYOm2HulPm0sKLjA6alNCtsCkDIN-IaFneOYPwsO9OfeclWnPrxvVhoXoSdevnrYfndEwurljPuLUPFSym7JChn_BJVCI0EkwevjbSPLVUiDYgZHLx/s508/M%C3%A3e-02%20-%20Copia.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="508" data-original-width="188" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqtbszjA_guZiUBrRS5Aq_WEK-bqhgKetz1gK6SeKQp_UBZgBlFTNYkj5gQEQphjpTZ5qtRXgNIWyYOm2HulPm0sKLjA6alNCtsCkDIN-IaFneOYPwsO9OfeclWnPrxvVhoXoSdevnrYfndEwurljPuLUPFSym7JChn_BJVCI0EkwevjbSPLVUiDYgZHLx/w148-h400/M%C3%A3e-02%20-%20Copia.jpg" width="148" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Não tinha máquina de lavar, fralda
descartável, produtos sofisticados de limpeza. Os pisos eram de tacos,
precisavam ser encerados para mantê-los limpos e brilhantes. O vestuário durava,
reaproveitado pelos irmãos mais novos. Não havia utensílios ultramodernos, mas
as roupas estavam sempre limpas e passadas a ferro, a casa organizada, a comida
na mesa, os filhos educados e respeitosos. A mulher daquele tempo não tinha as
facilidades da mulher de hoje. Os filhos lavavam a louça, limpavam o chão,
molhavam as plantas, alimentavam os animais, ajudavam no serviço doméstico. Mesmo
sobrecarregada, a Mãe reforçava princípios, referências do certo e do errado,
cuidava da agenda dos filhos. Ela cumpria o papel de proteger o núcleo
familiar.
Lurdinha é dessa época em que as super donas de casa faziam milagres. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ela nasceu em 27 de abril de 1936. Ganhou
no batismo e no cartório o nome Maria de Lourdes, </span><span style="font-size: 14pt; line-height: 107%;">e logo o apelido de Lurdinha. Nasceu na
minúscula Brejinho, sul da Bahia, entre Buerarema, Ferradas e Itapé. Filha da durona
Nininha e do dócil Pedro. A partir dali começava o itinerário da enorme mulher
que seria. Profundamente desejada, nasceu no decorrer de um dia
ensolarado. Nasceu na sequência de um ritmo rural. Nasceu beirando o então
formoso Rio Cachoeira. De um lado a outro do cenário monumental, a beleza
natural, o caminho caminhando, o deslumbre quando o tempo se suspende, e se
permite parar a contemplar o espaço sem tempo. Ali admirava a vista que estendia-se até a mata de cacau, até bater os olhos nas
paredes do céu. Havia uma ladeira e uma casa branca plantada no alto, sem
energia elétrica, com três degraus para acessá-la. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Lar antigo de rede no alpendre, assoalho,
sala de jantar e cozinha de chão pintado, fogão a lenha. Um lírico jardim</span><span style="font-size: 14pt; line-height: 107%;"> com </span><span style="font-size: 14pt; line-height: 107%;">jasmineiros, rosas cor de vinho,
palmeirinhas, laranjeiras e cafeeiros. Lírios-verdes na relva, um tufo azul de ásteres
entre a harmonia dos tons cinza e prateado. Nos dias de chuva, a conversação ao
lado do fogo eram o melhor refúgio. Sua boa memória guardou as
primeiras lembranças da fazenda modesta</span><span style="font-size: 14pt; line-height: 107%;"> de
idílicos campos de pastagem. Um pasto na frente da
residência rústica, galinhas, porcos e patos. Barcaças de cacau. Cacimba. Num curral, duas vacas e cavalos. Casa de farinha. Mais adiante,
uma lagoa e um ribeirão, onde se lavava roupa e pescava pitú e acari, de jereré. O núcleo familiar
Mendonça tinha um jovem e respeitoso ajudante, Saturnino, que também colhia o
cacau naquele reino encantado. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O cheiro de café gordo e de pão fresco
vindo da cozinha. Um copo de leite no curral. No café da manhã, comiam ovos, cuscuz,
mugunzá, coalhada e arroz doce. No almoço, carne fresca, lombo, ensopado,
feijão e arroz. </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Se distraia com o voo de pássaros migradores lá no alto,
sol a pino. </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">À noite, luz de fifó e diante deles a deslumbrante lua dourada
e estrelas cintilantes. Ninguém deixava de rezar antes de deitar-se. Isolada do mundo,
perto do lugar havia somente outra fazenda, a de Pedro Cordeiro. A parente mais
próxima, a avó Silvina, morava em Ferradas. Lurdinha viveu nesse paraíso até os
sete anos de idade, onde aprendeu a ler com a Mãe Nininha. Na superfície de sacos de
pão, rascunhou com lápis, a mando da sua primeira professora, a
letra L do seu nome várias vezes naquele papel cinzento.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3nOTGaHRC-UHc7qQu5NB9EmDFru_XEwk2uZJqdNpd-Xpuv0aKZr4fQs_LfmpUvmtqBzXV0U-GIOt0oLYGwM3HZvqJLk3TRHdotehLN48wvJM698NiDqpSI7XajpTHamYVpuj1Vq8FgZ_NFAlFeOQhJ2skhNaf8js4k5RbDJOZUswzYFw2RCMIvnkpygWK/s1181/thompson-sgallery-terence-clarke-pears-and-lemons.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1181" data-original-width="1176" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3nOTGaHRC-UHc7qQu5NB9EmDFru_XEwk2uZJqdNpd-Xpuv0aKZr4fQs_LfmpUvmtqBzXV0U-GIOt0oLYGwM3HZvqJLk3TRHdotehLN48wvJM698NiDqpSI7XajpTHamYVpuj1Vq8FgZ_NFAlFeOQhJ2skhNaf8js4k5RbDJOZUswzYFw2RCMIvnkpygWK/w399-h400/thompson-sgallery-terence-clarke-pears-and-lemons.jpg" width="399" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Minha saudosa avó, Nininha, nasceu na
divisa com Sergipe, em Cachoeira da Abadia. Eu era apaixonado por ela. Fazia um
bife picante de dar água na boca e me defendia da fúria verbal de Papai diante
dos meus chiliques atrevidos. Meu avô, o sertanejo Pedro, nasceu em
Itabaiana, Sergipe. Quando seu irmão, o sergipano Brás, mudou para Ferradas, ele decidiu comprar uma pequena fazenda por perto. Era um
senhor tranquilo, religioso. Ele vivia sem aborrecimento. Testemunhei e dou fé: lembro-me dele sentado numa cadeira de madeira que
parecia um trono, na calçada da sua casa, proseando. Eu sentava no seu colo,
enquanto ele cheirava rapé. Branco, baixo, de bigode</span>, f<span style="font-size: 14pt; line-height: 107%;">umante de tabaco de rolo, não discutia nem
tratava mal ninguém. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O que acrescentar ao que se sabe dele? Aos
48 anos de idade, desposou Nininha, de 23 anos, uma garota mandona, de coração parcimonioso e modestas carícias. Foram morar na fazenda onde Maria
de Lourdes nasceu. Terra de secas e de cheias. De céu e de bichos. De
luzes e sombras. Das águas correntes do rio e das águas paradas do açude. Quatro
anos depois foi a vez de Maria do Socorro, que Lurdinha cuidava, colocando no
colo infantil.</span><span style="font-size: 14pt; line-height: 107%;"> Começava assim
a surgir a mãe santíssima que ela tanto saberia ser. A irmãzinha morreu aos
seis meses de idade, vitimada por uma febre ardente, chamada <span style="color: #3d85c6;">“mal de
sete dias”</span>. É possível que se tratasse de uma febre tifoide. Por
fim, nesse retiro bucólico, nos verdes dos chãos, nasceu a caçula, a indomável
Maria Rita. O progresso um dia destruiria essa paisagem. Ela viveu ali, em todo
caso, durante sete anos, nas mais puras alegrias da infância. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Uma tal vida agreste parece, em nossos
dias, ultrapassada ou deprimente, ou ambas. Mas Lurdinha não conserva más
lembranças desse tempo. Oito décadas mais tarde, evoca esse passado com
entonações enternecidas e sorrisos discretos. Como sempre, cada vez que ela se
voltava para o mundo de vastos campos de solidão, a vida estava presente. Com
seu imprevisto, sua natural defesa, sua doçura vez ou outra e sua quase
plenitude. Foi de seu pai, que, segundo parece, herdou essas maneiras delicadas
que são o sinal exterior de uma amenidade e de uma elevação de espírito
verdadeiras. É uma daquelas mulheres que estão determinadas a fazer o melhor
possível dentro da sociedade tal como ela é. Ela se divertia indo com a família
à feira, aos sábados, em Ferradas. Faziam compras em Itabuna, no final do ano. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Entre hábitos, costumes e tradições, era
amada pelos pais – <span style="color: #3d85c6;">“meu pai era um dengo comigo”</span> – e colecionava bonecas de
pano costuradas pela Mãe. Em dezembro, hospedavam-se na casa da avó Silvina,
justamente para a festa de Nossa Senhora da Conceição, no dia 8. Havia
missa e procissão, e Lurdinha se divertia com Ana, uma pretinha criada
pela avó. Brincavam de fazer caretas, brincavam com as sombras ao longo da
parede. Mas o velho mundo desmoronava. Quando chegou a época de ir a
escola, a avó e os pais mudaram-se para Itapé, comprando casas no centro da
cidade. Comportada, um pouco encabulada, Lurdinha cresceu com todos
gostando dela, acreditem. A polidez um tanto constrangida, carinhosa e tímida. Nunca foi danada nem namoradeira, muito pelo contrário. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"><br /><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkFitPOSbms0HODFfTET7BgBljv-VWGlrC3N3FNTi96UEIw4PFieR1vD2ML3YSlsy8uTenCLadNImUVFZ08HCNx5ZZKdvn6hJnplvI_OSYJVgG8RSw3WuQCDFVB_1Fi2GSUYdFBL5asJFnnYPqtdBk0rhXxoRVi_fKswQ2BIjJtfrrVwCME8lSQ6jwSYzm/s1708/Foto%20pais-01.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1708" data-original-width="1195" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkFitPOSbms0HODFfTET7BgBljv-VWGlrC3N3FNTi96UEIw4PFieR1vD2ML3YSlsy8uTenCLadNImUVFZ08HCNx5ZZKdvn6hJnplvI_OSYJVgG8RSw3WuQCDFVB_1Fi2GSUYdFBL5asJFnnYPqtdBk0rhXxoRVi_fKswQ2BIjJtfrrVwCME8lSQ6jwSYzm/w280-h400/Foto%20pais-01.jpg" width="280" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">mãe e pa</span></span></td></tr></tbody></table></span><span style="font-size: 14pt; line-height: 107%;">Sem pompas e adereços, ela e a prima Terezinha
eram as mais belas garotas do pequeno lugar. Orminda, Belinha e
Marieta, suas melhores amigas. No final de semana, cheirando a alfazema ia ao
cinema. Amava o aventureiro sedutor Errol Flynn e guardou no coração o drama romântico
<span style="color: #3d85c6;">“Suplício de uma Saudade”</span>. Fez aula de corte e costura com Dona Isabel.
Aprendeu a cozinhar. Ia às festas no São João e Natal. Numa delas, na metade da
década de 1950, dançou com um rapaz de terno branco e gravata, e rendeu-se aos
encantos dele. Filho do fazendeiro Zé Bispo, Antônio estudava em
Aracaju e depois em Belo Horizonte. Proprietário de armazém de compra de cacau
em Itapé, meu avô e filhos estavam sempre por lá. Quase cego, tinha como
traço dominante, o fazer amizades. Alegre e conversador, gostava de bater perna. O namoro durou quatro anos com cartas de
amor, noivado e casamento</span><span style="font-size: 14pt; line-height: 107%;"> na </span><span style="font-size: 14pt; line-height: 107%;">Catedral
de São José, em Itabuna, com Luzia Alves e Gervásio Santos – outra saudade - como
padrinhos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Protegida na sombra masculina daquele
que viria a ser meu Pai, e estimulada pela paixão primeira, deixou a casa dos
pais e foi construir sua vida matrimonial. Lua de mel em Ilhéus e na fazenda
dos sogros bem-sucedidos. Casa grande reformada em Itapé e finais de semana em
Itabuna, na rua Rui Barbosa. O casamento foi um teste para seu coração materno.
Mais aí já é outra história, um dia talvez eu conte. Segundo um ditado judaico, </span><span style="font-size: 14pt; line-height: 107%;">ao criar o mundo, Deus percebeu a
dificuldade que teria para estar em todos os lugares; e aí inventou as Mães.
Quanto a isso, eu posso constatar a divindade na maternidade por experiência
própria. Vi e pude sentir em Dona Lurdinha uma santa que ilumina com sua
bondade e apascenta com sua fé cada um dos seus filhos e as pessoas sob a sua
estufa de amor.</span><span style="font-size: 14pt; line-height: 107%;"> A vida muito lhe deu e muito lhe tirou. </span><span style="font-size: 14pt; line-height: 107%;">Sua presença incentivando os caminhos éticos
para minha entrada na maturidade foi imprescindível para os meus futuros passos.
</span><br />
<br /><span style="font-size: 14pt; line-height: 107%;">Das ondas de boa vontade que emanam dela,
abriu a ponte do mundo pra mim, diante da estranha zona de sombra de onde
viemos e para onde voltaremos. Eu saí do seu ventre num parto que de tão normal
ela considerou uma hora mágica e feliz. O eu bebê berrou no tapa da parteira
Dona Aída por volta da 1h da madrugada.</span><span style="font-size: 14pt; line-height: 107%;"> Sendo
assim, essa crônica pretende ser a expressão da profunda gratidão a
Nossa Senhora Lurdinha. Rogo ao Bom Deus, irradiar sobre essa santa Mãe, suas
melhores bençãos, e de nos conceder a felicidade de lhe conservar ainda durante
longos anos em boa saúde, na afeição sincera dos seus filhos, noras e netos, e
muito particularmente de seu filhinho maior, um amante das palavras poéticas.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="color: black; font-size: 14pt; line-height: 107%;"><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpSwBpUqm2_lVc66HdZikR2zsfBqZ4CEGN80jGOnBgF5K4APwvataYsIem2EadOdfAHnwtf0EUXZhX5l_nAWA0ln1FnYcJkYRUhtNjlSGkSAMGo_o1UjnuMaQJ-cc9LMhIQmkNWcnmuNVBLKFsV7rfa0AfNf2FJkgEUxgWcmyHfoVfNjEIYmSxoVvinja2/s1214/thompson-sgallery-terence-clarke-forget-me-nots.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1214" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpSwBpUqm2_lVc66HdZikR2zsfBqZ4CEGN80jGOnBgF5K4APwvataYsIem2EadOdfAHnwtf0EUXZhX5l_nAWA0ln1FnYcJkYRUhtNjlSGkSAMGo_o1UjnuMaQJ-cc9LMhIQmkNWcnmuNVBLKFsV7rfa0AfNf2FJkgEUxgWcmyHfoVfNjEIYmSxoVvinja2/w632-h640/thompson-sgallery-terence-clarke-forget-me-nots.jpg" width="632" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DEZ
FRASES INSPIRADORAS</span><span style="color: white;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: white;"><br /></span></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">01</span><span><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Tudo
aquilo que sou, ou pretendo ser, devo a um anjo, minha mãe.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ABRAHAM
LINCOLN</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: white;"><span style="font-size: 14pt; line-height: 107%;">02</span></span><span style="color: white;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Mãe,
na sua graça, é eternidade.” </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CARLOS
DRUMMOND de ANDRADE</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span><span style="font-size: 14pt; line-height: 107%;">03</span></span><span><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Sinto
que no céu, os anjos, sussurrando uns aos outros, </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">não encontram entre os
ardentes termos de amor </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">nenhum que expresse mais devoção do que o de ‘mãe’.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">EDGAR
ALLAN POE</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: white;"><span style="font-size: 14pt; line-height: 107%;">04</span></span><span style="color: white;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Mãe é
aquela pessoa para quem você corre quando está em apuros.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">EMILY
DICKINSON</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: white;"><span style="font-size: 14pt; line-height: 107%;">05</span></span><span style="color: white;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“No
coração das mães se encontra sempre o perdão.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">HONORÉ
de BALZAC</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: white;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;">06</span></span><span style="color: white;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Um
amor tão poderoso quanto o de sua mãe por você </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">deixa sua própria marca. Ter
sido amado tão profundamente </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">nos dará alguma proteção para sempre.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">J. K.
ROWLING</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: white;"><span style="font-size: 14pt; line-height: 107%;">07</span></span><span style="color: white;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“A mãe
é eterna, o pai imortal.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MIA
COUTO</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: white;"><span style="font-size: 14pt; line-height: 107%;">08</span></span><span style="color: white;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Os
homens são o que as mães fazem deles.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">RALPH
WALDO EMERSON</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="color: white; font-family: inherit;"><span><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;">09</span></span><span><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Os
filhos são para as mães as âncoras da sua vida.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">SÓFOCLES</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: white;"><span style="font-size: 14pt; line-height: 107%;">10</span></span><span style="color: white;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">“Os
braços de uma mãe são feitos de ternura e os filhos dormem neles.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">VICTOR
HUGO</span><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiadtavy5qZu4XVvfM4rzzuzUeYuXvEK7cIlaWFmz7IihIUPICmD0s1BJjd0dXip4RCzpooWdgZGKmn-gf6KrkLomLZWQen8vreQteuXWC4NFX9cuKIpVBxVtFEqePrXCEtqGcS36EXvIGgMkVKL5d0sEp4-GAXe8xKM1TNOazAlMde9jr0FI1G7PwfiRnJ/s1250/e09586ecdc47b47373e11011a92a2171.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1232" data-original-width="1250" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiadtavy5qZu4XVvfM4rzzuzUeYuXvEK7cIlaWFmz7IihIUPICmD0s1BJjd0dXip4RCzpooWdgZGKmn-gf6KrkLomLZWQen8vreQteuXWC4NFX9cuKIpVBxVtFEqePrXCEtqGcS36EXvIGgMkVKL5d0sEp4-GAXe8xKM1TNOazAlMde9jr0FI1G7PwfiRnJ/w400-h394/e09586ecdc47b47373e11011a92a2171.jpg" width="400" /></a></div><div class="separator" style="clear: both; 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Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com33tag:blogger.com,1999:blog-1221158885572115483.post-13945571515433894082024-02-23T21:11:00.015-02:002024-02-29T15:13:11.470-02:00..................................................... APENAS um CORAÇÃO GRAPIÚNA<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG3Eg3rIImSBbf-j6shLc34b22pnkt3OxbxSDO5tf0rLv5GA2FyTtpIZFMudg0-S4n1IVad9HqKvrBEXkA4HauTalk4D-5IBACu8VAbAOQl2GoccbpwEQ4lamLdyA-VwI7j9pTjyBiT440U6OQ4fwJvgxi2n4xj8yaJNbQvz5G4AuyniV3ljqM0eeqr6yz/s647/Sem%20t%C3%ADtulo65.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="621" data-original-width="647" height="614" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG3Eg3rIImSBbf-j6shLc34b22pnkt3OxbxSDO5tf0rLv5GA2FyTtpIZFMudg0-S4n1IVad9HqKvrBEXkA4HauTalk4D-5IBACu8VAbAOQl2GoccbpwEQ4lamLdyA-VwI7j9pTjyBiT440U6OQ4fwJvgxi2n4xj8yaJNbQvz5G4AuyniV3ljqM0eeqr6yz/w640-h614/Sem%20t%C3%ADtulo65.png" width="640" /></a></div><br /> <br /><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
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<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
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<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
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<p></p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Uma
parte do nosso ser, a verdadeira, é invisível como o ar que agita os ramos.”</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“O homem
é um castelo feito no ar. O que ele tem de não existente, é que lhe dá
existência. O engano em que ele vive, é que lhe dá vida. Toda a realidade do
seu corpo se firma na mentira da sua alma.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">TEIXEIRA
de PASCOAES</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(1877 –
1952. Amarante / Portugal)</span><br /><span style="font-size: 14pt; line-height: 107%;">Aforismos
(1998)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ilustrações:</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">GIANNI De
CONNO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1957.
Milão / Itália)</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Enxergo,
com impiedosa nitidez, o antro leviano em que convivi. Circulando nessa
sociedade onde os valores estão invertidos, numa experiência profunda e
assustadora, perdi em algum descaminho a esperança na humanidade. Sem arrependimento
pelas tolices cometidas; sem amargura, queixas ou melancolia, assumo que houve
um rompimento imperativo. Terminei convencido da importância enigmática de dias
e noites de uma solidão intelectual e espiritual. Quando não estou no trabalho
profissional externo, cozinho comidas espartanas, cuido do jardim onde plantas sussurram,
observo o voo de colibris, passeio com o cachorro brincalhão, vou à praia
deserta, o vento dança na pele, os doces devaneios, as longas e aconchegantes
horas de leituras, melodias de clássicos e jazz, vibrantes filmes antigos, e
por fim, deitado na rede diante do crepúsculo ou um pouco de loucura nas redes
sociais. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Costumo conversar com o divino,
mas evito igrejas. O cristianismo como imagino não é servo de comunistas, é infinitamente
puro, semelhante a Jesus e moralmente mais elevado do que tudo que vem do
Vaticano. Acredito que estou verdadeiramente vivo e
alerta. Noutra época, quase numa outra existência, fui um devasso romântico ou um
libertino escravo do amor. Como se viver fosse uma diversão! Já não compartilho
tais sensações.</span><span style="font-size: 14pt; line-height: 107%;"> E o retorno ao passado não é debilidade, talvez
seja uma fortaleza. Uma técnica que utilizo na redenção do presente, realizando
o que a vida exige de mim, mesmo indo contra os padrões vigentes. Homem de
transformações e mudanças, nunca ambicionei poder e glória. Pouco hábil na
dialética, amadureci fiel a um relacionamento inato com a escrita, a beleza e a
arte, sem utilizá-las inicialmente a objetivos práticos.</span><span style="font-size: 14pt; line-height: 107%;"> Pressentia
que nelas havia a salvação. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkPCAGXHZ9ayIvGEOtFuitbCvRJLB-GhZORp0AHzZ3UtVy86PXJLuOpObnwxFjyeC2gwwPF8eJKv-cOpjAAi2Aq1XltRL2nIsbbZSpfPKHrNQYqUyRN9wFF_I5wWvH3Q-fMke8D4YTcYrpKHdBAClaOKibkpUcf0H30_Vk8ycZSc7nb-RrqsrU9O6tJoVW/s1455/IMG_3708.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1064" data-original-width="1455" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgkPCAGXHZ9ayIvGEOtFuitbCvRJLB-GhZORp0AHzZ3UtVy86PXJLuOpObnwxFjyeC2gwwPF8eJKv-cOpjAAi2Aq1XltRL2nIsbbZSpfPKHrNQYqUyRN9wFF_I5wWvH3Q-fMke8D4YTcYrpKHdBAClaOKibkpUcf0H30_Vk8ycZSc7nb-RrqsrU9O6tJoVW/w400-h293/IMG_3708.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Durante
toda uma suprema existência, procurei ser autêntico, com bons propósitos, o que
me tornou invejado e popular. Morei na volúpia de diversas cidades e países</span><span style="font-size: 14pt; line-height: 107%;"> excitantes.
De Salvador a São Paulo, de Barcelona a Londres, de Sintra a Paris. Memórias
flutuantes. A alma inquieta seguindo as trilhas da nostalgia. Recordo que constantemente
havia convidados ou hóspedes comigo. Nessa ilusão ou descompromisso, fazia
questão de promover festinhas, jantares, reuniões sociais surrealistas,
noitadas cinéfilas. Casei, descasei, casei outras vezes, experimentei ligações
ardentes. Era meio inocente, de um coração virtuoso, transbordando paixão e
amizade. Tropecei, mas segui avante, afinal tenho vocação para a felicidade. A
vida, como eu a entendo, não é fácil de traduzi-la em palavras, mas posso
expressar que o sofrimento e a lamentação não são os refúgios mais sensatos.
</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Uma
amizade repousa em permanecer cada um consciente da sua maneira de ser,
aproximando-se do outro em liberdade, e concedendo-lhe lealdade. Minhas
amizades eram um jogo. Tendiam demasiadamente para o vazio, o estético, a
luxúria, o profano. Personagens escorregadios, totalmente obnubilados. Eu não
conseguia captá-los densamente. Compreendi o valor do viver através do encontro
espiritual. Com essa descoberta, renovei-me, suavizando os dilemas do coração. Verifiquei
que jamais fui diabólico. Sem falsa modéstia, ajudo ao próximo na medida do
possível. Abriguei imigrantes patrícios sem um tostão, hospedei turistas amigos
de amigos, arranjei empregos para fracassados, fui responsável por casamentos duradouros,
divulguei artistas amadores em jornais e programas de tevê, escrevi prefácios e
críticas literárias incentivadoras. Com boa vontade, faria tudo outra vez.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Entre
pressentimentos e franqueza total, contemplar a nossa face oculta faz parte da metamorfose
necessária. Sempre tive o impulso para o <span style="color: #3d85c6;">“novo mundo”</span>, o pessoal mais secreto, mesmo
sabendo que não há retorno. O que ficou para trás não se repete. Por anos, a
mediocridade instalou-se à minha volta, rastejando e crescendo em segredo. Em
2016-2017, desiludido, em plena e cruel depressão, o meu universo se
transformou subitamente. Atordoado e desamparado, rompi as relações
desconfiadas e artificiais, ao mesmo tempo em que os militantes de esquerda me
riscaram do mapa. Um dia acordei sozinho. Eu era Robinson Crusoé sem
Sexta-Feira. Vivendo de acordo como o coração dentro do peito me exige, de
acordo com a dignidade dos sentimentos próprios mais sensíveis, distante da
vivência <span style="color: #3d85c6;">“para fora”</span>, para o manicômio social, para o estado, para a igreja,
para os outros. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-8ZORey1aYYGw8WhYZ1Yh89LyErKbVYfz798dlXKrBb2JwUIJC_gMByvD1WE19GtdiyDePjedHmC4opVZ_Bgg6G9Gtg5MLJY2BEbTnutxkRrRKPf5LBxMh0snMmebchMXXa6S9t1mMsB9nC4yA0bZxpOBb-wGMwF27Axy8Pf-M2MCcmfmB5aFm1LwpMvN/s960/Jamil-e-la-nuvola-De-Conno.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="549" data-original-width="960" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-8ZORey1aYYGw8WhYZ1Yh89LyErKbVYfz798dlXKrBb2JwUIJC_gMByvD1WE19GtdiyDePjedHmC4opVZ_Bgg6G9Gtg5MLJY2BEbTnutxkRrRKPf5LBxMh0snMmebchMXXa6S9t1mMsB9nC4yA0bZxpOBb-wGMwF27Axy8Pf-M2MCcmfmB5aFm1LwpMvN/w400-h229/Jamil-e-la-nuvola-De-Conno.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Numa
espécie de reconciliação e entrega, não me sinto de modo algum desafortunado, </span><span style="font-size: 14pt; line-height: 107%;">insatisfeito
ou perdido. Estou agradecido com o fato de o indizível poder se manifestar e
ser vivido com cortesia. Em todos esses sete anos de lições misteriosas, não recuei,
satisfazendo as exigências morais. Deixei de frequentar ambientes psicodélicos,
festas sofisticadas, eventos artísticos. Não mais estampei meu retrato deslumbrado
em colunas sociais nem dei entrevistas para jornais ou tevês. Decidi não
escrever livros por algum tempo. Evito receber visitas e fazer visitas. Passei
a ter relações sexuais somente com meu próprio corpo. Aprendi a desconfiar e a
analisar. Nos primeiros meses, fantasmas camaradas fizeram falta, mas com o
tempo se tornaram desnecessários. Foram esquecidos e perdidos na memória. Tenho
me mantido incondicionalmente fiel ao meu ideal de renascimento e sem torturante sacrifício,
sem fraquezas e aflições. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Coloquei-me
a serviço da verdade. Se bem que para muitos uma vida de pensamentos, arte e
isolamento pode parecer desperdiçada, meio sinistra. Mas não há no coração a
necessidade de estar com a razão. Cada qual tem sua própria trama. Acredito que
as boas intenções têm uma resistência muito mais segura e prolongada do que a
maldade e a superficialidade. Sozinho, compreendi o insustentável panorama
social neurótico e doente, viciado na vaidade, na indiferença, no oportunismo, na
ingratidão, no delírio do dinheiro. Movidos por desconhecimento da essência do
sagrado, por despreparo ético e pela repulsa ao que lhe parece emoções
ultrapassadas, as pessoas perderam o rumo e o prumo. Nas profundezas da
inconsciência, bajulam a dissimulação, a crueldade, o medo, os vícios, as
intrigas, a inveja. De personalidades fracas e crédulas, são oprimidas por uma
existência malévola e sem sentido. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">No estado
de alienação dos dias atuais, um homem (ou uma mulher) de bem sem dúvida é uma
joia rara. Também é incomum um perfil autêntico, realmente merecedor de discípulos.
Mas não é impossível. Talvez esse distanciamento de uma sociedade medíocre, possa
ser fortalecido através da ligação com a natureza, com a religiosidade ou com o
intelecto sem vaidades. Não creio na nossa política, nem nos nossos líderes
religiosos, nem na nossa imprensa, nem nos nossos artistas, nem na nossa
maneira de viver. Não participo dos ideais de nosso tempo, sou de
outro século. Caí por motivos obscuros nessa confusa alienação dos tempos
modernos. No entanto, entre hábitos líricos, e sonhos grapiúnas, levo o mistério de viver
com aprendizado e simpatia.</span><span style="font-size: 14pt; line-height: 107%;"> De bom humor</span><span style="font-size: 14pt; line-height: 107%;"> e etérea consciência, administro
um minúsculo e encantado reino do conhecimento humilde e da responsabilidade espiritual. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Nesse
enigma, tornei-me um veterano num cálido caminho, tão impávido
como se tivesse companhia, sem deixar-me enganar facilmente por tendências e espantos.
E assim, sob um firmamento de claras estrelas, submeto-me aos pensamentos elevados,
ao respeito próprio e ao contentamento artístico. Para finalizar, a explicação de Sérgio Buarque de Holanda sobre nossa aversão à reflexão e à
solidão: <span style="color: #3d85c6;">“No ʻbrasileiro cordialʼ, a vida em sociedade é, de certo modo, uma
verdadeira libertação do pavor que ele sente em viver consigo mesmo, em
apoiar-se sobre si próprio em todas as circunstâncias da existência. Sua
maneira de expansão para com os outros reduz o indivíduo, cada vez mais, à
parcela social, periférica, que no brasileiro tende a ser a que mais importa.
Ela é antes um viver nos outros. Foi a esse tipo humano que se dirigiu
Nietzsche, quando disse: ʻVosso mau amor de vós mesmos vos faz do isolamento um
cativeiroʼ.”</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;"> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVJZ3DulHVyNO7u52JvsOJDuV2fh5hgVpaOZT1eyfvIAgHkUQvyCQoDMavUUEOjNEInFksm3XsRyKi59-AGZ9txYglerG3quHn4W4_zxc-ackLX0B3Y4RPXanQS8kS-KzCMZEeDrdYCIOD23Tl6KHQtiZpw6PEHfJNZui1H-h2w2qG7Ewo5efYxRdMEOhO/s2308/DeConno-1.png" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1148" data-original-width="2308" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVJZ3DulHVyNO7u52JvsOJDuV2fh5hgVpaOZT1eyfvIAgHkUQvyCQoDMavUUEOjNEInFksm3XsRyKi59-AGZ9txYglerG3quHn4W4_zxc-ackLX0B3Y4RPXanQS8kS-KzCMZEeDrdYCIOD23Tl6KHQtiZpw6PEHfJNZui1H-h2w2qG7Ewo5efYxRdMEOhO/w640-h318/DeConno-1.png" width="640" /></a></div></span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; 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Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com8tag:blogger.com,1999:blog-1221158885572115483.post-77776477395250474142024-02-04T14:33:00.016-02:002024-02-04T19:41:05.249-02:00......................... Os NATIVOS DIGITAIS: CORAÇÕES ROUBADOS<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoR3pxuEFR2qYMcA8Q0M2UKnhwUEdcQsWypRyxdgNSFkDdjv49P9b1RTE6k5U5FojOSN1IRYEFfYl1TioviYTcOC_uQlJZmG9izZOYviLMaILXZKvWl_XYAjSjB9V187B1NlAEoPFcLg_jKPCX7wsYSoP04C2yLt8pxwCIFMeo7z6A0K9vnbal92JI8Hra/s1680/lettering-carmi-grau-13.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1680" data-original-width="1680" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoR3pxuEFR2qYMcA8Q0M2UKnhwUEdcQsWypRyxdgNSFkDdjv49P9b1RTE6k5U5FojOSN1IRYEFfYl1TioviYTcOC_uQlJZmG9izZOYviLMaILXZKvWl_XYAjSjB9V187B1NlAEoPFcLg_jKPCX7wsYSoP04C2yLt8pxwCIFMeo7z6A0K9vnbal92JI8Hra/w640-h640/lettering-carmi-grau-13.jpg" width="640" /></a></div><p> <br /><!--[if gte mso 9]><xml>
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</p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Nada há
que seja verdadeiramente livre nem suficientemente democrático. Não tenhamos
ilusões, a internet não veio para salvar o mundo.”</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOSÉ
SARAMAGO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(1922 –
2010. Azinhaga / Portugal)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“O drama
da internet é que ela promoveu o idiota da aldeia a portador da verdade.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">UMBERTO
ECO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(1932 –
2016. Alexandria / Itália)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ilustrações:
</span></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CARMI GRAU</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Berlim,
Alemanha)</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Estamos caminhando
para um precipício cultural. Perdendo a noção do convívio social, da realidade,
da religiosidade. A vida numa bolha virtual passou a parecer natural. Fanáticos,
onde vamos estamos sempre atentos à telinha. Em restaurantes, festas, praias, piscinas,
eventos ou viagens fazemos inúmeras selfies, viciados em likes e comentários.</span> <span style="font-size: 14pt; line-height: 107%;">Nenhum
artefato tem moldado tanto nossa vida diária quanto o smartphone. Graças às
mídias sociais, estamos constantemente conectados uns com os outros, mas
fisicamente distantes de amigos e familiares.</span><span style="font-size: 14pt; line-height: 107%;"> Por certo, então, a
dinâmica central da cultura digital ameaça tornar-nos pensadores superficiais e
indivíduos solitários.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Toda a
nossa atenção - sensorial, emocional e mental - nos<span style="mso-spacerun: yes;"> </span>deixa conectados. Somos bem informados, mas
altamente suscetíveis a um sentimento de ansiedade e falta de propósito. Nesse
cotidiano digital, raramente há sentimentos vivos, o que importa é a lacração
virtual nos conduzindo a uma indiferença generalizada ao humano e ao natural. </span><span style="font-size: 14pt; line-height: 107%;">Nas redes
sociais, como produtos em um supermercado on-line, exibimos roupas novas, caras
e bocas de silicone, músculos, namoradas, filhos, netos, cães, gatos, carros
etc. Feios, obesos, cafonas, matutos, tatuados, pouco importa, a meta são os
“15 minutos de fama”, resultando na adoração aos insaciáveis deuses da tecnologia
da informação.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtFM5GIke_XkblqWEGFSw83uQiIKQ2GucZt8rD9LMBH5sETifio5CljwFPQeR_mPMd6bxIvKNFGJU2kIkzfRoQ2qoL3OQWZwMOiTGI5DgyJZK1IqPoD_FOHI4aTTifBsbotc227LuTFl6pSeWDX-y6vBCZOmYIAeBCQH7G22vcJyu4uv3C6pwyQs4E5hI0/s1551/carmi-grau.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1535" data-original-width="1551" height="396" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtFM5GIke_XkblqWEGFSw83uQiIKQ2GucZt8rD9LMBH5sETifio5CljwFPQeR_mPMd6bxIvKNFGJU2kIkzfRoQ2qoL3OQWZwMOiTGI5DgyJZK1IqPoD_FOHI4aTTifBsbotc227LuTFl6pSeWDX-y6vBCZOmYIAeBCQH7G22vcJyu4uv3C6pwyQs4E5hI0/w400-h396/carmi-grau.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Por mais
que tentemos (em encontros e à mesa), não engamos colegas, cônjuges ou amigos
quando fingimos estar com eles… olhando para uma tela. Quando pegamos o
telefone, alguma tarefa, ou alguma pessoa, é passada para trás. Na verdade, nos
tornamos menos capazes de estar presentes genuinamente a aqueles dignos da
nossa atenção.</span> <span style="font-size: 14pt; line-height: 107%;">O vício
digital ocorre em abrangência global, em todas as faixas etárias e culturas (o
Brasil é terceiro país com mais uso de tela, com média acima de 10 horas por
dia) e tem impactos negativos na saúde física e mental, com estudos que mostram
correlação com obesidade, insônia, depressão e an</span><span style="font-size: 14pt; line-height: 107%;">siedade, entre
outros males.</span> <span style="font-size: 14pt; line-height: 107%;">Nesta era
digital, o que consumimos em telas (</span><span style="font-size: 14pt; line-height: 107%;">smartphones, TVs, tablets e videogames) afeta
performances acadêmica e profissional, </span><span style="font-size: 14pt; line-height: 107%;">dificulta
o foco, a sustentação de atenção </span><span style="font-size: 14pt; line-height: 107%;"> e o relacionamento social. Olhando para uma tela, consumindo mídia</span><span style="font-size: 14pt; line-height: 107%;"> e
anúncios, desprezamos o exercício da imaginação e atividades intelectuais
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<![endif]--><span style="font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A verdade
é que todos nós somos viciados em telas em maior ou menor escala. Boa parte dos
adultos que conheço são viciados em Twitter, Facebook, Instagram ou alguma
outra rede social com mecânica de feed, likes e comentários. Crianças e
adolescentes estão mais viciadas em videogames e feeds de vídeos curtos como
Youtube e TikTok.</span> <span style="font-size: 14pt; line-height: 107%;">Dentro de
todo vício humano existe um mecanismo comum: a liberação de dopamina. Ela
estimula o centro de prazer do cérebro que faz com que busquemos mais
recompensa pela nossa ação e reforça o loop para criação de hábitos. É o que
acontece quando recebemos um like ou um comentário no post, quando rimos de um
vídeo no Youtube. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Quando
esse loop atinge um nível que é difícil controlar, ele se torna um vício. O
vício em telas ou internet tem efeito semelhante ao das drogas. A diferença é
que as drogas podem ser os jogos, as compras compulsivas online, a pornografia,
as séries, as redes sociais etc.</span><span style="font-size: 14pt; line-height: 107%;">Os efeitos colaterais desse vício
digital são percebidos em diversos sintomas visíveis.</span> <span style="font-size: 14pt; line-height: 107%;">Tem muitos
sofrendo de Phubbing, ato de ignorar ou deixar de conversar por estar focado no
celular. O termo vem das palavras phone (celular) e snubbing (esnobar). Esse
comportamento compromete os relacionamentos. A depressão também é um sintoma. O
deprimido busca nas redes sociais uma forma de escape, intensificando a doença.
</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">As
plataformas (redes sociais, jogos, streaming, etc.) são criadas para produzir
prazer e habituar a usá-las com frequência. Vários mecanismos incentivam
o navegante a voltar e a usar o máximo de tempo possível. Quanto maior a
frequência, maior será o lucro com anúncios e informações sobre o comportamento
do usuário.</span> <span style="font-size: 14pt; line-height: 107%;">A
tecnologia digital tem a dualidade de ser boa ou má, dependendo do uso que se
faz. Quando se tem o coração roubado por ela, perdemos o controle, trocando o
mundo real pelo virtual. Só o uso consciente evita o vício,
garantindo que as telas sejam ferramentas de empoderamento e não de mazelas. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjogvcAzdtIZhSu1GrAZhHRGX-JEG1Pc6Yv9IXHX_JIG-DKPOREpltIr1QjGZv9Tsr2poCYbO066Ym8NSjpRYXk16DpJb5fauvj15KiU12U5bpwzx3-DOpobxJRdCaff1EEz07ndeyYcjgKEuR96P-o7-rlMtWfOntSnLgjANQyS6SFhjgTa-URBVKDAJit/s1557/0%20-WSQu-uNQHgajFD2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1557" data-original-width="1271" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjogvcAzdtIZhSu1GrAZhHRGX-JEG1Pc6Yv9IXHX_JIG-DKPOREpltIr1QjGZv9Tsr2poCYbO066Ym8NSjpRYXk16DpJb5fauvj15KiU12U5bpwzx3-DOpobxJRdCaff1EEz07ndeyYcjgKEuR96P-o7-rlMtWfOntSnLgjANQyS6SFhjgTa-URBVKDAJit/w326-h400/0%20-WSQu-uNQHgajFD2.jpg" width="326" /></a></div><div class="separator" style="clear: both; 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line-height: 107%;"> </span></span><br /></div>
Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com1tag:blogger.com,1999:blog-1221158885572115483.post-7012159088110442042024-01-26T16:44:00.016-02:002024-01-30T10:31:39.879-02:00......................................................... Os HORRORES do COMUNISMO<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg06oZHB7dQQXOzT9JrZB6yk6Zc7h5q5pO806gmyGQH-CQPYjYhO-pfr-TOLurJNiZAA_eVl37qNM4tvo7PtynDtAdz5Dq_Eq_2NDmflRaTxUn826EXdtOkkvanutHqaAzuq49VIofqUO3qGtvZim__HHnhIZ0tb74dYFBu7b9GDcsZc3OCLpID1i_O0KSi/s1300/5cd03e9585600a2499109e43.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1021" data-original-width="1300" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg06oZHB7dQQXOzT9JrZB6yk6Zc7h5q5pO806gmyGQH-CQPYjYhO-pfr-TOLurJNiZAA_eVl37qNM4tvo7PtynDtAdz5Dq_Eq_2NDmflRaTxUn826EXdtOkkvanutHqaAzuq49VIofqUO3qGtvZim__HHnhIZ0tb74dYFBu7b9GDcsZc3OCLpID1i_O0KSi/w640-h502/5cd03e9585600a2499109e43.jpg" width="640" /></a></div><p><br /></p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“A
verdade é sagrada; e se você diz a verdade muito frequentemente, ninguém
acreditará”</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Uma vez
que se abole Deus, o governo se torna Deus”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">G.K.
CHESTERTON</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1874 - 1936.
Kensington, Londres / Reino Unido)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ilustrações:</span></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ILYA YEFÍMOVICH REPIN</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1844 -
1930. Chuhuiv / Rússia)</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Enojado desse
submundo de criaturas dispostas a praticar maldades. Vivem do desatino, da
intolerância, da má-fé. À espreita, no anonimato, principalmente nas redes
sociais, perseguem e denunciam os que trazem esperança e levam adiante
mensagens honestas. Nos últimos dias, meus blogues <span style="color: #3d85c6;">“Cinzas & Diamantes”</span> e
<span style="color: #3d85c6;">“O Falcão Maltês”</span> foram bombardeados pelos chiliques dessa máfia comunista
tupiniquim. </span><span style="font-size: 14pt; line-height: 107%;">Numa covardia
explícita, entre a inveja intelectual e o desespero militante, essas mensagens
sem nome, afirmam que sou de extrema direita, edito blogues decadentes
(esquecem os mais de 1 milhão de visitantes!), escrevo mentiras para a <span style="color: #3d85c6;">“bolha”</span>
(70% dos brasileiros!) etc. Na maior cara-de-pau <span style="color: #3d85c6;">“ensinam” </span>a fórmula para o
sucesso e o dinheiro: se tornar esquerdista. Delírio total. Todo êxito de
esquerda é ilícito.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Frouxos,
não assinam as difamações. Pelo texto, identifiquei um ou outro. Todos baianos,
fomos íntimos antes do mito Jair Bolsonaro. Um deles, jornalista, me elogiou na
imprensa diversas vezes. Desconheço porque se preocupam com a minha existência
conservadora. Eu nem penso nesses sujeitos egoístas. Vivo em paz. Faço o que
gosto, enfrento a sabotagem de cabeça erguida, sou bolsonarista com orgulho. </span><span style="font-size: 14pt; line-height: 107%;">Estou
mais forte e mais lúcido do que nunca. Luto pelo Brasil com valor e coragem.
Durante anos, fui cego e ignorante na política. Era escravo do sistema e nem
sabia que havia um sistema. Desde que me rebelei, o abismo ideológico me separou
dos medíocres, que não fazem falta. Gente que adultera fatos e que milita, da
maneira mais servil, a favor de uma causa ou do próprio bolso, e não a favor do
país ou de seu povo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5LZo8Bq6ow8dVL_TvUsPp0rrxZvEAs2h_1ITnPpJDZvnFFupTbDc_IpjK1VuS3WDuuMBCVL1HHl35dkpFK1f-cC9SQ3eWoi2b8T0Zp6cXIGOuXQtlVarqwRK7E6M1qx56sd36rXPwysh82Gw-r68Y03hZnxHwHcUf4gNBIMBD_HkBBx8Xq5fAhRPXZJB_/s1200/adeus-de-Pushkin-ao-mar.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1200" data-original-width="825" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5LZo8Bq6ow8dVL_TvUsPp0rrxZvEAs2h_1ITnPpJDZvnFFupTbDc_IpjK1VuS3WDuuMBCVL1HHl35dkpFK1f-cC9SQ3eWoi2b8T0Zp6cXIGOuXQtlVarqwRK7E6M1qx56sd36rXPwysh82Gw-r68Y03hZnxHwHcUf4gNBIMBD_HkBBx8Xq5fAhRPXZJB_/w275-h400/adeus-de-Pushkin-ao-mar.jpg" width="275" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Reforçando
a batalha, iniciei estudo dos princípios conservadores, compreendendo melhor
o que defendo, que é o requisito mínimo para influenciar outros. Aprendi que o comunismo
é um sistema que causa intolerância, mortes e miséria humana. Entre diversas
leituras, li o saudoso professor Olavo de Carvalho, Roger Scruton, G. K.
Chesterton, C.S. Lewis, Gustavo Corção, Ayn Rand, Ludwig von Mises e muitos mais.</span> <span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“Morte
pelo Governo”</span> (1994), de R.J. Rummel, e <span style="color: #3d85c6;">“Livro Negro do Comunismo”</span> (1997), de
Stephane Courtois, detalham o número de mortes provocadas pelo comunismo no
século XX: União Soviética, 61 milhões; China, 78 milhões; Vietnã, 1 milhão;
Coreia do Norte, 2 milhões; Europa Oriental, 1 milhão; e cerca
de 3,5 milhões na América Latina, África e Afeganistão. A maioria seus próprios
cidadãos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">É evidente
que a esquerda é um chorume ideológico chamado, de acordo com o momento, de
marxismo, comunismo, socialismo ou progressismo. Não há nenhuma diferença
relevante entre esses termos; trata-se apenas de uma questão de embalagem. A
essa lista devem também ser acrescentados o fascismo e o nazismo (cujo nome
completo era partido socialista nacional dos trabalhadores
alemães).</span> <span style="font-size: 14pt; line-height: 107%;">Comunistas
têm em comum a estupidez, o fanatismo e a cegueira ideológica, e acreditam que
destruir a democracia substituindo-a por uma oligarquia tirânica, totalitária e
cruel é uma boa forma de criar o <span style="color: #3d85c6;">“paraíso na terra”</span>. Como ter afinidade com
essa corja que apoia o crime, a pedofilia, o aborto, ideologia de gênero, drogas e
roubalheira? Eles não dão espaço para a fé cristã, o solidário, o justo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O
pensamento de esquerda está na contramão de todos os processos e inovações
intelectuais, culturais e sociais que livraram a maior parte da humanidade de
tirania e ignorância. É formado por um conjunto de fraudes e equívocos morais
sustentados por propaganda, narrativa e violência. Suas ideias resultaram em
pobreza, destruição e nos maiores massacres da história. Não tem como passar
pano nessa podridão.</span> <span style="font-size: 14pt; line-height: 107%;">A
ideologia esquerdista tem sempre um caráter doutrinário, radical e violento,
sem exceção. Seu ídolo máximo, Karl Marx, é um alemão ressentido, fracassado e
imoral que, depois de gastar a herança da esposa, jogou a família na miséria e
foi sustentado por um amigo rico, Friedrich Engels. O guru esquerdista teve um
filho com sua empregada, que abandonou. Duas de suas filhas cometeram suicídio. </span><span style="font-size: 14pt; line-height: 107%;">O genro
de Marx, Paul Lafargue, era visto como tendo sangue negro em suas veias. Ele o
insultou como <span style="color: #3d85c6;">“Negrinho”</span> e <span style="color: #3d85c6;">“O Gorila”.</span> Tinha desprezo semelhante pelos judeus,
se referindo ao colega Ferdinand Lassalle como <span style="color: #3d85c6;">“judeu gorduroso”</span>. Em
1844, escreveu o ensaio <span style="color: #3d85c6;">“A Questão Judaica”</span> no qual pergunta:<span style="color: #3d85c6;"> “Qual
é o culto secular do judeu?”</span> Sua resposta: <span style="color: #3d85c6;">“Pechinchar. Qual é o deus mundano
deles? Dinheiro.”</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoIZpqgE4CD3d8ZkddRYPDCmAVqPr2aE3qu9kvz1-8ce3nPxvCuaMgfs2qGr6f6g5NI3Fu56gxGeTwAkxWxHC7mCeG8GVBXtcy-UxfacAzwD5QNjK3gVafSNnMC2WqULdPd9ez7yj0OiR2pU9LGkPSyVkcI5POFVGOPihC9OU5bQU6jEoBY9yKsQu2sNr-/s1000/the-annual-memorial-meeting-near-the-wall-of-the-communards-in-the-cemetery-of-p_C3_A8re-lachaise-in-1883.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="625" data-original-width="1000" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoIZpqgE4CD3d8ZkddRYPDCmAVqPr2aE3qu9kvz1-8ce3nPxvCuaMgfs2qGr6f6g5NI3Fu56gxGeTwAkxWxHC7mCeG8GVBXtcy-UxfacAzwD5QNjK3gVafSNnMC2WqULdPd9ez7yj0OiR2pU9LGkPSyVkcI5POFVGOPihC9OU5bQU6jEoBY9yKsQu2sNr-/w400-h250/the-annual-memorial-meeting-near-the-wall-of-the-communards-in-the-cemetery-of-p_C3_A8re-lachaise-in-1883.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Os
comunistas, servos do descondenado Nove Dedos, esses que atacam anonimamente
meus blogues, causam-me pena e asco. Doutrinados, são indiferentes ao próximo,
apodreceram a alma. Se permitiram desumanizar. Sem honra, sem lei, sem
democracia, apoiam um desgoverno grotesco, de pura injustiça. Nossa convivência
no passado tornou-se desencanto. E sem saudades. </span><span style="font-size: 14pt; line-height: 107%;">Luto por
um sentido que justifique a existência num mundo perverso. Não me empolgo com
mais ou menos seguidores ou curtidas. Não preciso de popularidade. Não sou
artista. Sou apenas um escritor que tem esperança no coração. Sei que perdemos
uma batalha quando Nove Dedos subiu a rampa do Planalto. Mas já estou num novo
front, combatendo o bom combate. Desistir, nunca! Render-se, jamais!</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Nove Dedos exala ódio. É notório. Um traste mentiroso, corrupto, arrogante. Quem o protege apodreceu. Quem apoia ideologias socialistas, totalitárias e coletivistas
está doente da cabeça. Deveria ler <span style="color: #3d85c6;">“A Mente Esquerdista:
as Causas Psicológicas da Loucura Política”</span>, do psiquiatra norte-americano Lyle
Rossiter, onde afirma que é patologia mental quem quer que o Estado regule a
sua vida. </span><span style="font-size: 14pt; line-height: 107%;">Aristóteles
explicou que o raciocínio eleva os seres humanos acima do
restante do mundo natural. Somos diferenciados por nossa capacidade de
compreender a natureza das coisas e usar essa compreensão para buscar fins
bons. Perfeitamente. Eu não levo comunista a sério. Não tenho tempo a perder.
Dane-se!</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Deus,
pátria, família e liberdade. </span><br /><span style="font-size: 14pt; line-height: 107%;">Brasil
acima de tudo e Deus acima de todos! </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaNylRjfSB2Euce_6lfqYim9JipaugVBlwtaHekLL1amFGSnohQ8mL1VKWliQam5tmk-hh1BG7KzV1NPMidMbJCYIsaaLrRf09EATsanrupK2O8TIe_AKyZoV0rbyznmW1nLoApnufqZmf0CGnUs1Hx1yP8hYmU5mNf3tT6JdO35jZdyB5pqgdiw5XZub0/s1200/3e4b3-repin_prisao_do_propagandista.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="1200" height="406" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaNylRjfSB2Euce_6lfqYim9JipaugVBlwtaHekLL1amFGSnohQ8mL1VKWliQam5tmk-hh1BG7KzV1NPMidMbJCYIsaaLrRf09EATsanrupK2O8TIe_AKyZoV0rbyznmW1nLoApnufqZmf0CGnUs1Hx1yP8hYmU5mNf3tT6JdO35jZdyB5pqgdiw5XZub0/w640-h406/3e4b3-repin_prisao_do_propagandista.jpg" width="640" /></a></div><div class="separator" style="clear: both; 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</p><p align="center" class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-family: "Cambria",serif; font-size: 14pt; line-height: 107%;"></span></p></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Ilustrações:
</span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">SIRON FRANCO</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(Goiás, GO.
1947)</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Divulgando notícias verídicas, procuro
contribuir com nossos ideais conservadores, nossa Pátria, nossa família, nossa
história e nossa liberdade. Compartilho um conteúdo jornalístico que informa a verdade, jamais narrativas. Sem medo de patrulhas. Sei que os
escândalos no Brasil, embora abomináveis, são descartáveis. Duram dias ou horas
e logo são esquecidos e substituídos por outros. Daí a necessidade da escrita crua
e realista como testemunha da história tupiniquim. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Faço o
melhor que posso. Não me calo, não tenho medo, não aceito a tirania como
prática natural. Não caio na armadilha da relativização. Aqui selecionei os
acontecimentos mais importantes de 2023. Bons ou maus. Um resumo de fatos,
notícias, dados, polêmicas, mudanças de comando e até mesmo insultos. Foi um
ano inteiro sabendo das coisas através da<span style="color: #3d85c6;"> “Gazeta do Povo”</span>, <span style="color: #3d85c6;">“Revista Oeste”</span>, <span style="color: #3d85c6;">“Brasil
Sem Medo”</span>, <span style="color: #3d85c6;">“Quatro por Quatro”</span>, Diogo Forjaz, Paulo Figueiredo e Bárbara do<span style="color: #3d85c6;"> “Te
Atualizei”</span>.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O Brasil está
na corda bamba, em equilíbrio delicado e permanente desafio aos limites do que
é moral e do que é imoral, </span><span style="font-size: 14pt; line-height: 107%;">num ano que começou com a sabotagem da
esquerda e a traição das Forças Armadas aos cidadãos de camisa amarela no
infame 8 de janeiro em Brasília. Uma horda de radicais infiltrados, procurando
repetir a farsa do Capitólio, depredou os edifícios da Praça dos Três Poderes. A
culpa caiu em senhoras, doentes, crianças e até cães. Terminaram no xilindró. Seria
risível, não fosse trágico. Confira.</span><br /><b><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFkVTXpq2xkbMMyPBa19KLLQKk9hyy0Oby1YvnDl5iXklu5llVB99QuUJZXDrWrz1tuiDxGmU9eUJ7q4JjX_jzmXwcoAVs7sNh5V_D_EnDZ3pDErG04yBmDtreluhDIzvqanDYOXEI55Lnx5fLk0DiU7wztloDRg7LUt5cA_D26C-_M1GmGwlhZikg2wrp/s960/287844913_5164357883648392_4302500494677173187_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="815" data-original-width="960" height="544" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFkVTXpq2xkbMMyPBa19KLLQKk9hyy0Oby1YvnDl5iXklu5llVB99QuUJZXDrWrz1tuiDxGmU9eUJ7q4JjX_jzmXwcoAVs7sNh5V_D_EnDZ3pDErG04yBmDtreluhDIzvqanDYOXEI55Lnx5fLk0DiU7wztloDRg7LUt5cA_D26C-_M1GmGwlhZikg2wrp/w640-h544/287844913_5164357883648392_4302500494677173187_n.jpg" width="640" /></a></div></span></b><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JANEIRO</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Derrotaremos
o Brasil para construir o socialismo.”</span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">GRUPO de
APOIADORES</span> na posse do Nove Dedos</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">01</span><br /><span style="font-size: 14pt; line-height: 107%;">Posse do
descondenado Nove Dedos como 39.º Presidente do Brasil, após campanha
desqualificada. O povo o considera um invasor do Planalto. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">02</span><br /><span style="font-size: 14pt; line-height: 107%;">Jornalistas
Guilherme Fiuza, Paulo Figueiredo e Rodrigo Constantino censurados nas redes
sociais, contas bancárias bloqueadas e passaportes cancelados. Ditadura! </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">03</span><br /><span style="font-size: 14pt; line-height: 107%;">Brasília
lotada de manifestantes patriotas. Não aceitam Nove Dedos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">04</span><br /><span style="font-size: 14pt; line-height: 107%;">Em 08 de
janeiro, esquerdistas infiltrados invadem e vandalizam sedes dos Três Poderes
durante manifestação de direita em Brasília, numa farsa orquestrada por
poderosos. </span></span><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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viaturas zeradas, armamento de ponta e homens de sobra, a Força Nacional do
ministro Dinossauro permaneceu imóvel e sem nenhuma prisão durante a intervenção.
Pra lá de suspeito.</span>
</span><span style="font-family: inherit;"><span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">05</span><br /><span style="font-size: 14pt; line-height: 107%;">As FFAA
traem o povo que ficou 62 dias nas portas dos quartéis implorando ajuda. Em
Brasília, os militares aprisionaram quase 1.500 patriotas pacíficos em um
“ginásio de concentração”. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">06</span><br /><span style="font-size: 14pt; line-height: 107%;">General
Tomás Miguel Ribeiro Paiva, novo comandante do Exército, faz discurso
defendendo que o Brasil vive uma normalidade democrática, que tudo está em seu
devido lugar, a constituição está sendo respeitada etc. Paulo
Figueiredo tinha dado a ficha dele: melancia de carteirinha.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">07</span><br /><span style="font-size: 14pt; line-height: 107%;">Ex-ministro
da Justiça, Anderson Torres foi preso pela Polícia Federal ao voltar dos EUA sob a acusação
absurda de facilitar a ação de bolsonaristas durante a invasão as sedes dos Três
Poderes.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">08</span><br /><span style="font-size: 14pt; line-height: 107%;">Ibaneis
Rocha, governador do Distrito Federal, afastado do cargo por decisão do
ministro do STF Alexandre de Moraes. Retornou após 66 dias.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">09</span><br /><span style="font-size: 14pt; line-height: 107%;">Dez
membros de uma família são sequestrados e assassinados no Distrito Federal.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">10</span><br /><span style="font-size: 14pt; line-height: 107%;">A rede
varejista Americanas entra com pedido de recuperação judicial após a descoberta
de um rombo financeiro de R$ 20 milhões e o bloqueio de parte das contas
motivado por dívidas com credores. Fecha 95 lojas e tem 16 ações de despejo por
falta de pagamentos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">11</span><br /><span style="font-size: 14pt; line-height: 107%;">Comportas
do São Francisco fechadas e carros pipas de volta. Até quando o nordestino
suportará de braços cruzados a exploração comunista?</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQeux0R11pfdfJUBUCXdYz3t2lqjOye-N_XxfIp5H30CunwTFtkfBldt2ris4IBmtc62ClEUYVygwl6mYxALiMXVn14DofbS6lrO00qyqOgbAzF_pERUp58cVDOLfIStVdNzdoZRzXqgS9_xv7RU3ybJM11kdlNLrM2LVAsBBtqJJW6tyIOm1NZW9EEHRm/s600/3852985.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="455" data-original-width="600" height="304" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQeux0R11pfdfJUBUCXdYz3t2lqjOye-N_XxfIp5H30CunwTFtkfBldt2ris4IBmtc62ClEUYVygwl6mYxALiMXVn14DofbS6lrO00qyqOgbAzF_pERUp58cVDOLfIStVdNzdoZRzXqgS9_xv7RU3ybJM11kdlNLrM2LVAsBBtqJJW6tyIOm1NZW9EEHRm/w400-h304/3852985.jpg" width="400" /></a></div></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">FEVEREIRO</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“O Brasil
é uma democracia trans. </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Se sente
democracia, mas é ditadura.”</span></span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">NIKOLAS
FERREIRA</span> (PL – MG), deputado federal</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">12</span><br /><span style="font-size: 14pt; line-height: 107%;">OCDE diz que na republiqueta de Paulo Freire 67% dos brasileiros não sabem
diferenciar fato de opinião.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">13</span><br /><span style="font-size: 14pt; line-height: 107%;">Na
<span style="color: #3d85c6;">“Operação Lesa Pátria”</span>, STF manda PF prender coronel, capitão e tenente
acusados dos atos do 8/1. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">14</span><br /><span style="font-size: 14pt; line-height: 107%;">Perseguido
pelo Supremo Tribunal Federal (STF), Daniel Silveira é preso. Bastou terminar o
mandato de deputado. Ele tem mais de 4 milhões de reais em multas. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">15</span><br /><span style="font-size: 14pt; line-height: 107%;">Morre
homem que ateou fogo no corpo em protesto contra o STF. Em chamas, ele gritou:
<span style="color: #3d85c6;">“Morte ao Xandão!”</span>. A imprensa ignorou.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">16</span><br /><span style="font-size: 14pt; line-height: 107%;">Chuva
avassaladora deixa 36 mortos, mais de 2 mil desabrigados, interdita estradas e
põe litoral de São Paulo em estado de calamidade.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">17</span><span><br /></span></span><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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alinhado aos desejos do Planalto e do </span><span style="font-size: 14pt; line-height: 107%;">Supremo</span><span>,</span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span> o i</span>mprestável Rodrigo Pacheco (PSD - MG) reeleito presidente do Senado Federal.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">18</span><br /><span style="font-size: 14pt; line-height: 107%;">O
mercenário Arthur Lira (PP - AL) reeleito presidente da Câmara dos Deputados.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">19</span><br /><span style="font-size: 14pt; line-height: 107%;">Na CCJ, em tramitação a PEC 16/2019, que limita mandato dos
ministros do STF a 8 anos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxIPR_jS1blzeFKKJ83WGA6lW_mqoZ3zRvEBhtKZQR5Qfx7ZIWd9eiOjDY056zKwkdL_02Bd5p48Tr7Znd-9jXwNIHUNZXNDJ5xlanOk2OB2b_vL2OGAyOBZK-lTotlgJDUJDMwOOGkPKmpRkKAoUXUg84nDbo4C6SX-yO5W1Zf_Y64dOIuHZyTspFPPfW/s988/16-Sem-Titulo-foto-%C2%A9-DelRe_Stein_VivaFoto-889x1024.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="988" data-original-width="849" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxIPR_jS1blzeFKKJ83WGA6lW_mqoZ3zRvEBhtKZQR5Qfx7ZIWd9eiOjDY056zKwkdL_02Bd5p48Tr7Znd-9jXwNIHUNZXNDJ5xlanOk2OB2b_vL2OGAyOBZK-lTotlgJDUJDMwOOGkPKmpRkKAoUXUg84nDbo4C6SX-yO5W1Zf_Y64dOIuHZyTspFPPfW/w344-h400/16-Sem-Titulo-foto-%C2%A9-DelRe_Stein_VivaFoto-889x1024.jpg" width="344" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MARÇO</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Não vim
fazer oposição, porque esse governo já está morto.”</span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">JAIR BOLSONARO, o
MITO</span>, ex-presidente do Brasil</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">20</span><br /><span style="font-size: 14pt; line-height: 107%;">Governo
dos EUA nega pedido de extradição do jornalista Allan dos Santos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">21</span><br /><span style="font-size: 14pt; line-height: 107%;">Polícia prende o vagabundo José Rainha, líder do movimento terrorista Frente
Nacional de Lutas (FNL), após invasões de fazendas em São Paulo e Mato Grosso
do Sul.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">22</span><br /><span style="font-size: 14pt; line-height: 107%;">Wilma
Teodoro Petrillo, viúva de Gal Costa, disputa na justiça espólio
milionário da cantora. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">23</span><br /><span style="font-size: 14pt; line-height: 107%;">Onda de
ataques violentos em municípios do Rio Grande do Norte. Durante sete dias,
tiroteio, granadas, residências e carros em chamas. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">24</span><br /><span style="font-size: 14pt; line-height: 107%;">Nove
Dedos exclui 1,4 milhões de pessoas do Bolsa Família. Fazuéli!</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">25</span><br /><span style="font-size: 14pt; line-height: 107%;">Polícia
Federal descobre que PCC planejava sequestrar, torturar e matar Sérgio Moro, esposa e filhos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">26</span><br /></span><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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impichada Dilma Rousseff arranja generosa boquinha no banco dos BRICS. </span><span><span style="font-size: 14pt; line-height: 107%;">Salário mensal de R$ 290 mil. </span></span><span style="font-size: 14pt; line-height: 107%;">Flagrada
em classe de luxo durante voo, não titubeou: “sou presidenta de banco,
querida”.</span> <span><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">27</span><br /><span style="font-size: 14pt; line-height: 107%;">Aumento
do salário mínimo de 20 reais. Passa de 1300 para 1320 reais.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">28</span><br /><span style="font-size: 14pt; line-height: 107%;">Ministro
Dinossauro chega sem escolta na favela da Maré. Ninguém mexe, escancarando a cumplicidade
do desgoverno federal com o crime organizado.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">29</span><br /><span style="font-size: 14pt; line-height: 107%;">No dia 27
de março, aluno de 13 anos promove ataque a faca numa escola estadual da Vila
Sônia, em São Paulo. Uma professora morre e outras quatro pessoas ficam
feridas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">30</span><br /><span style="font-size: 14pt; line-height: 107%;">O Capitão
Jair Bolsonaro volta ao Brasil no dia 30 de março, depois de temporada nos Estados Unidos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">31</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Multidão recepciona JB em Ribeirão Preto. Só se ouvia <span style="color: #3d85c6;">“Mito!
Mito!”</span> e <span style="color: #3d85c6;">“Lula ladrão seu lugar é na prisão”</span>.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">32</span><br /><span style="font-size: 14pt; line-height: 107%;">Ministra
da Saúde Nísia Trindade é uma fraude. Não é médica, pró-aborto,
militante e só fala tolices. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">33</span><br /><span style="font-size: 14pt; line-height: 107%;">Forças
Armadas vivem desgaste de imagem após associação com o desgoverno do PT e
traição ao povo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2fidAWbHIBNy9Ov_71V2cx1-55FpeeaIzW1xZQUh3RVzwi5yMwJHZXaARG-2QasyldNMXE1vZDzjQSydeSEWHou5NFiVT0FPgkKAaCc_DVCAyRFPNPZZVfCKW_FV5ACUQ51MdBJjexiNbH7tGnDKLgvArINYHTEpMu6pxMPWU1kU53pI-l2yiRHRwkurf/s1033/20-Argonauta-foto-%C2%A9-DelRe_Stein_VivaFoto-e1697094955367.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1033" data-original-width="791" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2fidAWbHIBNy9Ov_71V2cx1-55FpeeaIzW1xZQUh3RVzwi5yMwJHZXaARG-2QasyldNMXE1vZDzjQSydeSEWHou5NFiVT0FPgkKAaCc_DVCAyRFPNPZZVfCKW_FV5ACUQ51MdBJjexiNbH7tGnDKLgvArINYHTEpMu6pxMPWU1kU53pI-l2yiRHRwkurf/w306-h400/20-Argonauta-foto-%C2%A9-DelRe_Stein_VivaFoto-e1697094955367.jpg" width="306" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ABRIL</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Lula
envergonha o Brasil!”</span><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ESTADÃO</span><span style="color: white;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">34</span><br /><span style="font-size: 14pt; line-height: 107%;">Dando
início ao <span style="color: #3d85c6;">“abril vermelho”</span>, 250 milicianos do MST invadem terras em
Pernambuco. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">35</span><br /><span style="font-size: 14pt; line-height: 107%;">Desgoverno
federal gasta R$ 65 mil com sofá e R$42 mil com cama para Madame Canja. Para
quem se deitava com ladrão na cadeia, nada mal.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">36</span><br /><span style="font-size: 14pt; line-height: 107%;">Ex-governador
carioca Pezão é absolvido de sentença de 99 anos de prisão. Mais um
descondenado. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">37</span><br /><span style="font-size: 14pt; line-height: 107%;">Para
cobertura da visita do ladrão, China despeja R$74 milhões pra
Globolixo, Veja, CNN, IstoÉ etc.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">38</span><br /><span style="font-size: 14pt; line-height: 107%;">Nove
Dedos leva Stédile, chefão dos terroristas do MST, pra China. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">39</span><br /><span style="font-size: 14pt; line-height: 107%;">Monstro
ataca creche em Blumenau (SC), matando quatro crianças com machado e
ferindo outras cinco.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">40</span><br /><span style="font-size: 14pt; line-height: 107%;">Imagens
vazadas exibidas na CNN. General Gonçalves Dias, ministro do GSI conhecido como
<span style="color: #3d85c6;">“Sombra”</span> do Nove Dedos, e sua equipe, foram filmados entre os vândalos do
Planalto no 8/1. Eles abrem portas, conversam com os manifestantes,
oferecem água e depois da destruição indicam gentilmente a saída.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">41</span><br /><span style="font-size: 14pt; line-height: 107%;">Polícia
Federal identifica pagamentos feitos pelo PCC a advogados do matador de aluguel
Adélio Bispo. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">42</span><br /><span style="font-size: 14pt; line-height: 107%;">Twitter
dá selo Fake News para Nove Dedos, deixando claro que ele é um baita mentiroso. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">43</span><br /><span style="font-size: 14pt; line-height: 107%;">Entre os infiltrados
do quebra-quebra do 08 de janeiro, Adriano Machado, fotógrafo profissional
militante do Partido das Trevas. Tentando se livrar de provas, ele apaga muita
coisa e bloqueia contas no Twitter, Facebook, Instagram e exclui o seu site. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">44</span><br /><span style="font-size: 14pt; line-height: 107%;">Questionado
em Portugal sobre guerra da Ucrânia, o descondenado finge não entender a
pergunta. Duas vezes. Vira chacota internacional.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">45</span><br /><span style="font-size: 14pt; line-height: 107%;">TV
portuguesa se escandaliza com o tamanho e o luxo da comitiva do Pai dos Pobres.
Confira: 2 aviões; 75 pessoas; 22 veículos; hotel 5 estrelas; diárias de até 22
mil reais.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">46</span><br /><span style="font-size: 14pt; line-height: 107%;">Sob
fortes vaias e protestos em Portugal, Nove Dedos diz que <span style="color: #3d85c6;">“as pessoas não são
obrigadas a gostar do Lula”</span>. <span style="color: #3d85c6;">“Fora, Lula ladrão!”</span>, gritaram. Que vexame!</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">47</span><br /><span style="font-size: 14pt; line-height: 107%;">Deputado
português André Ventura denuncia ameaça de seguranças do Nove Dedos
dentro do Parlamento.</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">48</span></span><br /><span style="font-size: 14pt; line-height: 107%;">Cortados
do Bolsa Família se revoltam e provocam filas gigantescas e confusão em Salvador. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">49</span><br /><span style="font-size: 14pt; line-height: 107%;">Justiça
libera bens de André do Rap, chefão do PCC, dentre eles helicóptero, lancha e
mansão. Provas anuladas, inquérito trancado.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">50</span><br /><span style="font-size: 14pt; line-height: 107%;">Luísa
Mell denuncia o garoto da capivara. O vídeo dele se lamentando é de partir o coração. Essa
senhora desumana e o Ibama deveriam procurar o que fazer.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">51</span><br /><span style="font-size: 14pt; line-height: 107%;">Instalada
no Congresso Nacional a CPMI do 8 de janeiro, que investiga os ataques e o
financiamento do vandalismo às sedes dos Três Poderes.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiT6pNRNWVt4nkRwZ_SQvs9IA52Er2Npke7A5ENU2IEWspOlhGUOOlRB1pqZ2MFLLx1AhprZImaK6F8dSCWEu0kEsDptoBllJZSFcIX5vV_jBp37dba4syYgzUGI3EF-6pEo2vvRkHrwYkc96jjS_wnh0UR55-p9FU7DzEsb6OYq-CA8G1GiDfW_QAzI9N/s1110/5e479e8397c936bcc6ed641d7757ce2da73f58e5_ml.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1110" data-original-width="1007" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiT6pNRNWVt4nkRwZ_SQvs9IA52Er2Npke7A5ENU2IEWspOlhGUOOlRB1pqZ2MFLLx1AhprZImaK6F8dSCWEu0kEsDptoBllJZSFcIX5vV_jBp37dba4syYgzUGI3EF-6pEo2vvRkHrwYkc96jjS_wnh0UR55-p9FU7DzEsb6OYq-CA8G1GiDfW_QAzI9N/w363-h400/5e479e8397c936bcc6ed641d7757ce2da73f58e5_ml.JPG" width="363" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MAIO</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“A
liberdade não é um direito. A liberdade </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">é um
sentimento, uma emoção.”</span></span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">CÁRMEN
LÚCIA</span>, ministra do STF</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">52</span><br /><span style="font-size: 14pt; line-height: 107%;">O
tenente-coronel do Exército Mauro Cid, ex-ajudante de ordens de JB,<span style="mso-spacerun: yes;"> </span>preso de forma ilegal. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">53</span><br /><span style="font-size: 14pt; line-height: 107%;">Pressionado,
general Gonçalves Dias pede demissão do Gabinete de Segurança Institucional
(GSI), após imagens do 08 de janeiro divulgadas pela CNN Brasil mostrando o
ministro e funcionários do GSI em conluio com a ação dos vândalos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">54</span><br /><span style="font-size: 14pt; line-height: 107%;">Depois de
meses internado, morre de infecção generalizada o ex garoto de programa e ex
deputado federal David Miranda, marido do polêmico jornalista norte-americano
Glenn Greenwald.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">55</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Sincero, inteligente e comovente depoimento </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">de Bárbara do <span style="color: #3d85c6;">“Te Atualizei” </span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">na Câmara dos Deputados. Em retaliação, seus vídeos são banidos das redes sociais.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">56</span><br /><span style="font-size: 14pt; line-height: 107%;">General
Gustavo Henrique Dutra debocha e classifica os manifestantes presos em frente
ao QG de Brasília como fanáticos. Diz que, assim como Nove Dedos, se sentiu
<span style="color: #3d85c6;">“indignado”</span> com os protestos e <span style="color: #3d85c6;">“não tinha dúvidas”</span> de que todos ali deveriam
ser presos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">57</span><br /><span style="font-size: 14pt; line-height: 107%;">TRF4
coloca na rua petista Eduardo Appio, juiz da Lava Jato, por ameaça e
intimidação. Tchau, querido!</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">58</span><br /><span style="font-size: 14pt; line-height: 107%;">Depois de
perseguida e censurada, juíza Ludmila Lins Grilo é aposentada pelo TJMG. Seu
crime? Criticar o STF. <span style="color: #3d85c6;">“Perdi o cargo, mas minha dignidade está intacta”</span>, rebateu
a guerreira.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">59</span><br /><span style="font-size: 14pt; line-height: 107%;">Ditador
Nicolás Maduro desembarca no Brasil com honras militares. Vergonha! </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">60</span><br /><span style="font-size: 14pt; line-height: 107%;">A
veterana jornalista militante Delis Ortiz, da Globolixo, agredida pela equipe
de segurança do ditador Maduro. Não teve notinha de repúdio do Bonner.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">61</span><br /><span style="font-size: 14pt; line-height: 107%;">Por
unanimidade, Tribunal Superior Eleitoral (TSE) cassa mandato do deputado
federal Deltan Dallagnol.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">62</span><br /><span style="font-size: 14pt; line-height: 107%;">O
ex-presidente Fernando Collor condenado pelo STF a 8 anos e 10 meses de prisão
por corrupção passiva e lavagem de dinheiro.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">63</span><br /><span style="font-size: 14pt; line-height: 107%;">Fake news
recorrentes e surreais em torno do caso das joias sauditas de Jair e Michelle Bolsonaro.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JUNHO</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">“Democracia
é um conceito relativo.”</span></span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">NOVE
DEDOS</span>, petista descondenado</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">64</span><br /><span style="font-size: 14pt; line-height: 107%;">Divulgação
de dados do Censo 2022. Brasil tem oficialmente 203.602.512 habitantes.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">65</span><br /><span style="font-size: 14pt; line-height: 107%;">Nove
Dedos é recebido com gritos de ladrão na Bahia Farm Show 2023. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">66</span><br /><span style="font-size: 14pt; line-height: 107%;">A escória
da América Latina se reúne em Brasília para Foro de SP. Um encontro de
ditadores.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">67</span><br /><span style="font-size: 14pt; line-height: 107%;">Por 5
votos a 2, o TSE condena o ex-presidente Jair Bolsonaro à inelegibilidade por 8 anos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">68</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Em campanha de
arrecadação de dinheiro para cobrir multas impostas pela justiça, </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Bolsonaro
recebe R$ 17,2 milhões em mais de 769 mil transações</span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">. A doação
deixa a esquerda morta de inveja. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyi-ZN7jkI05qeEGg3ug_aV28xZy7PjZjj8wL-6WgZJa9DHX6gM6wO_Qi8p2pZLUoiwBELy1fiEky_uEZ22YhdlK-VJeDH7zLuL_Lpla1eNRLv9GrMs1uqNrMLJieG96acSM9Wi2MbH2XmRJkAOCdbxZKqaOYmJLYkt3Y0V8VbUwqHGm_SMBWOYoKGp5ww/s585/78619.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="585" data-original-width="477" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyi-ZN7jkI05qeEGg3ug_aV28xZy7PjZjj8wL-6WgZJa9DHX6gM6wO_Qi8p2pZLUoiwBELy1fiEky_uEZ22YhdlK-VJeDH7zLuL_Lpla1eNRLv9GrMs1uqNrMLJieG96acSM9Wi2MbH2XmRJkAOCdbxZKqaOYmJLYkt3Y0V8VbUwqHGm_SMBWOYoKGp5ww/w326-h400/78619.jpg" width="326" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JULHO</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">"Essa
gente (bolsonaristas) tem que ser extirpada!"</span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">NOVE
DEDOS</span> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">69</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Alexandre
de Moraes e família xingados por brasileiros em aeroporto de Roma. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">70</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Em Congresso da UNE, Barroso diz que STF é tribunal
político e derrotou o bolsonarismo. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">71</span><br /><span style="font-size: 14pt; line-height: 107%;">Novo
ministro do Turismo, Celso Sabino é condenado a devolver R$1,3
milhão do fundão eleitoral. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">72</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">No Congresso dos EUA, deputado denuncia e coloca o desgoverno
do PT em situação constrangedora.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">73</span><br /><span style="font-size: 14pt; line-height: 107%;">Reforma
Tributária é aprovada no Congresso Federal.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">74</span><br /><span style="font-size: 14pt; line-height: 107%;">Na
canetada, MEC acaba com escolas cívico-militares. As secretarias estaduais são
oficialmente informadas do fim do programa.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwG4ahWgWT7nS1qBei6xod6mLKNPnBz72I2NXY505kaAW_u2RIZcvZ7YL5DHmfjE6e_EXHRrYEdguHaEyYPOwOzap78nRqCNUfXRK5v6Zxz6BPnizUmcxi2bBdtyZfcTcwBN43Fcr1tyF-9fKU6onqE3J49StecMR4oOFqUy3n8asGMAjNQloGBt0vym2X/s1000/siron-franco-rainha-oleo-sobre-madeira-25136.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="804" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwG4ahWgWT7nS1qBei6xod6mLKNPnBz72I2NXY505kaAW_u2RIZcvZ7YL5DHmfjE6e_EXHRrYEdguHaEyYPOwOzap78nRqCNUfXRK5v6Zxz6BPnizUmcxi2bBdtyZfcTcwBN43Fcr1tyF-9fKU6onqE3J49StecMR4oOFqUy3n8asGMAjNQloGBt0vym2X/w321-h400/siron-franco-rainha-oleo-sobre-madeira-25136.jpg" width="321" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">AGOSTO</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">“Lá no
assentamento, ou você vota no PT ou você perde a terra.”</span></span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">VANUZA
SOUZA</span>, sem-terra na CPI do MST</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">75</span><br /><span style="font-size: 14pt; line-height: 107%;">Desgoverno federal bloqueia verbas para alfabetização, transporte escolar e bolsas de
estudo. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">76</span><br /><span style="font-size: 14pt; line-height: 107%;">Marinha
desocupa praia de Santarém (Pará) em pleno domingo para diversão do Nove Dedos e Madame
Esbanja, revoltando moradores, comerciantes e turistas. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">77</span><br /><span style="font-size: 14pt; line-height: 107%;">Com 1g se
faz um baseado de maconha. A Justiça libera 60g por usuário. Qual o objetivo da fartura?</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">78</span><br /><span style="font-size: 14pt; line-height: 107%;">Silvinei
Vasques, diretor da Polícia Rodoviária Federal que mais coordenou apreensões de
drogas no Brasil, preso em Florianópolis na investigação sobre interferência
nas eleições de 2022. Parece vingança.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">79</span><br /><span style="font-size: 14pt; line-height: 107%;">Polícia
Federal descarta culpa do coronel Naime pelo 08 de janeiro. No entanto, ele
continua preso por determinação de Alexandre de Moraes.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">80</span><br /><span style="font-size: 14pt; line-height: 107%;">Na CPI do
MST, general Gonçalves Dias massacrado por Ricardo Salles. Além disso, em cena
icônica, deputados comiam melancia.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">81</span><br /><span style="font-size: 14pt; line-height: 107%;">Apagão
atinge 25 estados do Brasil e o Distrito Federal. Roraima foi o único estado a
não ser afetado.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">82</span><br /><span style="font-size: 14pt; line-height: 107%;">Paraná
Pesquisas coloca gestão da governadora do Rio Grande do Norte, Fátima Gópi
(PT), como a pior do Brasil. Já o Instituto Veritá, como um dos três
piores gestores do país. Sua rejeição no RN é de 53,5%. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">83</span><br /><span style="font-size: 14pt; line-height: 107%;">Preço
médio da gasolina fica 0,41 centavos mais caro. Aumento de 16,3%. O diesel sobe
0,78 centavos, num ajuste de 25%. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">84</span><br /><span style="font-size: 14pt; line-height: 107%;">STF
defende a liberdade de usar drogas. No Brasil não se é livre para falar nem para se
defender, mas se <span style="mso-spacerun: yes;"> </span>é livre para se entupir
de drogas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">85</span><br /><span style="font-size: 14pt; line-height: 107%;">Sob
gritos de mito, JB chega a Belo Horizonte para receber título de cidadania
honorária de Minas Gerais. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">86</span><br /><span style="font-size: 14pt; line-height: 107%;">Desgoverno
Nove Dedos nomeia Mateus Lima como Conselheiro da ANATEL. Em 2018 ele foi pego
escondendo dinheiro na privada.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">87</span><br /><span style="font-size: 14pt; line-height: 107%;">Governador
Tarcísio de Freitas decreta perdão para multas de quem não usou máscara na
pandemia. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">88</span><br /><span style="font-size: 14pt; line-height: 107%;">Deon,
jogador do Bahia de Feira de Santana, morre de mal súbito em treino. Mais
um que a picada levou.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">89</span><br /><span style="font-size: 14pt; line-height: 107%;">Cristiano
Zanin, advogado pessoal do Nove Dedos, toma posse como ministro do Supremo
Tribunal Federal. Recebeu 58 votos favoráveis e 18 contrários.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">90</span><br /><span style="font-size: 14pt; line-height: 107%;">Na
África, Nove Dedos agradece por 350 anos de serviços prestados ao Brasil.
Imbecil! Escravidão se lamenta, não se agradece.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">91</span><br /><span style="font-size: 14pt; line-height: 107%;">A
plataforma <span style="color: #3d85c6;">“Brasil Paralelo”</span> disponibiliza o documentário <span style="color: #3d85c6;">“Aos Amigos, a Lei
Rouanet – o que há por Trás da Lei”</span>. Um show de investigação da farra dos
artistinhas com o nosso dinheiro. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvmAcCO-zRC07hoImwyIj5Q5aZns1m1uPRKKrWYbPIVJgMPpCJtkUWDGzHNvZ3l52z2PRwPDcSQRolewVXzrB910kb5zxg-EiVAPHkM-yd9goAklOMFRg9EQguW5Fm67Dic3-TBcwsyvHcb3EEcl0ZWnmivqSB212XpHtC3_BBkAxx6E0K9qbpC9R3iyJV/s1000/siron-franco-titulo-proibido-n2-oleo-sobre-tela-17339.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="881" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvmAcCO-zRC07hoImwyIj5Q5aZns1m1uPRKKrWYbPIVJgMPpCJtkUWDGzHNvZ3l52z2PRwPDcSQRolewVXzrB910kb5zxg-EiVAPHkM-yd9goAklOMFRg9EQguW5Fm67Dic3-TBcwsyvHcb3EEcl0ZWnmivqSB212XpHtC3_BBkAxx6E0K9qbpC9R3iyJV/w353-h400/siron-franco-titulo-proibido-n2-oleo-sobre-tela-17339.jpg" width="353" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">SETEMBRO</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Vamos
preparar o Brasil para uma presidenta travesti.”</span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">ERIKA
HILTON</span> (Psol – SP), deputada trans</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">92</span><br /><span style="font-size: 14pt; line-height: 107%;">Rombo
bilionário das Americanas não afeta a fortuna do comunista Jorge Paulo Lemann,
um dos sócios. Os acionistas pagam o pato.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">93</span><br /><span style="font-size: 14pt; line-height: 107%;">Situação
dramática em Salvador. Tiroteios, sequestros, famílias em cárcere privado. 68
mortos. Facção criminosa domina a capital comunista. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">94</span><br /><span style="font-size: 14pt; line-height: 107%;">Operação
Escudo, em São Paulo, chega ao fim com 958 criminosos presos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">95</span><br /><span style="font-size: 14pt; line-height: 107%;">Clima de
velório no desfile de 7 de setembro em Brasília. Nove Dedos e Esbanja acenaram
para arquibancadas vazias. A ausência do povo falou alto. Ficou feio, muito
feio, uma humilhação!</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">96</span><br /><span style="font-size: 14pt; line-height: 107%;">Fiasco
retumbante em todo o Brasil. 7 de setembro vazio, sem o povo nas ruas. O recado
mais que claro do descontentamento do brasileiro com o desgoverno do Partido
das Trevas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">97</span><br /><span style="font-size: 14pt; line-height: 107%;">A
hospedagem do Nove Dedos e de Madame Esbanja no hotel de luxo Taj Palace, em
Nova Déli, custou R$ 2 milhões aos pagadores de impostos. Pagamos também cerca
de R$ 330 mil pelo aluguel de salas de apoio no local, usadas para coletivas de
imprensa.</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">98</span></span><br /><span style="font-size: 14pt; line-height: 107%;">Advogado
de réus do 8/1 diz que ministros do STF são as <span style="color: #3d85c6;">“pessoas mais odiadas deste
país”</span>.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">99</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Na Índia, o descondenado foi flagrado pelas câmeras roubando canetas e as passando pra
Esbanja. É mais forte do que ele. Tá no DNA.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">100</span><br /><span style="font-size: 14pt; line-height: 107%;">Maconha
com a cara do Nove Dedos estampada na embalagem e a frase “Faz o L” fazem sucesso
em São Paulo. A Polícia apreendeu mais de uma tonelada.</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">101</span></span><br /><span style="font-size: 14pt; line-height: 107%;">Nove
Dedos chamado de ladrão ao deixar hotel de luxo em Nova York.
Assustado, corre para o carro.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">102</span><br /><span style="font-size: 14pt; line-height: 107%;">A volta
do imposto sindical, travestido de contribuição, serve para fortalecer o
peleguismo. Uma extorsão.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">103</span><br /><span style="font-size: 14pt; line-height: 107%;">Fala do
Nove Dedos na Assembleia-Geral da ONU foi decepcionante. Porta-voz do atraso,
reclamou do embargo a Cuba. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">104</span><br /><span style="font-size: 14pt; line-height: 107%;">Para
atender desgoverno do PT, STF muda entendimentos do próprio STF, anula leis
aprovadas no Congresso e até altera a Constituição.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">105</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Supremo Tribunal Federal condena os primeiros réus pelo envolvimento nos
ataques nas sedes dos Três Poderes, em 8 de janeiro. Penas chegam a 17 anos de
prisão.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">106</span><br /><span style="font-size: 14pt; line-height: 107%;">Em Nova
York, durante Assembleia-Geral da ONU, Joe Biden oferece jantar a 30 líderes.
Nove Dedos não foi convidado. Desprestígio.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">107</span><br /><span style="font-size: 14pt; line-height: 107%;">Jandira
Feghali ameaça bater em Nikolas Ferreira na CPMI do 8/1, e vai parar no
Conselho de Ética. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">108</span><br /><span style="font-size: 14pt; line-height: 107%;">Desgoverno
do PT anuncia banheiros unissex em escolas de todo o país. É escandaloso. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">109</span><br /><span style="font-size: 14pt; line-height: 107%;">General
Heleno chama deputada trans Duda Salabert de senhor em CPMI e ela se ofende. Putz.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">110</span><br /><span style="font-size: 14pt; line-height: 107%;">Em
discurso forte, Adrilles Jorge grita <span style="color: #3d85c6;">“Ele merece a prisão. Fora Alexandre de
Moraes!”</span> e é aplaudido de pé no CPAC Brasil 2023.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">111</span><br /><span style="font-size: 14pt; line-height: 107%;">Prefeito
de Boa Vista (RR) cancela show de Johnny Hooker na cidade após ver vídeo do
cantor dizendo que Jesus é travesti. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">112</span><br /><span style="font-size: 14pt; line-height: 107%;">A
deslumbrada Madame Esbanja é vaiada e xingada de lixo em Porto Alegre. Por onde
passava, o povo gritava <span style="color: #3d85c6;">“Michelle!!!”</span>. Saiu do prédio onde estava em reunião pela
porta dos fundos. Vergonha alheia.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">113</span><br /><span style="font-size: 14pt; line-height: 107%;">O
esquerdista Luís Roberto Barroso assume a presidência do Supremo Tribunal
Federal.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">114</span><br /><span style="font-size: 14pt; line-height: 107%;">Após posse, Barroso dá festa para 1.200 convidados e muito samba, com a
presença de ministros, advogados, procuradores e jornalistas. Regada a
champagne francesa, whisky 24 anos e lagostas. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">115</span><br /><span style="font-size: 14pt; line-height: 107%;">Ao se
unir a Calcinha Apertada e atacar JB, Romeu Zema demonstra
deslealdade e perde votos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">116</span><br /><span style="font-size: 14pt; line-height: 107%;">Open
Society, do bilionário George Soros, injeta R$107 milhões em ONGs brasileiras.
A meta é influenciar a política e fomentar golpes.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">117</span><br /><span style="font-size: 14pt; line-height: 107%;">Sem
licitação do TCU, empresa familiar do ministro Juscelino Filho lucra R$6,2
milhões. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">118</span><br /><span style="color: white; font-size: 14pt; line-height: 107%;">Ted Cruz, senador dos EUA, elogia Jair Bolsonaro, chama o
descondenado de chavista antiamericano e defende sanções contra o Brasil.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">119</span><br /><span style="font-size: 14pt; line-height: 107%;">41 mortos
em tempestade no Rio Grande do Sul. 85 cidades afetadas, mais de 8 mil
desalojados.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">120</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Dinossauro et caterva apagam as fitas de gravação do
8 de janeiro onde estavam provas da sabotagem.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">121</span><br /><span style="font-size: 14pt; line-height: 107%;">Câmara
Municipal de São Paulo cassa mandato do vereador Camilo Cristófaro (Avante) com
45 votos favoráveis, cinco abstenções e nenhum voto contrário a perda do
mandato, por fala racista do parlamentar.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">122</span><br /><span style="font-size: 14pt; line-height: 107%;">Ministros
do STF defendem publicamente o aborto.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUssMTo54E0mEhMAFTtkbZ-fsDKtivKTJYh8PQx9jivsqpW1DuvK8r6lOgqpkdLK4GzTXFoW9Aoow2AUfkyPqOLGnWEL4UOTd55pIjy51GIcOvmtrra1M93QlFUXRtpb3WnKSCqbIA9oTanKke-gWCGtjNbUWSvBTNd9lkcrUWzVE5F1cn1PeTLYDIJxmm/s1110/a8fa8f224720893b6bf413a8a10b83be4dc6ad79_ml.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1110" data-original-width="1110" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUssMTo54E0mEhMAFTtkbZ-fsDKtivKTJYh8PQx9jivsqpW1DuvK8r6lOgqpkdLK4GzTXFoW9Aoow2AUfkyPqOLGnWEL4UOTd55pIjy51GIcOvmtrra1M93QlFUXRtpb3WnKSCqbIA9oTanKke-gWCGtjNbUWSvBTNd9lkcrUWzVE5F1cn1PeTLYDIJxmm/w400-h400/a8fa8f224720893b6bf413a8a10b83be4dc6ad79_ml.jpg" width="400" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">OUTUBRO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Lula
sempre foi vigarista, e muitos ainda </span><br /><span style="font-size: 14pt; line-height: 107%;">insistem
em não enxergar.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ISTOÉ</span><span style="color: white;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">123</span><br /><span style="font-size: 14pt; line-height: 107%;">Por 9
votos a 2, plenário do STF derruba o marco temporal das terras indígenas. Mas o
Senado se impõe e aprova o projeto que regulamenta os direitos originários
indígenas sobre suas terras (PL 2.903/2023). Medida objetiva restabelecer a
segurança jurídica ferida de morte na Corte dos togados.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">124</span><br /><span style="font-size: 14pt; line-height: 107%;">Senado
agiliza PEC antidrogas contra decisão do STF que libera o porte. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">125</span><br /><span style="font-size: 14pt; line-height: 107%;">Dos 30
mil cargos para Conselho Tutelar, Direita elege 75%.
Desinfetação de queima de arquivo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">126</span><br /><span style="font-size: 14pt; line-height: 107%;">Três
médicos assassinados a tiros em um quiosque na Barra da Tijuca, Rio de Janeiro.
Um deles, irmão da deputada do Psol Sâmia Bomfim. Há suspeita de execução. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">127</span><br /><span style="font-size: 14pt; line-height: 107%;">Petrobras
faz 70 anos com ações em baixa, valendo R$32,62 cada. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">128</span><br /><span style="font-size: 14pt; line-height: 107%;">Depois
das vergonhosas eleições de Gilberto Gil e Fernanda Montenegro, indígena Ailton
do povo Krenak é o novo imortal da Academia Brasileiras de Letras. Esse país virou uma esculhambação.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">129</span><br /><span style="font-size: 14pt; line-height: 107%;">Baixo
nível do <span style="color: #3d85c6;">“Batcu”</span> em evento do Ministério da Saúde retrata a degradação moral do Partido das Trevas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">130</span><br /><span style="font-size: 14pt; line-height: 107%;">Prefeitos
fizeram o L e se arrependeram. Frustrados, em Brasília, pedem socorro à União
em vista da crise fiscal nas suas cidades.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">131</span><br /><span style="font-size: 14pt; line-height: 107%;">Lacta
sofre boicote histórico por patrocinar Felixo Neto. Vendas do chocolate Bis
despencam 93%. </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">132</span></span><br /><span style="font-size: 14pt; line-height: 107%;">ONG
ligada a ministra Perereca da Selva gasta 80% de R$35 milhões do Fundo Amazônia em viagens. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">133</span><br /><span style="font-size: 14pt; line-height: 107%;">Exército
brasileiro confirma furto de 21 metralhadoras de grosso calibre. Podem
derrubar aeronaves. </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">134</span></span><br /><span style="font-size: 14pt; line-height: 107%;">Relatório
mafioso da Eliziane Grana cita Jair Bolsnaro 835 vezes e bolsonarista 108 vezes. Gonçalves
Dias e Dinossauro, os principais suspeitos, zero vezes. A CPMI do 8/1 foi um
estupro da verdade.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">135</span><br /><span style="font-size: 14pt; line-height: 107%;">Deputado
Nikolas Ferreira brilha no último dia da CPMI do 8/1. Seu discurso histórico
coloca a medíocre Eliziane Grana e a esquerda na lata do lixo e dá esperanças
para os conservadores.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">136</span><br /><span style="font-size: 14pt; line-height: 107%;">A
floresta queima e cobre de fumaça Manaus e vizinhança. Silêncio ensurdecedor de
artistas e da mídia.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">137</span><br /><span style="font-size: 14pt; line-height: 107%;">A
Comissão de Constituição e Justiça (CCJ) do Senado aprova proposta de emenda à
Constituição que limita decisões monocráticas e pedidos de vista nos tribunais
superiores.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">138</span><br /><span style="font-size: 14pt; line-height: 107%;">Mais de
trinta ônibus incendiados após morte de sobrinho de miliciano. Rio de Janeiro
fora de controle. A bandidagem tomando conta de tudo.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">139</span><br /><span style="font-size: 14pt; line-height: 107%;">Três
alunos atingidos a tiros na Escola Estadual Sapopemba, em São Paulo, e um deles
não resiste. </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">140</span></span><br /><span style="font-size: 14pt; line-height: 107%;">Mais de
dezoito mil lojas em shoppings fecharam as portas nos últimos nove meses. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">141</span><br /><span style="font-size: 14pt; line-height: 107%;">Supremo Tribuna Federal faz
parte da indústria da censura, diz manifesto de 21 países pela liberdade de
expressão. Têm adesão de 141 personalidades.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">142</span><br /><span style="font-size: 14pt; line-height: 107%;">Sem
cargo, mas com gabinete no Planalto, Esbanja banca a vice-presidente, recebendo
ministros, parlamentares e embaixadores.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">143</span><br /><span style="font-size: 14pt; line-height: 107%;">Nove
Dedos manda R$1 bilhão e marqueteiros pra campanha da esquerda na Argentina. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">144</span><br /><span style="font-size: 14pt; line-height: 107%;">Senado
engaveta 817 leis e emendas contra o crime já aprovadas na Câmara. O infame Rodrigo
Pacheco não tem futuro político.</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">145</span></span><br /><span style="font-size: 14pt; line-height: 107%;">Ex-senador
Telmário Mota preso em Nerópolis (GO), acusado de mandar matar ex-esposa.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">146</span><br /><span style="font-size: 14pt; line-height: 107%;">Ex-presidente
Jair Bolsonaro volta a ser condenado à inelegibilidade por 8 anos pela acusação insensata
do uso político das comemorações do bicentenário da Independência do Brasil, em
2022. Na mesma ação, o TSE também condena o ex-ministro Walter Braga Netto com
a mesma pena.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">147</span><br /><span style="font-size: 14pt; line-height: 107%;">Nove
Dedos não condena ataque do Hamas e critica Israel,
provocando indignação internacional.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">148</span><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Mortes súbitas por todo o Brasil matam jovens, crianças e atletas. Algo
raro antes das vacinas da Covid.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHGGojnkeco94NTkVbxpZALa4pbYaOoglyMVpK1dp84d87PkTqfAJPmvhR_rOP0EJswL1SzaAPrw3FEl_QxMosDYaoFr95aWkRKBnoDq4xu8SDYJ4i5Yj_AwBKUXYg85M9-9361o5pH0Svc-0DVeVEnf7Labva5eWQUDuMTAuZnBhD23mNj2E2DYP5iryv/s1024/ywbmxrysxpj71.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="936" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHGGojnkeco94NTkVbxpZALa4pbYaOoglyMVpK1dp84d87PkTqfAJPmvhR_rOP0EJswL1SzaAPrw3FEl_QxMosDYaoFr95aWkRKBnoDq4xu8SDYJ4i5Yj_AwBKUXYg85M9-9361o5pH0Svc-0DVeVEnf7Labva5eWQUDuMTAuZnBhD23mNj2E2DYP5iryv/w366-h400/ywbmxrysxpj71.jpg" width="366" /></a></div> </span><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">NOVEMBRO</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Lula é o
Robin Hood às avessas. </span><span style="color: #3d85c6;"><br /></span><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">Tira dos
pobres e dá aos ricos.”</span> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">CIRO
NOGUEIRA</span> (PP – PI), senador</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">149</span><br /><span style="font-size: 14pt; line-height: 107%;">Viés
ideológico de questões do Enem explica o atraso na educação tupiniquim. Até o
comunista Paulo Freire foi ressuscitado.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">150</span><br /><span style="font-size: 14pt; line-height: 107%;">Subcantora
Ludmilla, ao cantar “Hino Nacional” no GP de Fórmula 1 em SP,
esquece a letra. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">151</span><br /><span style="font-size: 14pt; line-height: 107%;">Justiça
arquiva processo de Maria do Rosário contra Jar Bolsonaro. Em 2014, ele afirmou que ela
não merecia ser estuprada por ser muito feia.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">152</span><br /><span style="font-size: 14pt; line-height: 107%;">Na ONU,
discurso de Nikolas Ferreira, o deputado federal mais votado do Brasil,
escancara a ação nefasta de partidos de esquerda no Brasil e lembra que Nove
Dedos é ladrão e deveria estar na cadeia. Foi aplaudido. O discurso foi
visto nas redes por mais de 1 milhão de pessoas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">153</span><br /><span style="font-size: 14pt; line-height: 107%;">Cleriston
da Cunha, 46 anos, preso pela ditadura do judiciário brasileiro, morreu na
prisão. Sofria de diabetes e hipertensão. Mesmo com parecer favorável da PGR à
sua soltura desde setembro, o ministro Alexandre de Moraes ignorou o pedido.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">154</span><br /><span style="font-size: 14pt; line-height: 107%;">Av.
Paulista lotada! Patriotas e lideranças homenageiam o
patriota Clezão, que morreu na Papuda.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">155</span><br /><span style="font-size: 14pt; line-height: 107%;">Durante show da cantora Taylor Swift, no Estádio Olímpico Nilton
Santos, cerca de mil pessoas desmaiaram devido ao calor no Rio de
Janeiro, que registrou sensação térmica próxima de 60°C. A estudante Ana Clara Machado sofreu uma parada cardiorrespiratória e morreu no local.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">156</span><br /><span style="font-size: 14pt; line-height: 107%;">Evidente
a má fé cínica da ministra Anielle Franco ao defender a estupidez de considerar
racista a expressão científica buraco negro.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">157</span><br /><span style="font-size: 14pt; line-height: 107%;">Na Av.
Paulista, em manifestação, padre comunista Júlio Lancelotti defende os
sanguinários terroristas do Hamas que pregam morte de cristãos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">158</span><br /><span style="font-size: 14pt; line-height: 107%;">O anão
diplomático enrolou e não fez nada: só embromação. Jair Bolsonaro se reuniu com
embaixador de Israel e os brasileiros em Gaza estão voltando pra casa.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">159</span><br /><span style="font-size: 14pt; line-height: 107%;">Deputado
André Janones no centro de um escândalo de rachadinha no seu gabinete. Assessor
gravou a cobrança e colocou nas redes.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">160</span><br /><span style="font-size: 14pt; line-height: 107%;">Direita
nas ruas em todo Brasil contra abusos do STF, Fora Lula e Viva Israel! </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">161</span><br /><span style="font-size: 14pt; line-height: 107%;">Dama do
tráfico amazonense, condenada a 10 anos de prisão, é recebida por Boulos, Janones e
em ministérios. Os gastos de viagem da mulher do líder do Comando Vermelho foram pagos por nós.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">162</span><br /><span style="font-size: 14pt; line-height: 107%;">Pantanal
em chamas. Bioma registra 71 focos de incêndio em apenas um dia. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfREfM2ia5WO7jz_l2_AlDCy9s926XkrqDFvlriUO8hZ2sBQyedqEl9cnwQY1uVNuQ7nf3YnzFTpos0-EHnArEWSGWlcbOi0R-f3sPuc9bI8vQQUuNBAjlQu4cdEK5AUMpkWeS_Wx2BRMOvKp4wrYJAxQeJB5JPWSPzAJt4Dk1Zg9-9UD1UlC4d_clmT49/s1000/siron-franco-sem-titulo-oleo-sobre-aglomerado-12249.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="991" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfREfM2ia5WO7jz_l2_AlDCy9s926XkrqDFvlriUO8hZ2sBQyedqEl9cnwQY1uVNuQ7nf3YnzFTpos0-EHnArEWSGWlcbOi0R-f3sPuc9bI8vQQUuNBAjlQu4cdEK5AUMpkWeS_Wx2BRMOvKp4wrYJAxQeJB5JPWSPzAJt4Dk1Zg9-9UD1UlC4d_clmT49/w396-h400/siron-franco-sem-titulo-oleo-sobre-aglomerado-12249.jpg" width="396" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DEZEMBRO</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Se a
política voltou a ter autonomia, isso se deve ao Supremo Tribunal Federal. </span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Se
hoje temos a eleição do presidente Lula, isso se deveu </span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">a uma decisão do Supremo
Tribunal Federal.”</span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">GILMAR
MENDES</span>, ministro do STF</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">163</span><span><br /><span style="font-size: 14pt; line-height: 107%;">JB
atrai multidões por onde passa, no Brasil e no exterior. Ninguém
acredita na sua derrota nas eleições.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">164</span><br /><span style="font-size: 14pt; line-height: 107%;">Mina da
Braskem desaba em Maceió. A prefeitura local decreta situação de emergência.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">165</span><br /><span style="font-size: 14pt; line-height: 107%;">Indicado
ilegalmente pelos ministros Gilmar Mendes e Alexandre de Moraes, Paulo Gonet
toma posse como Procurador-Geral da República.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">166</span><br /><span style="font-size: 14pt; line-height: 107%;">Sobrando
prestígio, JB e Michelle vão à posse de Javier Milei, novo presidente da
Argentina.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">167</span><br /><span style="font-size: 14pt; line-height: 107%;">O cantor
Alexandre Pires alvo de buscas e apreensões na Operação Disco de Ouro, que
investiga lavagem de dinheiro e envolve exploração ilegal de minérios na terra
indígena Yanomami. Segundo a Polícia Federal, o artista recebeu R$ 1
milhão de empresa envolvida no esquema.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">168</span><br /><span style="font-size: 14pt; line-height: 107%;">Incêndio
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Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
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<span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">169</span><span style="font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Não
faltou escândalo para justificar a demissão de Juscelino Filho (Comunicações):
uso de jato da FAB para ir à leilão de cavalos, irmã alvo da PF, emendas
suspeitíssimas... mas o ministro se segurou na pasta. </span><br /></span></div><div style="text-align: justify;">
<span style="font-family: inherit;"><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">170</span><br /><span style="font-size: 14pt; line-height: 107%;">A
comunista Reforma Tributária aprovada no Congresso Nacional.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">171</span><br /><span style="font-size: 14pt; line-height: 107%;">Nove
Dedos e Esbanja gastam R$ 26,8 milhões com reformas e compras para os palácios
de Brasília.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">172</span><br /><span style="font-size: 14pt; line-height: 107%;">O
presidente descondenado torrou 1 bi nas viagens em 2023. Em 62 dias no
exterior, visitou 30 países e não trouxe nenhum acordo para o Brasil.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">173</span><br /><span style="font-size: 14pt; line-height: 107%;">Senado
aprova indicação de Flávio Dino para o Supremo. Com 47 votos favoráveis e 31
contrários, ele ocupará a vaga deixada pela ministra Rosa Weber, que se
aposentou em outubro.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">174</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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ministro do STF, Dias Toffoli, assinou decisões que fizeram os irmãos Joesley e
Wesley Batista pularem de alegria. Uma delas suspendeu multa de R$10,3 bilhões.</span>
<span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">175</span><br /><span style="font-size: 14pt; line-height: 107%;">Esquerdistas
invadem supermercado em diversas capitais brasileiras. Com a imagem do
sanguinário Che Guevara na camisa, eles exigem doações de alimentos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">176</span><br /><span style="font-size: 14pt; line-height: 107%;">TSE cassa
mandato do deputado estadual de direita Fred Rodrigues (DC - GO). A decisão
suspeita foi tomada por supostos problemas na prestação de contas da eleição de
2020.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">177</span><br /><span style="font-size: 14pt; line-height: 107%;">Washington
Quaquá, vice-presidente do PT, chama Nikolas Ferreira de “viadinho” e dá tapa
na cara do deputado Messias Donato em sessão que recebeu Nove Dedos na Câmara.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">178</span><br /><span style="font-size: 14pt; line-height: 107%;">Retomada
de impostos federais para gasolina e etanol, provocando aumentos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">179</span><br /><span style="font-size: 14pt; line-height: 107%;">Segundo
Unafisco, os impostos tributários aumentaram em 22%.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">180</span><br /><span style="font-size: 14pt; line-height: 107%;">Brasil
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desenvolvidos.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">181</span><br /><span style="font-size: 14pt; line-height: 107%;">Governo
fecha o ano no vermelho com déficit de R$177 bilhões nas contas públicas. Em
2022, JB fechou com superávit de R$54 bi.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">182</span></span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A dívida previdênciaria
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coube de tudo ao Supremo Tribunal Federal para exercitar com plenitude a antidemocracia.
Reinterpretação criativa de leis, prisões no atacado, acordos anulados, multas
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<span style="font-family: inherit;"><span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">184</span><br /><span style="font-size: 14pt; line-height: 107%;">Desde que
assumiu o Planalto, Nove Dedos acumula em discursos uma série de mentiras,
ameaças, gafes e declarações controversas.</span><br /></span><span style="font-size: 14pt; line-height: 107%;"><span> </span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKt8_0kRP0EFfn_3SRncMCHOcXu-RPCFX23OvpBAbBhO7e7ML8lE5HG5ot1NRGHbbE6YrYJFL6UxQ1GUDZaW_TUVrrowAAUmETeaNHejjiAcR7rE99KmLTGfxyzuVwoklttJFb2agHfXx58FzFSdoFo_G1neDKz82VlMtRYHmMztiaDqYVQANDz6MatYkH/s1140/13c1a413146b0eac1ca7f1de25dcff25.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1008" data-original-width="1140" height="566" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKt8_0kRP0EFfn_3SRncMCHOcXu-RPCFX23OvpBAbBhO7e7ML8lE5HG5ot1NRGHbbE6YrYJFL6UxQ1GUDZaW_TUVrrowAAUmETeaNHejjiAcR7rE99KmLTGfxyzuVwoklttJFb2agHfXx58FzFSdoFo_G1neDKz82VlMtRYHmMztiaDqYVQANDz6MatYkH/w640-h566/13c1a413146b0eac1ca7f1de25dcff25.jpg" width="640" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Os
MELHORES de 2023</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">SENADORES</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">01</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Rogério
Marinho </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(PL – RN)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /><span style="font-size: 14pt; line-height: 107%;">Jorge
Self </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(PL – SC)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /><span style="font-size: 14pt; line-height: 107%;">Cleitinho </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(Republicanos – MG)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DEPUTADOS
FEDERAIS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /><span style="font-size: 14pt; line-height: 107%;">Nikolas
Ferreira </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(PL – MG)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /><span style="font-size: 14pt; line-height: 107%;">Mauricio
Marcon </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(Podemos – RS)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /><span style="font-size: 14pt; line-height: 107%;">Marcel
van Hattem </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(Novo – RS)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">GOVERNADORES</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /><span style="font-size: 14pt; line-height: 107%;">Tarcísio
de Freitas </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(Republicanos - SP)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /><span style="font-size: 14pt; line-height: 107%;">Ronaldo Caiado </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(União Brasil – GO)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /><span style="font-size: 14pt; line-height: 107%;">Ratinho
Junior </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">(PSD – PR)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">PROGRAMA
POLÍTICO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Oeste sem
Filtro</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ANALISTA
POLÍTICO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Diogo
Forjaz</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JORNAL</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Gazeta do
Povo</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">PORTAL</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Diário do
Poder</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">COLUNISTA</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">J.R. Guzzo</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBdoA_icfvlo0e7iMp4F5D6yfPTJJc0UQqG51KOwd0-ONxI-YT4ONQ2qxHpDdLyZIBzjTi5OH-aNQ4l0YLNnvRpitdx8gm9rwQ8tKlJqbSTLq1UzcXjQDJWy5cNSkcC-Z94tCvmzDhGepPSEvYKF5oL_tgHvmvo4IQFhhyphenhyphenMwet1N8WlBHq7F2z2K2l6Jaj/s2485/Cat%C3%A1logo-Virtual-Siron-Franco-Miragens-baixa-9.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1890" data-original-width="2485" height="486" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBdoA_icfvlo0e7iMp4F5D6yfPTJJc0UQqG51KOwd0-ONxI-YT4ONQ2qxHpDdLyZIBzjTi5OH-aNQ4l0YLNnvRpitdx8gm9rwQ8tKlJqbSTLq1UzcXjQDJWy5cNSkcC-Z94tCvmzDhGepPSEvYKF5oL_tgHvmvo4IQFhhyphenhyphenMwet1N8WlBHq7F2z2K2l6Jaj/w640-h486/Cat%C3%A1logo-Virtual-Siron-Franco-Miragens-baixa-9.jpg" width="640" /></a></div> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DESPEDIDAS</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ANTÔNIO
PEDRO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, ator</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio de
Janeiro, RJ. 1940)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ARACY
BALABANIAN</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, atriz</span><br /><span style="font-size: 14pt; line-height: 107%;">(Campo
Grande, Mato Grosso do Sul. 1940)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ASTRUD
GILBERYO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, cantora</span><br /><span style="font-size: 14pt; line-height: 107%;">(Salvador,
Bahia. 1940)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">04</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CARLOS
ALBERTO PRATES CORREIA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, cineasta </span><br /><span style="font-size: 14pt; line-height: 107%;">(Montes
Claros, Minas Geras. 1941)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CARLOS
LYRA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, cantor e compositor</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio de Janeiro,
RJ. 1933)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">06</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CLAUDIO
WILLER</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, poeta e ensaísta</span><br /><span style="font-size: 14pt; line-height: 107%;">(São
Paulo, SP. 1940)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">07</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DJALMA
LIMONGI BATISTA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, cineasta </span><br /><span style="font-size: 14pt; line-height: 107%;">(Manaus,
Amazonas. 1950)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">08</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DORIS
MONTEIRO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, cantora</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio de
Janeiro, RJ. 1934)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">09</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ELIZÂNGELA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">,
atriz </span><br /><span style="font-size: 14pt; line-height: 107%;">(Resende,
Rio de Janeiro. 1954)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">10</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">GLÓRIA
MARIA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, jornalista</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio de
Janeiro, RJ. 1949)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">11</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">HARILDO
DEDA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, ator e diretor teatral</span><br /><span style="font-size: 14pt; line-height: 107%;">(Simão
Dias, Sergipe. 1939)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">12</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOÃO
DONATO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, cantor e compositor</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio
Branco, Acre. 1934)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">13</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JOSÉ
CELSO MARTINÊZ CORRÊA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, diretor teatral, dramaturgo </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">e fundador do Teatro Oficina</span><br /><span style="font-size: 14pt; line-height: 107%;">(Araraquara,
SP. 1937)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">14</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JUCA
CHAVES</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, compositor e humorista</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio de
Janeiro, RJ. 1938)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">15</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">KAROL
ELLER</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, influencer</span><br /><span style="font-size: 14pt; line-height: 107%;">(Governador
Valadares, Minas Gerais. 1987)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">16</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">LÉA
GARCIA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, atriz</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio de
Janeiro, RJ. 1933)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">17</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">LENY ANDRADE</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">,
cantora</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio de
Janeiro, RJ. 1943)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">18</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">LOLITA
RODRIGUES</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, atriz e apresentadora de TV</span><br /><span style="font-size: 14pt; line-height: 107%;">(Santos,
SP. 1929)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">19</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MARIA
CARMEM BARBOSA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, dramaturga, roteirista </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">e autora de telenovelas.</span><br /><span style="font-size: 14pt; line-height: 107%;">(Rio de
Janeiro, RJ. 1947)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">20</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MARIA
HELENA DIAS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, atriz</span><br /><span style="font-size: 14pt; line-height: 107%;">(São
Paulo, SP. 1934)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">21</span><span style="background-color: #274e13; color: white;"><br /><span style="font-size: 14pt; line-height: 107%;">RITA LEE</span></span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">,
cantora e compositora</span><br /><span style="font-size: 14pt; line-height: 107%;">(São
Paulo, SP. 1947)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">22</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">SEPÚLVEDA
PERTENCE</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">, jurista, advogado e magistrado, </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">ex-ministro do Supremo Tribunal
Federal</span><br /><span style="font-size: 14pt; line-height: 107%;">(Sabará,
Minas Gerais. 1937)</span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span></span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj_7dclVyZFhwbCK4QKC4Dq1ibJ51glqGNr4aLCow3X7MDjPYG3oSUWmGllNC8f55NQMw-nyL5HGdLujvB4CuB8l8Ea2OP56iyFQBCEAxvS00Yt6gOmBDwYIMh3cicE9FCtwb7yKgFgHSxFuiNM4uEHpg876zs48NIYA9FbbYER4cBQORye7kdxdvUEF8p/s946/58373187_2333633296921801_3392787910573948928_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="946" data-original-width="946" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhj_7dclVyZFhwbCK4QKC4Dq1ibJ51glqGNr4aLCow3X7MDjPYG3oSUWmGllNC8f55NQMw-nyL5HGdLujvB4CuB8l8Ea2OP56iyFQBCEAxvS00Yt6gOmBDwYIMh3cicE9FCtwb7yKgFgHSxFuiNM4uEHpg876zs48NIYA9FbbYER4cBQORye7kdxdvUEF8p/w400-h400/58373187_2333633296921801_3392787910573948928_n.jpg" width="400" /></a></div></span></span></span><span style="font-family: inherit;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><iframe allowfullscreen='allowfullscreen' webkitallowfullscreen='webkitallowfullscreen' mozallowfullscreen='mozallowfullscreen' width='320' height='266' src='https://www.blogger.com/video.g?token=AD6v5dzpEHvGUlpWfDEdvzVZ93CJykuThgnW_ZHFsEVQlnsaNOmUPgzZ3AWwipN3Z41eTNLq1-emEvG5c94xgM0gDw' class='b-hbp-video b-uploaded' frameborder='0'></iframe></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">o fatídico 8 de janeiro</span></span></div><div style="text-align: center;"><br /></div>
Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com8tag:blogger.com,1999:blog-1221158885572115483.post-3019450693713628792023-11-29T21:36:00.029-02:002024-01-30T10:32:04.462-02:00.............. Uma VISÃO CONSERVADORA: a NOVA ORDEM MUNDIAL<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitsNt5y79PMGwR7C6l98FA1dZ6SzPugwvtN_EUdjLl93Kz5qFYqjPxZpeclSaPSFTTQ4cFW7xQBBv09PjBFRR7LMdVdU9wvtAZf1sGm4Cme2wHiu_lwXtAcefQagxspGrOViCHmMSxDEn_sQmrC9y-JlM443k0MFuvJOMc0DrcxowoFWXAaMl0iB6Md9-I/s1200/A.-R.-Penck-Golfkrieg-1991.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1200" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitsNt5y79PMGwR7C6l98FA1dZ6SzPugwvtN_EUdjLl93Kz5qFYqjPxZpeclSaPSFTTQ4cFW7xQBBv09PjBFRR7LMdVdU9wvtAZf1sGm4Cme2wHiu_lwXtAcefQagxspGrOViCHmMSxDEn_sQmrC9y-JlM443k0MFuvJOMc0DrcxowoFWXAaMl0iB6Md9-I/w640-h426/A.-R.-Penck-Golfkrieg-1991.jpg" width="640" /></a></div><p> <br /></p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">dedicado
ao mestre professor Olavo de Carvalho</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Eu não
posso comparar a Nova Ordem Mundial senão com o Reino do Anticristo, o reino da
mentira global, porque quando você vai estudar cada um dos tópicos que eles
propõem, é sempre empulhação.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">OLAVO de
CARVALHO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1947 –
2022. Campinas / São Paulo)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ilustrações:
</span></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A. R. PENCK</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1939 -
2017. Dresden / Alemanha)</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O mundo
vive uma transformação sem precedentes. A ideia de domínio mundial é real e
viva. Todas as estruturas políticas, culturais e morais que durante séculos
sustentaram a sociedade estão sendo destruídas e substituídas por uma <span style="background-color: #274e13; color: white;">NOVA
ORDEM MUNDIAL</span> (em inglês New World Order - NWO) repressora, que modifica a nossa
vida de maneira profunda e irreversível. Para entender, não somente as origens
práticas e intelectuais desse movimento global e totalitário, mas também seu
<i>modus operandi</i>, não é nada fácil. Tudo se oculta no panorama que nos cerca, não
é imediatamente perceptível a mentes não treinadas – é um mundo de manipulação
e opressão </span><span style="font-size: 14pt; line-height: 107%;">comandado pelo <i>establishment</i>. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O mundo
que conhecemos nos últimos tempos tem sido um mundo dividido, em crise moral e
ética, corrompido, faminto. Não existe mais a perspectiva dos princípios de
justiça e liberdade, de proteção aos humildes, de liberdade e respeito pelos
direitos humanos. A população mundial de 6 bilhões de pessoas é governada por
uma elite de cerca de 6 mil indivíduos, divididos em três forças globalistas:
os metacapitalistas, o comunismo russo-chinês e o mundo islâmico. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Bilionários
e banqueiros (George Soros, Bill Gates, Klaus Schwab, J.P. Morgan, Paul
Warburg, Jacob Schiff, o brasileiro João Paulo Lemann e as famílias Rockefeller e Rothschild) patrocinam a criação de um governo supramundial, uma <span style="background-color: #274e13; color: white;">NOVA
ORDEM MUNDIAL</span>, autoritária, que ambiciona manter o poder político através da
economia, restrição da liberdade, vigilância em massa, uso do terrorismo e
líderes fantoches (Emmanuel Macron, Joe Biden, </span><span style="font-size: 14pt; line-height: 107%;">Justin Trudeau etc.). Eles
têm o apoio do Vaticano, ONU, mídia, ONGs, Illuminatis, líderes mundiais,
ditadores, comunistas, movimentos pela paz, ativistas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8VofYmtnHEjnNsFUh3LI_-LVofFm-2XRNHsWGjkPSyb59gCxek_H6gwVqdeEWLN5mEuz4-S0f0d3ymIbD3ABppwRbOhBlVuPK7NvdcrhyukiaoVeWmu_mWZSXHI3x8KL9OME1nPqioMBTZjyxOsyENvJ2-zjV7K0NegpPflb3iEr3tjKQNtyO_dNtSIsM/s1151/photo-116.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1151" data-original-width="1139" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8VofYmtnHEjnNsFUh3LI_-LVofFm-2XRNHsWGjkPSyb59gCxek_H6gwVqdeEWLN5mEuz4-S0f0d3ymIbD3ABppwRbOhBlVuPK7NvdcrhyukiaoVeWmu_mWZSXHI3x8KL9OME1nPqioMBTZjyxOsyENvJ2-zjV7K0NegpPflb3iEr3tjKQNtyO_dNtSIsM/w396-h400/photo-116.jpg" width="396" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Grupos de
elite como Bildeberg, Frankfurt e outros super-ricos, aliados aos bilionários e
aos banqueiros internacionais, dirigem o mundo. Eles se apresentam como
socialistas, benevolentes e altruístas, mas há método nisso tudo: decidem as
opções que temos para votar, em que causas acreditamos, quais alimentos são
saudáveis e o que devemos consumir em todos os aspectos. São a face oculta do
comunismo e sustentam uma estratégia conspiratória que atua para a formação do
citado governo mundial avassalador. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Essa
corja endinheirada patrocina infâmias para ganhar dinheiro, enfraquecer a
democracia e implantar o socialismo. Foi responsável por estourar guerras e
revoluções, lucrando com armas que mataram ambos os lados nos conflitos. Trabalha
para ter em suas mãos o controle dos recursos naturais, negócios, operações
bancárias e transportes, por meio do domínio dos governos do planeta. E fazem
isso emprestando dinheiro, financiando governantes, bancando conflitos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Os
governos de esquerda, os programas de bem-estar social e tentativas de
implantação de programas como renda básica, são ações desta rede de sabotadores
como meios de um projeto de poder. Ocorrências significativas na política e
finanças são orquestradas por uma camarilha influente que opera através de
organizações de fachada. Essa poderosa confraria secreta investe em propaganda
cuja ideologia esquerdista saúda a <span style="background-color: #274e13; color: white;">NOM</span> como a culminação do progresso da humanidade.
</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Inúmeros
eventos já são batalhas vitoriosas em um plano diabólico de dominar o mundo. A <span style="background-color: #274e13; color: white;">NOVA
ORDEM MUNDIAL</span>, criada gradualmente, já tem vários marcos: a formação do
Sistema de Reserva Federal dos Estados Unidos, em 1913; da Liga das Nações, em
1919; do Fundo Monetário Internacional, em 1944; da Organização das Nações
Unidas, em 1945; do Banco Mundial, em 1945; da Organização Mundial da Saúde, em
1948; da União Europeia e da moeda euro, em 1993; da Organização Mundial do
Comércio, em 1998; da União Africana, em 2002; e da União de Nações
Sul-Americanas, em 2008.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWnUmF4nt0YaDAhpzV58y9xIYf0ASIlO_lFarobQFXkZ1N2KDRDcFz-sBFQSriJhuUGHpufdDAPCD_WjNRV1ekmkE87MNTIAntgvBQpEN3C9VQxujYYuq2bhlitMB3MZ80A4lFMt26hAoKC5mYqKwZKE-O1VzpmIH0dyaheOvY-1vA8_FugbYhUDJCvZz3/s1258/a6pirzf5MuiaNvJEo_lgpoppp.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1258" data-original-width="881" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWnUmF4nt0YaDAhpzV58y9xIYf0ASIlO_lFarobQFXkZ1N2KDRDcFz-sBFQSriJhuUGHpufdDAPCD_WjNRV1ekmkE87MNTIAntgvBQpEN3C9VQxujYYuq2bhlitMB3MZ80A4lFMt26hAoKC5mYqKwZKE-O1VzpmIH0dyaheOvY-1vA8_FugbYhUDJCvZz3/w280-h400/a6pirzf5MuiaNvJEo_lgpoppp.jpg" width="280" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">O abuso
de vigilância é outro fator preocupante que tem os téntaculos da <span style="background-color: #274e13; color: white;">NOM</span>. Ela
estaria por trás do culto da vigilância em massa e do uso dos <i>Social Security
numbers</i>, os códigos de barras das mercadorias, e, mais recentemente,
identificação por radiofrequência por implantes de microchips. Defensores da
privacidade do consumidor combatem os equipamentos de captura de dados e os
sofisticados sistemas de identificação e autenticação, denunciando o rastreamento
de cada movimento dos cidadãos em direção a um estado de vigilância como em <span style="color: #3d85c6;">“1984”</span>
(1949), do extraordinário inglês George Orwell. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A <span style="background-color: #274e13; color: white;">NOM</span> também
investe no controle populacional. Os meios variam de parar o crescimento das
sociedades humanas, através da saúde reprodutiva e programas de planejamento
familiar, que promovem a abstinência, a contracepção e o aborto, ou reduzir parte da população mundial através de genocídios, fomentando
guerras desnecessárias, pestes de vírus de laboratórios e vacinas contaminadas,
e por fim através de desastres ambientais aparentemente naturais etc. Os
globalistas que conspiram em nome da <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span> se manifestam em
alarmismos de superpopulação e de mudanças climáticas, cativando apoio público
para o controle populacional.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Antes de
1990, a <span style="background-color: #274e13; color: white;">NOM</span> foi denunciada pelos conservadores norte-americanos e por parte de
cristãos preocupados com o aparecimento do Anticristo do fim dos tempos. Esse
alerta abraçado pela direita se infiltrou na cultura popular,
inaugurando, assim, um período do final do século XX e início do século XXI,
onde muitos tomaram consciência do perigo que correm, da tirania à epidemias forjadas, da aniquilação dos valores familiares à escalada
do terrorismo, de guerras manipuladas à perseguição religiosa.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A
expressão <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span>, abordada inicialmente por políticos como o norte-americano
Woodrow Wilson e o britânico Winston Churchill, não chegou a se tornar
conhecida na época. Mikhail S. Gorbachev, então presidente da União Soviética, também
usou o termo em uma conferência no Kremlin em abril de 1990. <span style="color: #3d85c6;">“Estamos apenas no
início do processo de formação de uma nova ordem mundial”</span>, afirmou. Longe de
sabotagem, eles se referiam a um novo período da história caracterizado por uma
drástica mudança no pensamento político mundial e o equilíbrio de poder após a
Primeira Guerra Mundial e a Segunda Guerra Mundial. Percebiam o momento como
oportunidade para incentivar propostas idealistas para a governança global no
sentido de esforços coletivos para resolver problemas mundiais. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKyb2ZDwux29nWcjgzsKA_1auluHTJrgUeuE7838zhDepnozC5ez9JicGVqXv5plNsPyGVg19vuOh3ZvSVj-JZ8tj2ejgWFoFReNONaxiXoDdr8MFxiJgPRLS2tmZY87HfNIhf9ZLRMmHvs9eMfSNGR44mIidW8bn85fQ92IoK4QvG6G5Qfu4fHmG9qk6j/s1622/csm_A.R._Penck__Nothern_Darkness__1987_572ceb4c93.png" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1053" data-original-width="1622" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKyb2ZDwux29nWcjgzsKA_1auluHTJrgUeuE7838zhDepnozC5ez9JicGVqXv5plNsPyGVg19vuOh3ZvSVj-JZ8tj2ejgWFoFReNONaxiXoDdr8MFxiJgPRLS2tmZY87HfNIhf9ZLRMmHvs9eMfSNGR44mIidW8bn85fQ92IoK4QvG6G5Qfu4fHmG9qk6j/w400-h260/csm_A.R._Penck__Nothern_Darkness__1987_572ceb4c93.png" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">O
escritor britânico H. G. Wells traduziu <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white; mso-themecolor: text1;">como sinônimo para o estabelecimento de um estado
mundial tecnocrático e de economia planificada. Em seus livros</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“<a name="_Hlk152145673">A Conspiração Aberta: Planos para uma Revolução Mundial</a></span><span style="color: #3d85c6; mso-themecolor: text1;">”</span><span style="color: black; mso-themecolor: text1;">
</span><span style="color: white; mso-themecolor: text1;">(1928) e</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“A Nova Ordem Mundial”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white; mso-themecolor: text1;">(1940) promoveu o cosmopolitismo e ofereceu
modelos para uma revolução mundial. Apesar da popularidade em círculos
socialistas, ele não conseguiu exercer uma influência mais </span>profunda e
mais duradoura de suas ideias. De 1947 a 1957, crentes na literatura do canadense
William Guy Carr, denunciaram maçons e illuminatis como sendo a força condutora
por trás de uma conspiração comunista. A ameaça surgia na forma
de um estado ateísta e de um governo global burocrático.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Na década
de 1960, diversas personalidades alegaram que os governos norte-americano e
soviético eram influenciados por <span style="color: white; mso-themecolor: text1;">cupinchas
de banqueiros gananciosos e políticos corruptos que tinham</span><span style="color: black; mso-themecolor: text1;"> </span>a intenção de
usar as Nações Unidas como veículo para criar <span style="color: white; mso-themecolor: text1;">um governo único. A norte-americana Mary M. Davison, em</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“A
Revolução Profunda”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white; mso-themecolor: text1;">(1966), mostrou as digitais da conspiração da</span><span style="color: black; mso-themecolor: text1;"> </span><span style="background-color: #274e13; color: white;">NOVA ORDEM
MUNDIAL</span> na criação do Sistema de Reserva Federal dos EUA, em 1913, por
banqueiros, que ela garantiu que mais tarde formaria o Council on Foreign
Relations, em 1921, como um governo secreto. No ano em que o livro foi
publicado, os banqueiros foram vistos como uma referência aos Rothschild.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Graças ao
estímulo de conservadores como Linda Thompson, Mark Koernke e
Robert K. Spear, surgiu um movimento que combateu os perigos do globalismo
através de discursos em comícios e reuniões, livros e vídeos, rádios e fóruns
de discussão na internet. No entanto, os programas de rádio AM noturnos e lives
na internet foram os que mais contribuíram para efetivar a consciência e o
combate à totalitária <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span>. A partir dos anos 1990, o impacto
mundial dessas denúncias atraiu um grande público e pesquisadores. Programas de TV e <i>thrillers</i> de Hollywood também desempenharam um papel
fundamental na ampliação de um vasto público contra a <span style="background-color: #274e13; color: white;">NOM</span>. A série televisiva
<span style="color: #3d85c6;">“Arquivo X”</span> (1993 – 2002), os filmes <span style="color: #3d85c6;">“Teoria da Conspiração”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white; mso-themecolor: text1;">(1997) e</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“Arquivo X – o Filme”</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: white; mso-themecolor: text1;">(1998) </span>são lembrados como exemplos notáveis. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTWVNAPw7jUriNL-aYK9MBj-BdzuO5rtpLvgUf0rp7M8q2WNIYidEmJZOY5lB8uOfjgQ6erG3nTkp4UOECA19Q9pwXHEpkoYjRDexBj7IRqjiTprOanStM0exPOhuSvStTUrYKkjVn_2QQLl7b1VdtT0Pzxgu39XLw18AgqyCSQwut7F7OKefbLInwx0KE/s1114/maxresdefault.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="681" data-original-width="1114" height="245" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTWVNAPw7jUriNL-aYK9MBj-BdzuO5rtpLvgUf0rp7M8q2WNIYidEmJZOY5lB8uOfjgQ6erG3nTkp4UOECA19Q9pwXHEpkoYjRDexBj7IRqjiTprOanStM0exPOhuSvStTUrYKkjVn_2QQLl7b1VdtT0Pzxgu39XLw18AgqyCSQwut7F7OKefbLInwx0KE/w400-h245/maxresdefault.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Durante a
crise financeira no final da década de 2000, muitos políticos e especialistas,
como Gordon Brown e Henry Kissinger, usaram a sugestão da <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span>
para uma reforma global do sistema financeiro, levando em consideração mercados
comunistas como a China. Como consequência, essas declarações forneceram
suplementos de precaução, que culminou com Sean Hannity afirmando em seu
programa <span style="color: #3d85c6;">“Hannity”</span>, da Fox News Channel, que os <span style="color: #3d85c6;">“teóricos da conspiração tinham
razão”</span>. A Fox, em geral, e o programa de Glenn Beck em
particular, tem alertado contra os avanços da <span style="background-color: #274e13; color: white;">NOM</span>, sendo criticados pela extrema esquerda.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Mais
recentemente, a expressão <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span> vem aparecendo ligada à do <span style="color: #3d85c6;">“Great
Reset”</span>, ou <span style="color: #3d85c6;">“Grande Reset”</span>, que pode ser traduzido como <span style="color: #3d85c6;">“grande recomeço</span><span style="color: #3d85c6;">”</span>, ou
<span style="color: #3d85c6;">“grande reinicialização”</span>. Esse movimento começou a ser difundido após o Fórum
Econômico Mundial de 2020. Em sua 50ª edição, o evento foi chamado de <span style="color: #3d85c6;">“The
Great Reset”</span>. O fundador do Fórum, Klaus Schwab, tem seu nome associado a <span style="background-color: #274e13; color: white;">NOM</span>. Em
2022, Glenn Beck, político conservador, publicou um livro afirmando que o
<span style="color: #3d85c6;">“Great Reset”</span> é <span style="color: #3d85c6;">“uma conspiração entre banqueiros, empresários e governos para
fundar o totalitarismo global”</span>, o que <span style="color: #3d85c6;">“geraria a desaceleração da economia e levaria as pessoas ao desemprego”</span><span style="color: white; mso-themecolor: text1;">.</span><span style="color: black; mso-themecolor: text1;">
</span></span><br /><br /><span style="font-size: 14pt; line-height: 107%;">No século
XIX, líderes cristãos previram uma conspiração globalista para impor uma <span style="background-color: #274e13; color: white;">NOVA
ORDEM MUNDIAL</span> tirânica, cumprindo profecias bíblicas, especificamente no <span style="color: #3d85c6;">“Livro
de Ezequiel”</span>, <span style="color: #3d85c6;">“Livro de Daniel”</span> e no <span style="color: #3d85c6;">“Livro do Apocalipse”</span>. Eles alegavam que
as criaturas que fizeram um pacto com o diabo, para ganhar riqueza e poder, levariam
a humanidade a aceitar um governo que repousaria sobre as bases espirituais de uma
religião sincrética-messiânica, que se revelaria um império distópico impondo o
culto de uma <span style="color: #3d85c6;">“Trindade Irreligiosa”</span> de Satanás, do Anticristo e do Falso
Profeta. O Falso Profeta seria o último papa da Igreja Católica - preparado e
instalado por uma Alta Vendita -, um guru do movimento da Nova Era, ou o líder
de uma organização cristã de ricos <span style="color: white; mso-themecolor: text1;">como</span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“A Irmandade”</span><span style="color: white; mso-themecolor: text1;">, enquanto o Anticristo seria o presidente da União
Europeia ou o Secretário-Geral das Nações Unidas.</span></span><span style="color: white;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /><span style="color: white; font-size: 14pt; line-height: 107%;">Afirmando que a</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">NOVA ORDEM MUNDIAL</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-size: 14pt; line-height: 107%;">é uma
elite secreta dedicada à destruição das soberanias nacionais, o escritor e
historiador norte-americano Gary Allen aprofundou o tema nos livros</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Ninguém se
Atreve a Chamar isso de Conspiração”</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-size: 14pt; line-height: 107%;">(1971),</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"><a name="_Hlk152144218">“</a>Rockefeller:
Campanha pela Nova Ordem Mundial<a name="_Hlk152144231">”</a></span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-size: 14pt; line-height: 107%;">(1974) e</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Diga
“Não!” para a Nova Ordem Mundial”</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: white; font-size: 14pt; line-height: 107%;">(1987). Ele esclarece que o movimento
ambientalista, o movimento pacifista, o feminismo, a mídia, o comunismo e as
Nações Unidas estão confabulados com os bilionários que planejam controlar o
mundo. Allen era membro destacado da organização de direita</span><span style="color: black; font-size: 14pt; line-height: 107%;"> </span><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“John Birch
Society”</span><span style="color: white; font-size: 14pt; line-height: 107%;">, fundada em 1958 nos Estados Unidos e ferrenha opositora do comunismo</span><span style="font-size: 14pt; line-height: 107%;">. John
Birch foi um pastor batista assassinado por membros do partido comunista
em 1954.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQUF3bUYZfPL11qPWEnpsfQe_GvKEohN_ZwSuBT8TZIMCa8GU-CsVwzWyQg1-RFA5Bo98YnItFggdPZ0_Mg1w8tJtE3X4I7HG0QPpQq1CJZDXYKA5UTCgC3b4MsQ4KZkccvzNVnTqGOc3WOe1QC1WsSaSVmgFeY4H7kxzvu3gl7LfxJ6MKpDpd4m4ax9Oy/s2496/il_fullxfull.3146598615_46el.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="2496" data-original-width="1711" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQUF3bUYZfPL11qPWEnpsfQe_GvKEohN_ZwSuBT8TZIMCa8GU-CsVwzWyQg1-RFA5Bo98YnItFggdPZ0_Mg1w8tJtE3X4I7HG0QPpQq1CJZDXYKA5UTCgC3b4MsQ4KZkccvzNVnTqGOc3WOe1QC1WsSaSVmgFeY4H7kxzvu3gl7LfxJ6MKpDpd4m4ax9Oy/w274-h400/il_fullxfull.3146598615_46el.jpg" width="274" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Os
diretores de cinema Luke Meyer e Andrew Neel lançaram o documentário <span style="color: #3d85c6;">“Nova
Ordem Mundial”</span> (2009), que jura que a <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span> não passa de teoria da
conspiração, como repete como papagaios os artistas de esquerda. Não é o que
acredita </span><span style="font-size: 14pt; line-height: 107%;">Edwin Black, autor de <span style="color: #3d85c6;">“Nazi Nexus: as Conexões Corporativas da
América com o Holocausto de Hitler”</span> (2009). Segundo ele, o termo Quarto Reich traduz
a <span style="background-color: #274e13; color: white;">NOM</span>, sua <span style="color: white; mso-themecolor: text1;">ideologia de estado e
de governo seria similar ao Terceiro Reich da Alemanha, afirmando que
corporações e fundações filantrópicas – cuja cumplicidade foi</span><span style="color: black; mso-themecolor: text1;"> </span>essencial
para o esforço de guerra do Terceiro Reich, eugenia nazista e o Holocausto –
atualmente conspiram para construir um Quarto Reich. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O
escritor Jim Marrs garante que nazistas, sobreviventes da queda do Reich alemão,
protegidos por organizações como ODESSA e Die Spinne, trabalharam nos
bastidores desde o fim da Segunda Guerra Mundial no sentido de aprovar
princípios do nazismo (por exemplo, o militarismo, o imperialismo, a espionagem
generalizada sobre os cidadãos, o corporativismo, o uso de propaganda para
fabricar um consenso nacional) na cultura, governo e negócios em todo o mundo.
Ele cita a influência de cientistas nazistas trazidos sob a<span style="color: #3d85c6;"> “Operação Paperclip”</span>
para ajudar no avanço da produção aeroespacial nos EUA.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Sabemos que
o ideal totalitário é uma constante do pensamento de extrema esquerda. Todas as
ideias que devem ser seguidas para fortalecer a <span style="background-color: #274e13; color: white;">NOM</span> são apresentadas por ela como
verdades absolutas e bem conhecidas do senso comum. Os globalistas manipulam a
informação, determinando os principais acontecimentos, crises
financeiras, guerras, questões da política, cultura e educação
(principalmente ideológica), inclusive em nações distantes, através do financiamento de ONGs, de redes de TV, mídias em geral
e de partidos políticos, visando à quebra das soberanias desses mesmos países. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Eles
buscam uma nova forma de controle para substituir a antiga revolução violenta e
radical. No sentido contrário, os comunistas-globalistas atuais visam na
cultura e na educação exercer seu domínio e influência nas mentes e no
comportamento. Diferente do passado, o novo totalitarismo condiciona os
escravos a amarem sua escravidão. É uma luta através da paciência, introduzindo um pensamento esquerdista e idiotizante ao longo de décadas,
proporcionou o assombroso quadro social em que vivemos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA-wvqhilzhpQqFzR6vUNGee996JSylrVAN7hvbaoNC6YtJmIQ_Rn2vbZyRP417A6u4-Zf8k1Mz_AOa-QCCKWP7zmg26A9ikYPnxOTmstMXzTMoScVX7u_iZ8EoAV-dsMnps_5dNZdfmXAboS_eUuX5BkfzP9O1WoyJ_ttEq06-l1MqifjiJcr0yX62TjZ/s984/ARP_B_6.001pp.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="984" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA-wvqhilzhpQqFzR6vUNGee996JSylrVAN7hvbaoNC6YtJmIQ_Rn2vbZyRP417A6u4-Zf8k1Mz_AOa-QCCKWP7zmg26A9ikYPnxOTmstMXzTMoScVX7u_iZ8EoAV-dsMnps_5dNZdfmXAboS_eUuX5BkfzP9O1WoyJ_ttEq06-l1MqifjiJcr0yX62TjZ/w400-h390/ARP_B_6.001pp.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Para que
se elimine as barreiras que inviabilizam a <span style="background-color: #274e13; color: white;">NOM</span>, domesticam uma população para que
tenha por objetivo a busca incessante pela <span style="color: #3d85c6;">“pseudo felicidade”</span> e que de forma
alucinante é oferecida em pacotes ideológicos, químicos e comportamentais. O
politicamente correto, o materialismo positivista, frivolidade artística, ideologia de gênero, linguagem neutra e futilidade generalizada, ao mesmo
tempo em que matam a Deus, imprimem uma carga de desregramentos e
desequilíbrios que tornam os cidadãos passíveis de controle. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Nesse
ambiente de distorções, nascem o analfabeto funcional, o pseudointelectual e o
militante idiotizado, e é nessa conjuntura de aberrações que se torna possível
fazer com que os militantes esquerdistas afirmem que a <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span> é uma
teoria da conspiração e que o socialismo não é um puxadinho do comunismo. A imbecilização da população, bem como o desenvolvimento da incapacidade de
reflexão, abastece o mercado humano com informações falsas ou sem relação com os problemas reais, possibilitando ao globalismo seguir
seu curso com relativa tranquilidade. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Segundo
Sócrates em seu diálogo<span style="color: white;"> <span style="mso-themecolor: text1;">em</span></span><span style="color: black; mso-themecolor: text1;"> </span><span style="color: #3d85c6;">“<a name="_Hlk152092880">A República”</a></span><span style="color: black; mso-themecolor: text1;"><a name="_Hlk152092880"> </a></span><span style="color: white; mso-themecolor: text1;"><a name="_Hlk152145007"><span style="mso-bookmark: _Hlk152092880;">(350 a.C.), </span></a><span style="mso-bookmark: _Hlk152092880;">de Platão</span>, o bom homem e o bom estado
são aqueles que superando</span><span style="color: black; mso-themecolor: text1;"> </span>seus vícios, sua ignorância e desregramentos
elevam-se em moral, bondade, equilíbrio e justiça. </span><span style="font-size: 14pt; line-height: 107%;">Apenas um
desenvolvimento intelectual e moral honesto podem imunizar o ser humano de se
entregar à mercê de comunistas, e de fornecer uma compreensão da realidade. Só
o conhecimento leva à liberdade de realizar o que se quer, de ser o que se quer
e de fazer o que se quer. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Só o
conhecimento nos faz enxergar males como a <span style="background-color: #274e13; color: white;">NOVA ORDEM MUNDIAL</span>. Só o
conhecimento intelectual e espiritual, virtuoso e vigoroso, nos faz aguçar a
esperança de um mundo melhor e despertar mentes e corações para a vontade
guerreira de ir à luta por um futuro conservador. O mundo atravessa uma
perigosa época sem compreender para onde vai nem saber quem o leva. Ao se
aprofundar no tema, o leitor estará capacitado a discutir as conspirações
desumanas com autoridade de quem entende o assunto, inclusive dar nome aos bois
e sustentar os fatos com datas. Avante, patriota!</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvdVqczy1AjsOyo1sZLhSiWYWUKie5sYjkNkoVaRZSuvqbRWHTzAzcj4_X5EVIYU-5lVQS123zGej8JV7xPFgv5o5Ih2UNawqLxjCgoKyuebt4BD750dMajmoFiBID55GklhJKYljBcs4iQP9uZ6jDu3qlOBN3kTprnGRaoxUVgB-cz6cihQt85kM-9yxI/s2250/Politica-Ideologia-e-Conspiracoes.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2250" data-original-width="1410" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvdVqczy1AjsOyo1sZLhSiWYWUKie5sYjkNkoVaRZSuvqbRWHTzAzcj4_X5EVIYU-5lVQS123zGej8JV7xPFgv5o5Ih2UNawqLxjCgoKyuebt4BD750dMajmoFiBID55GklhJKYljBcs4iQP9uZ6jDu3qlOBN3kTprnGRaoxUVgB-cz6cihQt85kM-9yxI/w251-h400/Politica-Ideologia-e-Conspiracoes.jpg" width="251" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">FONTES</span><span style="color: white;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ADMIRÁVEL
MUNDO NOVO</span><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;"> (1932)</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">de Aldous
Huxley</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">BEM-VINDO
ao HOSPÍCIO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (2016)</span><br /><span style="font-size: 14pt; line-height: 107%;">de
Alexandre Costa</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">INTRODUÇÃO
à NOVA ORDEM MUNDIAL</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (2015)</span><br /><span style="font-size: 14pt; line-height: 107%;">de
Alexandre Costa</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O JARDIM das
AFLIÇÕES</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">– De EPICURO à RESSURREIÇÃO de CÉSAR:</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ENSAIO SOBRE o MATERIALISMO e a
RELIGIÃO CIVIL</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (1995)</span><br /><span style="font-size: 14pt; line-height: 107%;">de Olavo
de Carvalho </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">1984</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">
(1949)</span><br /><span style="font-size: 14pt; line-height: 107%;">de George
Orwell</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">NAZI
NEXUS:</span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">as
CONEXÕES CORPORATIVAS da AMÉRICA com o</span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;"> </span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">HOLOCAUSTO de HITLER</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (2009) </span><br /><span style="font-size: 14pt; line-height: 107%;">de Edwin Black</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A NOVA
ORDEM MUNDIAL</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (1940) </span><br /><span style="font-size: 14pt; line-height: 107%;">de H. G.
Wells</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A
CONSPIRAÇÃO ABERTA:</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">PLANOS PARA uma REVOLUÇÃO MUNDIAL</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (1928) </span><br /><span style="font-size: 14pt; line-height: 107%;">de H. G.
Wells</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">NINGUÉM se
ATREVE a CHAMAR ISSO de CONSPIRAÇÃO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (1972) </span><br /><span style="font-size: 14pt; line-height: 107%;">de Gary
Allen</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">POLÍTICA,
IDEOLOGIA e CONSPIRAÇÕES</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">- A SUJEIRA POR TRÁS das IDÉIAS que DOMINAM o MUNDO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">
(1971)</span><br /><span style="font-size: 14pt; line-height: 107%;">de Gary
Allen e Larry Abraham<span style="mso-spacerun: yes;"> </span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A
REVOLUÇÃO PROFUNDA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (1966)</span><br /><span style="font-size: 14pt; line-height: 107%;">de Mary
M. Davison</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A
REPÚBLICA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (350 a.C.),</span><br /><span style="font-size: 14pt; line-height: 107%;">de Platão
</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A REVOLUÇÃO
dos BICHOS:</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">um CONTO de FADAS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (1945)</span><br /><span style="font-size: 14pt; line-height: 107%;">de George
Orwell</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">TRAGÉDIA
e ESPERANÇA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> (1966)</span><br /><span style="font-size: 14pt; line-height: 107%;">de Carroll
Quigley</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></span><br /></div>
Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com9tag:blogger.com,1999:blog-1221158885572115483.post-77849316572023793412023-10-28T21:04:00.001-02:002023-10-29T15:40:39.076-02:00............................................................. A MORTE não MANDA RECADO<p> <!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
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<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
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<w:LsdException Locked="false" Priority="51"
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
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</p><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrfMBR0iE4AQS9U8-mcQvJpMVQf0P-4iSJS6eNddbl6nsMEx9H_HbWEiSvSmRJEkbLuu9OFKKsnBywxbbbRchFypbihtrOvcv8FX8Jr69Oqs8EYYNgeu45GWYe0ZoYLXaDeH7n9DhSo9KvIFM09ZRDDCOMTUdGVy2OlsgrmyX3SH2cnGwGBF1M-WAROnvF/s2048/317090852_10160691303547360_6145773658765735868_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1339" data-original-width="2048" height="418" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrfMBR0iE4AQS9U8-mcQvJpMVQf0P-4iSJS6eNddbl6nsMEx9H_HbWEiSvSmRJEkbLuu9OFKKsnBywxbbbRchFypbihtrOvcv8FX8Jr69Oqs8EYYNgeu45GWYe0ZoYLXaDeH7n9DhSo9KvIFM09ZRDDCOMTUdGVy2OlsgrmyX3SH2cnGwGBF1M-WAROnvF/w640-h418/317090852_10160691303547360_6145773658765735868_n.jpg" width="640" /></a></div><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">A velhice
poderia ser a suprema solidão, não fosse a morte uma solidão ainda maior. </span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">JORGE
LUIS BORGES</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(1899 –
1986. Buenos Aires / Argentina)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Estar
sozinho é treinarmo-nos para a morte. </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">LOUIS-FERDINAND
CÉLINE</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1894 –
1961. Courbevoie / França)</span><br /><span style="font-size: 14pt; line-height: 107%;">“Viagem
ao Fim da Noite” (1932)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Fotos:
</span></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ANALU PRESTES</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(71 anos.
Santos / São Paulo)</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Em 2021,
um distinto intelectual potiguar morreu. Seu filho único, um
sujeito estranho, que despreza livros, anunciou que venderia a notável coleção
do pai, de centenas de livros, a sebos, por preço irrisório. Como o finado
apreciava meus textos, ele me convidou para que eu o visitasse e levasse os
livros que tivesse vontade.</span> <span style="font-size: 14pt; line-height: 107%;">Dias
depois, no bonito apartamento, fiquei encantado diante da mágica biblioteca.
Ocupava uma sala enorme e outra menor, organizada por gênero literário e ordem
alfabética. Um tesouro! Algumas publicações raríssimas. Passei horas no local,
emocionado. Era como estar na caverna de Ali Babá. Em êxtase, escolhi cerca de 100 livros, de Tolstoi a Faulkner, de Camus a Hesse.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgol8RXKED7Fs1WjgWhYi8gTwjbnDu-ROWOq925rqqs57OTEJR8KIbUclVtqpb6GsFAAt-QkZkcuhJ2LGiI7dXZUHAC7z1egGCxlVgVP8_hOoigKtDrqJ4msWEAWiz18JhPofLsOSgRF1WTW78VOJbmeMAs6SVsoTfnKoK9bU5yeX3WSt9E1S3PZFDuVGbV/s960/251866318_10159892503187360_2120111037221802884_n.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgol8RXKED7Fs1WjgWhYi8gTwjbnDu-ROWOq925rqqs57OTEJR8KIbUclVtqpb6GsFAAt-QkZkcuhJ2LGiI7dXZUHAC7z1egGCxlVgVP8_hOoigKtDrqJ4msWEAWiz18JhPofLsOSgRF1WTW78VOJbmeMAs6SVsoTfnKoK9bU5yeX3WSt9E1S3PZFDuVGbV/w400-h300/251866318_10159892503187360_2120111037221802884_n.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">O
episódio me abalou emocionalmente e iniciei um processo de autoanálise,
reconhecendo que nada é para sempre e nossos bens mais preciosos podem terminar
nas mãos de toscos. Eu leio e vejo filmes todos os dias. Em
Natal, acumulei mais de mil livros. Depois desse fato, num impulso, doei 70%
deles para escolas públicas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Meses
depois, ofereci telas, esculturas e desenhos originais, de artistas nordestinos
e portugueses, a um bazar católico. Fiquei apenas com cinco pinturas. O
exuberante vestuário do tempo em que vivi na Europa, de casaco de pele de
carneiro a camisas irreverentes e finas, ofertei ao brechó de um abrigo de
idosos. Caiu repentinamente a ficha de que nada é para sempre.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Por fim,
juntei o legado do companheiro suicida de longos anos. Roupas, sapatos, livros,
CDs etc. Em caixas, deixei na murada da popular Praia de Areia Preta. Agora é a
vez de desapegar dos filmes. Cinéfilo, colecionador apaixonado, juntei mais de
sete mil fitas em DVDs. Uma preciosa coleção que venho postando em plataforma virtual
e ofertando os DVDs.</span> <span style="font-size: 14pt; line-height: 107%;">Já não
acredito em coleções majestosas. Afinal, a morte não manda recado. Só a
inquieta juventude tem o direito de investir na ilusória eternidade ou na
importância do desimportante. No tempo que me resta, quero suavizar o
coração com atitudes do bem. O inferno fecha as portas de fogo para os
guerreiros de Deus.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTVdnt8P_GGKjg7gp1K637pzrO7_03lr4sikQHXUNqBx9eZMY8hJSfLTPvzAdGuJwx5Dss43UyvsgIZZVEuzq_tmCGzAS3-2bVRW_GyKUP0hHPysLYDoyt9UQJOkVsM-MBfv9TkuzTiAwqDKVZKaXEJS4mh4x8grcM76EAQJVbLQGbaRG376vHtf3XjRYF/s960/240090614_3084114885206968_5478977226798877251_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="960" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTVdnt8P_GGKjg7gp1K637pzrO7_03lr4sikQHXUNqBx9eZMY8hJSfLTPvzAdGuJwx5Dss43UyvsgIZZVEuzq_tmCGzAS3-2bVRW_GyKUP0hHPysLYDoyt9UQJOkVsM-MBfv9TkuzTiAwqDKVZKaXEJS4mh4x8grcM76EAQJVbLQGbaRG376vHtf3XjRYF/w640-h480/240090614_3084114885206968_5478977226798877251_n.jpg" width="640" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">15 LIVROS
que GANHEI da BIBLIOTECA</span> </span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">do FALECIDO INTELECTUAL</span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(por
ordem de lançamento)</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">01</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MEMÓRIAS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(1852 a
1856)</span><br /><a name="_Hlk149338745"><span style="font-size: 14pt; line-height: 107%;">Autor: </span></a><span style="font-size: 14pt; line-height: 107%;">Leon Tolstoi</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">02</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O CORAÇÃO
das TREVAS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Heart of
Darkness, 1902)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor: Joseph
Conrad</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">03</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O
IMORALISTA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(L'Immoraliste,
1902)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor: André
Gide</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">04</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">SOB o SOL de
SATÃ</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Sous le
Soleil de Satan, 1926)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
Georges Bernanos</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">05</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ORLANDO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Idem,
1928)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
Virginia Woolf</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">06</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O SOM e a
FÚRIA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(The
Sound and the Fury, 1929)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
William Faulkner</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">07</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">VIAGEM ao
FIM da NOITE</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Voyage
au Bout de la Nuit, 1932)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
Louis-Ferdinand Céline</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">08</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A
INTELIGÊNCIA e o CADAFALSO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(L'intelligence
et L'échafaud, 1943)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor: Albert
Camus</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">09</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A MORTE
de VIRGILIO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Der tod
des Vergil, 1945)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
Hermann Broch</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">10</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MINHA FÉ</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Mein
Glaube, 1952)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
Hermann Hesse</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">11</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">O LONGO
ADEUS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(The Long
Goodbye, 1953)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
Raymond Chandler</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">12</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">RECORDAÇÕES
de FAMÍLIA</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Souvenirs
Pieux, 1974)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
Marguerite Yourcenar</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">13</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">LIVRO dos
SONHOS</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Libro de
Suenos, 1976)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor: Jorge
Luis Borges</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">14</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">Se um
VIAJANTE numa NOITE de INVERNO</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Se una
Notte d´inverno um Viaggiatore, 1979)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor: Italo
Calvino</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">15</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">SOBRE a
MORTE</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">(Über den
Tod, 2003)</span><br /><span style="font-size: 14pt; line-height: 107%;">Autor:
Elias Canetti</span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVzvoHvuhRgQ8JmNvXRF8kj8UBj6x12VFvKE8PSx5pZf9mbL5UckxTcEBlnm3q8dFhUAInHIvxPrw8bnJtiWFlEWoJGM1Kjp_WVuTctGfgeAzYrzsqDGrA2yQ8961WpQMg9SqAjTpTis4VUu-Rr2xP5in5Y9cnXvQJqtivK-eY4PETRwg9wsn8fSHJLNYk/s2048/269928052_10160001770362360_2984445946646036966_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="2048" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVzvoHvuhRgQ8JmNvXRF8kj8UBj6x12VFvKE8PSx5pZf9mbL5UckxTcEBlnm3q8dFhUAInHIvxPrw8bnJtiWFlEWoJGM1Kjp_WVuTctGfgeAzYrzsqDGrA2yQ8961WpQMg9SqAjTpTis4VUu-Rr2xP5in5Y9cnXvQJqtivK-eY4PETRwg9wsn8fSHJLNYk/w640-h480/269928052_10160001770362360_2984445946646036966_n.jpg" width="640" /></a><span style="font-family: inherit;"><span style="color: #3d85c6;"><span style="font-size: 14pt; 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Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com1tag:blogger.com,1999:blog-1221158885572115483.post-90907236392807607412023-09-25T22:44:00.010-02:002023-09-26T23:04:54.499-02:00.............................................................................. TRISTE FIM da NAÇÃO<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhAh6iaiJOmKyn_x9pscBP47O5FmTguhFosmqY77br8uWktOybmFgSOiy6GqL9swLdMsYCPe6XM9PuXS94QEZrA9NIesfJ9mrdPdhIc487Y8OQ5L8wZepSsiYvV3D_gSnLOfL1wuFCl0DkIW1eykcOWb5GLfubEEQtRwmac7WER7BxNxhiA2SKeKPACLQe/s1400/13581913_1743000195985117_3525387422787111221_o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="933" data-original-width="1400" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhAh6iaiJOmKyn_x9pscBP47O5FmTguhFosmqY77br8uWktOybmFgSOiy6GqL9swLdMsYCPe6XM9PuXS94QEZrA9NIesfJ9mrdPdhIc487Y8OQ5L8wZepSsiYvV3D_gSnLOfL1wuFCl0DkIW1eykcOWb5GLfubEEQtRwmac7WER7BxNxhiA2SKeKPACLQe/w640-h426/13581913_1743000195985117_3525387422787111221_o.jpg" width="640" /></a></div><p> </p><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">A CAMINHO de um BRASIL sem POVO</span><br /><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">J.R.
GUZZO</span></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Revista Oeste</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">Juntos, o
STF e o Poder Executivo governam o país sem nenhum tipo de concorrente ou de
oposição capaz de impedir qualquer dos seus movimentos</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">O Brasil,
dia após dia, está se transformando num país cubano/soviético. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Com o
consórcio formado pelo Supremo Tribunal Federal e as facções que dão suporte ao
presidente da República, o Brasil, cada vez mais, só tem governo — não tem
população. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Como na
Rússia comunista, e em todos os regimes que surgiram à sua semelhança, de Cuba
e Coréia do Norte à China, o país está a caminho de ficar sem instituições;
elas ainda não foram eliminadas oficialmente, mas cada vez valem menos. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Os cargos
públicos que têm influência real na máquina do Estado vão sendo ocupados, a
cada escolha, por aliados que o consórcio impõe. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Na
prática, há um regime de partido único, a sociedade Lula-STF — os outros
partidos fazem alguns ruídos, mas não conseguem controlar nem uma CPI que eles
mesmos propõem, e podem ser multados em R$ 22 milhões se apresentarem uma
petição à Justiça suprema. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRukEAHJAbGlD8dn7jiD6MgavOCkmgQ-gj5ZREXRXEAojijnls9kDeVKjzWxfHyBvDNF8wwzouk8vRyLlus-tvkdOM6UII_oaZDikSYoBSQACYtwM4M3Ke8plIZRvzj_7-AYLuPzjlKUwEgehzKk-jGtH0atm7sttAStzK8pQTSnSKk8HjFu28oTHt5E7E/s1302/86974130_10220590585210830_3952657547810308096_n.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1302" data-original-width="1017" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRukEAHJAbGlD8dn7jiD6MgavOCkmgQ-gj5ZREXRXEAojijnls9kDeVKjzWxfHyBvDNF8wwzouk8vRyLlus-tvkdOM6UII_oaZDikSYoBSQACYtwM4M3Ke8plIZRvzj_7-AYLuPzjlKUwEgehzKk-jGtH0atm7sttAStzK8pQTSnSKk8HjFu28oTHt5E7E/w313-h400/86974130_10220590585210830_3952657547810308096_n.jpg" width="313" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Há um
Congresso Nacional; em Cuba há e na Rússia Soviética também havia. Mas as leis
aprovadas pelos deputados são simplesmente anuladas pelo STF, quando ele quer,
e seja o assunto que for. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">É o que
está acontecendo com a lei sobre terras indígenas, aprovada na Câmara por 283 votos
a 155, mas a caminho de ser declarada nula pelos ministros — como a Lei nº
14.950, sobre o mesmo assunto. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">A maior
parte da imprensa se dedica à adoração de Lula, do seu governo e do ministro
Alexandre de Moraes. Funciona, na realidade, como um grande Pravda,ou Granja,
escrito e falado em português — e muitas vezes em mau português. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Ainda
falta um bom caminho para chegar lá, e a República Soviética do Brasil, pelo
menos por enquanto, está se limitando a eliminar a liberdade política. (Na
Rússia comunista, por exemplo, não havia, nem há, Parada Gay, nem gays parados
nas esquinas e também era preciso passaporte interno para ir de uma cidade à
outra, e a lista telefônica de Moscou era segredo de Estado, entre outras
curiosidades que só o comunismo é capaz de criar.) </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Mas é
exatamente para lá, um regime totalitário mais ao estilo do século 21 e
fabricado basicamente com peças de produção nacional, que o país está indo. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Faça uma
pergunta simples: quem vai impedir, se são o STF e o Sistema <span style="color: #3d85c6;">“L”</span> que escrevem
as leis e decidem o que é legal e o que é ilegal? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Não vão
ser, com certeza, as Forças Armadas, que de cinco em cinco minutos declaram-se
a favor da <span style="color: #3d85c6;">“legalidade”</span>, ou seja, do que o consórcio STF-Lula diz que é a
legalidade. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">De mais a
mais, os comandantes militares estão a favor desse partido único que hoje
governa o país; entregaram para a polícia, trancados em ônibus, os cidadãos que
protestavam contra o resultado das eleições, em manifestação legítima, em
frente ao QG do Exército em Brasília. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Não será
o Judiciário, que é apenas uma grande repartição pública comandada pelo STF.
Não será, obviamente, o Congresso, que não existe mais como força política
efetiva. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Não serão
os 150 milhões de brasileiros que estão ocupados o dia inteiro com a sua
sobrevivência física, e não têm tempo para tratar de política. Em suma: não é
ninguém.</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Em que
país sério do mundo, esses mesmos onde Lula faz <span style="color: #3d85c6;">“política externa”</span> turística se
hospedando em hotéis com diária de mais de R$ 40 mil, o presidente, rei ou
primeiro-ministro nomeia seu advogado pessoal para a Suprema Corte? Nem Stalin
fez isso.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgubI9xLagyYftM0hjeqaY9wxXG1lc3tBftoBQ-m-UB9gBz8kpW5fBcJOZEl-JNHoh_t0DZwpE7juvAcrDOpAafD-OxmPfg1t9Wx_hBEDI84JhwkIgNqVr2BBRVsRPKHTeiz5r9wVDk3zPrPUwIqnj8FLFAksyxI1R9RhvHTVMfR-2XqAbZ4K7U5pKynwOk/s661/3gg4wTMVsgwfM1Th4JCjoi4LwiLs6P-metaSU1HXzE4MjYuanBlZw==-.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="464" data-original-width="661" height="281" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgubI9xLagyYftM0hjeqaY9wxXG1lc3tBftoBQ-m-UB9gBz8kpW5fBcJOZEl-JNHoh_t0DZwpE7juvAcrDOpAafD-OxmPfg1t9Wx_hBEDI84JhwkIgNqVr2BBRVsRPKHTeiz5r9wVDk3zPrPUwIqnj8FLFAksyxI1R9RhvHTVMfR-2XqAbZ4K7U5pKynwOk/w400-h281/3gg4wTMVsgwfM1Th4JCjoi4LwiLs6P-metaSU1HXzE4MjYuanBlZw==-.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">A união
soviética brasileira não é um <span style="color: #3d85c6;">“copiar e colar”</span> da antiga URSS; embora leve mais
ou menos aos mesmos resultados, em termos de criar uma ditadura efetiva na vida
pública, é basicamente coisa de construção tupiniquim, sem maiores filosofias
políticas como o original em alemão. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Não houve
nenhuma revolução, nem a tomada do Palácio de Inverno ou a descida da Sierra
Maestra. Sua chave é o acordo de acionistas entre o STF e o Poder Executivo,
tal como ele é encarnado por Lula — juntos, governam o país sem nenhum tipo de
concorrente ou de oposição capaz de impedir qualquer dos seus movimentos. Os
ministros, para ficar só no mais grosso, eliminaram as leis brasileiras para
tirar Lula da cadeia, onde cumpria pena pelos crimes de corrupção passiva e
lavagem de dinheiro, e para anular todos os processos penais contra ele, de
modo a possibilitar a sua candidatura à Presidência da República.Agora avançam
contra os efeitos da Lava-jato anulando todas as suas sentenças e penalidades
que incidiram sobre os corruptos e sobre as empresas envolvidas no maior
esquema de corrupção jamais visto na história desse País. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Foram
todos inocentados e deverão receber de volta todos os bilhões que roubaram da
Nação e que a Lava-jato 9s obrigou a devolver aos cofres públicos. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Através
do TSE e com o apoio do STF, comandaram a campanha mais escura, contestada e
parcial da história eleitoral brasileira, com um sistema de urnas eletrônicas
que não é utilizado em nenhuma democracia do planeta; contaram os votos e
declararam que Lula tinha ganhado. Em troca, o Sistema <span style="color: #3d85c6;">“L”</span> aceita tudo o que o
Supremo quer que se faça, em qualquer área ou ocasião. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Juntos,
escolhem os novos integrantes do TSE, que passa a ser 100% controlado pelo
consórcio, e combinam quem serão os comparsas que assumirão os cargos chaves
dos poderes da República como agora, no caso do novo procurador-geral da
República, o que elimina o Ministério Público como força independente na vida
pública brasileira, conforme estabelecido na Constituição. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">São
decisões tomadas em churrascos hermeticamente fechados e isolados do resto do
mundo em Brasília, com a proibição da entrada de celulares no recinto. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Que
diabos de<span style="color: #3d85c6;"> “instituições”</span> resultam de um negócio desses?</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Na
verdade, as instituições e os deveres obrigatórios de uma república ou das
verdadeiras democracias estão sendo eliminados, um depois do outro, pelas
decisões tecnicamente legais do consórcio STF-Lula. O presidente, em meio à
indiferença da população e à anestesia moral que marca o Brasil de hoje, nomeia
o seu advogado pessoal para a vaga existente no STF — o seu advogado pessoal,
nada menos que isso. A mídia, o mundo político e as classes intelectuais fingem
que a nomeação é uma coisa normal, ou quase normal. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjMOwKRdDgFwoqE0AaxFUOCZKAFa8Z3IQ9XgS7KrP1y0FfCLpuYsBlQQboPnFXCvWt1VfxzGppms1pGPdaJyDXEb6sSbsGnoQMO6n7h94B-XO_3Etid_-He5kVLWja3Z6REGPb18LBoNTaUxeg4rxSWgw4sMojLRGMLmvP1TdsKNrYitC54uN3WvO5CQjZ/s946/58373187_2333633296921801_3392787910573948928_n.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="946" data-original-width="946" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjMOwKRdDgFwoqE0AaxFUOCZKAFa8Z3IQ9XgS7KrP1y0FfCLpuYsBlQQboPnFXCvWt1VfxzGppms1pGPdaJyDXEb6sSbsGnoQMO6n7h94B-XO_3Etid_-He5kVLWja3Z6REGPb18LBoNTaUxeg4rxSWgw4sMojLRGMLmvP1TdsKNrYitC54uN3WvO5CQjZ/w400-h400/58373187_2333633296921801_3392787910573948928_n.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Não chama
a atenção de ninguém um fato muito simples: é impossível, no mundo das
realidades, que o novo ministro tome qualquer decisão minimamente contrária aos
interesses do presidente da República — ou alguém acredita, honestamente, que
ele possa ser imparcial nas suas sentenças, como é exigência elementar de
qualquer democracia decente? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Lula, na
verdade, governa sem nenhum freio — pois um dos freios, o Judiciário, é seu
sócio no partido único, e o outro, que seria o Legislativo, não é capaz de
frear nada, mesmo porque, quando tenta frear alguma coisa, o STF vem e diz que
não vale. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">O
resultado prático é que Lula compra sofás de R$ 65 mil para a decoração de sua
residência — com dinheiro do pagador de impostos, é claro. Compra um novo
Airbus para o seu transporte pessoal. Recebe em Brasília um ditador que tem a
cabeça a prêmio por US$ 15 milhões, por tráfico internacional de drogas. Faz o
que quer, e o que o STF deixa.</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Há
eleições no Brasil, mas também há o TSE — e enquanto houver o TSE as eleições
não valem nada, ou só valem o que a <span style="color: #3d85c6;">“Justiça Eleitoral”</span> diz que valem. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">O TSE,
hoje, é uma polícia política integralmente a serviço do governo. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">É uma
aberração que consegue gastar R$ 10 bilhões por ano, mesmo nos anos em que não
há eleição nenhuma, e não tem similar em nenhum outro País do mundo,— a começar
pelo fato de que se dá o direito de cassar mandatos de deputados federais ou de
quem lhe der na telha. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Cassaram
o mandato do deputado Deltan Dallagnol, por vingança pessoal de Lula, sem o
mais remoto vestígio de legalidade; foi uma decisão de AI-5, com umas fumaças
de procedimento jurídico que não enganariam uma criança com dez anos de idade. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">O
resultado é que o consórcio anulou a decisão legítima dos eleitores do Paraná;
pior ainda, nomeou de forma grosseira o novo ocupante da vaga que foi aberta
pela cassação, colocando no lugar de Dallagnol, que teve 350 mil votos, um
outro que teve 12 mil. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Em
seguida vão cassar o Sérgio Moro dando continuidade à sanha vingativa do
Lulinha do AMOR.</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Que tal,
como limpeza, ou mera lógica, do sistema eleitoral? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Já
cassaram os direitos políticos de Jair Bolsonaro, única e exclusivamente porque
identificam nele um possível candidato que se opõe com chances de sucesso ao
partido único STF-Lula. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">É uma
medida preventiva, ou de back-up antecipado — estão agindo como se as próximas
eleições presidenciais pudessem ser diferentes das de 2022, do ponto de vista
operacional do TSE. De novo, como no caso do deputado Dallagnol, a proibição
para Bolsonaro disputar eleições, ou ter qualquer participação na política
brasileira, é 100% ilegal. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">A
desculpa é que ele manifestou dúvidas sobre a perfeição do atual sistema de
urnas eletrônicas, só adotado, além do Brasil, em dois países, Butão e
Bangladesh. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoeLC6c9l-Ar6TpQkrhiUPZrWragat9lyIOsFwF9C2UiX7QF9FlGjl7OtYh3yCsvbqKHK_hYKv42uKbEY1HzKW_CEw32fFzvM5d56c_EvAF3xwrW1FtslAJUPhNtykiqTLl2zBCeRIU6J3RXyrJ-A4ftiiD-2U1VZYV851HTKIdL0RoK-NvgenZ_nBWQzX/s960/107393953_3185018121588672_8110709958591855386_o.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="960" data-original-width="960" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoeLC6c9l-Ar6TpQkrhiUPZrWragat9lyIOsFwF9C2UiX7QF9FlGjl7OtYh3yCsvbqKHK_hYKv42uKbEY1HzKW_CEw32fFzvM5d56c_EvAF3xwrW1FtslAJUPhNtykiqTLl2zBCeRIU6J3RXyrJ-A4ftiiD-2U1VZYV851HTKIdL0RoK-NvgenZ_nBWQzX/w400-h400/107393953_3185018121588672_8110709958591855386_o.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Poderia
ser qualquer outra coisa: genocídio, assassinato de índios, quilombolas e gays,
defesa da cloroquina,tudo dá motivos para a cassação do Bolsonaro. O objetivo é
eliminar a direita da vida política do Brasil. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Como é
possível, com um mínimo de racionalidade, tornar alguém inelegível porque ele
disse que tinha dúvidas sobre um sistema de votação obviamente sujeito a todo
tipo de dúvida? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">E o
próximo passo será prendê-lo como uma espécie de vingança do Lula que até hoje
não absorveu a sua justa prisão e quer dar o troco cometendo uma injustiça
contra o Bolsonaro. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">A
implacável perseguição ao ex-presidente que até o momento não conseguiu reunir
razões que justifiquem sua prisão, será coroada com sucesso pela delação
premiada do seu ex ajudante de ordens, o Coronel Cid que foi pressionado
ardilosamente com uma prisão injusta de mais de três meses por supostas
falsificações de cartões de vacinas e que no decorrer do processo foi sendo
engrossado com novas acusações de venda fraudulenta de jóias, lavagem de
dinheiro e outras que se caracterizaram como uma verdadeira tortura psicológica
que resultou finalmente, na obtenção da forçada <span style="color: #3d85c6;">"delação premiada"</span>
com o único objetivo de prender o Bolsonaro e satisfazer os instintos
vingativos do Lula. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Além, por
um despacho do ministro Alexandre de Moraes, o STF cassou sem nenhuma
formalidade legal o mandato do governador de Brasília. Depois devolveu, por
outro despacho do mesmo Alexandre de Moraes — mas o governador, hoje, é capaz
de jurar que o triângulo tem quatro lados, se os ministros assim quiserem.</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Com o
Congresso é o mesmo tipo de calamidade. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">O que
adianta pagar R$ 14 bilhões por ano para manter um Congresso cujas leis podem
ser anuladas a qualquer momento, e sem razão nenhuma, pelo Supremo? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Não é só
o marco temporal. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Já foi a
mesma coisa com a anulação da lei que determinava o cumprimento da pena em
prisão fechada para réus condenados em segunda instância, o que tirou Lula do
xadrez da Polícia Federal onde ficou trancado durante 20 meses. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Também será
assim, daqui a pouco, com a lei, perfeitamente aprovada pelo Congresso, que
tornou voluntário o pagamento do imposto sindical — o efeito imediato dessa
lei, obviamente, foi que nenhum trabalhador brasileiro quis pagar mais. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Nessa
área, o STF já exarou decisão sobre a legalidade da cobrança pelos sindicatos
da </span></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">contribuição sindical</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">”</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">, (o que é diferente do Imposto Sindical),
a ser cobrada inclusive dos trabalhadores não sindicalizados.</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">O que
poderia representar com mais perfeição a vontade do povo? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Mas Lula
quer que o imposto volte a ser obrigatório, e o STF se prepara para atender a
exigência. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEPeYqr0VdKepyBSR0WZc2dtheysnBmJ1oBelJydoV4qFxJxsirG7FagNiypfIE95jufIS1ctTJ0i7PoOMH2P9-Q2VvjtZZ1nMk9Y6sVbiATfc5_B2KgiCu8_Yj-drXfMh7SmGvy3gMNWpttzecTkVl90E__OUe1TO53sw7G5mk81gbL56ndpDTNKJyoEt/s938/16992340_1860492124235923_694960288666152399_o.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="938" data-original-width="929" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEPeYqr0VdKepyBSR0WZc2dtheysnBmJ1oBelJydoV4qFxJxsirG7FagNiypfIE95jufIS1ctTJ0i7PoOMH2P9-Q2VvjtZZ1nMk9Y6sVbiATfc5_B2KgiCu8_Yj-drXfMh7SmGvy3gMNWpttzecTkVl90E__OUe1TO53sw7G5mk81gbL56ndpDTNKJyoEt/w396-h400/16992340_1860492124235923_694960288666152399_o.jpg" width="396" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">O
ministro que foi encarregado de resolver o problema argumenta que hoje os<span style="color: #3d85c6;">“tempos são outros”</span> — um raciocínio realmente espantoso, levando-se em conta
que os tempos estão em mudança perpétua e, por via de consequência, nenhuma lei
aprovada no passado é válida no presente. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Fazer o
quê? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Esse
Congresso Nacional que está aí não é capaz sequer de proteger os mandatos dos
seus próprios deputados; não é capaz de nada. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A <span style="color: #3d85c6;">“Mesa”</span>
da Câmara dos Deputados concordou oficialmente com a cassação de Dallagnol. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Já havia
concordado, não faz muito tempo, com a prisão por nove meses do deputado Daniel
Silveira, e das demais sanções contra ele,também por ordem do ministro Moraes. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">É
diretamente contra a lei. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">A
Constituição diz que um deputado federal só pode ser preso em flagrante, e pela
prática de crime inafiançável; Daniel Silveira não foi preso em flagrante nem
cometeu nenhum crime inafiançável. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">E daí? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Foi preso
do mesmo jeito. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Aliás,
está preso de novo hoje, desta vez por não usar a tornozeleira eletrônica que o
ministro lhe impôs, apesar de ter recebido um indulto absolutamente legal do
ex-presidente Bolsonaro; o STF, como nas leis aprovadas pelo Congresso, decidiu
que o indulto não vale. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Esperar o
que, se o presidente da Câmara, o deputado Arthur Lira, está disposto a assinar
a cassação do seu próprio mandato, se receber ordem do STF? </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Não há
nada a esperar.</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">A
República Cubano/ Soviética do Brasil ainda não acabou com a propriedade
privada — e nem parece a ponto de acabar, quando se considera a ilimitada
quantidade de propriedades estritamente privadas que os membros do consórcio
têm e que por isso mesmo, estabeleceu que as propriedades privadas, que a
critério do STF, não cumpram com os </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">objetivos sociais</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">”</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">, serão
passíveis de serem cassadas. Assim, eles cassam as que quiserem ao seu
critério. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Também
não tornou legal, pelo menos até agora, a coletivização da terra — apesar da
paixão de Lula pelo movimento semi terrorista que invade propriedades rurais,
destrói bens e pratica a violência armada, sem que um único de seus agentes
seja jamais incomodado pelo sistema judicial.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYm9wwSm5I2bJz77mYu1TYQHp1pBVzJaCRhne-sg4h7k98BKBN8YdyCithNE1xz_SR9i0VLe65lyG8JEtbTUgq6JhSID8hyiCYkM9eXN_GTpyZjYpydvcmUTHAr6IBtelYMNPto_-DT40iDmYo82sfkIUYC2-eg8mXss5QhHT9pzaqWOxo_y2B7xZFqBWu/s981/10429343_699184646863756_8269155249446879065_n.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="614" data-original-width="981" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYm9wwSm5I2bJz77mYu1TYQHp1pBVzJaCRhne-sg4h7k98BKBN8YdyCithNE1xz_SR9i0VLe65lyG8JEtbTUgq6JhSID8hyiCYkM9eXN_GTpyZjYpydvcmUTHAr6IBtelYMNPto_-DT40iDmYo82sfkIUYC2-eg8mXss5QhHT9pzaqWOxo_y2B7xZFqBWu/w400-h250/10429343_699184646863756_8269155249446879065_n.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Mas já
organiza e hospeda, em Brasília, reuniões do seu próprio Comintern, a que hoje
se dá o nome de<span style="color: #3d85c6;"> “Foro de São Paulo”</span> e que cobra inscrições em dólar. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Está
montando uma máquina estatal de estilo soviético, que só serve ao partido e
está mais distante do povo brasileiro do que a Terra da Lua. </span><br /><br /><span style="font-size: 14pt; line-height: 107%;">O
Ministério da Justiça, logo esse, já é comandado por um comunista de carne e
osso; ele mesmo, aliás, já disse que é comunista <span style="color: #3d85c6;">“graças a Deus”</span>. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">É para aí
que vai a procissão...</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">E agora
brasileiros, o que vamos fazer para evitar que isso se torne cada vez mais
realidade?</span><br /><span style="font-size: 14pt; line-height: 107%;">Como
vamos impedir que isso aconteça?</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">Proposta:
Vamos começar divulgando esse texto em todas as mídias sociais, para uma
conscientização geral.</span><br /><br /><span style="font-size: 14pt; line-height: 107%;">É uma
esperança.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div>
Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com0tag:blogger.com,1999:blog-1221158885572115483.post-3051932659338129952023-08-30T23:07:00.010-02:002023-08-30T23:41:29.922-02:00......................... MONTEIRO LOBATO: PINTANDO com PALAVRAS<p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3Q_LgKkN20hNFi-N3gZbYcm4bq7_2_mruDrRpximGCv81iZ8VG1yvci_kY0iSCSt6FzJverm6zIC9mZJE82PCAAQiYiKOluy6Q5Akpub08Qj9tmDLHIRH-bqdQ6yFpaavAeUdvTHUlWpNr12EKj-PsEMb0l14ugZWQArnWZ6qWcPL5Gdtcq7N_amOT542/s1555/Monteiro-Lobato-Artes-escritor-livro-obra-completa-bx.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1037" data-original-width="1555" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3Q_LgKkN20hNFi-N3gZbYcm4bq7_2_mruDrRpximGCv81iZ8VG1yvci_kY0iSCSt6FzJverm6zIC9mZJE82PCAAQiYiKOluy6Q5Akpub08Qj9tmDLHIRH-bqdQ6yFpaavAeUdvTHUlWpNr12EKj-PsEMb0l14ugZWQArnWZ6qWcPL5Gdtcq7N_amOT542/w640-h426/Monteiro-Lobato-Artes-escritor-livro-obra-completa-bx.jpg" width="640" /></a></div> <p></p><div style="text-align: justify;"><span style="font-family: inherit;"> <br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Quem mal
lê, mal ouve, mal fala, mal vê.” </span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">“Um país
se faz com homens e livros.”</span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MONTEIRO
LOBATO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ilustrações:
</span></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">DI CAVALCANTI</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">(1897 –
1976. Rio de Janeiro, RJ)</span></span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Escritor,
jornalista e editor, <span style="background-color: #274e13; color: white;">MONTEIRO LOBATO</span> <span style="color: #3d85c6;">(1882 - 1948. Taubaté / São Paulo) </span>com <span style="color: #3d85c6;">“A Menina
do Narizinho Arrebitado”</span>, publicado em 1920, lançou-se como escritor dedicado ao
público infantil e pioneiro no Brasil da literatura paradidática, ao incluir em
sua criação conceitos de história, geografia e matemática. Para ele. escrever
para crianças era prazeroso, dava asas à imaginação: <span style="color: #3d85c6;">“É semear em terra roxa
virgem – e não praguejada. Cérebro de adulto é solo já praguejado”</span>, afirmou.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Um dos escritores críticos mais
acalorados do país, com verdades ditas sem hipocrisia, criou discípulos, mas
também adversários. Uma de suas primeiras críticas foi uma carta sobre a
problemática das queimadas, publicada no <span style="color: #3d85c6;">“O Estado de São Paulo”</span>.</span><span style="font-size: 14pt; line-height: 107%;">Ele terminaria
provando que era um ícone do sentimento brasileiro. Se hoje muitos brasileiros
têm conhecimento de nosso folclore, foi graças ao amor intenso pela cultura
popular e pelos mitos que <span style="background-color: #274e13; color: white;">MONTEIRO LOBATO</span> soube infundir na imaginação de todos
nós.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5-erKllJY6pXZWvxQnyMJfgC4vRuSH6TYdAW-SXgMyH9NPh7SN_gF80K1RDcKbtxNV_MQ1aCjkYbwSfeSEgCPZx9YDlWKqEDnRIjQHitpCrayGzCeJBFol5LoRn4sGcMuLnLdESmiPVZWTq1hOg3IWxoE7K23HUfg2XeIg4cDLzQJ8HUDGPZPFPNbTGf8/s1796/91pVkiDd2DL.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1796" data-original-width="1015" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5-erKllJY6pXZWvxQnyMJfgC4vRuSH6TYdAW-SXgMyH9NPh7SN_gF80K1RDcKbtxNV_MQ1aCjkYbwSfeSEgCPZx9YDlWKqEDnRIjQHitpCrayGzCeJBFol5LoRn4sGcMuLnLdESmiPVZWTq1hOg3IWxoE7K23HUfg2XeIg4cDLzQJ8HUDGPZPFPNbTGf8/w226-h400/91pVkiDd2DL.jpg" width="226" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Desde
menino ele já mostrava seu temperamento irrequieto,</span><span style="font-size: 14pt; line-height: 107%;">marcado
por virtudes e genialidades.</span><span style="font-size: 14pt; line-height: 107%;">Filho de fazendeiros, formou-se em 1904 na
tradicional Faculdade de Direito do Largo de São Francisco, em São Paulo, mas
não se entusiasmou com a profissão jurídica. Nesse mesmo ano voltou para
Taubaté onde conheceu Maria Pureza Natividade, com quem se casou um ano depois
de ser nomeado promotor público, em 1907. Nesta época, escreve
artigos para o jornal “A Tribuna”, de Santos, São Paulo; traduções para o <span style="color: #3d85c6;">“O
Estado de S. Paulo”</span>, e caricaturas para a revista <span style="color: #3d85c6;">“Fon-Fon!”</span>, do Rio de
Janeiro. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Permaneceu
em Areias até 1911, quando morreu seu avô, o Visconde de Tremembé, deixando-lhe
de herança uma fazenda em Taubaté, para onde se mudou. Em 1917, parte para
Caçapava. Nesse mesmo ano, ficou famoso o seu polêmico artigo <span style="color: #3d85c6;">“A Propósito da
Exposição de Malfatti”</span>, publicado no <span style="color: #3d85c6;">“O Estado de São Paulo”</span> (republicado em
1919 como <span style="color: #3d85c6;">“Paranoia ou Mistificação?”</span>). Nele, criticou severamente a exposição
de pintura expressionista de Anita Malfatti, e com isso ganhou uma legião de
inimigos. Hoje sabe-se que <span style="background-color: #274e13; color: white;">MONTEIRO LOBATO</span> criticava o colonialismo ditado
pelos europeus, fosse nas artes ou na vida social.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Em 1918, estreia
com o livro de contos <span style="color: #3d85c6;">“Urupês”</span></span>, <span style="font-size: 14pt; line-height: 107%;">lançando o personagem-símbolo de
sua obra, o Jeca Tatu. A história introduz esse matuto parasita, “papudo,
molenga, inerte e feio”, como ele mesmo descrevia na obra. A representação de
Jeca Tatu era uma espécie de alerta ao público. Era uma crítica imensa ao
atraso cultural brasileiro e a situação de miséria no país. Sempre atento a
novidades, montou a editora Monteiro Lobato & Cia., mais tarde Companhia
Editora Nacional, e revolucionou o mundo editorial do Brasil.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A
<span style="color: #3d85c6;">“Revista do Brasil”</span>, dedicada a resgatar os valores da cultura nacional e
discutir os principais problemas do país, era um espelho do pensamento de
<span style="background-color: #274e13; color: white;">MONTEIRO LOBATO</span>. Em 1918 ele compra a revista. Assume uma empresa deficitária,
desenvolve uma estratégia de marketing, multiplica a venda de assinaturas e
consegue publicidade para mantê-la viva. A sede da revista, no centro velho da
capital paulista, era ponto de encontro de intelectuais. Em pouco tempo sua
editora publicava obras de Oswald de Andrade, Lima Barreto, Menotti del Picchia
e Guilherme de Almeida, entre muitos outros.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwkwjdlIeNztfqHrAWur3U7VV9SiMEdJXtTCujqx8iQNP4hTRuSAPXAAA2Zv-FOZPpMeLLAfOHrekcoDx_BoNoZCnla87KBdx1_pxcH9O7yhAJzp-XUlurJDTRzjrJNgD3PR3SVyVpp4j8EaUwupQB8leXt1i669-7VG5gOgOMyVyzjwBWemi2J0nxiHmB/s1000/200724-monteiro_lobato.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1000" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwkwjdlIeNztfqHrAWur3U7VV9SiMEdJXtTCujqx8iQNP4hTRuSAPXAAA2Zv-FOZPpMeLLAfOHrekcoDx_BoNoZCnla87KBdx1_pxcH9O7yhAJzp-XUlurJDTRzjrJNgD3PR3SVyVpp4j8EaUwupQB8leXt1i669-7VG5gOgOMyVyzjwBWemi2J0nxiHmB/w400-h320/200724-monteiro_lobato.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Sua
alçada na fama contribuiu para uma imensa popularidade. Morando em São Paulo,
funda a Editora Brasiliense, em sociedade com amigos. O escritor se veria
próximo do governo</span><span style="font-size: 14pt; line-height: 107%;">de Washington Luís, adquirindo, inclusive, o
status de representante diplomático. No ano de 1927, foi nomeado adido
comercial do Brasil em Nova Iorque, residindo nos EUA por cerca de 4 anos. Ao
retornar ao Brasil, criticou, veemente, a lentidão no desenvolvimento nacional
em comparação ao imenso processo de evolução do país norte-americano.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Sua ação como intelectual polêmico se estende também ao plano
da luta política e social. Conservador, aspirava o progresso material e mental
do povo brasileiro. Com a publicação de <span style="color: #3d85c6;">“O Escândalo do Petróleo”</span> (1936)
denuncia o jogo de interesses motivados pela extração do petróleo. Com isso,
critica o envolvimento internacional das autoridades brasileiras. Em 1941, já
durante a ditadura Vargas, foi condenado a seis meses de detenção, acusado
de ataques ao governo, mas é indultado após cumprir metade da pena. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Em 1944,
recusa indicação para a Academia Brasileira de Letras - ABL.</span><span style="font-size: 14pt; line-height: 107%;">Em 1946
vai morar na Argentina, onde funda a Editorial Acteón. Mesmo entre a literatura
e o jornalismo, ele jamais escondeu sua paixão pela pintura e como gostaria de
ter cursado Belas Artes. Por imposição do avô, seu tutor após a morte dos pais,
acabou fazendo Direito. Desistiu das artes plásticas e se fez escritor, mas
nunca se conformou: <span style="color: #3d85c6;">“No fundo não sou literato, sou pintor. Nasci pintor, mas
como nunca peguei nos pincéis a sério (...) arranjei este derivativo de
literatura, e nada mais tenho feito senão pintar com palavras”</span>. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Enxadrista,
industrial do petróleo, pintor, pai da boneca mais ilustre do país. Tradutor do
melhor da literatura mundial infantil, como Perrault, Andersen e os Irmãos
Grimm. Estas facetas de <span style="background-color: #274e13; color: white;">MONTEIRO LOBATO</span> a maioria dos seus fãs conhece. Mas
poucos sabem que ele foi fotógrafo. Primeiro, registrou instantâneos da família
com uma câmara Kodak. Depois, com Rolleyflex a tiracolo, capturava paisagens e fragmentos do cotidiano. Também documentou as excursões
que fez pelo país durante a campanha do petróleo. <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVIwdez1HGfdBWwp6fH4quFd2dA0g7mkNGuJePwEWbtzvSJxspbDNjGTfcShJXtlMKwnmnXEKYQsHpHYZ_kgHwwhSjMiOiJSbsnyfpKU4rVy9wY9yw6Tf2KY16MEpQuwWp0dUbfeThgDXq67gDizTJbOI7XzkxZZJYnfsS3yHBUFNI7WJxK5x72Zuk-KpC/s1769/1%209j4vbstJ4Cc0OKTN-n7GKQ.jpeg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYsOqaF4mmxDRV7X3UI3pPCpxtzVY4mzXNc5VFl46Emq6qIxTo4IGfr_bZSAcHKcnincTrksaB88HSw4peV_C-r2HOlYzeo9ChJ6ABufVvxMMMTc_AVPx7DucQjbtABq5fTvBr5RF043SjUdiMCfZo6N1psYME8DYZiacNvtbhgEPvVE58ZXBAgNdJLAG5/s1769/1%209j4vbstJ4Cc0OKTN-n7GKQ.jpeg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1769" data-original-width="1293" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYsOqaF4mmxDRV7X3UI3pPCpxtzVY4mzXNc5VFl46Emq6qIxTo4IGfr_bZSAcHKcnincTrksaB88HSw4peV_C-r2HOlYzeo9ChJ6ABufVvxMMMTc_AVPx7DucQjbtABq5fTvBr5RF043SjUdiMCfZo6N1psYME8DYZiacNvtbhgEPvVE58ZXBAgNdJLAG5/w293-h400/1%209j4vbstJ4Cc0OKTN-n7GKQ.jpeg" width="293" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">Vivia
permanentemente preocupado em revelar um Brasil desconhecido, a que os
intelectuais brasileiros davam as costas. Essa preocupação, aliada à
necessidade de se comunicar, levaram-no ao jornalismo. Seu espírito
empreendedor e a necessidade de liberdade absoluta para se expressar
transformou o jornalista no editor que revolucionou o mercado de livros no
Brasil. Como jornalista, seu estilo simples e direto, irônico, cativava os
leitores. Era um polemista contumaz. Instigava os leitores a participar de suas
discussões. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Como
escritor, situa-se entre os autores regionalistas do Pré-Modernismo e
destaca-se nos gêneros conto e fábula. Foi um contador de histórias. Dono de um
estilo cuidadoso, não perdeu a oportunidade para criticar certos hábitos
brasileiros, como a cópia de modelos estrangeiros.</span><span style="font-size: 14pt; line-height: 107%;">Sua obra
é repleta de elementos estimulantes da criatividade e da imaginação, imbuídas
de valores morais e de brasilidade.</span><span style="font-size: 14pt; line-height: 107%;"> Reconhecido por seu estilo
simples, pela riqueza de sua literatura inovadora, recheada do ser brasileiro,
da nossa identidade cultural. <span style="background-color: #274e13; color: white;">MONTEIRO LOBATO</span> faleceu em 5 de julho
de 1948. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O dia do
seu nascimento, 18 de abril, é chamado de Dia Nacional do Livro Infantil. A
Vila do Buquira, onde foi viver e escreveu boa parte de sua obra, recebeu o seu
nome. Hoje, a cidade se chama Monteiro Lobato. A fazenda situada nessa cidade,
herança do seu avô, passou a ser chamada Sítio do Picapau Amarelo, sendo
atualmente visitada por muitos turistas. Além disso, existem diversas escolas,
ruas e bibliotecas no Brasil que levam o nome do escritor.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkZtPP3toGjwLbWi4G8xyxQ-L-YtL1GrUG2M3Dri8OUWSzuFdq56ehVbxDbj6_9NeESPxmqmkAWC1TJ7X-1J4rhOHINkHfRFwfIv86tRkfYJ5NgkYSHk8Jh4nm1FityHXjiAg3OgCTRucsmQEVIy6bTb8AsEd9ZVw5Ay7gxiW_DIIPpVpEHm1Mo8rgPocT/s1200/jeca-tatuzinho21.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="859" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkZtPP3toGjwLbWi4G8xyxQ-L-YtL1GrUG2M3Dri8OUWSzuFdq56ehVbxDbj6_9NeESPxmqmkAWC1TJ7X-1J4rhOHINkHfRFwfIv86tRkfYJ5NgkYSHk8Jh4nm1FityHXjiAg3OgCTRucsmQEVIy6bTb8AsEd9ZVw5Ay7gxiW_DIIPpVpEHm1Mo8rgPocT/w286-h400/jeca-tatuzinho21.webp" width="286" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">PERSONAGENS
de MONTEIRO LOBATO</span> </span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Conhecidos
por várias gerações de crianças, chegaram à televisão brasileira na década de
60 com o seriado <span style="color: #3d85c6;">“O Sítio do Pica-Pau Amarelo”</span>. Nessa história, o escritor
aproveita para transmitir valores morais, conhecimentos sobre nosso país, nossas
tradições, etc. Dentre os seus personagens mais conhecidos:</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">JECA
TATU</span>. Um tipo caipira acomodado e miserável. Com barba por fazer, bastante
pobre, desanimado e aparentemente preguiçoso. Ele vive com sua mulher, dois
filhos e é sempre acompanhado pelo seu cão.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">NARIZINHO</span>.
Menina de nariz arrebitado, cujo nome é Lúcia. Neta de D. Benta, ela tem uma
boneca chamada Emília, com quem adora conversar.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">PEDRINHO</span>.
Primo de Narizinho e neto de D. Benta. O menino de dez anos vive na cidade e
nas férias vai sempre para o sítio.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">EMÍLIA</span>.
Uma boneca de pano que fala. De personalidade forte, é a melhor amiga da sua
dona, Narizinho.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">DONA
BENTA</span>. A dona do sítio do Picapau amarelo. Adora crianças e tem prazer em lhes
contar histórias.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">TIA
ANASTÁCIA</span>. A empregada do sítio. Cozinha muito bem. Também gosta de contar
histórias e fazer biscoitos de polvilho. Foi ela quem costurou Emília.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">VISCONDE
de SABUGOSA</span>. Feito de sabugo de milho. Estudioso que sabe muitas coisas, é
também bastante atrapalhado. Está sempre na biblioteca ou no laboratório, que
fica no porão da casa do sítio.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">CUCA</span>. Uma
bruxa má com aparência de jacaré que vive amedrontando as pessoas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiVqef6pOhId9VTcncuMCreW-CMCWHG8-193RmqHhiQs0nziVQYiE_xO6hpMhKJC_yuSLPlZIbX69tMeALGRMRwqLdkUsOztpeV637_tI1yxYFWOd7BBRPVrhTvNVrI-71wKgTle7x4Sj5xn4GJ-kkVKkoYfPJ-xlqyn33YItUJKSIzAIm6pYQTzYkWgnj/s1568/34a002c4071febc2dbe9598d4a761bf31eed90a7_ml.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1095" data-original-width="1568" height="446" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiVqef6pOhId9VTcncuMCreW-CMCWHG8-193RmqHhiQs0nziVQYiE_xO6hpMhKJC_yuSLPlZIbX69tMeALGRMRwqLdkUsOztpeV637_tI1yxYFWOd7BBRPVrhTvNVrI-71wKgTle7x4Sj5xn4GJ-kkVKkoYfPJ-xlqyn33YItUJKSIzAIm6pYQTzYkWgnj/w640-h446/34a002c4071febc2dbe9598d4a761bf31eed90a7_ml.JPG" width="640" /></a></div></span><br /></span></div><div style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">OBRA de
MONTEIRO LOBATO</span> </span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">INFANTIL e
JUVENIL</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">A Menina
do Narizinho Arrebitado (1920)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Saci
(1921)</span><br /><span style="font-size: 14pt; line-height: 107%;">Fábulas
de Narizinho (1921)</span><br /><span style="font-size: 14pt; line-height: 107%;">Fábulas.
[edição aumentada de Fábulas de Narizinho (1922)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Marquês
de Rabicó (1922)</span><br /><span style="font-size: 14pt; line-height: 107%;">A Caçada
da Onça: Novas Aventuras de Narizinho, Rabicó e demais Companheiros (1922)</span><br /><span style="font-size: 14pt; line-height: 107%;">Jeca
Tatuzinho (1924)</span><br /><span style="font-size: 14pt; line-height: 107%;">O
Garimpeiro do Rio das Garças (1925)</span><br /><span style="font-size: 14pt; line-height: 107%;">Aventuras
de Hans Staden, o Homem que Naufragou nas Costas do Brasil, Narradas por Dona
Benta aos seus Netos (1927)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Noivado
de Narizinho (1928)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Gato
Félix (1928)</span><br /><span style="font-size: 14pt; line-height: 107%;">Aventuras
do Príncipe (1928)</span><br /><span style="font-size: 14pt; line-height: 107%;">Cara de
Coruja (1928)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Irmão
de Pinocchio (1929)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Circo
de Escavalinho (1929)</span><br /><span style="font-size: 14pt; line-height: 107%;">Peter
Pan, a História do Menino que Não Queria Crescer, Contada por Dona Benta (1929)</span><br /><span style="font-size: 14pt; line-height: 107%;">A Pena de
Papagaio (1930)</span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="mso-spacerun: yes;"> </span>O Pó de Pirlimpimpim (1930)</span><br /><span style="font-size: 14pt; line-height: 107%;">Reinações
de Narizinho (1931)</span><br /><span style="font-size: 14pt; line-height: 107%;">Novas
Reinações de Narizinho (1932)</span><br /><span style="font-size: 14pt; line-height: 107%;">Viagem ao
Céu (1932)</span><br /><span style="font-size: 14pt; line-height: 107%;">História
do Mundo para Crianças (1933)</span><br /><span style="font-size: 14pt; line-height: 107%;">Caçadas
de Pedrinho (1933)</span><br /><span style="font-size: 14pt; line-height: 107%;">Emília no
País da Gramática (1933)</span><br /><span style="font-size: 14pt; line-height: 107%;">História
das Invenções (1935)</span><br /><span style="font-size: 14pt; line-height: 107%;">Geografia
de Dona Benta (1935)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Poço do
Visconde: Geologia para Crianças (1936)</span><br /><span style="font-size: 14pt; line-height: 107%;">D.
Quixote das Crianças: Contado por D. Benta (1936)</span><br /><span style="font-size: 14pt; line-height: 107%;">Serões de
Dona Benta: Ciências Físicas e Naturais Ensinadas a Seus Netinhos (1937)</span><br /><span style="font-size: 14pt; line-height: 107%;">Histórias
de Tia Nastácia (1937)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Picapau
Amarelo (1939)</span><br /><span style="font-size: 14pt; line-height: 107%;">O
Minotauro: Maravilhosas Aventuras dos Netos de Dona Benta na Grécia Antiga
(1939)</span><br /><span style="font-size: 14pt; line-height: 107%;">Memórias
da Emília (1939)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Espanto
das Gentes (1941)</span><br /><span style="font-size: 14pt; line-height: 107%;">A Reforma
da Natureza (1941)</span><br /><span style="font-size: 14pt; line-height: 107%;">A Chave
do Tamanho (1942)</span><br /><span style="font-size: 14pt; line-height: 107%;">Os Doze
Trabalhos de Hércules (1944)</span><br /><span style="font-size: 14pt; line-height: 107%;">A Casa de
Emília (1947)</span><br /><span style="font-size: 14pt; line-height: 107%;">O Centaurinho
(1947)</span><br /><span style="font-size: 14pt; line-height: 107%;">A
Contagem dos Sacis (1947)</span><br /><span style="font-size: 14pt; line-height: 107%;">Uma Fada
Moderna (1947)</span><br /><span style="font-size: 14pt; line-height: 107%;">A
Lampreia (1947)</span><br /><span style="font-size: 14pt; line-height: 107%;">No Tempo
de Nero (1947)</span><br /><span style="font-size: 14pt; line-height: 107%;">Narizinho
Arrebitado (1947)</span><br /><span style="font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMk_m4T_AGqyTVBGjyIogmppNaZTitJYuA-AO9slF5jFWU7u2OLkcT0s2_TLP-SgNCE33x2xnlV5PAskwxSdbI6GlTBUChYHgGkkSTCnpOR_KV9lCfSqGg1OZ4cUlElqLgzgMu9VUfMkEOiw42CDwRA7dLfpcB7V1rI4K0nyOLzOpHBXu1HotANqvEtIsE/s1632/Di-Cavalcanti_Morro-1928-Oleo-sobre-tela-545-x-735-cm-Com-moldura-75x942x7cm_p140-141_Morro-Copy.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1632" height="470" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMk_m4T_AGqyTVBGjyIogmppNaZTitJYuA-AO9slF5jFWU7u2OLkcT0s2_TLP-SgNCE33x2xnlV5PAskwxSdbI6GlTBUChYHgGkkSTCnpOR_KV9lCfSqGg1OZ4cUlElqLgzgMu9VUfMkEOiw42CDwRA7dLfpcB7V1rI4K0nyOLzOpHBXu1HotANqvEtIsE/w640-h470/Di-Cavalcanti_Morro-1928-Oleo-sobre-tela-545-x-735-cm-Com-moldura-75x942x7cm_p140-141_Morro-Copy.jpg" width="640" /></a></div></span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">CONTO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Urupês
(1918)</span><br /><span style="font-size: 14pt; line-height: 107%;">Cidades
Mortas (1919)</span><br /><span style="font-size: 14pt; line-height: 107%;">Negrinha
(1956)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ROMANCE</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">O
Presidente Negro (1926)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">MUSEU
HISTÓRICO e PEDAGÓGICO MONTEIRO LOBATO</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">Casa onde
nasceu e viveu Monteiro Lobato na sua infância possui um acervo com objetos
pessoais, as primeiras edições dos livros do escritor e uma biblioteca com
obras de outros autores.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Endereço:
Rua Campinas, s/n - Chácara do Visconde, São Paulo</span><br /><span style="font-size: 14pt; line-height: 107%;">Telefone:
(12) 3625-5062</span><br /><span style="font-size: 14pt; line-height: 107%;">Horário:
Terça à domingo das 9h às 17h</span></span></span><span style="color: #3d85c6;"></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB2BFQ-vIE2um4XuB3qQQyWHb3n7aFUo-X29G9pY8SbCUP2hsiCKp44u0VCt-3UBlXq1C1eNWsn9-Cuomfu03ywq8lmTankRA3yqKw0SSwVPA0z9o3hL6zV9riy1x-XqnPgJ8DwkHrCDlOMlw0EEnbKGEnasXbR48iPv5rGc2eoNAeBUFQBlGWbbhLCtOC/s249/000p.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="203" data-original-width="249" height="326" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiB2BFQ-vIE2um4XuB3qQQyWHb3n7aFUo-X29G9pY8SbCUP2hsiCKp44u0VCt-3UBlXq1C1eNWsn9-Cuomfu03ywq8lmTankRA3yqKw0SSwVPA0z9o3hL6zV9riy1x-XqnPgJ8DwkHrCDlOMlw0EEnbKGEnasXbR48iPv5rGc2eoNAeBUFQBlGWbbhLCtOC/w400-h326/000p.jpg" width="400" /></a></div><div class="separator" style="clear: both; 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Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com0tag:blogger.com,1999:blog-1221158885572115483.post-61526440268616226682023-07-27T21:09:00.002-02:002023-07-27T21:20:31.028-02:00................................................... POSFÁCIO para LIVRO de DCL<p style="text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijvSeRX5ZrjyLKZTIUAR7wXsVMNFbxmsm2azfMYFOMmIp4GEo2HeuE_B2WwOKESKnxjMBCW-aE795_VxchzsK6UJd5aq7diZTeJd6PVsoIw_58DmSlMgWuBYsZuXsYSSH-PUIOD6sf5GEg_RlG8ngOphSNDzYY_XfTfmX_wYAHAQ1poJuN35DH2JXuASQi/s1541/WhatsApp%20Image%202023-07-26%20at%2008.35.19.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1148" data-original-width="1541" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijvSeRX5ZrjyLKZTIUAR7wXsVMNFbxmsm2azfMYFOMmIp4GEo2HeuE_B2WwOKESKnxjMBCW-aE795_VxchzsK6UJd5aq7diZTeJd6PVsoIw_58DmSlMgWuBYsZuXsYSSH-PUIOD6sf5GEg_RlG8ngOphSNDzYY_XfTfmX_wYAHAQ1poJuN35DH2JXuASQi/w640-h476/WhatsApp%20Image%202023-07-26%20at%2008.35.19.jpeg" width="640" /></a><br /><!--[if gte mso 9]><xml>
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</p><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">E a minha voz nascerá de novo,</span><span style="font-family: inherit;"><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;">talvez noutro tempo sem dores,</span><br /><span style="font-size: 14pt; line-height: 107%;">arderá de novo o meu coração</span><br /><span style="font-size: 14pt; line-height: 107%;">ardente e estrelado.</span></span><br /><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">PABLO NERUDA</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">Ilustrações:</span> <span style="background-color: #274e13; color: white;">CASPAR DAVID
FRIEDRICH</span></span><br /><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">(1774 – 1840. Greifswald / Alemanha)</span><span style="color: #3d85c6;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Posfácio
meu para o livro “PABLO NERUDA – Uma ENTREVISTA IMAGINADA” (2023), </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">do escritor
potiguar Diogenes da Cunha Lima e da Artêra Editora (PR).</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Publicado
também na Revista da Academia Norte-rio-grandense de Letras, </span></span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">em julho de 2023.</span><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Este
trabalho resulta de uma experiência de leitura intensa da vida e obra poética
de Pablo Neruda, revelando a preocupação fundamental de elaborar uma
conversação que fornecesse subsídios para o mais íntimo e irreverente do poeta
chileno. Tudo começou com a publicação de <span style="color: #3d85c6;">“Livro das Respostas”</span> (Massao Ohno
Editora, 1996), respondendo ao surrealista </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“</span></span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Libro de las Preguntas</span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">”</span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> (1973), uma
obra póstuma, com perguntas que Neruda escreveu ao longo de sua vida e
publicadas na Argentina. Nela, questionam-se animais, coisas, figuras históricas,
plantas, o sol, o mundo e a si mesmo. Simples e, talvez, confuso, das menores
questões às mais inusitadas, o poeta rejeita regras e rótulos e nos apresenta
um mundo fascinante com o magnetismo de sua linguagem.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Desafiando
o enigma, Diogenes da Cunha Lima lançou o </span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“</span></span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Livro das Respostas</span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">”</span></span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">. Na época, foi
muito bem recebido por críticos literários e intelectuais. No dizer do poeta e
tradutor mineiro Ivo Barroso, <span style="color: #3d85c6;">“o livro foi para mim uma revelação, um
deslumbramento. São respostas de uma imaginativa, ao mesmo tempo abrangente e
detalhista, capazes de explorar os recantos mais inesperados das indagações
nerudianas, trabalhadas em ecos e acordes, em correspondências sonoras e
modulações sutis, que transcendem, de certa forma, o tom meramente indagativo
da pergunta. Não se trata de uma disputa e sim de um diálogo de inteligências
sensíveis, um canto e contracanto de duas vozes equivalentes, ambas empenhadas
em transmitir aos leitores os diapasões mais extremos de sua sensibilidade.”</span></span><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjw_iZD45W12eJ8oe69ypjjF4q6LM2nk2vzGsJaeVVerDCZ0WrjOuQnhgvjm8stB7RqcPQd-jrklpTnlv_JOqVvUvjrMHTkxRHQyHyRtK1kin4dJO47TGs1XgvKDEwxIQ2VIo1RU6MTjHWreP1F8S9hMIwy_-JQjFa_vSlKPxufC_VJy_xIwAH5FoWvaQQD/s881/283575.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9HOFc-KhUlneJ1UCQ28rj3-vDvOrhLPDuVvJhDOsWZmduMqFtICgZvAm8onmfisdnvtv1KSeCpJEHnvKc3SxPsbWdbOAzn3QWBQwOcvRMAH7AR3atZ_Ieg-ErfnRi9qjQN6jW9nyOxum5U69dByZ9BaYX31oaH-Tg30EIDfzR4a2qKN3ZilQgX2fv9cvg/s881/283575.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="881" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9HOFc-KhUlneJ1UCQ28rj3-vDvOrhLPDuVvJhDOsWZmduMqFtICgZvAm8onmfisdnvtv1KSeCpJEHnvKc3SxPsbWdbOAzn3QWBQwOcvRMAH7AR3atZ_Ieg-ErfnRi9qjQN6jW9nyOxum5U69dByZ9BaYX31oaH-Tg30EIDfzR4a2qKN3ZilQgX2fv9cvg/w273-h400/283575.jpg" width="273" /></a></div></span><span style="font-size: 14pt; line-height: 107%;">O
teatrólogo alagoano Altimar Pimentel deu ainda mais destaque ao livro de
Diogenes da Cunha Lima com uma adaptação para o teatro com o título <span style="color: #3d85c6;">“Diálogos
de Nuestra América”</span>. O texto-diálogo foi representado em João Pessoa, Natal e
outras cidades nordestinas. Além dele, Danilo Guanaes compôs música dedicada ao
livro. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ainda
sobre o livro-resposta, o professor e ensaísta pernambucano Edson Nery da
Fonseca observou que o autor deixou-se impregnar pela atmosfera de magia e
sonho dos poemas de Neruda. E disse mais: <span style="color: #3d85c6;">“Lançadas ao acaso, sem interlocutor
determinado, as perguntas são marcadas pelo non sense, sobre o mundo
circundante e também sobre si próprio. E, apesar do tom surreal, detecta-se uma
profunda humanidade na obra de Neruda, muitas vezes amenizada em sua amargura
pela brandura de Diogenes. Envolvido pelo sortilégio nerudiano, ele deu
respostas que o poeta chileno jamais poderia prever”</span>.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Pablo
Neruda consagrou-se como um dos maiores poetas da língua castelhana. Sua poesia, sua vida e seu pensamento têm uma estrutura circular de
completa busca afirmativa e humanizadora, valorizando a busca da felicidade e
da alegria. Trazendo a visão do mundo e da vida, ele canta o amor, a esperança,
a justiça. Fala do mar e da liberdade como bálsamos e respostas para corações escuros.
Privilegia os contatos humanos, acreditando que não há poesia sem eles, e
destaca, ainda, que a sociedade humana e seu destino são matérias sagradas para
o poeta.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A arte de Neruda está cheia de poemas de
amizade, que se torna um dos temas principais, depois do motivo central do
amor. Suas poesias relacionam-se com a terra, o tempo e o homem. A temática é
absorvida da sua vivência. Também teceu em sua literatura os paradoxos da
condição humana, que trata da solidão e da solidariedade, da subjetividade e da
ideologia. É vastíssima a sua obra, reunida em cerca de 40 volumes dedicados
somente às criações poéticas.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Poeta
consagrado, Diogenes da Cunha Lima teve, recentemente, seu trabalho aplaudido
pelo português António Salvado, um dos maiores nomes literários contemporâneos:
<span style="color: #3d85c6;">“Devo salientar o domínio do poema, na medida em que este jamais se aproxima da
prosa, numa rítmica amplificação encantadora”</span>. Profundo conhecedor do mundo
nerudiano, o autor preparou-se de corpo e alma para realizar esses livros em
torno do poeta chileno. Visitou o Chile, falou com pessoas, conheceu lugares
onde o poeta viveu, vivenciou aproximações com a alma do poeta e leu e releu a
sua obra. Dessa dedicação, resultaram dois livros curiosos, diferentes,
instigantes.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">As
respostas de <span style="color: #3d85c6;">“Pablo Neruda: Uma Entrevista Imaginada”</span> decorrem do que o autor
imaginou que o poeta dissesse e o aproveitamento de seus textos, confessionais
ou não, registrados em livros, biografias, notícias de periódicos, entrevistas,
na internet. A sua paixão por Neruda, certamente, levou-o a atribuir-lhe frases
e conceitos. Obra leve, sem preocupação acadêmica, não despreza a política, as
dores compartilhadas pelo poeta, o sofrimento humano, as posições ideológicas.
Apenas deixa outros tratarem desses assuntos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O livro
possui particularidades instigantes, como o fato de ser um diálogo entre dois
poetas distanciados no tempo e no espaço, mas próximos pela sensibilidade
poética de cada um. Brasil e Chile dialogam por meio de dois poetas que expõem
as suas inquietações. O encontro, mesmo ficcional, de Diogenes e Neruda é
afetuoso, original e virtuoso. Encanta o leitor.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: right;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">ANTONIO
NAHUD</span><span style="color: white;"><br /></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggxe9Jz6gqVGZQB3DoHv7ZHTWDppAuD0d9AyZ_HBg1df-sWZs6H65oorTKHggQApU6qpqU4fRGeriHHQxOVKTFgFG6_SpQwU3KiDUbXi56lHwocmRu8WBnou045ksGF-_bnPj9bQ1HiMEln5tnARca8fMZGUcL-yII88MKbGynxrDIiWBz0AgeGuCCNggH/s1024/203eb58696aa1ef86f28ded2400e9d4fa33368bar1-880-1128v2_hq.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="798" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggxe9Jz6gqVGZQB3DoHv7ZHTWDppAuD0d9AyZ_HBg1df-sWZs6H65oorTKHggQApU6qpqU4fRGeriHHQxOVKTFgFG6_SpQwU3KiDUbXi56lHwocmRu8WBnou045ksGF-_bnPj9bQ1HiMEln5tnARca8fMZGUcL-yII88MKbGynxrDIiWBz0AgeGuCCNggH/w498-h640/203eb58696aa1ef86f28ded2400e9d4fa33368bar1-880-1128v2_hq.jpg" width="498" /></a></div></span><div class="separator" style="clear: both; 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Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com0tag:blogger.com,1999:blog-1221158885572115483.post-22958102078681226272023-06-12T23:28:00.004-02:002023-06-12T23:48:36.217-02:00.............................. SETE POEMAS de LÚCIO CARDOSO<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_CExDV7cuqCWGRjAU9-1nRvJkD_9v3HY1sBzO_zc5spvHzP1Xlu9Mm8Bx3GpwSNtK0LTntwH44msK_LotZ-epda9yrJqcRhzGIS7NhcxNZowsl3NcjCMr1nWJhDU_lis3OnQibl_E3v_tbcW9cJJElfP5_XIP7uw1dV_nKvD609L7MbzZakR_Ijb_ig/s1152/1200px-Georges_de_La_Tour_016.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="855" data-original-width="1152" height="476" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_CExDV7cuqCWGRjAU9-1nRvJkD_9v3HY1sBzO_zc5spvHzP1Xlu9Mm8Bx3GpwSNtK0LTntwH44msK_LotZ-epda9yrJqcRhzGIS7NhcxNZowsl3NcjCMr1nWJhDU_lis3OnQibl_E3v_tbcW9cJJElfP5_XIP7uw1dV_nKvD609L7MbzZakR_Ijb_ig/w640-h476/1200px-Georges_de_La_Tour_016.jpg" width="640" /></a></div><div style="text-align: justify;"><br /><span style="font-family: inherit;">
</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Ilustrações:</span><span style="color: #3d85c6; font-family: inherit;">
</span><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">GEORGES
de LA TOUR</span></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(1593 –
1652. Vic-sur-Seille / França)</span></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Quando recordo
<span style="background-color: #274e13; color: white;">LÚCIO CARDOSO</span> <span style="color: #3d85c6;">(1912 – 1968. Curvelo / Minas Gerais)</span> vem à mente o extraordinário
romance <span style="color: #3d85c6;">“Crônica da Casa Assassinada”</span> (1959), que já li três vezes. Conhecido
por sua íntima amizade com Clarice Lispector e por sua <span style="color: #3d85c6;">“inquietude
existencial”</span>, como diria Nelly Novaes Coelho, ele foi fiel até o fim aos seus
princípios e visão de mundo, ainda que à custa de isolamento e solidão. Seu
diário traz testemunhos desse estranhamento, dessa rebeldia, dessa
marginalidade.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkAZzY8383_gMUOdXrG4uHemmIc1S8srANm1nZECgL2AQ8Tz0dhBfg7PLZQwT0hUnP1p6913FMh0oDbtKbYul7VgJix4S0M_c6fGTvG9DM4MRUxRtgRbGDrI3pzPugVBCYsnVTcl09Z9wQP-HPJklAA_5d7vDOCMe8S6haT_xmXPSRdsHI_vIO40J1zA/s1078/1618846602607da38a47aad_1618846602_3x2_xl.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="787" data-original-width="1078" height="234" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkAZzY8383_gMUOdXrG4uHemmIc1S8srANm1nZECgL2AQ8Tz0dhBfg7PLZQwT0hUnP1p6913FMh0oDbtKbYul7VgJix4S0M_c6fGTvG9DM4MRUxRtgRbGDrI3pzPugVBCYsnVTcl09Z9wQP-HPJklAA_5d7vDOCMe8S6haT_xmXPSRdsHI_vIO40J1zA/s320/1618846602607da38a47aad_1618846602_3x2_xl.jpg" width="320" /></a></div></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Desaparecido
há mais de meio século, permaneceu como um escritor de qualidade. A
redescoberta da sua obra refinada deu-se no final da década de 1990, talvez
pelo relançamento de seus romances.</span><span style="font-family: inherit;"> <span style="font-size: 14pt; line-height: 107%;">Artista multifacetado, com
inúmeros recursos de expressão, trafegou do conto à novela, do romance à
dramaturgia, do memorialismo ao cinema, do ensaio a tradução.
Já a sua poesia, mesmo para o leitor mais voraz, é quase desconhecida. </span></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Num eterno
encantamento por sua escrita, leitor voraz dos seus <span style="color: #3d85c6;">“Diários”</span>, selecionei sete
poemas seus para este blogue, não antes sem destacar a consciência de <span style="background-color: #274e13; color: white;">LÚCIO
CARDOSO</span> a respeito do seu fazer poético, conforme anotação tirada ao <span style="color: #3d85c6;">“Diário”</span>,
onde diz: <span style="color: #3d85c6;">“Não se ama os poetas, grande engano – são seres solitários e
destinados à morte. Morte sem perdão – porque não há perdão para os poetas”</span>.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A poesia
foi a sua primeira forma de expressão e, talvez, a última. Às vésperas do
derrame que o furtou à arte da palavra, escreveu o poema <span style="color: #3d85c6;">“Retrato de
Yêda”</span>. Era o dia 11 de novembro de 1962. Exatamente em 07 de
dezembro, sofreria o segundo derrame [cerebral], que o impediria
definitivamente de escrever.</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">01</span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzDE_jrDhxFFmiIYrKi2bBuIGAaz1StExb-VrTiRjz4lFfQU3PZSb9KzfN09RnohmpzYzFtO0LOFj4BP-g983RNMws7rVg7BU6H_jI863cZ8IRF0MAkCI5f98nfk3VAtn4-mdH50WBALWrQgv8sK5wADVgNEkrZueqd6AXZQQ7Y_Vxf9OZNDefm1td8w/s3116/Georges-de-la-tour-education-of-the-virgin.Jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2878" data-original-width="3116" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzDE_jrDhxFFmiIYrKi2bBuIGAaz1StExb-VrTiRjz4lFfQU3PZSb9KzfN09RnohmpzYzFtO0LOFj4BP-g983RNMws7rVg7BU6H_jI863cZ8IRF0MAkCI5f98nfk3VAtn4-mdH50WBALWrQgv8sK5wADVgNEkrZueqd6AXZQQ7Y_Vxf9OZNDefm1td8w/w400-h370/Georges-de-la-tour-education-of-the-virgin.Jpg" width="400" /></a></div><span style="color: #3d85c6;"><br /></span></div><div style="text-align: justify;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">AMANHECER</span><br /></div><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A noite
está dentro de mim,</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">girando
no meu sangue.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Sinto
latejar na minha boca</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">as
pupilas cegas da lua.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Sinto as
estrelas, como dedos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">movendo a
solidão em que caminho.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Logo o
perfume da poesia</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">sobe aos
meus olhos trêmulos, cerrados,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ouço a
música das coisas que acordam</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">sobre o
corpo negro da terra</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e a voz
do vento distante</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e a voz
das palmeiras abertas em raios</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e a voz
dos rios viajantes.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">E a noite
está dentro de mim.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Como um
pássaro,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">meu sonho
ergue as asas no coração da sombra.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Ouço a música
das flores que tombam,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">o tropel
das nuvens que passam</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e a minha
voz que se eleva</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">como uma
prece na planície solitária.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Então
sinto a noite fugindo de mim,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">sinto a
noite fugindo dos homens</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e o sol
que avança na garupa do mar</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e as
nuvens curvas que enchem o céu</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">como
grandes corcéis de fogo cor-de-rosa</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">desaparecendo
sugados pela treva.</span><span style="font-family: inherit;"></span><br /><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">02</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHE8mzg7iQIBQ2H54OvCnozQywJyIXeXriAgMdcu1_exsUif7_xbN7B8ZkmFSa08YW3lFKYRflcSIuaYBaEOF3zlPlCiebZdjksrFiUuWTWduSXMSzoX988unASI8DS2wMyirUzcb4WsaypeE88KcDDTQX2ZndLyP4oBZidO5UCxzW-HMph7uiFgoCpw/s2236/09-georges-de-la-tour-le-tricheur-louvre-1635.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1528" data-original-width="2236" height="274" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHE8mzg7iQIBQ2H54OvCnozQywJyIXeXriAgMdcu1_exsUif7_xbN7B8ZkmFSa08YW3lFKYRflcSIuaYBaEOF3zlPlCiebZdjksrFiUuWTWduSXMSzoX988unASI8DS2wMyirUzcb4WsaypeE88KcDDTQX2ZndLyP4oBZidO5UCxzW-HMph7uiFgoCpw/w400-h274/09-georges-de-la-tour-le-tricheur-louvre-1635.jpg" width="400" /></a></div><br /></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">POEMA do
FERRO e do SANGUE</span><span style="color: #3d85c6;"><span style="font-family: inherit;"></span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Esqueceram
os campos revolvidos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">onde
vegetam perdidos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">os ossos
obscuros</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">calcinados</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">de dez
milhões de mortos.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Esqueceram
as cruzes improvisadas</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">erguendo
para o alto</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">preces de
galhos retorcidos.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">E
esqueceram o rumor das granadas</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">revolvendo
a terra e os vivos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">devorando
os mortos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">destruindo.</span><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><br /></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">03</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvVwFy_aYUvTEnd_VgfENJ5Vjhl2gC78QSaPxpJAF5C1CGWLlf4qMt5I965GfsTHdjDDPaUsWOcbVvhyKOArfgt_DdENo2apMufOs9tataDj9Vgv3v24unAjLNPmC67bffQN8GKn7mvz-sQkxKBwghQFpRhNPaiqNhSCYHHaXKGZ5uZxQCMJ41JLUsLw/s600/1355415021.jpg!Large.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="600" data-original-width="442" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvVwFy_aYUvTEnd_VgfENJ5Vjhl2gC78QSaPxpJAF5C1CGWLlf4qMt5I965GfsTHdjDDPaUsWOcbVvhyKOArfgt_DdENo2apMufOs9tataDj9Vgv3v24unAjLNPmC67bffQN8GKn7mvz-sQkxKBwghQFpRhNPaiqNhSCYHHaXKGZ5uZxQCMJ41JLUsLw/w295-h400/1355415021.jpg!Large.jpg" width="295" /></a></div></span><br /></span></div><div style="text-align: justify;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">RECEITA
de HOMEM</span><br /></div><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Depois
deve ser alto,</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">sem
lembrar o frio estilo da palmeira.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Moreno
sem excesso para que se encontre</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">tons de
sol de agosto em seus cabelos.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">E nem
louro demais para que, de repente</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">no olhar
cintile algo da cigana pátria adormecida.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">E que
tenha mãos grandes, para demorados carinhos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e adeuses
que se retardem ao peso do próprio gesto.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Pés
grandes, também, por que não,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">para que
os regressos sejam breves</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e haja
resistência para as conjuntas caminhadas.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Os olhos
falem, falem sempre, falem</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">de amor,
de ciúme, de morte ou traição.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Mas que
falem. Porque o homem sem a música dos olhos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">é como
sepultura exposta ao sol do meio-dia.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">E que o
riso relembre um pouco da infância,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">para que
se tenha, no fervor do beijo,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">uma
memória de pitanga e amora esmagadas</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Ah, o
corpo! Sucedam alvoradas ao longo do tórax gentil,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e
escureça a penugem até o sexo velado.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">(Mas não
definitivamente.)</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">E o seu passo
lembre a dança, mas com firmeza,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e o seu
rastro fale de perfume, sem perfume</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e
escorram pausados rios em seus flancos hieráticos.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">E que ele
cante, sem cantar</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">por toda
a sua humana contextura,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">para que
também em torno dele as coisas cantem,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">quando,
como o primeiro homem,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">nu ele se
erguer defronte ao mar.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">04</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9IIutbh-qAXKI4-FX2PLy0z7eY-BgSpADLIx9_MHPcacFgwKGHYW_B86zFhfT5oLYNOj5uxXgxaEkNOiEve_x9c3JT8BlEKqM4Vuw7oV1sg3gA7qOmuK9jrReXAIImpPvDHstzeugOtEC0JjzaudwpB-HaBRU_wSc592QA_SAvtVOqt5JjmyGFYt1EA/s2953/02-de-La-Tour-La-rissa-tra-musici-mendicanti-The-J-Paul-Getty-Museum-Los-Angeles.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1753" data-original-width="2953" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9IIutbh-qAXKI4-FX2PLy0z7eY-BgSpADLIx9_MHPcacFgwKGHYW_B86zFhfT5oLYNOj5uxXgxaEkNOiEve_x9c3JT8BlEKqM4Vuw7oV1sg3gA7qOmuK9jrReXAIImpPvDHstzeugOtEC0JjzaudwpB-HaBRU_wSc592QA_SAvtVOqt5JjmyGFYt1EA/w400-h238/02-de-La-Tour-La-rissa-tra-musici-mendicanti-The-J-Paul-Getty-Museum-Los-Angeles.jpg" width="400" /></a></div></span><span style="font-family: inherit;"></span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"></span></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">A CASA do
SOLTEIRO</span><span style="color: #3d85c6;"><span style="font-family: inherit;"></span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A casa do
solteiro é alta e de paredes de angústia,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">muros
escorrem como verdes contornos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e colunas
de mármore frio guardam seus limites.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Há quatro
anjos sentados no teto solene e casto</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e com
luzes vermelhas, entre ciprestes,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">sondam os
anjos – guardiões – os fundamentos</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">que se apoiam
com gemidos nos porões e adegas,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">no rio
escuro e na água morta</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">de
correntes que foram vencidas – despedaçadas.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A casa do
solteiro é cor de chama,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">de silêncio
aflito e aurora sem contemplação.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">São
pedras de crime e de agonia,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">são
negras pedras de delírio e de remorso.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">São duras
estacas de alumínio e febre,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">são
traves de cristais e de luxúria.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Há um
descampado em torno: nostálgicos,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">cemitérios
se evaporam no crepúsculo</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e ruínas
de azul e ópio cintilam,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">entre
guitarras e navalhas abandonadas.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Há flores
quentes e de carne, flores mesmas,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">cor de
whisky, de pêssegos feridos, e raízes</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">quentes
de sofrimento e decomposição.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A casa do
solteiro é o sol posto</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">quando
perdemos a fé e o amor se foi,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">o começo
da noite quando não há horizonte,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">a quilha
partida e a lança sem gume.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A casa do
solteiro se abre como a música,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">é triste
e macia, fechada como a do príncipe,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">fechada,
entre janelas longas de ferro,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">enquanto
lá fora o vento ruge e há relâmpagos.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Não há
vertigem, e nem espaço, e nem sossego,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">tudo
sucede como se morrêssemos aos poucos,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">os móveis
andam, e nos olhares estranhos,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">como
róseos desmaios e garras de ultraje.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Se não
fossem tão lúcidos, morreriam de cólera,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">abraçando
manequins de aço, corpos de rampas</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">em
madrugadas de rompimento e viagens.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Esqueceriam
as malas – e iriam muito altos,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">olhando
as hortas onde cresce o mato que assassina.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">E estão
quietas: jogam as cartas verdes</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e
suspiram impossíveis paisagens de mar.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Quatro
anjos grandes velam no alto do telhado,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">com
quatro rosas voltadas para o mar,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">a mais
escura é que os guia. Rosas frias,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">de
pétalas aguçadas e de mortal traição.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A casa do
solteiro é que eles elegeram,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ilha,
jangada no silêncio do céu,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">vasto
navio abandonado e cheio de tormenta,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">escândalo
e aflição – a casa do solteiro flutua</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">50 e é
como uma vasta cortina de sangue e maldição,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">chorando
as tardes, os corpos, o coração perdido,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">tudo –
neste silêncio único onde existe</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">como uma
grande alma sozinha batendo</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">na
infindável noite que não se acaba</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e nem se
acabará NUNCA,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A CASA DO
SOLTEIRO.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">05</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDcN2HvAMP1DIlpoT_1Nq_OWRcEatHhWRteZ84AZ3SY0qLU_Htmg85VEQE8YnDD4KZPsToqtmQ0BZc23AMoYJIWP-30qqjHAhIWkzCmXQj6VoPZor_jhuKc8KYy3UWbarAEJ7W_ab-Pb7mVOebGe456If0kAAULf6bn6GFunkjtTaSHi_RfHvvg5bw6w/s1659/05-Bimbi_1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1254" data-original-width="1659" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDcN2HvAMP1DIlpoT_1Nq_OWRcEatHhWRteZ84AZ3SY0qLU_Htmg85VEQE8YnDD4KZPsToqtmQ0BZc23AMoYJIWP-30qqjHAhIWkzCmXQj6VoPZor_jhuKc8KYy3UWbarAEJ7W_ab-Pb7mVOebGe456If0kAAULf6bn6GFunkjtTaSHi_RfHvvg5bw6w/w400-h303/05-Bimbi_1.jpg" width="400" /></a></div></span><span style="font-family: inherit;"></span><br /></span></div><div style="text-align: justify;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">NÃO se
PODE LER</span><br /></div><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Não se
pode ler o que</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">confiado
ao tempo flui</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e se
esvai com ruptura</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">do sangue
–</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e o que
dito sem aleive,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">transforma-se
em pedra,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">sobre o
coração leve – leve demais –</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e o que
orgulhoso, radica-se no baixo, sem</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">forças
para morrer e</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">nem
glória para subir –</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">NÃO SE
PODE LER</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">o que não
se pode pensar,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">nem ler,
nem escrever.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Não se
pode ler o que não se pode.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">06</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRrdJyzfOeETuVlpvyWWjJTkTTTDzkxE8wbYzQ9BMNiBrM0LzW6vtMtRaRJRZbQT5pUrtXcib39euO1MrEX33FsaLCUH_foHXJJmcZ__yOE9ejRZJicSfwsZdPlduPw8kUH7m8M9Ue476pvAhdviPTwGz-JkqrNz5EkqWq50AK0eQa7jFI4GEWEEimgw/s1191/La-Tour_MAGDALEN-SMOKING-FLAME-web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1191" data-original-width="906" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRrdJyzfOeETuVlpvyWWjJTkTTTDzkxE8wbYzQ9BMNiBrM0LzW6vtMtRaRJRZbQT5pUrtXcib39euO1MrEX33FsaLCUH_foHXJJmcZ__yOE9ejRZJicSfwsZdPlduPw8kUH7m8M9Ue476pvAhdviPTwGz-JkqrNz5EkqWq50AK0eQa7jFI4GEWEEimgw/w304-h400/La-Tour_MAGDALEN-SMOKING-FLAME-web.jpg" width="304" /></a></div></span><span style="font-family: inherit;"></span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"></span></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O RIO</span><span style="color: #3d85c6;"><span style="font-family: inherit;"></span><br /></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O imenso
rio, como um tigre</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">fechado e
seu âmbito de fome,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">depois de
devorar noturna selva</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">a própria
espuma em si consome.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Fera
desatada do aguadouro</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">a chorar
os tempos de abastança</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">ácido
cavalo em tons de louro</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">violando
margens sitiadas…</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">…em teu
ser ressurge minha infância</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e pássaros
reluzem na tua fronde.</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Inquieto,
também sem permanência</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">devasso
tua alma sem receio;</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e se
assim me vejo em teu espelho,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">rio, como
ser sem ser o meio?</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">07</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5bBDw4_WuyD19R7OBLdmatj9ouGaH8HbpAYDI3M8KyIyyHUf7qnOJgz5XPjdab3wOmkwuXyhzRN2Mi_vi-qLWMI4uWrmx90jF_F3U6jjUCcYkZwDyOtjSrlpg3IMmSzBgdMt8mGmqeKRqkVUPeIB8pGt8ErN6c2-v5jrVAPtvVXqzVM-yHGgNntIMCg/s2494/7512112@2x.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="2494" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5bBDw4_WuyD19R7OBLdmatj9ouGaH8HbpAYDI3M8KyIyyHUf7qnOJgz5XPjdab3wOmkwuXyhzRN2Mi_vi-qLWMI4uWrmx90jF_F3U6jjUCcYkZwDyOtjSrlpg3IMmSzBgdMt8mGmqeKRqkVUPeIB8pGt8ErN6c2-v5jrVAPtvVXqzVM-yHGgNntIMCg/w400-h256/7512112@2x.jpg" width="400" /></a></div></span><span style="font-family: inherit;"></span><br /></span></div><div style="text-align: justify;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">ÚNICO
POEMA de AMOR</span><br /></div><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">tudo tão
calmo</span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">a vida
dormindo</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">como
agora que tombasse sem murmúrio</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">na planície
do meu pensamento ...</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">folhas
mortas que não voam,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">pássaros
imóveis que não cantam,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">água
parada que não corre ...</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e teu
corpo como um lírio sobre a terra,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e a terra
muda impregnada de perfume,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">teus
olhos grandes como flores noturnas,</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">flores
que se abrem na doçura do silêncio</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">e minha
sombra como uma nuvem perdida</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">debruçada
sobre teus cabelos imóveis</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">que boiam
na água da planície...</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiArV--1KwjembUfwAnvkCyE5jKtpQ9otApqWDSG3ufAllF5A4N8hdCcDFfNrRp_tJrb23wwiHya5WphPp1z4jM2lQkk8n5Ucd4xgJDyJ1tjnyt6-zs3djez5bAXdEgCSAvvOT7YAn7Qz5vvoLEoD7xcZVnueSYKb-KeJCTCLzKTvdpLlVrdhJ_4DafXQ/s1833/Foto_destinat%C3%A1rio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1833" data-original-width="1231" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiArV--1KwjembUfwAnvkCyE5jKtpQ9otApqWDSG3ufAllF5A4N8hdCcDFfNrRp_tJrb23wwiHya5WphPp1z4jM2lQkk8n5Ucd4xgJDyJ1tjnyt6-zs3djez5bAXdEgCSAvvOT7YAn7Qz5vvoLEoD7xcZVnueSYKb-KeJCTCLzKTvdpLlVrdhJ_4DafXQ/w269-h400/Foto_destinat%C3%A1rio.jpg" width="269" /></a></div></span></span></div><p><!--[if gte mso 9]><xml>
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</p>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com0tag:blogger.com,1999:blog-1221158885572115483.post-87183312005110661162023-05-28T16:53:00.006-02:002023-05-28T16:57:48.251-02:00......................................... Um BREVE ASSOMBRO<p></p><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0_jeet28q5pXWByxZdvk-ghuyDfNbGp0gzWpkPvhEEgyFNWC1jFqEBdGF705wKuWO_UvtLsxqxjhWTP0b3nIb77asIzZYivH7Cvl0TKC9gHtMjLaFGflaGbsKcRi0Fachl_8Nl5u0-qptp9ZUL1bzHd0jrnss5trA4fv8bCy1yLVv2VsRviBXr9JpaA/s3200/2018_NYR_15979_0418_000(gabriele_munter_landschaft_mit_wolken060355).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2548" data-original-width="3200" height="510" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0_jeet28q5pXWByxZdvk-ghuyDfNbGp0gzWpkPvhEEgyFNWC1jFqEBdGF705wKuWO_UvtLsxqxjhWTP0b3nIb77asIzZYivH7Cvl0TKC9gHtMjLaFGflaGbsKcRi0Fachl_8Nl5u0-qptp9ZUL1bzHd0jrnss5trA4fv8bCy1yLVv2VsRviBXr9JpaA/w640-h510/2018_NYR_15979_0418_000(gabriele_munter_landschaft_mit_wolken060355).jpg" width="640" /></a><br /></div><div style="text-align: justify;"><span style="font-family: "Cambria",serif; font-size: 14.0pt; line-height: 107%;"> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">“Na vida,
se alguém quer entender, entender verdadeiramente como são as coisas neste
mundo, deve morrer pelo menos uma vez. Então, já que a lei é essa, melhor
morrer quando jovem, quando se tem muito tempo pela frente, para se erguer e
ressuscitar...”</span><span style="color: #3d85c6; font-family: inherit;"><br /></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">GIORGIO
BASSANI</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">“Il
Giardino dei Finzi Contini” (1962)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ilustrações:
</span></span><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">WASSILY KANDINSKY</span><span style="color: #3d85c6; font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">(1866 –
1944. Moscou / Rússia)</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span></span><span style="font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A nitidez
do fim da tarde impressiona. O campo por inteiro, em matizes de cores lavadas
por recente aguaceiro; a vastidão do horizonte sombrio, quase azul-marinho,
recortado por nuvens carregadas. Em oposição a este fundo de chumbo, um rasgo
de luz solar desenha o campo, enfatizando cintilantes gotículas no verde das
ervas. Entre os tufos do arvoredo, espantosos plátanos, de folhagem juvenil; à
direita do quintal, limoeiros; couves na fieira das hortas. Ao longe, nas
encostas da mata, com urzes em festa, bailam as videiras. Nas ramadas, brotam
rebentos. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">O salão
da casa secular, de pedra, parece soturno, sepulcral, possuído por ruídos
indefiníveis. Há uma organização tristonha de malas feitas, livros empilhados,
fotos nas paredes de gente desconhecida e molduras protegendo desenhos ruins. O
idoso procura a pera madura, dentada, encontrando por todos os lados páginas e
mais páginas rabiscadas. <span style="color: #3d85c6;">“O outono chegou”</span>, murmura. Serve-se de uma xícara de
chá de alecrim - esse seu único alimento, chá e mais chá. Regressando à janela
estreita, recebe de golpe o sereno e os sons da terra antiga: um besouro dando
voltas em torno de narcisos, o berreiro da jovem pastora, o latido de um cão
que talvez fuce a cova de algum javali. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">A luz,
entretanto, altera-se, clareando o longínquo lombo da montanha. A atmosfera
sobrevive em fundas depressões. <span style="color: #3d85c6;">“Pelo tempo Deus envia sinais e nós, distraídos,
não os percebemos”</span>. O destino, nesse instante, escrito na contorção das
sementes sob o húmus, nos sopros, nas raízes, nos córregos da serra, nas veias
e artérias, nas ressacas sobre os campos de linhos, nos contornos à procura de
outros contornos. Tantas imagens, tantas lembranças. A poesia cujo sentido está
em escrevê-la. <span style="color: #3d85c6;">“Ó minha alma! Sou eu, sou eu!”</span>. Agarra a caneta, e escreve: <span style="color: #3d85c6;">“A
alegria é fundamental. Dá-me um pouco de alegria e então construirei o mundo!
Não suporto mais que a cada instante seja imperativa uma energia formidável que
nos mantenha em pé, ameaçados que estamos de cair”</span>.</span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Reconhece
as mãos nodosas como cepos, tais como o rosto de muitos anos, de madeira seca,
de olhos tomados pelo brio. Sabe que ser tomado pelo brio assemelha-se ao ardor
espiritual que sentiu certa vez ao caminhar numa fabulosa montanha. Isso
aconteceu na juventude. Ele se embrenhou na fortaleza de terra possuído por
rutilâncias. Passou horas na tal montanha, e ao deixá-la um bom pedaço dele
ficou nela, restando um buraco interior imenso e possivelmente eterno. Nessa
época ainda não sabia que um dia deixaria de escrever, porque a escrita mente,
é um refúgio e a presença em combustão da inexistência. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-size: 14pt; line-height: 107%;">Ainda
assim, sente vontade de escrever sobre a desolação que o acompanha, enquanto os
vizinhos regressam aos seus domicílios, os porcos são presos e as galinhas se
calam. A noite há de ser de chuva. Em suspense, prepara mais um chá. Pretende
bebê-lo bastante quente. Para entorpecer de vez a solidão. </span><br /><span style="font-size: 14pt; line-height: 107%;"> </span><br /></span></div><div style="text-align: right;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Do livro
“Pequenas Histórias do Delírio Peculiar Humano” (2012)</span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
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<p></p>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com0tag:blogger.com,1999:blog-1221158885572115483.post-71192020950725888412023-04-29T01:16:00.011-02:002023-04-29T14:28:26.182-02:00................................................................................... O AMOR ACABA<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf4dxlvDKClr5p5vz7A2GlQfZ-go3WuvAfrFB-TIqBmm8EmVvUiBJfPdP-VwuvfJ855um_gdJi8z-JioF1hzcVUxLeBZ-2CUFV_eQE2R0LWrRfeL08hKKqwL_F6vCJrA1p-ZfhvBtPIrz9WJLA4XS9dDfb8fa0gsw5jMs4S8oidkcXKO1pUWD475_DeQ/s1500/Julie+Merrigan+%E2%80%9CHenley+Yarra+Valley%E2%80%9DOil+on+canvas++120cm+x95+cm+$900.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1109" data-original-width="1500" height="474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjf4dxlvDKClr5p5vz7A2GlQfZ-go3WuvAfrFB-TIqBmm8EmVvUiBJfPdP-VwuvfJ855um_gdJi8z-JioF1hzcVUxLeBZ-2CUFV_eQE2R0LWrRfeL08hKKqwL_F6vCJrA1p-ZfhvBtPIrz9WJLA4XS9dDfb8fa0gsw5jMs4S8oidkcXKO1pUWD475_DeQ/w640-h474/Julie+Merrigan+%E2%80%9CHenley+Yarra+Valley%E2%80%9DOil+on+canvas++120cm+x95+cm+$900.jpg" width="640" /></a></div><p><br /></p><p style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Ilustrações:</span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><span style="background-color: #274e13; color: white;">JULIE
MERRIGAN</span> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></p><p style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A crônica
tem força genuína e trajetória gloriosa na literatura brasileira. Nosso elenco
de gigantes cronistas, mestres em devaneios existenciais, conta com nomes
imortais como Otto Lara Rezende, Nelson Rodrigues, Antônio Maria, João do Rio,
Cecília Meireles, Clarice Lispector, Rachel de Queiróz, Fernando Sabino, Hélio
Pólvora, Carlos Drummond de Andrade, <span style="background-color: #274e13; color: white;">PAULO MENDES CAMPOS</span>, Rubem Braga, Sérgio
Augusto, Paulo Francis. Entre transcendências e trivialidades, fizeram
história. </span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br />
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A crônica
de <span style="background-color: #274e13; color: white;">PAULO MENDES CAMPOS</span> <span style="color: #3d85c6;">(1922 - 1991. Dom Silvério, Minas Gerais)</span> conseguiu
um lugar singular. <span style="mso-spacerun: yes;"> </span>Ela encontra a poesia.
Peças curtas de intenso teor poético. <span style="mso-spacerun: yes;"> </span>Segundo o refinado escritor, num aparente
pouco caso, <span style="color: #3d85c6;">“Crônica são duas laudas de papel em branco. É a azeitona do pastel
cultural. Age como tempero da massa noticiosa.”</span>. Ele escreveu crônicas em ritmo
por vezes diário, para jornais como <span style="color: #3d85c6;">“Correio da Manhã”</span>, <span style="color: #3d85c6;">“Jornal do Brasil”</span> e
<span style="color: #3d85c6;">“Diário Carioca”</span>, e para revistas como <span style="color: #3d85c6;">“Manchete”</span>.</span></p><p style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_fh8KB7iwWIH7djdoi8UkOUzygP-36mzj5ovfAE3zRx7VOlVMvr33Rvw4gnza2OQNK9S--x_jjRc0F12LfYyQd5L-6YBMECWf5bovD7U9kSUoMFn0UjgELqOgXarLLKWxB-8Oiz4Ni3Rt6bC2SCI1YvcsJZtpsJ3n7xhw1_qnr_k66ZVpcP_W9pr64Q/s919/fb0632b65f452c34f1c531899faac0b9.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="919" data-original-width="765" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_fh8KB7iwWIH7djdoi8UkOUzygP-36mzj5ovfAE3zRx7VOlVMvr33Rvw4gnza2OQNK9S--x_jjRc0F12LfYyQd5L-6YBMECWf5bovD7U9kSUoMFn0UjgELqOgXarLLKWxB-8Oiz4Ni3Rt6bC2SCI1YvcsJZtpsJ3n7xhw1_qnr_k66ZVpcP_W9pr64Q/w266-h320/fb0632b65f452c34f1c531899faac0b9.jpg" width="266" /></a></span></div><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span><p></p><p style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Claro,
refinado e sem nada de solene, é autor de uma das mais belas crônicas da
língua portuguesa, que tem o título de <span style="background-color: #274e13; color: white;">O AMOR ACABA</span>. Certeiro e comovente,
inventário de rupturas, o texto enaltece a fragilidade e a efemeridade do amor.
Publicado inicialmente na revista </span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“Manchete”</span></span><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">, em 16 de maio de 1964, o sucesso
foi imediato. Os leitores que já viveram a desilusão do amor leram a sua
própria história. O cronista dá pistas sobre a dissolução do sentimento e nas
entrelinhas diz que o final do amor começa com o hábito da rotina enfadonha. </span></p><p style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A faceta
lírica e a destreza de <span style="background-color: #274e13; color: white;">PAULO MENDES CAMPOS</span> conquistam o leitor. O cronista não economiza
em seu louvor à sensibilidade, numa busca frenética pelo instante precioso,
pela frase iluminadora. Ele talvez não imaginasse a repercussão que teria seu
melancólico ensaio, cujas palavras atravessam os tempos. Confira abaixo.</span></p><p style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"></span><br /></p><p style="text-align: center;">
<span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">O AMOR
ACABA</span></p><p style="text-align: justify;"><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;">O amor
acaba. Numa esquina, por exemplo, num domingo de lua nova, depois de teatro e
silêncio; acaba em cafés engordurados, diferentes dos parques de ouro onde
começou a pulsar; de repente, ao meio do cigarro que ele atira de raiva contra
um automóvel ou que ela esmaga no cinzeiro repleto, polvilhando de cinzas o
escarlate das unhas; na acidez da aurora tropical, depois duma noite votada à
alegria póstuma, que não veio; e acaba o amor no desenlace das mãos no cinema,
como tentáculos saciados, e elas se movimentam no escuro como dois polvos de
solidão; como se as mãos soubessem antes que o amor tinha acabado; na insônia
dos braços luminosos do relógio; e acaba o amor nas sorveterias diante do
colorido iceberg, entre frisos de alumínio e espelhos monótonos; e no olhar do
cavaleiro errante que passou pela pensão; às vezes acaba o amor nos braços
torturados de Jesus, filho crucificado de todas as mulheres; mecanicamente, no
elevador, como se lhe faltasse energia; no andar diferente da irmã dentro de
casa o amor pode acabar; na epifania da pretensão ridícula dos bigodes; nas
ligas, nas cintas, nos brincos e nas silabadas femininas; quando a alma se
habitua às províncias empoeiradas da Ásia, onde o amor pode ser outra coisa, o
amor pode acabar; na compulsão da simplicidade simplesmente; no sábado, depois
de três goles mornos de gim à beira da piscina; no filho tantas vezes semeado,
às vezes vingado por alguns dias, mas que não floresceu, abrindo parágrafos de
ódio inexplicável entre o pólen e o gineceu de duas flores; em apartamentos
refrigerados, atapetados, aturdidos de delicadezas, onde há mais encanto que
desejo; e o amor acaba na poeira que vertem os crepúsculos, caindo
imperceptível no beijo de ir e vir; em salas esmaltadas com sangue, suor e
desespero; nos roteiros do tédio para o tédio, na barca, no trem, no ônibus,
ida e volta de nada para nada; em cavernas de sala e quarto conjugados o amor
se eriça e acaba; no inferno o amor não começa; na usura o amor se dissolve; em
Brasília o amor pode virar pó; no Rio, frivolidade; em Belo Horizonte, remorso;
em São Paulo, dinheiro; uma carta que chegou depois, o amor acaba; uma carta
que chegou antes, e o amor acaba; na descontrolada fantasia da libido; às vezes
acaba na mesma música que começou, com o mesmo drinque, diante dos mesmos
cisnes; e muitas vezes acaba em ouro e diamante, dispersado entre astros; e
acaba nas encruzilhadas de Paris, Londres, Nova Iorque; no coração que se
dilata e quebra, e o médico sentencia imprestável para o amor; e acaba no longo
périplo, tocando em todos os portos, até se desfazer em mares gelados; e acaba
depois que se viu a bruma que veste o mundo; na janela que se abre, na janela
que se fecha; às vezes não acaba e é simplesmente esquecido como um espelho de bolsa,
que continua reverberando sem razão até que alguém, humilde, o carregue
consigo; às vezes o amor acaba como se fora melhor nunca ter existido; mas pode
acabar com doçura e esperança; uma palavra, muda ou articulada, e acaba o amor;
na verdade; o álcool; de manhã, de tarde, de noite; na floração excessiva da
primavera; no abuso do verão; na dissonância do outono; no conforto do inverno;
em todos os lugares o amor acaba; a qualquer hora o amor acaba; por qualquer
motivo o amor acaba; para recomeçar em todos os lugares e a qualquer minuto o
amor acaba.</span><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /></p><p style="text-align: right;"><span style="font-family: inherit;"></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Revista
Manchete, 16 de maio de 1964</span></p><p style="text-align: center;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilKxaWqimnvySHj3jXnufTvzy3lbyuImI-8_Qbv-dOkGO2X5ivFweWLVnTjpRvfLUuFLZ5pc_krKEN-Y_Yuz6CamvDzjTKIUAu29KX0fvzXC0QEVNtZ7k7rmD-m99mJgCFzu-Pt1eTx8J0-e6ROAw6Wgq03nCQQXNXcJ5kBH9AehEXu6a2CgkaluYaeg/s1273/Fernando%20Sabino,%20Paulo%20Mendes%20Campos,%20H%C3%A9lio%20Pellegrino%20e%20Otto%20Lara%20Resende,%20c.%201960,%20por%20Paulo%20Bertasi.%20Arquivo%20Otto%20Lara%20Resende%20Acervo%20IMS.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="903" data-original-width="1273" height="284" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilKxaWqimnvySHj3jXnufTvzy3lbyuImI-8_Qbv-dOkGO2X5ivFweWLVnTjpRvfLUuFLZ5pc_krKEN-Y_Yuz6CamvDzjTKIUAu29KX0fvzXC0QEVNtZ7k7rmD-m99mJgCFzu-Pt1eTx8J0-e6ROAw6Wgq03nCQQXNXcJ5kBH9AehEXu6a2CgkaluYaeg/w400-h284/Fernando%20Sabino,%20Paulo%20Mendes%20Campos,%20H%C3%A9lio%20Pellegrino%20e%20Otto%20Lara%20Resende,%20c.%201960,%20por%20Paulo%20Bertasi.%20Arquivo%20Otto%20Lara%20Resende%20Acervo%20IMS.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit; font-size: medium;"><span style="background-color: black; color: #3d85c6;">fernando sabino, paulo mendes campos, hélio pellegrino e otto lara rezende</span></span></td></tr></tbody></table><p style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">TODA
LITERATURA de PAULO MENDES CAMPOS</span><span style="background-color: #274e13; color: white; font-family: inherit;"><br /></span></p><p></p><p>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">POESIAS</span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">A Palavra
Escrita (1951)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Forma e
Expressão do Soneto, antologia (1952)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Infância</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Domingo
Azul do Mar (1958)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Testamento
do Brasil e Domingo Azul do Mar (1966)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Transumanas
(1977)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Poemas (1979)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Diário da
Tarde (poesia e prosa) (1981)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Trinca de
Copas (poesia e prosa) (1984)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgttIjQN6Cxsh13D-idu5zBs4cVbRa0cSkIiK7h0P7wA6uhwB3-Hblr72Dsc7HiUq3J6qk0_t9-kmXOrkfL5DsVhWA5nGRaZE5Zl4ooxUTwgriFv7GyuFa53hERK9E66LP1N2gHaaedm6lV7R5U7yLxp0xAYEQkgInMQglQOXRRr9db2h6EtQ-yW2HfCA/s750/Julie+Merrigan.+Tokars.+Oil+on+canvas.+100cm+x+100cm.++$900.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="737" data-original-width="750" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgttIjQN6Cxsh13D-idu5zBs4cVbRa0cSkIiK7h0P7wA6uhwB3-Hblr72Dsc7HiUq3J6qk0_t9-kmXOrkfL5DsVhWA5nGRaZE5Zl4ooxUTwgriFv7GyuFa53hERK9E66LP1N2gHaaedm6lV7R5U7yLxp0xAYEQkgInMQglQOXRRr9db2h6EtQ-yW2HfCA/w400-h393/Julie+Merrigan.+Tokars.+Oil+on+canvas.+100cm+x+100cm.++$900.jpg" width="400" /></a></div><span style="font-family: inherit;"><br /></span>
<span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">CRÔNICAS</span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Cego de
Ipanema (1960)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Homenzinho
na Ventania (1962)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O
Colunista do Morro (1965)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Antologia
Brasileira de Humorismo (1965)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Hora do Recreio
(1967)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Anjo
Bêbado (1969)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Rir é o Único
Jeito: Supermercado (1976) (reedição de “Hora do Recreio”)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Os Bares Morrem
numa Quarta-feira (1980)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Amor Acaba
- Crônicas Líricas e Existenciais (1999)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Brasil Brasileiro
- Crônicas do País, das Cidades e do Povo (2000)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Alhos e Bugalhos
(2000)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Cisne de Feltro
- Crônicas (2000)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Murais de
Vinícius e Outros Perfis (2000)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">O Gol é Necessário
- Crônicas Esportivas (2000)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Artigo Indefinido
(2000)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">De um Caderno
Cinzento - Apanhadas no Chão (2000)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Balé do Pato
e Outras Crônicas (2003)</span><span style="color: #3d85c6; font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Quatro Histórias
de Ladrão (2005)</span><span style="font-family: inherit;"><br /></span>
<span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span><span style="font-family: inherit;"><br /></span>
<span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt; line-height: 107%;">INFANTO-JUVENIL</span><span style="font-family: inherit;"><br /></span>
<span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">A Arte de
ser Neta (1985)</span><p></p><p><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"></span></p><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRLQfourTecWRt7edvyPRzrxsKAxRH0QuZv7F7F7_bFwYFFxR9fhQ_ykbJZlKm-Zu9PGKmaJ0BJzDyosIK44_mrQsd0Y6FPCxmfVVsUo9FLqaLx8uZZhcyX4Cx9ayZV0dNS9Zr0shJIdHfUF3BH9ShOekyeWJKHc4lU3uTBpeG2gHkYygFWX6AyHpUog/s972/Julie+Merrigan+%E2%80%9C+Blue+Path+Henley+%E2%80%9C+60cm+x+75cm+Oil+on+canvas+++$600.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="972" data-original-width="775" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRLQfourTecWRt7edvyPRzrxsKAxRH0QuZv7F7F7_bFwYFFxR9fhQ_ykbJZlKm-Zu9PGKmaJ0BJzDyosIK44_mrQsd0Y6FPCxmfVVsUo9FLqaLx8uZZhcyX4Cx9ayZV0dNS9Zr0shJIdHfUF3BH9ShOekyeWJKHc4lU3uTBpeG2gHkYygFWX6AyHpUog/w319-h400/Julie+Merrigan+%E2%80%9C+Blue+Path+Henley+%E2%80%9C+60cm+x+75cm+Oil+on+canvas+++$600.jpg" width="319" /></a></span></div><div class="separator" style="clear: both; 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</p>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com10tag:blogger.com,1999:blog-1221158885572115483.post-44673559674736266682023-03-30T23:46:00.035-02:002023-04-01T18:02:45.490-02:00................................................ JORNALISMO na CALADA da NOITE<div><div><p style="text-align: center;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0GhqXYfiEqUwACJHvXMhXsAZwUk-twWnIrNtqUewEdV0d07Gmq8hnOnDY0Fdqio5AURh1JEucErxWQIu3sV93Rg36GcowGrk2rn-9eEd4kUX3xPUlHfKLS68KSxrL0HYulRw5ne378eucEnQ1uQfWO31NumJ6ItP9igT89GxmHGjtJGpFkEeJsZZ_9Q/s610/Paulo%20Francis%202.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="417" data-original-width="610" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0GhqXYfiEqUwACJHvXMhXsAZwUk-twWnIrNtqUewEdV0d07Gmq8hnOnDY0Fdqio5AURh1JEucErxWQIu3sV93Rg36GcowGrk2rn-9eEd4kUX3xPUlHfKLS68KSxrL0HYulRw5ne378eucEnQ1uQfWO31NumJ6ItP9igT89GxmHGjtJGpFkEeJsZZ_9Q/w640-h438/Paulo%20Francis%202.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: black; color: #3d85c6; font-size: large;">paulo francis</span></span><br /></td></tr></tbody></table> <span style="font-family: inherit;"> </span></div><div><span style="font-family: inherit;"> </span></div><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">“Jornalistas
perdem qualidade porque não pisam na rua. </span></span><br /><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Ficam no trabalho, quentinhos,
fazendo-se de bons meninos e cumprindo ordens”.</span></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"></span></span>
<span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">“Arrume
uma boa notícia e não tenha medo de explicá-la. </span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Dê ao leitor a chance de se identificar
com você ou rejeitá-lo.”</span></span></span><p style="text-align: justify;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;">TOM WOLFE</span></span><span style="font-family: inherit;"></span><br /><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1930 –
2018. Richmond / EUA)</span></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"></span></span>
<span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">para
Hélio Pólvora e Manoel Leal, </span></span><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">grapiúnas que me ensinaram o bê-á-bá do
jornalismo</span></span><br /><span style="font-family: inherit;"></span></span>
<span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Ilustrações:</span>
</span></span><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">MARK
T. SMITH</span></span><span style="color: #3d85c6;"><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1868. Wilmington,
Delaware / EUA)</span></span></span><br /></p><p style="text-align: right;"><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><span style="font-family: inherit;"></span><br /></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Convidado
para um bate-papo sobre jornalismo em uma universidade potiguar, senti um toque
de insegurança. Tímido para falar em público, lembrei-me do poeta José Carlos
Capinam garantindo estar com TPM (segundo ele, <span style="color: #3d85c6;">“Tensão Pré-Manifestação”</span>),
pouco antes da sua fala no I Encontro Natalense de Escritores (ENE). Eu me vi
assim. Dias antes, conversei durante horas, em uma mesa de bar, com veteranos
consagrados da imprensa tupiniquim - Zuenir Ventura, Ignácio de Loyola Brandão
e Villas-Boas Corrêa -, constatando o histórico sensacional das feras. O que eu
poderia acrescentar de novo para estudantes encantados com uma profissão que
perdeu o rumo? Quais os frutos e apontamentos? Como traduzir sem amargura a
essência do mecanismo jornalístico?</span></span><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Pensei em
iniciar o depoimento com a revista <span style="color: #3d85c6;">“Veja”</span> numa das mãos, firme, denunciando a
imprensa mercenária e inconsequente que deve ser evitada a qualquer custo. Concluí
que pegaria pesado, aniquilando esperanças, mesmo com a crença de que alguns
dos jovens presentes eram leitores da polêmica coluna <span style="color: #3d85c6;">“Lado B”</span>, que assinava no
<span style="color: #3d85c6;">“JH-Primeira Edição”</span>. E se mostrasse as antigas e lendárias <span style="color: #3d85c6;">“O Cruzeiro”</span> e <span style="color: #3d85c6;">“Realidade”</span>,
provando que já existiu vida inteligente na nossa imprensa? Ou talvez contar
casos inesperados acontecidos no exercício da profissão, citar influências, relembrar
entrevistas que fiz para a <span style="color: #3d85c6;">“Folha de S. Paulo”</span>, <span style="color: #3d85c6;">“O Tempo”</span> (MG),<span style="color: #3d85c6;"> “A Tarde”</span> (BA),
<span style="color: #3d85c6;">“Tribuna do Norte” </span>(RN), jornais de Portugal e Espanha. Por fim, apostei no
improviso. E tudo correu bem. Lembro aqui uma ou outra
narrativa.</span></span></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></p><div class="separator" style="clear: both; text-align: left;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZtc6Osm6Q43D0__Izw4xomPjq_T89Uq4zkW9gPTKLfELGKkCnkg84zYsANpG3E9Hz8HngwdIKJlWfq5pCskb0FYLAglizZ6fwUOwEr_rLfYuAUnNvFatlUWPDBjtCj0zC1mTTgqWEr4Cfuq-ELOR-KrDX638IcqvLXLlRAFsQh6p2MypTymkX-lHg4Q/s1200/mark-t-smith-RS.MTS_.2019.18IMG_5965-1200x1200.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZtc6Osm6Q43D0__Izw4xomPjq_T89Uq4zkW9gPTKLfELGKkCnkg84zYsANpG3E9Hz8HngwdIKJlWfq5pCskb0FYLAglizZ6fwUOwEr_rLfYuAUnNvFatlUWPDBjtCj0zC1mTTgqWEr4Cfuq-ELOR-KrDX638IcqvLXLlRAFsQh6p2MypTymkX-lHg4Q/w640-h640/mark-t-smith-RS.MTS_.2019.18IMG_5965-1200x1200.jpg" width="640" /></a><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O clássico<span style="color: #3d85c6;">
“Todos os Homens do Presidente”</span> me fez despertar a vocação jornalística. Eu o
vi na TV, num <span style="color: #3d85c6;">“Sábado a Noite no Cinema”</span>, e desde então decidi que seria
jornalista. A carreira começou em 1983, ainda bem jovem, no <span style="color: #3d85c6;">“A Região”</span>, um
jornal que fez época no sul da Bahia, publicando não só nomes consagrados, como
os estreantes, pelos quais o diretor Manoel Leal tinha o maior apreço. Eu passava
um tempão diante da máquina de escrever, à espera das palavras certas. </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Hélio
Pólvora, nosso editor, disse certa vez que eu escrevia com toques de pura
literatura, fez elogios. Animado, escrevi sem preconceitos, indomável, por
vezes cáustico. Passei por todos os jornais da cidade natal e até como <span style="color: white;">repórter da TV Manchete.</span><span style="color: black; mso-themecolor: text1;"> </span>Ativo,
leitor obsessivo, apoiado em sólida pesquisa. Então passei
a me considerar filho do jornalismo literário do norte-americano Tom Wolfe.</span></span></div><p></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Talvez
seja possível concluir essa trajetória de quatro décadas, inúmeras publicações
e diversos países, dezenas de colunas e crônicas, blogues e redes sociais, como
o transbordamento sincero de uma alma cigana. Entre o lúdico, o lúcido e
estocadas violentas, procurei usar a palavra pela via da cultura, prestando
serviço à divulgação das artes. Fui um paladino, se me permitem a palavra, da
difusão das artes nordestinas. No fundo, creio na iconoclastia, na
contracultura. Não aprecio jornalismo com Lexotan. David Nasser criticou a
construção de Brasília e a inflação que gerou, tornando o presidente Juscelino
Kubitschek seu inimigo, e invadiu os subterrâneos da Maçonaria, até então um
mistério. Um escândalo! É a minha cara!</span></span><br /></p><p style="text-align: justify;"><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span></p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A favor
do cuspir fogo e também da sensatez, tenho o brilhante Paulo Francis como ícone
confesso. O caro jornalista escreveu: <span style="color: #3d85c6;">“É bom poder ter espaço para resistir aos
avanços da horda”</span>. Ele é tão impecável como H. L. Mencken, J. R. Guzzo,
Guilherme Fiuza ou Olavo de Carvalho. Fiquei contente ao saber que tinha como
filme favorito o mesmo que está no topo da minha lista, o verborrágico <span style="color: #3d85c6;">“A
Malvada”</span> (1950), de Joseph L. Mankiewicz. Como ele, desconfio dos raciocínios temperamentais,
afinal nenhuma verdade é absoluta. Entretanto, será que os jornalistas de
espírito devem aparentar sobriedade, inteligência ou qualquer outro artifício?
Creio que vale escrever como quem mija, sem freios.</span></span><br />
</p><p style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5DcLE2mVODm_lEgsBO-WqCFf9oBqgcsW3292jNXbhT1a6UquyOC3lHFCGXA39RAn_yzeED_E1Ri8GYIrpZkecS3ZFiwo8sv22DFSJgCzP1syBEcxpUuYuQdHnRd5NH350GywRkEOuM2mezRm_yS41c1qc5yZ0aW4G1FSG9HsPBDZFf0Y_QMFhNiaMYQ/s1200/Essay-LightmanLedeFinal.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="700" data-original-width="1200" height="374" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5DcLE2mVODm_lEgsBO-WqCFf9oBqgcsW3292jNXbhT1a6UquyOC3lHFCGXA39RAn_yzeED_E1Ri8GYIrpZkecS3ZFiwo8sv22DFSJgCzP1syBEcxpUuYuQdHnRd5NH350GywRkEOuM2mezRm_yS41c1qc5yZ0aW4G1FSG9HsPBDZFf0Y_QMFhNiaMYQ/w640-h374/Essay-LightmanLedeFinal.jpg" width="640" /></a><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Aventureiro,
manipulador e manipulado, perseguindo a notícia e o seu conceito de verdade
como um detetive, íntimo dos poderosos, solitário, trabalhador sem horário,
nômade por dever de ofício, companheiro da noite, o jornalista (ou a imagem que
se fazia dele) é das raras ocupações que, no seu estado natural, tinha uma aura
romântica para inspirar qualquer fantasia intrépida. Por fim, a visão do
jornalista-herói-da-verdade, herdado em grande parte do cinema norte-americano,
ficou no passado, não mais existe no nosso <span style="color: #3d85c6;">“admirável mundo novo”</span>. Há atualmente
uma baixa de credibilidade e uma opinião generalizada negativa face ao excesso
militante e mercenário da classe jornalística.</span></span><br /></div></div><div><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A
velocidade e facilidade das comunicações, e as alterações da consciência
arrebatada do jornalismo introduzidas pela televisão e a internet, provocaram
paradoxos. O que tinha sido uma vocação espiritual, ou seja, um destino,
tornou-se uma profissão e uma carreira com vantagens: em vez de conhecer e dar
a conhecer o mundo ou influenciá-lo, viver à custa de magros privilégios,
resultando em denúncia ou louvor infundados. E o jornalista denunciante é tão
repugnante como o jornalista anunciante. O que escreve em benefício de outro, é
tão repugnante como o que escreve para prejudicar outro.</span></span><br /></div><div style="text-align: right;"><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Na
sociedade em que vivemos infelizmente tudo tem seu preço. A prática da imprensa
nem sempre merece ser interpretada como atributos sem escrúpulos. O que deve oferecer
em primeiro lugar? A conexão direta entre o olhar, a linguagem e a informação.
Notícias que não escondam nem o desatino nem a corrupção. Justas<span style="background-color: white; color: white;"><span style="background-color: black;">, pragmáticas,</span></span><span style="background-color: black; color: black;"> </span>evitando
representar os anseios corrompidos de uma parcela humana que deteriora a
sociedade numa alienação progressiva lamentável, num politicamente correto
usando e abusando do suposto respeito pelas minorias e pela defesa dos direitos
humanos.</span></span><br /></div><div><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /></div><div style="text-align: left;"><div style="text-align: left;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV2_ZJMbg4rUTfJVzrVqHJb9Zv03xXwUjZE_YWUA0Ilxl5MfpdR-LA3qjRbvKY9_3lJPiXAUCAds_IBoQ-YVOENJ6E0DEMKB6uu30j8W1ef-NDY20utzCEnIVFYG3_Ni_sPm1tSZyyOma7Kktfh-QRXB-B9ZDddV2ownGrX8dbwMC9J9aQb3zWgBGIFQ/s1400/mark-t-smith-RS.MTS_.2019.08.12.10.09.commission.full_.complete.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="624" data-original-width="1400" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV2_ZJMbg4rUTfJVzrVqHJb9Zv03xXwUjZE_YWUA0Ilxl5MfpdR-LA3qjRbvKY9_3lJPiXAUCAds_IBoQ-YVOENJ6E0DEMKB6uu30j8W1ef-NDY20utzCEnIVFYG3_Ni_sPm1tSZyyOma7Kktfh-QRXB-B9ZDddV2ownGrX8dbwMC9J9aQb3zWgBGIFQ/w640-h286/mark-t-smith-RS.MTS_.2019.08.12.10.09.commission.full_.complete.jpg" width="640" /></a></div></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">A palavra
falsa ou patrocinada conduz a massa hipnótica, ignorante e robotizada rumo <span style="color: white;">ao clero </span>da desinformação. A
masmorra e as correntes enferrujadas dos carrascos da mídia aprisionam cérebros
numa conduta hipócrita e imprópria. Digno seria investir no movimento frutífero,
alimentado na narrativa íntegra, onde a motivação do texto se completa do
início ao fim, avançando a passos largos ao fato em si. Como ele é. Qual a sua
importância. Como se desdobra. </span></span><br /></div><div style="text-align: justify;"><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Descortinando
as penumbras da desinformação e fornecendo elementos da realidade nua e crua, o
jornalismo reproduz um cidadão bem informado, apto a processar sua opinião no
meio que está inserido. Eu creio que jamais será um bom jornalista quem não tem
o hábito de ler livros (prosa e poesia, ficção e não-ficção). O bom jornalista
leu Flaubert, Victor Hugo, Balzac, Dostoievski, Dickens, Tolstoi, Orwell,
Guimarães Rosa etc. Integra a sua cultura literária no que
escreve. Jamais será um bom jornalista quem não frequenta teatro e museus, quem
não ouve música de qualidade ou desconhece obras cinematográficas além do puro
entretenimento. A ignorância aparentemente prazerosa mata qualquer talento nato.
</span></span><br /></div>
</div><div><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">O
jornalismo vai além da manchete e do escândalo. Ele questiona com a voz da
coletividade, investiga com os olhos do bem comum, opina balizado na formação intelectual
correta, independente e igualitária. Não merece ser o monstro fabricado nos laboratórios
de palavras pagas servindo a pilantras. Não merece ser o texto tosco de
militantes esquerdistas, que lacram seus poucos neurônios em uma sabotagem
egoísta, reacionária e desoladora, sempre em proveito próprio. O jornalismo de
bem passa longe das redações onde fraudadores, ditos profissionais de
comunicação, fabricam inverdades, retóricas enfermas, planos escusos de
perpetuação de um projeto pessoal oportunista. </span></span><br /></div><div><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /></div><div style="text-align: left;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYlcTlLzFtOO_aRQxztOdNDkDFgMBzGdwb-YONB9H8dNS0IJu7b-LeNZSw1MMhVu6bnyCsBw6fIsquPRpNvsqqDU7MLfNtUh-lE7EWRLwnKAYwbTCufs-fbpwTLwx6r4_UhsZHfsUpycOjdia4mEO3Hf2Wz9lk47Sccm_B1Edq4ZmUv96mkGt9jOtSwA/s1200/Mark-T-Smith-012-SCIENCE-2013-890x1200.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1200" data-original-width="890" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYlcTlLzFtOO_aRQxztOdNDkDFgMBzGdwb-YONB9H8dNS0IJu7b-LeNZSw1MMhVu6bnyCsBw6fIsquPRpNvsqqDU7MLfNtUh-lE7EWRLwnKAYwbTCufs-fbpwTLwx6r4_UhsZHfsUpycOjdia4mEO3Hf2Wz9lk47Sccm_B1Edq4ZmUv96mkGt9jOtSwA/w474-h640/Mark-T-Smith-012-SCIENCE-2013-890x1200.jpg" width="474" /></a></div>Mais que
uma profissão sacrificada, o jornalismo é um conjunto de palavras e pensamentos
iluminados para o leitor, fecundando notícias esclarecedoras, libertadoras, e
acima de tudo, conscientizadoras. A melhor preparação para a função
jornalística será jogada ao lixo se não for acompanhada de honestidade
no trabalho. Sabemos que a verdade objetiva é dúbia, nunca existiu, e
a imparcialidade é praticamente impossível. Conta-se o que se vê. E cada um
conta à sua maneira, baseado no que aprendeu e imitou e admirou. Mas o dever fundamental do jornalista não é para com seu empregador, mas
para com a sociedade. É para ela que escreve.</span></span><br /></div></div><div><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Todo
jornalista admirável caminha longe da ideologia de palanque e dos favores
monetários. Uma crítica excessiva, puramente partidarizada, afasta leitores
inteligentes. O jornalista só será respeitável se for indiferente as propinas que
corrompem, sendo vetor de discussões robustas, sensações e fluências, numa
linguagem de elementos e pertinências bem intencionadas. Ele não necessita de afagos.
Basta o realismo social, buscando na solidão das letras a
sua própria sorte. Só assim o jornalismo pode ser uma forma de arte. </span></span><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">No
jornalismo, é necessário combinar eficientemente clareza e objetividade em uma
estrutura com foco narrativo. Não brota jornalismo verdadeiro sem princípios e
valores éticos. Não deveria se tornar jornalista quem não tem coragem, quem não
combate o bom combate, quem se apega a valores materiais acima de qualquer
moral. Não deveria ser jornalista quem se esquiva da polêmica, quem coloca o
status acima do bom desempenho do ofício ou aquele que não procura a viabilidade
de um povo independente e civilizado.</span></span><br /></div><div><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /></div><div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Cultivo o
fruto do aprendizado, pois sei que nada sei e tenho muito a aprender, sempre. Na
calada da noite e no silêncio do lar, reafirmo um sentimento de amor e
compaixão pela profissão que escolhi como ganha-pão. Atravessei dúvidas e dádivas
- como a publicação do livro de entrevistas <span style="color: #3d85c6;">“ArtePalavra – Conversas no Velho
Mundo”</span>, em 2003 -, com o jornalismo pulsando dentro de mim: inquieto, incontrolável,
verdadeiro. Apesar de tudo, satisfeito e consciente de que esse ofício
maltratado tem relação visceral com meu tempo, meu espírito e com quem por
ventura acredita <span style="color: white;">numa admirável
imprensa</span><span style="color: black; mso-themecolor: text1;"> </span>sem armadilhas. Afinal, de jornalismo honesto também se vive.</span></span><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></div><p></p><p style="text-align: right;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">2006-2023</span></span></p><p style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-nxgFCFFm-TfuIclsxuyqapGg91G4fW41R3X8qLKz1JrjBJYS_C5Mg2TiIojMzO9O8bg2yIWm-y4bSCIjiz1yATqyT7hipuROZxEDks0cbyByqOK2QLUV6d5kRqupgFO2Ol5BC4_ZrSZglTp_wpejUpehPFDCrSfLPHd3U8i1jV8jW7Mj6s6jmDy_Sg/s960/12573777_1675752332709904_3457743672228880865_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="709" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-nxgFCFFm-TfuIclsxuyqapGg91G4fW41R3X8qLKz1JrjBJYS_C5Mg2TiIojMzO9O8bg2yIWm-y4bSCIjiz1yATqyT7hipuROZxEDks0cbyByqOK2QLUV6d5kRqupgFO2Ol5BC4_ZrSZglTp_wpejUpehPFDCrSfLPHd3U8i1jV8jW7Mj6s6jmDy_Sg/w295-h400/12573777_1675752332709904_3457743672228880865_n.jpg" width="295" /></a><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span><br /></div><p></p><p style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-size: 14pt; line-height: 107%;"> VINTE
JORNALISTAS BRASILEIROS NOTÁVEIS</span></span><br /><span style="font-family: inherit;"></span>
<span style="font-family: inherit;"></span><br /><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">01</span></span><span style="color: #3d85c6; font-family: inherit;"></span><span style="color: #3d85c6;"><br /></span><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">ASSIS
CHATEAUBRIAND</span></span><span style="color: #3d85c6;"><span style="font-family: inherit;"></span><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1892 –
1968. Umbuzeiro / São Paulo)</span></span><br /><span style="font-family: inherit;"></span></span>
<span style="color: #3d85c6; font-family: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPN5awtLHf-8_qA_GBG2z_MNExpSft_wRfep0axAv4VGUP-sNmH9v-5WYtYWeSUqAlcqz5FuZebAK226fFf094P9xSj-UgTIdT_TtoCzw1G-F-gd7KYxmhiAYvPobfCaRYFO3T3v21W01cCfw5ujxxuBB7_MvW6sOLuCkNaKk8npkZIHed0lSp5ukr5Q/s980/fotografia-jornalista-empresario-assis-chateaubriand-D_NQ_NP_792859-MLB26643385653_012018-F.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="980" data-original-width="686" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPN5awtLHf-8_qA_GBG2z_MNExpSft_wRfep0axAv4VGUP-sNmH9v-5WYtYWeSUqAlcqz5FuZebAK226fFf094P9xSj-UgTIdT_TtoCzw1G-F-gd7KYxmhiAYvPobfCaRYFO3T3v21W01cCfw5ujxxuBB7_MvW6sOLuCkNaKk8npkZIHed0lSp5ukr5Q/w280-h400/fotografia-jornalista-empresario-assis-chateaubriand-D_NQ_NP_792859-MLB26643385653_012018-F.jpg" width="280" /></a></div><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span><p></p><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">02</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">AUGUSTO
NUNES</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1949. Taquaritinga
/ São Paulo)</span></span></span></div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmVWDqn3xOHq2k185T_J0kI_yoDJlGxfZN5Ynj6XfTPQOKC2u9GJ424XEW0HZsEuZU1WGI3okT4Kxo47wWX6U7G8YlqEowwoywYRp0kBupsAiPGzQY8NaFFNgrcO1nI5bgp_25Dc7Z43j-sP6waA927UW5pnRXY_6w9Rlw8Dq6aoJesKt06MjSdxYguw/s399/augusto-nunes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="399" data-original-width="351" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmVWDqn3xOHq2k185T_J0kI_yoDJlGxfZN5Ynj6XfTPQOKC2u9GJ424XEW0HZsEuZU1WGI3okT4Kxo47wWX6U7G8YlqEowwoywYRp0kBupsAiPGzQY8NaFFNgrcO1nI5bgp_25Dc7Z43j-sP6waA927UW5pnRXY_6w9Rlw8Dq6aoJesKt06MjSdxYguw/w353-h400/augusto-nunes.jpg" width="353" /></a></div><br /><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">03</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">DAVID
NASSER</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1917 –
1980. Jaú / São Paulo)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYWpn5-7snc4WKc2KIaRUNfobjjToTI1Ztltoht5Kj3DCr-JllygUn6Sph9ThV80eP-IwP6AostXrpZIS4lzWP2ru9kIhsvJcqSuYT0C7hAF-22zloQAmgkNQh_ffx7z44cl56fGfl4XHycqtrKILv6uHQ0xvshx6G-zdwd4xKZWNlj5COV50FvYzvvA/s1751/lossy-page1-1200px-David_Nasser_(1947).tif.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1751" data-original-width="1200" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYWpn5-7snc4WKc2KIaRUNfobjjToTI1Ztltoht5Kj3DCr-JllygUn6Sph9ThV80eP-IwP6AostXrpZIS4lzWP2ru9kIhsvJcqSuYT0C7hAF-22zloQAmgkNQh_ffx7z44cl56fGfl4XHycqtrKILv6uHQ0xvshx6G-zdwd4xKZWNlj5COV50FvYzvvA/w274-h400/lossy-page1-1200px-David_Nasser_(1947).tif.jpg" width="274" /></a></span></span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">04</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">FLORISVALDO
MATTOS</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1932.
Uruçuca / Bahia)</span></span></span></div></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZNOaB7M1oPOpXQHNkH68au6GEjAI0BcN9U3wzzWmVDADY_LsdC4abjYgOLHJYTuRQzgpkqKLB36i927aa2wm9Z3JKhmXAfaN618BWrCRtQQ7q8s-rZ5B4Nf8rrnBXPw9nUsuHrqK_O682qxtccc9CxItz7VJ_KLVkq3XG3kVHvm_D2b1g9rlvP7h1jw/s1213/20174574649793.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="789" data-original-width="1213" height="260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZNOaB7M1oPOpXQHNkH68au6GEjAI0BcN9U3wzzWmVDADY_LsdC4abjYgOLHJYTuRQzgpkqKLB36i927aa2wm9Z3JKhmXAfaN618BWrCRtQQ7q8s-rZ5B4Nf8rrnBXPw9nUsuHrqK_O682qxtccc9CxItz7VJ_KLVkq3XG3kVHvm_D2b1g9rlvP7h1jw/w400-h260/20174574649793.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">05</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">GLÓRIA
MARIA</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1949 –
2023. Vila Isabel / Rio de Janeiro)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtD37GwcFCmTuTCVtMwyRAYax1GYCFKEDw5OOK7uytZTdZXFtheBalq__rW_240ozd4QkR7YuM4YZ-OfAKIyd8eHDnustnz0U1zduQl1THdUf2oL6Wxr2aKphDTCkKB5EFSlIOxfEhsj86hFlG4FS-s1Iep9LeMhByizojPzdWwQ9VIc8wPYsGYKWKtw/s1920/1_whatsapp_image_2023_02_02_at_12_13_33__5_-27929984.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1920" data-original-width="1199" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtD37GwcFCmTuTCVtMwyRAYax1GYCFKEDw5OOK7uytZTdZXFtheBalq__rW_240ozd4QkR7YuM4YZ-OfAKIyd8eHDnustnz0U1zduQl1THdUf2oL6Wxr2aKphDTCkKB5EFSlIOxfEhsj86hFlG4FS-s1Iep9LeMhByizojPzdWwQ9VIc8wPYsGYKWKtw/w250-h400/1_whatsapp_image_2023_02_02_at_12_13_33__5_-27929984.webp" width="250" /></a></span></span></span></div><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">06</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">GUILHERME
FIUZA</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1965.
Rio de Janeiro / RJ)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOWGH3txDjMQrkk4vaqPY0RaW-1D__UqgAJjKbWHhtQ4mw7XCuij3DHXEAHdX0vZtGgtpFBUEvfCWA7lR9CXC4thDyJnCjZc6jIbwu1eom7hg5X07l_elKu5FC3NuMeCRscDwNSo5HmKFB9OrWQTRwn_o3-lOKWB_sSmLWxvlX6HhZHTkdn8Q90AH-lw/s768/f6388f68-6667-4a25-8ae1-c9403b83f6ff.jpeg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="512" data-original-width="768" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOWGH3txDjMQrkk4vaqPY0RaW-1D__UqgAJjKbWHhtQ4mw7XCuij3DHXEAHdX0vZtGgtpFBUEvfCWA7lR9CXC4thDyJnCjZc6jIbwu1eom7hg5X07l_elKu5FC3NuMeCRscDwNSo5HmKFB9OrWQTRwn_o3-lOKWB_sSmLWxvlX6HhZHTkdn8Q90AH-lw/w400-h266/f6388f68-6667-4a25-8ae1-c9403b83f6ff.jpeg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">07</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">GUSTAVO
CORÇÃO</span></span><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1896 – 1978.
Rio de Janeiro / RJ)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4z92GIDHE0uDfsLgxB1_Rgm87L5OR3raBSdfR_saqEZcIHJXLmH58ojo1xTz_yKCspNzDqi4yoX37ncAAFakT-WiTqwk_OIhoY7Z77d5CTzV7LtButuiIjvD_v8TFN_43nfayQp71ui41gqKwZD1YqoyBOiR_ScnsWbXTIQEOSMEUbyWk7kHSkWIevw/s1195/profcorcao.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1195" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4z92GIDHE0uDfsLgxB1_Rgm87L5OR3raBSdfR_saqEZcIHJXLmH58ojo1xTz_yKCspNzDqi4yoX37ncAAFakT-WiTqwk_OIhoY7Z77d5CTzV7LtButuiIjvD_v8TFN_43nfayQp71ui41gqKwZD1YqoyBOiR_ScnsWbXTIQEOSMEUbyWk7kHSkWIevw/w400-h268/profcorcao.jpg" width="400" /></a></span></span></span></div><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">08</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">HÉLIO
PÓLVORA</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1928 – 2015.
Itabuna / Bahia)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKZU01RIP-YUn2gAnpOpcvRChgUXhMwg71KKQb-aStPRKkj7lCkzwbTqiN7CRimQKrkpwVAUJKRLh6wH140mqQaoB9_mRRTEk8mtSsd4h_vRMQmmjOOTg3sYJdv8pWBzWga7kmOdvu37CKCYOT_WsVoMlyK4_Qv5Lb3bRnRIY8SjomIxcpOjNvi8Cliw/s1053/helio-polvora.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="715" data-original-width="1053" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKZU01RIP-YUn2gAnpOpcvRChgUXhMwg71KKQb-aStPRKkj7lCkzwbTqiN7CRimQKrkpwVAUJKRLh6wH140mqQaoB9_mRRTEk8mtSsd4h_vRMQmmjOOTg3sYJdv8pWBzWga7kmOdvu37CKCYOT_WsVoMlyK4_Qv5Lb3bRnRIY8SjomIxcpOjNvi8Cliw/w400-h271/helio-polvora.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">09</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">J.R.
GUZZO</span></span><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1943.
São Paulo / SP)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEFcBU22lIBuUFNXZP8Bj1Rtfxt7XqW0OpRLRYx-AsfCrU9ApBUq9tvCXWPkk3BNqo1wPKOmHO90hICqE_L7ikxXvLFwH_4TV5PKpZyz6Ia9uhZVwCuOzBkN8e5aaRR33l2CeRJBKSvBfk-HzJSYwkpw6aaddLTXcT6xtScRRMI5flRLep6zNMb2G_QQ/s1664/Guzzo.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1106" data-original-width="1664" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEFcBU22lIBuUFNXZP8Bj1Rtfxt7XqW0OpRLRYx-AsfCrU9ApBUq9tvCXWPkk3BNqo1wPKOmHO90hICqE_L7ikxXvLFwH_4TV5PKpZyz6Ia9uhZVwCuOzBkN8e5aaRR33l2CeRJBKSvBfk-HzJSYwkpw6aaddLTXcT6xtScRRMI5flRLep6zNMb2G_QQ/w400-h266/Guzzo.png" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">10</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">JOEL
SILVEIRA</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1918 –
2007. Lagarto / Sergipe)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvprT7T8UhmY7SJ7Xatdf2PvEZblteQkmZby_2uC3nCPRlnE8cQqejFYt91uT53GDlmSZHF6T9Bm8Qixyp_QR1w3iFMj8EaDQCsSLZJO6BtF69Vugm-sMm2Hxnr2wVohhypm8W_u8GY-seCbVbr2_LR_vt4R6Ar54JnsZeL6T_Oyz037IQ6AVsG_fNBQ/s1893/DSC_0145.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1893" data-original-width="1400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvprT7T8UhmY7SJ7Xatdf2PvEZblteQkmZby_2uC3nCPRlnE8cQqejFYt91uT53GDlmSZHF6T9Bm8Qixyp_QR1w3iFMj8EaDQCsSLZJO6BtF69Vugm-sMm2Hxnr2wVohhypm8W_u8GY-seCbVbr2_LR_vt4R6Ar54JnsZeL6T_Oyz037IQ6AVsG_fNBQ/w296-h400/DSC_0145.jpg" width="296" /></a></span></span></span></div><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">11</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">LEDA NAGLE</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1951.
Juiz de Fora / Minas Gerais)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs6IE6ll3drQwqpxsFIsNHH7vhf7kJxSt8Wj-gN4q15Bq53oCco1BO_66uj02GPAFn1pv41yeZ51U6UjHDZw2puhep2uzO8Y0BJ42YDniNop1Kt3c2KbP3BQHfIA3WqXkH60uiUI26z9SGQ8loLPot9ZXgtcf6FUs6goI_cLpA1sk4pO9b9AU5elG2bQ/s1264/leda-nagle-1564697981708_v2_1x1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1264" data-original-width="985" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgs6IE6ll3drQwqpxsFIsNHH7vhf7kJxSt8Wj-gN4q15Bq53oCco1BO_66uj02GPAFn1pv41yeZ51U6UjHDZw2puhep2uzO8Y0BJ42YDniNop1Kt3c2KbP3BQHfIA3WqXkH60uiUI26z9SGQ8loLPot9ZXgtcf6FUs6goI_cLpA1sk4pO9b9AU5elG2bQ/w311-h400/leda-nagle-1564697981708_v2_1x1.jpg" width="311" /></a></div><br /><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">12</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">MARÍLIA
GABRIELA</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1948.
Campinas / São Paulo)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoIZdFO7AHEa-AtfeevIpxaKWr8iVdphZv-mb8lkMrIZzXuS9ZtM1hHZ64635KrbIuKccSYNQeYO8hXN-k1Frhwln4rnuqmUVPowVFylK49MCmQM1T5x5D0QYNnNxF_BRWhWc0yPrMwMlwdhcT0aavBTrdA_OabDReOfcPGHzVLYSn6s0GNWKJoMkc2w/s620/marilia-gabriela-thumb-620.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="385" data-original-width="620" height="249" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoIZdFO7AHEa-AtfeevIpxaKWr8iVdphZv-mb8lkMrIZzXuS9ZtM1hHZ64635KrbIuKccSYNQeYO8hXN-k1Frhwln4rnuqmUVPowVFylK49MCmQM1T5x5D0QYNnNxF_BRWhWc0yPrMwMlwdhcT0aavBTrdA_OabDReOfcPGHzVLYSn6s0GNWKJoMkc2w/w400-h249/marilia-gabriela-thumb-620.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">13</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">MARISA
RAJA GABAGLIA</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1942 –
2003. São Paulo / SP)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7rycjomRy0OO8pXurGYRavSqDWIERmzbWYIymp718CpX2Ck_jYYaTRRqgO8YXTtRopwKS0Gua3zSqb5_VOcRLdAcnM10x_k-D-Z6yKObnxI7gpJwgM_J8G4c_FQjw6bK3zUsCPnctGFkmu_HN4IUbWRTnlKvB9guoOMNqWr5IXo-ysLkDhtfKcNpvxQ/s400/marisa3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="400" data-original-width="400" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7rycjomRy0OO8pXurGYRavSqDWIERmzbWYIymp718CpX2Ck_jYYaTRRqgO8YXTtRopwKS0Gua3zSqb5_VOcRLdAcnM10x_k-D-Z6yKObnxI7gpJwgM_J8G4c_FQjw6bK3zUsCPnctGFkmu_HN4IUbWRTnlKvB9guoOMNqWr5IXo-ysLkDhtfKcNpvxQ/w400-h400/marisa3.jpg" width="400" /></a></span></span></span></div><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">14</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">MATINAS
SUZUKI JR.</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1954.
Barretos / São Paulo)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwp-_TMRmqYdnr0wruE1Jy8IwQTAmEG7dw4mn7LiYO-b6vnDeAHdtWapzCIUxT5IE_l5GDiV2_8gkNF2UfBHif-mLDes_-8uAY0ZW2PAkqKfVLWjxRIYU4I2XTtJCLj1SBRPsdsblc6BBW7QtY-bG1U4mebVBlTrbsPAZuVlTQBt-uaFyxu99JixxOA/s1200/164245077261e5cf5412754_1642450772_3x2_xl.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="801" data-original-width="1200" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnwp-_TMRmqYdnr0wruE1Jy8IwQTAmEG7dw4mn7LiYO-b6vnDeAHdtWapzCIUxT5IE_l5GDiV2_8gkNF2UfBHif-mLDes_-8uAY0ZW2PAkqKfVLWjxRIYU4I2XTtJCLj1SBRPsdsblc6BBW7QtY-bG1U4mebVBlTrbsPAZuVlTQBt-uaFyxu99JixxOA/w400-h268/164245077261e5cf5412754_1642450772_3x2_xl.jpg" width="400" /></a></span></span></span></div><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">15</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">OTTO LARA
RESENDE</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1922 –
1992. São João del Rei / Minas Gerais)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><ul><li><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3e4DfSoth-c1fERIc-pCpa7pmQlnahU0nRLAI3iwGGj9qzTwt3ryKhxzi03BfT4WYQ3eAnMiMCJrW3ug-L73oSIrOjnNZsaTokr9H9kND4_ygBxF-PWqMGWyKLqMXnMvEiyWfxGEYB6pC3OLnWPlITSNJdrekPNQNswnWKNi62hbvqVvI8P_zpMFROg/s1920/Otto-Lara-Resende-_1920.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3e4DfSoth-c1fERIc-pCpa7pmQlnahU0nRLAI3iwGGj9qzTwt3ryKhxzi03BfT4WYQ3eAnMiMCJrW3ug-L73oSIrOjnNZsaTokr9H9kND4_ygBxF-PWqMGWyKLqMXnMvEiyWfxGEYB6pC3OLnWPlITSNJdrekPNQNswnWKNi62hbvqVvI8P_zpMFROg/w400-h225/Otto-Lara-Resende-_1920.jpg" width="400" /></a></span></span></span></li></ul></div><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">16</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">OTTO
MARIA CARPEAUX</span></span><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1900 – 1978.
</span><span style="mso-spacerun: yes;"> </span><span style="font-size: 14pt; line-height: 107%;">Viena / Áustria)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhiqpxYlbyWxqboex2v9rtUUYFY59XVd-44HyzH6I4H4QUxPW_YSaaFSUouH6HXLpB8DtG-EaLFCOVMkqjUbEyYFhMEKJsifkan7b22wde-B48WpdCSyl_Ep4Tpp7XmGsb5U0GuGqLlUDuz7i9SjNnlSsZO9jKriNT4pMX56IJdpKrvyoY-sK60AgdXw/s1024/Carpeaux-5.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="705" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhiqpxYlbyWxqboex2v9rtUUYFY59XVd-44HyzH6I4H4QUxPW_YSaaFSUouH6HXLpB8DtG-EaLFCOVMkqjUbEyYFhMEKJsifkan7b22wde-B48WpdCSyl_Ep4Tpp7XmGsb5U0GuGqLlUDuz7i9SjNnlSsZO9jKriNT4pMX56IJdpKrvyoY-sK60AgdXw/w275-h400/Carpeaux-5.jpg" width="275" /></a></span></span></span></div><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">17</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">PAULO
FRANCIS</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1930 –
1997. Rio de Janeiro / RJ)</span></span></span><br /></div><div><p></p><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"></span></span>
<span style="color: #3d85c6; font-family: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5VFMxVUFCa7a0IkADtasyULotRskkDDNNdTnxpi0ItMDXXIOwj84KQ7YnAWR8WSBQ1fNArAMgKEym8YY6K8tmf5tu5fA0neQklYmQGtBjS6nZBjHxEyfFQ02Uv76Msgkbihs7PMzTlnViPrnqQzcYmmxOBH1LCqK5dMRmOd33ulgm120J6w5apowP2A/s550/L1EF33D32ECB2401484DA9705814863FB.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="309" data-original-width="550" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5VFMxVUFCa7a0IkADtasyULotRskkDDNNdTnxpi0ItMDXXIOwj84KQ7YnAWR8WSBQ1fNArAMgKEym8YY6K8tmf5tu5fA0neQklYmQGtBjS6nZBjHxEyfFQ02Uv76Msgkbihs7PMzTlnViPrnqQzcYmmxOBH1LCqK5dMRmOd33ulgm120J6w5apowP2A/w400-h225/L1EF33D32ECB2401484DA9705814863FB.jpg" width="400" /></a></div><p></p><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">18</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">SAMUEL
WAINER</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1910 –
1980. Edineţ / Moldávia)</span></span></span></div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO2sqgKhaiarYwIrEBFv5ixIBjgKFTEPtHPBOdgXg7okNgv4fSlOXpoMC8ja89Pf13m8bIYjy4LmKcJtPcpdn9qC1tAPICW-CNPrNBZbZSi9JUrti-RcLHEMmjk_dGmvY8e--xgiRjG6yMX2xGo6TrOFy8D1yIeXnW85AxfwKq4OQDWMjxmuod6YhD8A/s2400/16010729155f6e6f13a60eb_1601072915_3x2_rt.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="2400" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjO2sqgKhaiarYwIrEBFv5ixIBjgKFTEPtHPBOdgXg7okNgv4fSlOXpoMC8ja89Pf13m8bIYjy4LmKcJtPcpdn9qC1tAPICW-CNPrNBZbZSi9JUrti-RcLHEMmjk_dGmvY8e--xgiRjG6yMX2xGo6TrOFy8D1yIeXnW85AxfwKq4OQDWMjxmuod6YhD8A/w400-h266/16010729155f6e6f13a60eb_1601072915_3x2_rt.jpg" width="400" /></a></span></span></span></div><br /></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">19</span></span></span><br /><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">SÉRGIO
AUGUSTO</span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1942.
Rio de Janeiro / RJ)</span></span></span></div><div><p style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"></span></span></span></p></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh4mN2EFcpmMS9p2_k3PF43mUMAInPU8byY_xlnTm0vggTjPyiVjjwNdBqUovyD9_llTenbdF6LrOPFlrLOWBe32Y1cJFKAffnf68Tr5UyUt18OYUQQZMAKfc0Z2QN2tQbYpPmQKOJmHmZTmi1j1XGAbtfHrrrf-PrdVV8-fr-IAspX3TtS_8qn1TxoQ/s1265/86422705_SC-EXCLUSIVO-Rio-de-Janeiro-RJ-08-01-2020-Entrevista-com-o-jornalista-Sergio-Augusto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="760" data-original-width="1265" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjh4mN2EFcpmMS9p2_k3PF43mUMAInPU8byY_xlnTm0vggTjPyiVjjwNdBqUovyD9_llTenbdF6LrOPFlrLOWBe32Y1cJFKAffnf68Tr5UyUt18OYUQQZMAKfc0Z2QN2tQbYpPmQKOJmHmZTmi1j1XGAbtfHrrrf-PrdVV8-fr-IAspX3TtS_8qn1TxoQ/w400-h240/86422705_SC-EXCLUSIVO-Rio-de-Janeiro-RJ-08-01-2020-Entrevista-com-o-jornalista-Sergio-Augusto.jpg" width="400" /></a></div><br /><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">20</span></span><span style="font-family: inherit;"></span></span><br /><span style="color: #3d85c6;"></span><span style="color: white; font-family: inherit;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;">SONIA
COUTINHO</span></span><span style="color: #3d85c6;"><span style="font-family: inherit;"></span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">(1939 –
2013. Itabuna / Bahia)</span></span></span></div><div><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div></span></span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj60GuAgXgFrCMfWAwDyOF4JErxtWiKbz1DaENUCvgMXyrCCgUKhNJeBC8NK0LMRxaktFkx4OlSyIzjfVQgSX32Ln7MHqcoQIe-mbNUbN-1jDONaBk7F-5InSBbdPPLP50wQ44gH555_MYARN1_8UAUK1lMHKGwYarsIXgnxC1Vnaqo1vo6659r4IclRw/s250/image.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="246" data-original-width="250" height="315" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj60GuAgXgFrCMfWAwDyOF4JErxtWiKbz1DaENUCvgMXyrCCgUKhNJeBC8NK0LMRxaktFkx4OlSyIzjfVQgSX32Ln7MHqcoQIe-mbNUbN-1jDONaBk7F-5InSBbdPPLP50wQ44gH555_MYARN1_8UAUK1lMHKGwYarsIXgnxC1Vnaqo1vo6659r4IclRw/w320-h315/image.png" width="320" /></a></div><br /><span style="font-size: 14pt; line-height: 107%;"><br /></span></span></span></div><div><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> <br /></span></span></span></div>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com17tag:blogger.com,1999:blog-1221158885572115483.post-35145785683078978772023-02-28T23:29:00.040-02:002023-03-18T11:45:15.091-02:00.......................... ANTONIO NAHUD: DOZE VEZES ENTREVISTADO<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Tyk7jDdEZ00Jds4Pg-9SvvmNxuZVL1rC8VsHq9kjwH3GGjUL_-iabcJvDy_ejKQ2LncGWzn-CWpKOXqGc_qNP4TgeFJVrxMQPm8RaNJX1gIcCEeHiDkA8Gyr9eLOm8fgAFrOCmXm9zCES56XJ4CDiZGzeXid8riIyhgBSqPwU33xUySFv8o4ZlNxeQ/s1526/DSCN1235.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1029" data-original-width="1526" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0Tyk7jDdEZ00Jds4Pg-9SvvmNxuZVL1rC8VsHq9kjwH3GGjUL_-iabcJvDy_ejKQ2LncGWzn-CWpKOXqGc_qNP4TgeFJVrxMQPm8RaNJX1gIcCEeHiDkA8Gyr9eLOm8fgAFrOCmXm9zCES56XJ4CDiZGzeXid8riIyhgBSqPwU33xUySFv8o4ZlNxeQ/w640-h432/DSCN1235.JPG" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="font-family: inherit;"><span style="font-size: large;"><span style="color: #3d85c6;"><span style="background-color: black;">antonio nahud entrevistado por pinto júnior no <span><span style="line-height: 107%;">“</span></span>conexão potiguar<span><span style="line-height: 107%;">”</span></span></span></span></span></span></td></tr></tbody></table><p></p><p><br /></p><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">A
entrevista é feita para traçar um perfil do entrevistado. Nela constam
informações sobre hábitos, história de vida e outras curiosidades relevantes
sobre a pessoa em questão. O segredo de uma boa entrevista está na preparação
adequada do entrevistador, na elaboração prévia de um bom roteiro, levando
sempre o máximo de informações sobre o entrevistado e o tema de que ele vai
falar. </span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entre as
definições possíveis do termo entrevista, a explicação que mais se destaca é
que se trata de um diálogo voltado à produção de informação. Do mesmo modo que
são muitas as definições de entrevista, também são inúmeras as formas de
entrevistar. Fui entrevistado dezenas de vezes - no Brasil, Espanha e Portugal -, ao longo da trajetória
literária, por jornalistas competentes ou outros nem tanto.</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Dei
entrevistas para jornais, rádios, tvs e sites. Dividindo-me entre um e outro,
trilhei caminhos entre os diferentes veículos de comunicação - com suas
abordagens, seus mecanismos e a necessidade de traduzir o mundo para quem lê,
ouve e assiste. Houve uma época, entre 2013 e 2017, que praticamente toda
semana recebia convites para entrevista. Ao assumir um posicionamento político
conservador e bolsonarista, as portas da mídia se fecharam. Confesso que
não me afetou em nada.</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Confira
abaixo algumas entrevistas que dei para jornais impressos.</span><br /><br /><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">01</span><span style="color: #3d85c6;"><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título: <span style="background-color: #274e13; color: white;">PROCURO SUPERAR o CONVENCIONAL na LITERATURA</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal:
Diário de Natal (Natal, Rio Grande do Norte)</span><br /><a name="_Hlk125624680" style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Entrevistador: Hayssa Pacheco</span></a><br /><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Data: 29 de janeiro de 2003</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"> </span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBc13pTyUU9rvhk_xnvlR0k1YAptdgHFhE--2obrvsIM-aenV9gqv4sAvULo1p4Yp0DpGi-28xOcWq9a2trlklMR0iqOtW3VCeyVWDksj3EKr0dct_D4gSvXQwLf5g8pE4J2DNfdd3M-7spcZGybQ3V2cpfiolz9MFRHS8IukQZmkhufb2iYwWLJ-T6Q/s1389/01.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1389" data-original-width="785" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBc13pTyUU9rvhk_xnvlR0k1YAptdgHFhE--2obrvsIM-aenV9gqv4sAvULo1p4Yp0DpGi-28xOcWq9a2trlklMR0iqOtW3VCeyVWDksj3EKr0dct_D4gSvXQwLf5g8pE4J2DNfdd3M-7spcZGybQ3V2cpfiolz9MFRHS8IukQZmkhufb2iYwWLJ-T6Q/w362-h640/01.jpeg" width="362" /></a></div></span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“A
escrita é o centro da minha vida – uma vida confusa, contraditória, como todas
as vidas – e é nela que encontro um padrão, uma ordem, uma coerência. A minha
escrita vem de uma ansiedade silenciosa. É uma coisa íntima. Descobre-se tanto
acerca de mim lendo os meus textos!”</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">02</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título:
<span style="background-color: #274e13; color: white;">VIAGEM INSÓLITA</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal:
Diário de Natal (Natal, Rio Grande do Norte)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Moisés de Lima</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 06
de abril de 2003</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTX-VIzcplJSjwVwoTSXbFcq55_XnKPpIZ3vAD4I2ODzdjgSAzlqeb9nt42k9NDzW7DLMVTePsv6szxc7lkMuIQexTIdPEQ6rIBwofMIMdp1d_bWlA-wes_kKybPX1Tt7bDgq8SE2lzq1sCyAkgUfBdpdnuamduwu03dEpDUkDzflu5IeiVMwB2ZNOkQ/s1427/02.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1427" data-original-width="788" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTX-VIzcplJSjwVwoTSXbFcq55_XnKPpIZ3vAD4I2ODzdjgSAzlqeb9nt42k9NDzW7DLMVTePsv6szxc7lkMuIQexTIdPEQ6rIBwofMIMdp1d_bWlA-wes_kKybPX1Tt7bDgq8SE2lzq1sCyAkgUfBdpdnuamduwu03dEpDUkDzflu5IeiVMwB2ZNOkQ/w354-h640/02.jpeg" width="354" /></a></div> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“Penso na
vida com admiração e sensibilidade, mesmo vivendo tempos brutos.”</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">03</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título:
<span style="background-color: #274e13; color: white;">CONVERSANDO com ESTRELAS</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal: O
Jornal de Hoje (Natal, Rio Grande do Norte)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Ailton Medeiros</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 12
de março de 2003</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghApT2IQeS0kBJnJ8gMKU_78RNYD7CcUMh82Oe7_pGF3Z4ZrvAQHZoX1-3IwBP3ASMfshoBqMIDZt0fbPQQlpTw5NnkQuFcbVB1mwqFIwQWmuf017pPsSXpHBX0QhomGTiI8O8xe-SUM859PFShF5GVriIPYBRZnVNbTkvU2GTDnDZ1OxroV3F0-HNJg/s1340/03.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1340" data-original-width="774" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghApT2IQeS0kBJnJ8gMKU_78RNYD7CcUMh82Oe7_pGF3Z4ZrvAQHZoX1-3IwBP3ASMfshoBqMIDZt0fbPQQlpTw5NnkQuFcbVB1mwqFIwQWmuf017pPsSXpHBX0QhomGTiI8O8xe-SUM859PFShF5GVriIPYBRZnVNbTkvU2GTDnDZ1OxroV3F0-HNJg/w370-h640/03.jpeg" width="370" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span><!--[if gte mso 9]><xml>
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<![endif]--><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Nahud não entra na vida privada de seus entrevistados. Seu interesse
exemplificado pelas perguntas bem elaboradas é tirar as máscaras exibindo
sem retoques para o leitor. O resultado é surpreendente.</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">04</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título:
<span style="background-color: #274e13; color: white;">Às AVESSAS</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal:
Agora - Banda B (Itabuna, Bahia)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Vera Rabelo</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 02
de agosto de 2003</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCGszEd5H1IiTKKJVU0sM0fX90Y5TVk85BZvlIlMVY-SJfDKciBd61XW1rcCOEatgnEPWSgVncCK9-i1KH88b6aGk-33qX1PIrdk5DW7Sj3ptpQouLih1__SPWq4RVbeB7laa-p9xAAse4IpkJ252nQTK17lkQtAvDhDnK5aCVh5cupc4oK0z39zwUBw/s633/04.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="463" data-original-width="633" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCGszEd5H1IiTKKJVU0sM0fX90Y5TVk85BZvlIlMVY-SJfDKciBd61XW1rcCOEatgnEPWSgVncCK9-i1KH88b6aGk-33qX1PIrdk5DW7Sj3ptpQouLih1__SPWq4RVbeB7laa-p9xAAse4IpkJ252nQTK17lkQtAvDhDnK5aCVh5cupc4oK0z39zwUBw/w640-h468/04.jpeg" width="640" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Escolhi
a carreira profissional certa. Tenho uma trajetória profissional digna. Se a cada dia me
afasto mais das redações é porque os jornais, infelizmente, estão nas mãos de
dirigentes que veem o jornalismo apenas como uma tarefa puramente ideológica,
publicitária e lucrativa, enrolando e anestesiando o leitor.</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">05</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título:
<span style="background-color: #274e13; color: white;">NÃO ESCREVO PARA OFENDER NINGUÉM</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal:
Tribuna Cultural (Feira de Santana, Bahia)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Maria João Serrano</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 27
de novembro de 2005</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7Er3WXs2cSRazVWlcgTnGgBWC4-2ckjyWKYMSL9W7zOmMnrqQMdCNvj_VHc9tyJcdYx1sDQtPbZxAhD7C3vFcA80KVPlXpDo-k35uwdh6dYFerLiHmZozsXEW1cd91B9mugEQt_j-9kB2lCdKnC4GJhALfbyZorVisCYiFhXM4y-fma1MZiSHItUqqQ/s1105/05.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="769" data-original-width="1105" height="446" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7Er3WXs2cSRazVWlcgTnGgBWC4-2ckjyWKYMSL9W7zOmMnrqQMdCNvj_VHc9tyJcdYx1sDQtPbZxAhD7C3vFcA80KVPlXpDo-k35uwdh6dYFerLiHmZozsXEW1cd91B9mugEQt_j-9kB2lCdKnC4GJhALfbyZorVisCYiFhXM4y-fma1MZiSHItUqqQ/w640-h446/05.jpeg" width="640" /></a></div></span></span><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="index heading"/>
<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of figures"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="envelope return"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="footnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="line number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="page number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote reference"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="endnote text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="table of authorities"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="macro"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="toa heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
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<![endif]--><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%; mso-ansi-language: PT-BR; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%; mso-ansi-language: PT-BR; mso-bidi-font-family: "Times New Roman"; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;">No
ofício literário acredito ser importante identificar sensibilidades ao longo do
nosso caminho existencial. É uma maneira de não as silenciar, de
compreendê-las, de respeitá-las. Ao mesmo tempo, escrevo atento à intuição, ao
misterioso, ao lúdico, ao transe cinematográfico. A meta é celebrar as coisas
simples da vida, a relação com o outro, com o invisível ou conosco mesmo.</span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">”</span></span><span style="color: #3d85c6;"></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">06</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título:
<span style="background-color: #274e13; color: white;">POETA QUE ENTREVISTOU JOSÉ SARAMAGO VISITA VALENÇA</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal: Jornal
Valença Agora (Valença, Bahia)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Adriano Pereira</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 21
de fevereiro de 2006</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilzCA1CeuwAh9uCps810_o7mLukT-2Gw-q_TLEJY_7I1wxcwk5cuPsgRw9lB2blk2TmHB3VtGo2MrkzgkSjX_l289-5WayIVduOS0if_Q4x8_LYWhd6QSoNJ7oPvU_rAOIhX8natIJvnQwZeU-d1ncWiNOWubcdc-EvhAQ5ZXCQEsaalunMkw-RVjhbg/s962/06.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="962" data-original-width="611" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilzCA1CeuwAh9uCps810_o7mLukT-2Gw-q_TLEJY_7I1wxcwk5cuPsgRw9lB2blk2TmHB3VtGo2MrkzgkSjX_l289-5WayIVduOS0if_Q4x8_LYWhd6QSoNJ7oPvU_rAOIhX8natIJvnQwZeU-d1ncWiNOWubcdc-EvhAQ5ZXCQEsaalunMkw-RVjhbg/w406-h640/06.jpeg" width="406" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span><!--[if gte mso 9]><xml>
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</xml><![endif]--><span style="color: #3d85c6; font-family: inherit; font-size: 14pt; line-height: 107%;">Morar no
estrangeiro nos apresenta outro idioma, outros costumes e também a solidão. Ao
sentir que estamos soltos na vida, lutando sozinho pela sobrevivência digna,
resulta em uma grande força interior e provoca inúmeros recursos inesperados. É
um renascimento.</span><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">”</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">07</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título:
<span style="background-color: #274e13; color: white;">PROJETOS de um REGRESSANTE</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal: Agora
- Banda B (Itabuna, Bahia)<span style="mso-spacerun: yes;"> </span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Kleber Torres</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 01
de abril de 2006</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiulAzbshpA-PCdubAIFf5Sp6YMoGzEUwfZB51MzptS8HsJTA5L_3d0a2S109CCu-uGEMLlxHafN8_TInOgqckvZz0JFGYgO6vCRtS01_yk9vd1Cnv9SJHE1C6BaAR-GnVSD7KGtlDLk1wub75ISzeani_INpFVm7ntf5Wl6BSIjyr_HWP9Mo9IZRQ6gw/s1232/07.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1232" data-original-width="872" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiulAzbshpA-PCdubAIFf5Sp6YMoGzEUwfZB51MzptS8HsJTA5L_3d0a2S109CCu-uGEMLlxHafN8_TInOgqckvZz0JFGYgO6vCRtS01_yk9vd1Cnv9SJHE1C6BaAR-GnVSD7KGtlDLk1wub75ISzeani_INpFVm7ntf5Wl6BSIjyr_HWP9Mo9IZRQ6gw/w452-h640/07.jpeg" width="452" /></a></div></span><span style="font-family: inherit;"><br /><span style="font-size: 14pt; line-height: 107%;">“</span></span></span><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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ao Brasil, o jornalista, que trabalhou no Agora, traz
na bagagem experiências do refinamento do espectador literário europeu
associada à vontade de desenvolver trabalhos em sua terra natal.</span><span style="color: #3d85c6;"><span style="font-size: 14pt; line-height: 107%;">”</span></span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">08</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título: <span style="background-color: #274e13; color: white;">O DESEJO de VIAJAR é TAMBÉM DESEJO de SABER</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal:
ABXZ – Caminho das Letras (Itabuna, Bahia)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Gustavo Atallah Haun</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data:
junho de 2006</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh99xfW_W8QtY8huUHvRajyEh3Tlg3wcJQINxUg3mFAMNMmav8pRE5BBTc22KdwHRE6CM1jaYnWxF2roieexifI5YqbsmbzLuKNLgmoIS26zQbIz-O85JcqzXwvmC2YTP57QbrGUHT8Egc4qklisvMbbb8CMlk5SUIRmilsRDtGbPDEHxg8IJ6MajJzQg/s951/08.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="951" data-original-width="650" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh99xfW_W8QtY8huUHvRajyEh3Tlg3wcJQINxUg3mFAMNMmav8pRE5BBTc22KdwHRE6CM1jaYnWxF2roieexifI5YqbsmbzLuKNLgmoIS26zQbIz-O85JcqzXwvmC2YTP57QbrGUHT8Egc4qklisvMbbb8CMlk5SUIRmilsRDtGbPDEHxg8IJ6MajJzQg/w438-h640/08.jpeg" width="438" /></a></div> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Bullet 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Number 5"/>
<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Closing"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Signature"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
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<![endif]--><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Escrevo
para agradar a minha pessoa. O leitor é apenas consequência do ofício. Nenhum
escritor deve idealizar a compreensão perfeita do leitor. O importante é o
encontro de simpatias, de emoções, de tentativas de um desvendar o outro.
Quanto aos críticos, certa vez Jorge Amado me disse que eles não ensinam
ninguém a escrever. Eu concordo.</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">09</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título:
<span style="background-color: #274e13; color: white;">ATÉ BREVE</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal:
JH – Primeira Edição (Natal, Rio Grande do Norte)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Ailton Medeiros</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 30
de novembro de 2006</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDsgjJDlrrTDS9z7xeigxMaqg2RdES50aLk57TAFAoIKdYKN_q9-YaVmDynxFok9ryrrzbBSszB-BFtQ_YBzUVfTY-9K0ObbrHJRIRGWrVWLsQODY2HJc2b_URJpGk9hVh1nsxTItKUTETeNNChRGEoL6rbpJ83KUTM1JoY0KuAoTz9SfrRyzPa3P7tQ/s941/09.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="941" data-original-width="830" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDsgjJDlrrTDS9z7xeigxMaqg2RdES50aLk57TAFAoIKdYKN_q9-YaVmDynxFok9ryrrzbBSszB-BFtQ_YBzUVfTY-9K0ObbrHJRIRGWrVWLsQODY2HJc2b_URJpGk9hVh1nsxTItKUTETeNNChRGEoL6rbpJ83KUTM1JoY0KuAoTz9SfrRyzPa3P7tQ/w564-h640/09.jpeg" width="564" /></a></div></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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<![endif]--><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Nasci
na mais bela das fazendas de cacau: a Bela Vista. Para festejar o nascimento do
seu primeiro filho, meu pai fechou a praça central do pequeno povoado pertinho
da nossa fazenda, contratou uma banda caipira, convidou a comunidade, mandou
fazer uma enorme fogueira e foi uma noitada de comes, bebes e danças. É o
que dizem. A recordação está em algum canto secreto do meu
coração.</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">10</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título: <span style="background-color: #274e13; color: white;">SEMPRE ACHEI o CINEMA um MUNDO TODO PRÓPRIO</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal:
Revista Papagú (Mossoró, Rio Grande do Norte)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Cefas Carvalho e Andressa Vieira</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data:
Agosto de 2011</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidO73rxfwLc86752N6j5a4qc3EbQaTMillzGg_2x5xo20bGfienqPVb4OceF2AsF7cCOSmmkIEfGtraL_f6ovhHZT7U308OAFV766Y578loCWlBQXzqFkAoCEMWPtGbqujguFJTP-AVMjfLE0XSSi7OxvV1_9Sj2C6fF3mrjXDNb1RzOePmiJRotN9gw/s1365/-10.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="926" data-original-width="1365" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidO73rxfwLc86752N6j5a4qc3EbQaTMillzGg_2x5xo20bGfienqPVb4OceF2AsF7cCOSmmkIEfGtraL_f6ovhHZT7U308OAFV766Y578loCWlBQXzqFkAoCEMWPtGbqujguFJTP-AVMjfLE0XSSi7OxvV1_9Sj2C6fF3mrjXDNb1RzOePmiJRotN9gw/w640-h434/-10.jpeg" width="640" /></a></div></span><span style="font-family: inherit;"><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span></span><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" Priority="9" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="35" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="10" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
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<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
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<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
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<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
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<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
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<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
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<![endif]--><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">O
cinema é um mundo encantado. Fui um adolescente problemático. Mesmo com cinco
irmãos, eu era reservado, tímido e solitário. Então eu canalizava a vida para a
leitura e o cinema. Lia jornais, livros de ficção, gibis e fotonovelas. Via
filmes na TV e aos domingos no cinema. O cinema sempre me seduziu com suas
imagens, tramas e personagens. Via como um mundo mágico paralelo.</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">11</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="background-color: black; font-family: inherit; font-size: 14pt; line-height: 107%;">Título: <span style="background-color: #274e13; color: white;">PEQUENAS
HISTÓRIAS do DELÍRIO PECULIAR HUMAN</span><span style="background-color: #274e13; color: white;">O</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal: O
Jornal de Hoje (Natal, Rio Grande do Norte)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Daniela Pacheco</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 14
de maio de 2012</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih88G6rvcK-QlDzF5DV4vNuTHMySCK6ixfSmvNPMoF30fcxAkcs6t5x344r-Bd-ihqCa2u5Jkvro_USP1fhOJDIsimwFB97tJS33jMvIxSSfuwqhC8pChvYXB8W-rBMIKwtWrte_f9m78kfhAY1taZPVTKMTkWwrjCXrhW1Bail5KhFNKnpf-81Qnp2w/s960/413833_298669703550592_1484896597_o.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="522" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih88G6rvcK-QlDzF5DV4vNuTHMySCK6ixfSmvNPMoF30fcxAkcs6t5x344r-Bd-ihqCa2u5Jkvro_USP1fhOJDIsimwFB97tJS33jMvIxSSfuwqhC8pChvYXB8W-rBMIKwtWrte_f9m78kfhAY1taZPVTKMTkWwrjCXrhW1Bail5KhFNKnpf-81Qnp2w/w348-h640/413833_298669703550592_1484896597_o.jpg" width="348" /></a></div> </span></span><br /><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Escrever
é excitante, uma viagem! O que procuro nessa viagem? Consolação, justificação,
alegrias, inocência, tolerância, resiliência, amor à vida. Assim tem sido minha
trajetória literária.</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">”</span><br /><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">12</span><br /></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Título:
<span style="background-color: #274e13; color: white;">CONTOS de SABOR CINEMATOGRÁFICO</span></span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Jornal:
Tribuna do Norte (Natal, Rio Grande do Norte)</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Entrevistador:
Yuno Silva</span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">Data: 17
de maio de 2012</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvF-KTLEQ2lAFnK1Ij9vzy19zzm_Iu4R-5qSm6yHnWSNFhHcOerBTdamt0_9Mq25ohPGp9j2SX0dEnQHz7dl8SQriinPSX5LSOAn2JThpf02gXgdDOldoBbFwK3dM9BKHj0wvNRGgYyXy_A71TsaCe33gXJ3VhAHC7bWJ1eoeNIrt1q1DNQk1imrJtWw/s1096/11.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1096" data-original-width="607" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvF-KTLEQ2lAFnK1Ij9vzy19zzm_Iu4R-5qSm6yHnWSNFhHcOerBTdamt0_9Mq25ohPGp9j2SX0dEnQHz7dl8SQriinPSX5LSOAn2JThpf02gXgdDOldoBbFwK3dM9BKHj0wvNRGgYyXy_A71TsaCe33gXJ3VhAHC7bWJ1eoeNIrt1q1DNQk1imrJtWw/w354-h640/11.jpeg" width="354" /></a></div> </span><br /><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">“</span></span><span style="font-family: inherit;"><!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
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<![endif]--><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">Sexo,
cinema e literatura; jazz, terror e urbanidade. A combinação dessas palavras dá
forma ao novo livro de contos do jornalista e escritor baiano. O livro traz 64
textos minimalistas e viscerais girando em torno de sentimentos comuns a
qualquer mortal.</span></span><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;">”</span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"> </span></span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit; font-size: 14pt; line-height: 107%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv5YRiIFdSzf8xyCQhxvjT5swjincUynAcnqVbjoT2qiGnJsDn4ZmwmQix148Y_Se7kRXq1c-wydzYZ9rC9JG8zc_MO9604y4YU3LlyB93BYdkNvN05FkrZFaFqwZFWOEdCQTdpZJ8jxvmpNwYIMNcUn5Dt0GOGDbF0JBfgSJQYYcT1IthiG_PyoTmwg/s960/ANTONIO%20NAHUD%20entrevistando%20por%20ELIZABETH%20BIGLIONE%20p%20CIDADE%20ALERTA%20Tv%20Tropical%20Record.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="644" data-original-width="960" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv5YRiIFdSzf8xyCQhxvjT5swjincUynAcnqVbjoT2qiGnJsDn4ZmwmQix148Y_Se7kRXq1c-wydzYZ9rC9JG8zc_MO9604y4YU3LlyB93BYdkNvN05FkrZFaFqwZFWOEdCQTdpZJ8jxvmpNwYIMNcUn5Dt0GOGDbF0JBfgSJQYYcT1IthiG_PyoTmwg/w640-h430/ANTONIO%20NAHUD%20entrevistando%20por%20ELIZABETH%20BIGLIONE%20p%20CIDADE%20ALERTA%20Tv%20Tropical%20Record.jpg" width="640" /></a></div><div class="separator" style="clear: both; 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<p>
</p>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com0tag:blogger.com,1999:blog-1221158885572115483.post-47675242794065300502023-01-31T22:58:00.002-02:002023-02-01T13:16:32.982-02:00............................... SENSIBILIDADE ARTÍSTICA SILENCIADA <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXUDgmLF9ci3_h3YO0Cg2gAZcADvFwlSptOcvECLwiVD7Knvm1YccHWK_7BVSN0zZL-Hxx9GxE2g2YRU_kbJc6oJEcI_DStEAkAtB8JUVvVksrrJsHNFfym3Nugx4uOIEDNG9AMacqgN3deLPZJAGefzUtSVvX-DGR1Rh2wNoUW8anXQ8BS74Ra4xY_w/s1200/a-lua-tela-pintada-por-tarsila-do-amaral_1_46177.webp" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1200" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXUDgmLF9ci3_h3YO0Cg2gAZcADvFwlSptOcvECLwiVD7Knvm1YccHWK_7BVSN0zZL-Hxx9GxE2g2YRU_kbJc6oJEcI_DStEAkAtB8JUVvVksrrJsHNFfym3Nugx4uOIEDNG9AMacqgN3deLPZJAGefzUtSVvX-DGR1Rh2wNoUW8anXQ8BS74Ra4xY_w/w640-h480/a-lua-tela-pintada-por-tarsila-do-amaral_1_46177.webp" width="640" /></a></div><br /> <!--[if gte mso 9]><xml>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Mention"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Smart Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<p></p><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 115%;">Ilustrações:
<span style="background-color: #274e13;"><span style="color: white;">TARSILA do AMARAL</span></span></span><br /><span style="font-size: 14pt; line-height: 115%;">(1886 – 1973.
Capivari / São Paulo)</span></span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 115%;"> </span><br /><span style="font-size: 14pt; line-height: 115%;"> </span><br /><span style="font-size: 14pt; line-height: 115%;">Faz tempo, passei um mês em Cuba, entre
Havana e Varadero, realizando longa reportagem para uma revista portuguesa de
turismo. De perto, esmiucei a lógica de Fidel Castro. Lembrei-me de sua visita
à Bahia, do abraço apertado no governador Antônio Carlos Magalhães, dos elogios
à nossa culinária, <span style="color: #3d85c6;">“a melhor do mundo”</span>. Com uniforme verde-oliva, parecia estar
saindo de um contra-ataque na Baía dos Porcos, simbolizando a <span style="color: #3d85c6;">“eternidade”</span> da
Revolução. Fidel é mito cultivado pelo marxismo-leninismo, intelectuais sórdidos
e uma infinidade de gente estúpida. </span><br /><span style="font-size: 14pt; line-height: 115%;"> </span><br /><span style="font-size: 14pt; line-height: 115%;">De Napoleão a Hitler, faz se difícil
entender a dialética dos ditadores. Eles não enxergam nada além do próprio umbigo.
Utilizam carisma, poder, tirania e artimanhas maquiavélicas para manipular
multidões, algo parecido com certos líderes religiosos que seduzem, entorpecem,
exploram e prometem o Reino dos Céus. Insaciáveis. Entretanto, na história há
épocas fascinantes em que as máscaras caem, como aconteceu com Getúlio Vargas,
Juan Domingo Perón, Idi Amin Dada, Richard Nixon, Ferdinando Marcos, entre outros.
</span><br /><span style="font-size: 14pt; line-height: 115%;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHKYsR31AAhuFCY88da_ykQ_Q_R7opQJKUcvJLFR_JX1FysnrI3qC6PifF8P1MGnIGIo7kw9GGxOpRVoSahM6_lD6p3nI-Jc25yKbnX1tVa7bk-OdLQ4eERqgnBDIpQptqW12oH63s3Osaqhs0ykwLrrDyGXngchNLvLF5_jvaOumnpo_xV5nG7VnD_g/s1024/o-lago-1024x821.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="821" data-original-width="1024" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHKYsR31AAhuFCY88da_ykQ_Q_R7opQJKUcvJLFR_JX1FysnrI3qC6PifF8P1MGnIGIo7kw9GGxOpRVoSahM6_lD6p3nI-Jc25yKbnX1tVa7bk-OdLQ4eERqgnBDIpQptqW12oH63s3Osaqhs0ykwLrrDyGXngchNLvLF5_jvaOumnpo_xV5nG7VnD_g/w400-h321/o-lago-1024x821.jpg" width="400" /></a></div></span><span style="font-size: 14pt; line-height: 115%;">Em meio ao terror, massacres, crises
econômicas e escândalos, vez ou outra brotam solidariedade, liberdade e
igualdade. O camarada Fidel é o diabo-mor como tantos crápulas. Sabemos de
regimes supostamente democratas que invadiram países fragilizados, saquearam e
mataram em nome da segurança mundial. No Brasil, as manifestações pelo impeachment
do presidente Collor de Mello, em 1992, trouxeram o sonho da igualdade
social, mas esse delírio nunca se realizou. </span><br /><span style="font-size: 14pt; line-height: 115%;"> </span><br /><span style="font-size: 14pt; line-height: 115%;">Continuamos apoiando partidos
corruptos, assistindo telejornais forjados e engolindo publicidade esquerdista
cujo sentido é melhor ignorar. Ficam evidentes o cinismo, as más intenções e a mediocridade
intelectual empoderada. Precisamos de uma perestroika que ponha a nu a
corrupção e o fisiologismo da máquina estatal; e a articulação entre política,
contravenção e criminalidade. Nesse planetário de erros, é fácil enxergar a
face envergonhada da República das Bananas, basta querer: milhares de mortos na
guerra do tráfico de drogas, outros tantos subnutridos por desemprego e arrocho
salarial, desinformação cultural, saúde sucateada. </span><br /><span style="font-size: 14pt; line-height: 115%;"> </span><br /><span style="font-size: 14pt; line-height: 115%;">Estamos na contramão dos direitos
humanos. Assim, tu; assim, eles; assim, todos nós. Vivemos num país fascinante,
mas ainda terceiro-mundista, escasso de projetos sociais de verdade e farto em
descaso. Felizmente, descobri cedo que a boa arte não faz mal a ninguém, alivia.
Assim sigo, enfrentando os dissabores com a palavra escrita. Mas como esquecer
que o Brasil já foi um país de vivacidade intelectual? Como esquecer o Barroco,
a Semana da Arte Moderna, o Regionalismo da Geração de 30, a Vera Cruz, a Bossa
Nova, o Cinema Novo, o TBC, publicações como <span style="color: #3d85c6;">“Realidade”</span> e <span style="color: #3d85c6;">“Pasquim”</span>? </span><br /><span style="font-size: 14pt; line-height: 115%;"> </span><br /><span style="font-size: 14pt; line-height: 115%;">A inteligência artística brasileira foi
silenciada pela ignorância e intolerância da esquerda. A corrupção e o
besteirol comandam o espetáculo tupiniquim.</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 115%;"> </span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 115%;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNXTUSAFNtp1_SiV8AdinP5ZOPg3N9Am57_AaeRux2lbxvJml2-VLsZX3wnYPTZFHmmhgWVav7mMNyIGIkj0BCBSjqwGCvhPAVw-4vyIuDrlVWMaq3E93J6Rb9YKTjgPg7A6UaQaORdn_PEV9r5vNzwp7psElt4t1AlmLP2zPGal22FA46hR0BjKK46w/s3405/a24c012fdc8afbd39b35212cfc14f5ec.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2989" data-original-width="3405" height="351" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNXTUSAFNtp1_SiV8AdinP5ZOPg3N9Am57_AaeRux2lbxvJml2-VLsZX3wnYPTZFHmmhgWVav7mMNyIGIkj0BCBSjqwGCvhPAVw-4vyIuDrlVWMaq3E93J6Rb9YKTjgPg7A6UaQaORdn_PEV9r5vNzwp7psElt4t1AlmLP2zPGal22FA46hR0BjKK46w/w400-h351/a24c012fdc8afbd39b35212cfc14f5ec.jpg" width="400" /></a></div><div class="separator" style="clear: both; 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<p>
</p>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com1tag:blogger.com,1999:blog-1221158885572115483.post-64643756025828036282022-12-24T21:10:00.013-02:002022-12-24T23:54:46.707-02:00...................................................................... MAIS uma VEZ ADEUS <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrvUorkUQNneUfjej6xaTtp6uxASnv0OuAdtfvh68Jefym3-35654TOP9aKgRBYEC_EUf12wOgR6Hv6du23pVz9g_CaRj8cXlbqc0GtQQ3-qycp8aDzLOFxrG35V19ns-U8O_AUmWKnfuuXg01tNCT5AiKDXy9hNIDFTW45FnM5qoa3rJxCwsxU_4m-A/s1200/nelida-pinon.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="800" data-original-width="1200" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrvUorkUQNneUfjej6xaTtp6uxASnv0OuAdtfvh68Jefym3-35654TOP9aKgRBYEC_EUf12wOgR6Hv6du23pVz9g_CaRj8cXlbqc0GtQQ3-qycp8aDzLOFxrG35V19ns-U8O_AUmWKnfuuXg01tNCT5AiKDXy9hNIDFTW45FnM5qoa3rJxCwsxU_4m-A/w640-h426/nelida-pinon.jpg" width="640" /></a></div><p> <br /></p><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;">“Que vida
teria eu se apontasse uma única paisagem como favorita, quando o mundo é farto
e múltiplo.”</span></span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">NÉLIDA
PIÑON</span></span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Uma
Furtiva Lágrima” (2019)</span></span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Ilustrações:
<span style="background-color: #274e13; color: white;">MARC CHAGALL</span></span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1887 – 1985. Iozna /
Bielorrússia)</span></span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Morre aos
85 anos, em Lisboa, a escritora <span style="background-color: #274e13; color: white;">NÉLIDA PIÑON</span> <span style="color: #3d85c6;">(1937 - 2022. Rio de Janeiro / RJ)</span>.
Estive com ela em duas ocasiões. A primeira em São Paulo, em 1990, apresentada
pelo editor Pedro Paulo de Senna Madureira. Conversamos sobre a literatura
baiana. Foi bacana bater um papo com ela. Sua comparação de Jorge Amado com uma
sinfonia de Villa-Lobos me impressionou, boa sacada. </span><span style="font-size: 14pt;">Voltamos
a nos encontrar em Paris, na Feira do Livro, em 1999. Caminhamos juntos. É
impressionante como a literatura estava presente em todos os detalhes da sua
vida. Uma frase que me disse nunca esqueço: <span style="color: #3d85c6;">“A gente é o que a gente sabe, e é
perigoso descobrir isso tarde demais.”</span>. Por fim, despedi-me dela com um adeus
carinhoso.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Primeira
mulher a presidir a Academia Brasileira de Letras, teve obras traduzidas em
muitos países. Formada em jornalismo, a estreia na literatura foi com o romance
<span style="color: #3d85c6;">“Guia-Mapa de Gabriel Arcanjo”</span>, em 1961, que tem como temas o pecado, o perdão
e Deus. Desde então, sua literatura se fez em várias direções: conto, novela,
crônica, ensaio. </span><span style="font-size: 14pt;">Da vasta
obra, destacam-se <span style="color: #3d85c6;">“A Casa da Paixão”</span> (1972), <span style="color: #3d85c6;">“A República dos Sonhos”</span> (1984) e
<span style="color: #3d85c6;">“A Doce Canção de Caetana”</span> (1987). Inúmeras vezes premiada, recebeu o Prêmio
Príncipe das Astúrias. Li apenas dois livros seus. Confesso que sua escrita não
me seduz. Tem pretensão demais e pouca vida. Deixo aqui um triste e segundo adeus.
Descanse em paz, Nélida.</span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwI0NDzBLNQjjWSBhX6_p-s0UWgyy4sW4FSg7iJUa7PrwNFAqDIENUUINwuvSwA6P4XRlCkoo0vxOMf8jxuu9xP14qs9y4Zxrxo-tePno6El3Rn-WxzYKeT3f0RfNLqJiVjMlF2cVYXT2FcAfSTNXO3xPRgRNmNnYaeqvbtqf0ynY2CUZ9iwlwGg_sPw/s1400/Marc_Chagall_-_Name_7_d0167ffe-478f-465e-879e-50d92290faa9.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="848" data-original-width="1400" height="388" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwI0NDzBLNQjjWSBhX6_p-s0UWgyy4sW4FSg7iJUa7PrwNFAqDIENUUINwuvSwA6P4XRlCkoo0vxOMf8jxuu9xP14qs9y4Zxrxo-tePno6El3Rn-WxzYKeT3f0RfNLqJiVjMlF2cVYXT2FcAfSTNXO3xPRgRNmNnYaeqvbtqf0ynY2CUZ9iwlwGg_sPw/w640-h388/Marc_Chagall_-_Name_7_d0167ffe-478f-465e-879e-50d92290faa9.webp" width="640" /></a></span></div><p></p><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">I LOVE MY
HUSBAND</span></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">conto de
<span style="background-color: #274e13; color: white;">NÉLIDA PIÑON</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">publicado
em <span style="color: #3d85c6;">“O Calor das Coisas”</span> (1980)</span></div></span><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Eu amo
meu marido. De manhã à noite. Mal acordo, ofereço-lhe café. Ele suspira exausto
da noite sempre maldormida e começa a barbear-se. Bato-lhe à porta três vezes,
antes que o café esfrie. Ele grunhe com raiva e eu vocifero com aflição. Não
quero meu esforço confundido com um líquido frio que ele tragará como me traga
duas vezes por semana, especialmente no sábado.</span></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Depois,
arrumo-lhe o nó da gravata e ele protesta por consertar-lhe unicamente a parte
menor de sua vida. Rio para que ele saia mais tranqüilo, capaz de enfrentar a
vida lá fora e trazer de volta para a sala de visita um pão sempre quentinho e
farto.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ele diz
que sou exigente, fico em casa lavando a louça, fazendo compras, e por cima
reclamo da vida. Enquanto ele constrói o seu mundo com pequenos tijolos, e
ainda que alguns destes muros venham ao chão, os amigos o cumprimentam pelo
esforço de criar olarias de barro, todas sólidas e visíveis.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">A mim
também me saúdam por alimentar um homem que sonha com casas-grandes, senzalas e
mocambos, e assim faz o país progredir. E é por isto que sou a sombra do homem
que todos dizem eu amar. Deixo que o sol entre pela casa, para dourar os
objetos comprados com esforço comum. Embora ele não me cumprimente pelos
objetos fluorescentes. Ao contrário, através da certeza do meu amor, proclama
que não faço outra coisa senão consumir o dinheiro que ele arrecada no verão.
Eu peço então que compreenda minha nostalgia por uma terra antigamente
trabalhada pela mulher, ele franze o rosto como se eu lhe estivesse propondo
uma teoria que envergonha a família e a escritura definitiva do nosso
apartamento.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO4bZZtnfX6Qom1T08GHiFC1x3I6mI8WDYCjGvuG891uU1Gyv4zyWuW6lqNUKZl2kp_BcbJ11HZs-zC35SWBaH1OBWverd59CpOq_iqcdPsnrsQmDzv4oNz5yCOLBnx-6l3ox916uxiLQc-w10SyDM4OOCvi_SIusLyZ-qbW6XCJ4nqJzlYfNpDAzUZg/s728/K.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="717" data-original-width="728" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO4bZZtnfX6Qom1T08GHiFC1x3I6mI8WDYCjGvuG891uU1Gyv4zyWuW6lqNUKZl2kp_BcbJ11HZs-zC35SWBaH1OBWverd59CpOq_iqcdPsnrsQmDzv4oNz5yCOLBnx-6l3ox916uxiLQc-w10SyDM4OOCvi_SIusLyZ-qbW6XCJ4nqJzlYfNpDAzUZg/w400-h394/K.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6;">antonio nahud e nélida piñon em paris, 1999</span></td></tr></tbody></table></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O que
mais quer, mulher, não lhe basta termos casado em comunhão de bens? E dizendo
que eu era parte do seu futuro, que só ele porém tinha o direito de construir,
percebi que a generosidade do homem habilitava-me a ser apenas dona de um
passado com regras ditadas no convívio comum.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Comecei a
ambicionar que maravilha não seria viver apenas no passado, antes que este
tempo pretérito nos tenha sido ditado pelo homem que dizemos amar. Ele aplaudiu
o meu projeto. Dentro de casa, no forno que era o lar, seria fácil alimentar o
passado com ervas e mingau de aveia, para que ele, tranqüilo, gerisse o futuro.
Decididamente, não podia ele preocupar-se com a matriz do meu ventre, que devia
pertencer-lhe de modo a não precisar cheirar o meu sexo para descobrir quem
mais, além dele, ali estivera, batera-lhe à porta, arranhara suas paredes com
inscrições e datas.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Filho meu
tem que ser só meu, confessou aos amigos no sábado do mês que recebíamos. E
mulher tem que ser só minha e nem mesmo dela. A idéia de que eu não podia
pertencer-me, tocar no meu sexo para expurgar-lhe os excessos, provocou-me o
primeiro sobressalto na fantasia do passado em que até então estivera imersa.
Então o homem, além de me haver naufragado no passado, quando se sentia livre
para viver a vida a que ele apenas tinha acesso, precisava também atar minhas
mãos, para minhas mãos não sentirem a doçura da própria pele, pois talvez esta
doçura me ditasse em voz baixa que havia outras peles igualmente doces e
privadas, cobertas de pêlo felpudo, e com a ajuda da língua podia lamber-se o
seu sal?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Olhei
meus dedos revoltada com as unhas longas pintadas de roxo. Unhas de tigre que
reforçavam a minha identidade, grunhiam quanto à verdade do meu sexo. Alisei
meu corpo, pensei, acaso sou mulher unicamente pelas garras longas e por
revesti-las de ouro, prata, o ímpeto do sangue de um animal abatido no bosque?
Ou porque o homem adorna-me de modo a que quando tire estas tintas de guerreira
do rosto surpreende-se com uma face que Ihe é estranha, que ele cobriu de
mistério para não me ter inteira?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">De
repente, o espelho pareceu-me o símbolo de uma derrota que o homem trazia para
casa e tornava-me bonita. Não é verdade que te amo, marido? perguntei-lhe
enquanto lia os jornais, para instruir-se, e eu varria as letras de imprensa
cuspidas no chão logo após ele assimilar a notícia. Pediu, deixe-me progredir,
mulher. Como quer que eu fale de amor quando se discutem as alternativas
econômicas de um país em que os homens para sustentarem as mulheres precisam
desdobrar um trabalho de escravo.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Eu lhe
disse então, se não quer discutir o amor, que afinal bem pode estar longe
daqui, ou atrás dos móveis para onde às vezes escondo a poeira depois de varrer
a casa, que tal se após tantos anos eu mencionasse o futuro como se fosse uma
sobremesa?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEtZTfCYdgO5VnQOiPfFL6hdQT_QTnw09qbD4W8Cr4KXTcL3WEaXkTF5OBg2esouLdy6OtVaIZio0z8FAJ0h_j6O6vSRt5Qcuj0qkBLOox3k1Km0dA9a9k_ciRAeUzCAcP6RLQXZsvZUrvIlU_EsAis0vBDLClGHL6UWRqWWsOAZ0T2M2PJ-GsmVdcZQ/s1930/marc-chagall-the-candlestick-original-lithograph-1962-3855.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1930" data-original-width="1342" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEtZTfCYdgO5VnQOiPfFL6hdQT_QTnw09qbD4W8Cr4KXTcL3WEaXkTF5OBg2esouLdy6OtVaIZio0z8FAJ0h_j6O6vSRt5Qcuj0qkBLOox3k1Km0dA9a9k_ciRAeUzCAcP6RLQXZsvZUrvIlU_EsAis0vBDLClGHL6UWRqWWsOAZ0T2M2PJ-GsmVdcZQ/w279-h400/marc-chagall-the-candlestick-original-lithograph-1962-3855.png" width="279" /></a></div></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ele
deixou o jornal de lado, insistiu que eu repetisse. Falei na palavra futuro com
cautela, não queria feri-lo, mas já não mais desistia de uma aventura africana
recém-iniciada naquele momento. Seguida por um cortejo untado de suor e
ansiedade, eu abatia os javalis, mergulhava meus caninos nas suas jugulares
aquecidas, enquanto Clark Gable, atraído pelo meu cheiro e do animal em
convulsão, ia pedindo de joelhos o meu amor. Sôfrega pelo esforço, eu sorvia
água do rio, quem sabe em busca da febre que estava em minhas entranhas e eu
não sabia como despertar. A pele ardente, o delírio, e as palavras que
manchavam os meus lábios pela primeira vez, eu ruborizada de prazer e pudor,
enquanto o pajé salvava-me a vida com seu ritual e seus pêlos fartos no peito.
Com a saúde nos dedos, da minha boca parecia sair o sopro da vida e eu deixava
então o Clark Gable amarrado numa árvore, lentamente comido pelas formigas.
Imitando a Nayoka, eu descia o rio que quase me assaltara as forças, evitando
as quedas d’água, aos gritos proclamando liberdade, a mais antiga e miríade das
heranças.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O marido,
com a palavra futuro a boiar-lhe nos olhos e o jornal caído no chão, pedia-me,
o que significa este repúdio a um ninho de amor, segurança, tranqüilidade,
enfim a nossa maravilhosa paz conjugal? E acha você, marido, que a paz conjugal
se deixa amarrar com os fios tecidos pelo anzol, só porque mencionei esta
palavra que te entristece, tanto que você começa a chorar discreto, porque o
teu orgulho não lhe permite o pranto convulso, este sim, reservado à minha
condição de mulher? Ah, marido, se tal palavra tem a descarga de te cegar,
sacrifico-me outra vez para não vê-lo sofrer. Será que apagando o futuro agora
ainda há tempo de salvar-te?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Suas
crateras brilhantes sorveram depressa as lágrimas, tragou a fumaça do cigarro
com volúpia e retomou a leitura. Dificilmente se encontraria homem como ele no
nosso edifício de dezoito andares e três portarias. Nas reuniões de condomínio,
a que estive presente, era ele o único a superar os obstáculos e perdoar aos
que o haviam magoado. Recriminei meu egoísmo, ter assim perturbado a noite de
quem merecia recuperar-se para a jornada seguinte.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Para
esconder minha vergonha, trouxe-lhe café fresco e bolo de chocolate. Ele
aceitou que eu me redimisse. Falou-me das despesas mensais. Do balanço da firma
ligeiramente descompensado, havia que cuidar dos gastos. Se contasse com a
minha colaboração, dispensaria o sócio em menos de um ano. Senti-me feliz em
participar de um ato que nos faria progredir em doze meses. Sem o meu empenho,
jamais ele teria sonhado tão alto. Encarregava-me eu à distância da sua
capacidade de sonhar. Cada sonho do meu marido era mantido por mim. E, por tal
direito, eu pagava a vida com cheque que não se poderia contabilizar.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ele não
precisava agradecer. De tal modo atingira a perfeição dos sentimentos, que lhe
bastava continuar em minha companhia para querer significar que me amava, eu
era o mais delicado fruto da terra, uma árvore no centro do terreno de nossa
sala, ele subia na árvore, ganhava-lhe os frutos, acariciava a casca, podando
seus excessos.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMbsfspeU8gPbVzJZ_KEsmtWAYpqO0liuPPycK72Y31BKJSAcanJE7xKsICKEVVc6q-okLRaLWyd1xB-yC_GGEybFmbZ87He8clfp9F63af3LF3AJuGu091vvirHK3wyWRbfExEcBOyxyn92ghoXX_54uYSVFJMyJFX0E8kWGfegIHPoKvaiVe9HxnzQ/s740/82384496_SCRio-de-Janeiro-RJ-25-04-2019-Entrevista-com-a-escritora-Nelida-PinonfotoMarcos.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="740" data-original-width="450" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMbsfspeU8gPbVzJZ_KEsmtWAYpqO0liuPPycK72Y31BKJSAcanJE7xKsICKEVVc6q-okLRaLWyd1xB-yC_GGEybFmbZ87He8clfp9F63af3LF3AJuGu091vvirHK3wyWRbfExEcBOyxyn92ghoXX_54uYSVFJMyJFX0E8kWGfegIHPoKvaiVe9HxnzQ/w244-h400/82384496_SCRio-de-Janeiro-RJ-25-04-2019-Entrevista-com-a-escritora-Nelida-PinonfotoMarcos.jpg" width="244" /></a></div></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Durante
uma semana bati-lhe à porta do banheiro com apenas um toque matutino. Disposta
a fazer-lhe novo café, se o primeiro esfriasse, se esquecido ficasse a olhar-se
no espelho com a mesma vaidade que me foi instilada desde a infância, logo que
se confirmou no nascimento tratar-se de mais uma mulher. Ser mulher é perder-se
no tempo, foi a regra de minha mãe. Queria dizer, quem mais vence o tempo que a
condição feminina? O pai a aplaudia completando, o tempo não é o envelhecimento
da mulher, mas sim o seu mistério jamais revelado ao mundo.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Já viu,
filha, que coisa mais bonita, uma vida nunca revelada, que ninguém colheu senão
o marido, o pai dos seus filhos? Os ensinamentos paternos sempre foram graves,
ele dava brilho de prata à palavra envelhecimento. Vinha-me a certeza de que ao
não se cumprir a história da mulher, não lhe sendo permitida a sua própria
biografia, era-lhe assegurada em troca a juventude.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Só
envelhece quem vive, disse o pai no dia do meu casamento. E porque viverás a
vida do teu marido, nós te garantimos, através deste ato, que serás jovem para
sempre. Eu não sabia como contornar o júbilo que me envolvia com o peso de um
escudo, e ir ao seu coração, surpreender-lhe a limpidez. Ou agradecer-lhe um
estado que eu não ambicionara antes, por distração talvez. E todo este troféu
logo na noite em que ia converter-me em mulher. Pois até então sussurravam-me
que eu era uma bela expectativa. Diferente do irmão que já na pia batismal
cravaram-lhe o glorioso estigma de homem, antes de ter dormido com mulher.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Sempre me
disseram que a alma da mulher surgia unicamente no leito, ungido seu sexo pelo
homem. Antes dele a mãe insinuou que o nosso sexo mais parecia uma ostra
nutrida de água salgada, e por isso vago e escorregadio, longe da realidade
cativa da terra. A mãe gostava de poesia, suas imagens sempre frescas e
quentes.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Meu
coração ardia na noite do casamento. Eu ansiava pelo corpo novo que me haviam
prometido, abandonar a casca que me revestira no cotidiano acomodado. As mãos
do marido me modelariam até os meus últimos dias e como agradecer-lhe tal
generosidade? Por isso talvez sejamos tão felizes como podem ser duas criaturas
em que uma delas é a única a transportar para o lar alimento, esperança, a fé,
a história de uma família.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ele é
único a trazer-me a vida, ainda que às vezes eu a viva com uma semana de
atraso. O que não faz diferença. Levo até vantagens, porque ele sempre a trouxe
traduzida. Não preciso interpretar os fatos, incorrer em erros, apelar para as
palavras inquietantes que terminam por amordaçar a liberdade. As palavras do
homem são aquelas de que deverei precisar ao longo da vida. Não tenho que
assimilar um vocabulário incompatível com o meu destino, capaz de arruinar meu
casamento.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTqlajY126Pgf-p0Vc-1NU8ALTU8N8FJEyi-rEFgcZzpcVhoIniz95IdOspF7HFmCvFx-WoDK2cXMibckF-sLUhe-LqTvEdS5_zR8ZWw9oha7MetftxEOYmfoFLm8ZnTjtQZG6h9G8gygYA7WGgaWnmf7WWT_Qu18APU8IEykY5c9w6kxcwDJIT9OAzA/s1074/marc-chagall-bay-of-angels-for-sale-1.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1074" data-original-width="782" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTqlajY126Pgf-p0Vc-1NU8ALTU8N8FJEyi-rEFgcZzpcVhoIniz95IdOspF7HFmCvFx-WoDK2cXMibckF-sLUhe-LqTvEdS5_zR8ZWw9oha7MetftxEOYmfoFLm8ZnTjtQZG6h9G8gygYA7WGgaWnmf7WWT_Qu18APU8IEykY5c9w6kxcwDJIT9OAzA/w291-h400/marc-chagall-bay-of-angels-for-sale-1.jpg" width="291" /></a></div></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Assim fui
aprendendo que a minha consciência que está a serviço da minha felicidade ao
mesmo tempo está a serviço do meu marido. É seu encargo podar meus excessos, a
natureza dotou-me com o desejo de naufragar às vezes, ir ao fundo do mar em
busca das esponjas. E para que me serviriam elas senão para absorver meus
sonhos, multiplicá-los no silêncio borbulhante dos seus labirintos cheios de
água do mar? Quero um sonho que se alcance com a luva forte e que se transforme
algumas vezes numa torta de chocolate, para ele comer com os olhos brilhantes,
e sorriremos juntos.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Ah,
quando me sinto guerreira, prestes a tomar das armas e ganhar um rosto que não
é o meu, mergulho numa exaltação dourada, caminho pelas ruas sem endereço, como
se a partir de mim, e através do meu esforço, eu devesse conquistar outra
pátria, nova língua, um corpo que sugasse a vida sem medo e pudor. E tudo me
treme dentro, olho os que passam com um apetite de que não me envergonharei
mais tarde. Felizmente, é uma sensação fugaz, logo busco o socorro das calçadas
familiares, nelas a minha vida está estampada. As vitrines, os objetos, os
seres amigos, tudo enfim orgulho da minha casa.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Estes
meus atos de pássaro são bem indignos, feririam a honra do meu marido.
Contrita, peço-lhe desculpas em pensamento, prometo-lhe esquivar-me de tais
tentações. Ele parece perdoar-me à distância, aplaude minha submissão ao
cotidiano feliz, que nos obriga a prosperar a cada ano. Confesso que esta ânsia
me envergonha, não sei como abrandá-la. Não a menciono senão para mim mesma.
Nem os votos conjugais impedem que em escassos minutos eu naufrague no sonho.
Estes votos que ruborizam o corpo mas não marcaram minha vida de modo a que eu
possa indicar as rugas que me vieram através do seu arrebato.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Nunca
mencionei ao marido estes galopes perigosos e breves. Ele não suportaria o peso
dessa confissão. Ou que lhe dissesse que nessas tardes penso em trabalhar fora,
pagar as miudezas com meu próprio dinheiro. Claro que estes desatinos me colhem
justamente pelo tempo que me sobra. Sou uma princesa da casa, ele me disse
algumas vezes e com razão. Nada pois deve afastar-me da felicidade em que estou
para sempre mergulhada.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Não posso
reclamar. Todos os dias o marido contraria a versão do espelho. Olho-me ali e
ele exige que eu me enxergue errado. Não sou em verdade as sombras, as rugas
com que me vejo. Como o pai, também ele responde pela minha eterna juventude. É
gentil de sentimentos. Jamais comemorou ruidosamente meu aniversário, para eu
esquecer de contabilizar os anos. Ele pensa que não percebo. Mas, a verdade é
que no fim do dia já não sei quantos anos tenho.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">E também
evita falar do meu corpo, que se alargou com os anos, já não visto os modelos
de antes. Tenho os vestidos guardados no armário, para serem discretamente
apreciados. Às sete da noite, todos os dias, ele abre a porta sabendo que do
outro lado estou à sua espera. E quando a televisão exibe uns corpos em
floração, mergulha a cara no jornal, no mundo só nós existimos.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Sou grata
pelo esforço que faz em amar-me. Empenho-me em agradá-lo, ainda que sem vontade
às vezes, ou me perturbe algum rosto estranho, que não é o dele, de um
desconhecido sim, cuja imagem nunca mais quero rever. Sinto então a boca seca,
seca por um cotidiano que confirma o gosto do pão comido às vésperas, e que me
alimentará amanhã também. Um pão que ele e eu comemos há tantos anos sem
reclamar, ungidos pelo amor, atados pela cerimônia de um casamento que nos
declarou marido e mulher. Ah, sim, eu amo meu marido.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4I8BSF5I4cGqlX2W8MuNHeKyaNlDbD505izU7JjhVZ-ofhfhv1lcLbMkrkUo-07pY8NajMlLaOyxjy3MdSw-Zx11BuRxEPoJyrvtxctsGarqQJ5Ehb9kGxJrJIHsBPGzMEt7OXQ1RNtvjZLEphrtAGqwMmmuMsbWstK3_2knDImZIZnaSBaD0PDapow/s1600/802810c1ebba3f277bdae89d8a4ae5392afac1d49932984ef3fbd6b513d396f3._RI_V_TTW_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1600" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4I8BSF5I4cGqlX2W8MuNHeKyaNlDbD505izU7JjhVZ-ofhfhv1lcLbMkrkUo-07pY8NajMlLaOyxjy3MdSw-Zx11BuRxEPoJyrvtxctsGarqQJ5Ehb9kGxJrJIHsBPGzMEt7OXQ1RNtvjZLEphrtAGqwMmmuMsbWstK3_2knDImZIZnaSBaD0PDapow/w640-h480/802810c1ebba3f277bdae89d8a4ae5392afac1d49932984ef3fbd6b513d396f3._RI_V_TTW_.jpg" width="640" /></a></div><br /></div></span><div style="text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">Os LIVROS
de NÉLIDA PIÑON que LI</span></span></div><span style="font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">SALA de
ARMAS</span><span style="font-family: inherit; font-size: 14pt;"> </span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(1973)</span></div></span><div><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc_ve2oVSQ4U0-UChOLk3P8jYTRJWZUdALIgRqMboqtSZyG5BLa4W0o0N9jGhQSp2Q3lc5jYJStZ2p2tXcLawAP9xxBL4OhMXpPCCSz9fiCcfjw0CqRGOyQguv8R_rIFgh0I4DpTTfp6IzARsS0aLYFAIHh1L2YutwTSklgUmlxNnUXJxrmiDqSxP1uw/s2048/1_1dbd357b-7b75-413c-bc98-1a884d49eb2c_2048x.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1365" data-original-width="2048" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhc_ve2oVSQ4U0-UChOLk3P8jYTRJWZUdALIgRqMboqtSZyG5BLa4W0o0N9jGhQSp2Q3lc5jYJStZ2p2tXcLawAP9xxBL4OhMXpPCCSz9fiCcfjw0CqRGOyQguv8R_rIFgh0I4DpTTfp6IzARsS0aLYFAIHh1L2YutwTSklgUmlxNnUXJxrmiDqSxP1uw/s320/1_1dbd357b-7b75-413c-bc98-1a884d49eb2c_2048x.webp" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Mescla a realidade e o sonho. Nessa atmosfera
onírica, flerta com o realismo fantástico, passando por diversos aspectos da vida humana, de maneira ao mesmo tempo grotesca e
refinada.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">A
REPÚBLICA dos SONHOS</span><span style="font-family: inherit; font-size: 14pt;"> </span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">(1984)</span></div></span></span></div><div><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAqW51bp7r-3I_W4eiVJh9y7Yq9hVQo_9G6_fKRRfGewhz-Yxng1czToCcCkfB7W4p5naXsoYe4kQTTvExOc3c9NMuGm772g_7sprl3L5DtHslSBn9c872sZOBEwbg2VdYoSj95hiR-8qH_W_qtSr5rtv9bsjr5hdEHB_3yc-qUqrltPh2jA-hEjjbrg/s1390/Republica-dos-Sonhos_capa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1390" data-original-width="885" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAqW51bp7r-3I_W4eiVJh9y7Yq9hVQo_9G6_fKRRfGewhz-Yxng1czToCcCkfB7W4p5naXsoYe4kQTTvExOc3c9NMuGm772g_7sprl3L5DtHslSBn9c872sZOBEwbg2VdYoSj95hiR-8qH_W_qtSr5rtv9bsjr5hdEHB_3yc-qUqrltPh2jA-hEjjbrg/s320/Republica-dos-Sonhos_capa.jpg" width="204" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">No
romance, a autora busca em suas raízes uma saga sobre os imigrantes que
aportaram no Brasil na virada do século. A vida de camponês que deixa
a Galícia para embarcar para o Rio de Janeiro, descreve uma
trajetória de êxitos e fracassos que frequentemente põem à prova os ideais do
personagem.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtEVrUFEG8kWGMuVs8hRcLiwiRAjj71rqn0THu0a3nnSS-3HHUZkZuU65wPvLAbxW8TlEw_9vZ09jj0xAGL_a_RgcEuw8Bu0-8gQZssSRCIN3WBQM4L_q3MNAJ3xW7JKnsvWNOdjvWNtbelG-2Dgi8CSYLN-Uy3iWdFpFpMY8pKPtYFGYxutvsw72Wuw/s930/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="930" data-original-width="785" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtEVrUFEG8kWGMuVs8hRcLiwiRAjj71rqn0THu0a3nnSS-3HHUZkZuU65wPvLAbxW8TlEw_9vZ09jj0xAGL_a_RgcEuw8Bu0-8gQZssSRCIN3WBQM4L_q3MNAJ3xW7JKnsvWNOdjvWNtbelG-2Dgi8CSYLN-Uy3iWdFpFpMY8pKPtYFGYxutvsw72Wuw/w338-h400/2.jpg" width="338" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTIx42G1NS0Hu2k8jbEs_3RRo60xt9F0KtqFJiAYZ-E2QxEoHeetdEAgoh3vXSjoUn5y3gM5-rSEfCGm4XCKRPTMwYnwnjNnfCL34ovOc7djBCzH7Z4BQEAxWQ0rXhj1t39B8z0DZPjpNUjzh3c7HAJ5-n-OtI1zuYyvQ376QDLZgjv1kypXgmW8oblQ/s1103/07_os-amantes-com-asno-azul-IMPR.jpg.webp" imageanchor="1" style="margin-left: 1em; 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DEZ VEZES RAYMOND CHANDLER e um POEMA<p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgpMFC61V5AYImRzINkCumBvFEBbYLCHfU0ylEQOW8aglCLR4r3i5zNSSgEbKrUGJss5mCZTqI0AJbCy5PiO57D7UobagQm2gY-Vm01a4n8QxP4iWRHDQYfw2sw87WewfVq7DfmiRhsUYoyLER1USrkB5Cw_IsV2lvqx8SGEpLPtlmdJhByUjenjD4Fw/s940/Chandler2.jpg" style="font-family: inherit; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="908" data-original-width="940" height="618" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgpMFC61V5AYImRzINkCumBvFEBbYLCHfU0ylEQOW8aglCLR4r3i5zNSSgEbKrUGJss5mCZTqI0AJbCy5PiO57D7UobagQm2gY-Vm01a4n8QxP4iWRHDQYfw2sw87WewfVq7DfmiRhsUYoyLER1USrkB5Cw_IsV2lvqx8SGEpLPtlmdJhByUjenjD4Fw/w640-h618/Chandler2.jpg" width="640" /></a></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span><span style="font-family: inherit;"><br /><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><span style="font-family: inherit;"><span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Há
pessoas que matam por ódio, por medo, por ganância. Existem criminosos
astuciosos que planeiam os seus crimes julgando livrar-se das consequências. E
há criminosos dominados por tal fúria que não fazem planos. Há os que
estão apaixonados pela morte, para quem o assassínio é uma espécie de
suicídio.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">O LONGO
ADEUS</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">Ilustrações:</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">ROCKWELL
KENT</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="color: #3d85c6;"><span style="font-size: 14pt;">(1882 –
1971. Tarrytown, Nova York </span><a name="_Hlk120614289" style="font-size: 14pt;">/ EUA)</a></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Ele reinventou
a literatura policial, contribuindo para que deixasse de ser olhada como um gênero
menor. Teve uma infância conturbada com a separação dos pais, mudando-se aos sete
anos de idade para a Irlanda e depois Londres, com a mãe, onde foi </span><i style="font-size: 14pt;">free-lancer</i><span style="font-size: 14pt;">
no <span style="color: #3d85c6;">“The Westminster Gazette”</span> e no <span style="color: #3d85c6;">“The Spectator”</span>. Regressou ao seu país natal aos
24 anos, estabelecendo-se na Califórnia.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Depois de
ser militar, contabilista, revisor, jornalista, detetive particular e
funcionário público, <span style="background-color: #274e13; color: white;">RAYMOND CHANDLER</span> <span style="color: #3d85c6;">(1988 – 1959. Chicago, Illinois / EUA)</span> tornou-se
executivo de uma poderosa companhia petrolífera, a Dabney Oil. Após uma
carreira brilhante de 13 anos, promovido a vice-presidente, terminou demitido em
plena Grande Depressão por conta do alcoolismo.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Cada um
dos seus livros carrega a tensão que cercou sua vida. Admirado por W.H. Auden,
Evelyn Waugh e Ian Fleming, entre outros, é prestigiado pela crítica. Confira
abaixo dez curiosidades sobre o escritor.</span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYx5Gq-crDrb5PM7DW1b11yJ9F3h6CqwsqqsL_k44R2VluYMOWinGtakfmkdg5H2ZzkGOBs5McSuUX4MVVt6pEIHeF6t8h-KcMFMyJ4iebct-eQMIOBGgKa_SSC6oQVErpdIu9og-wLLUkTT7ebFmQF_e0QQp9oNmkha14s7jEwEyH5qddrGX1E59jiw/s723/raymond-chandler-literary-legend-john-springfield.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="723" data-original-width="689" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYx5Gq-crDrb5PM7DW1b11yJ9F3h6CqwsqqsL_k44R2VluYMOWinGtakfmkdg5H2ZzkGOBs5McSuUX4MVVt6pEIHeF6t8h-KcMFMyJ4iebct-eQMIOBGgKa_SSC6oQVErpdIu9og-wLLUkTT7ebFmQF_e0QQp9oNmkha14s7jEwEyH5qddrGX1E59jiw/w381-h400/raymond-chandler-literary-legend-john-springfield.jpg" width="381" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">01</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Não há
nada como ficarmos sem dinheiro para vermos quem são os nossos amigos”</span>,
desabafou, ao ficar desempregado. Como não tinha nenhum, o seu plano foi
tornar-se escritor. Aos 45 anos começou a vender seus contos policiais para a
célebre revista pulp </span><a name="_Hlk120701426" style="font-size: 14pt;"><span style="color: #3d85c6;">“</span></a><span style="font-size: 14pt;"><span style="color: #3d85c6;">Black Mask Magazine”</span>, iniciando
com <span style="color: #3d85c6;">“Os Chantagistas não Matam / Blackmailers Don’t Shoot”</span> (1933), <span style="color: #3d85c6;">“Smart-Aleck
Kill”</span> (1934) e <span style="color: #3d85c6;">“Finger Man”</span> (1934).</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">As
revistas pulp, impressas em papel barato, eram muito populares na época. Despedido,
agora sóbrio e com tempo livre, <span style="background-color: #274e13; color: white;">RAYMOND CHANDLER</span> começou a ler uma delas e decidiu
que era uma boa forma de receber algum. Passou cinco meses escrevendo uma
novela que vendeu por 180 dólares. <span style="color: #3d85c6;">“O Sono Eterno / The Big Sleep”</span>, seu
primeiro e extraordinário romance, surgiria em 1939.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">02</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt; line-height: 150%;">O
detetive particular Philip Marlowe é o herói dos seus romances.
Quarentão, alto, magro</span><span style="font-size: 14pt;">, </span><span style="font-size: 14pt; line-height: 150%;">irônico e de poucas palavras, ele deu as caras em <span style="color: #3d85c6;">“O Sono Eterno”</span>. Com estilo único, aguenta
porrada, toda a sorte de enrascadas, mas, no fundo, é um sentimental</span><span style="font-size: 14pt;"> </span><span style="font-size: 14pt; line-height: 150%;">enfrentando
a dura realidade das metrópoles.</span></div></span><span style="font-size: 14pt; line-height: 107%;"><div style="text-align: justify;"><p class="MsoNormal" style="line-height: 150%; margin-bottom: 0cm;"><span><span style="font-size: 14pt;">Continua
a ser a maior criação do universo policial literário, suplantando companheiros
de profissão como Holmes, Maigret ou Poirot. Com Marlowe, o escritor deu-nos um
novo herói norte-americano: cerebral, honesto, sarcástico, rebelde e com um
inabalável sentido de honra. Ele é o grande detetive da literatura.</span><br /><span style="font-size: 14pt;"><span style="font-size: 14pt;"> </span></span></span></p><div class="separator" style="clear: both; text-align: center;"><span><span style="font-size: 14pt;"><span style="font-size: 14pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxOCIkpEPEKDT5hnc9ogRjJQBADqytE4qHa4L-b966gRdv7WKMj-AtML4pn7Nrav_mI5SOGXj6fp9OQQ9aBDxuGgxF_3WMPM7TdD3ja8X0wjuaF7Mj7ehZdDmfGhiPDFjhcSER5aspAbDDnlqfKxnS7Nq4m0PPQMD4FjEDEJuaO697kHud5VK7phVmAA/s1280/unnamed.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1148" data-original-width="1280" height="359" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxOCIkpEPEKDT5hnc9ogRjJQBADqytE4qHa4L-b966gRdv7WKMj-AtML4pn7Nrav_mI5SOGXj6fp9OQQ9aBDxuGgxF_3WMPM7TdD3ja8X0wjuaF7Mj7ehZdDmfGhiPDFjhcSER5aspAbDDnlqfKxnS7Nq4m0PPQMD4FjEDEJuaO697kHud5VK7phVmAA/w400-h359/unnamed.jpg" width="400" /></a></span></span></span></div><span><span style="font-size: 14pt;"><span style="color: #3d85c6;">03</span></span><br /><span style="font-size: 14pt; line-height: 150%;">Para
o cinema, ele escreveu o roteiro do clássico <span style="color: #3d85c6;">“Pacto de Sangue / Double Indemnity”</span>
(1944), de Billy Wilder, adaptado do romance de James M. Cain. Também roteirizou
<span style="color: #3d85c6;">“A Dália Azul /</span></span><span style="font-size: 14pt;"><span style="color: #3d85c6;"> </span></span><span style="font-size: 14pt; line-height: 150%;"><span style="color: #3d85c6;">The Blue Dahlia”</span> (1946). Ambos foram indicados ao
Oscar de Melhor Roteiro. Foi co-autor de <span style="color: #3d85c6;">“Pacto Sinistro / Strangers on a
Train”</span> (1951), realizado por Alfred Hitchcock e baseado em obra de Patricia Highsmith,
e de mais dois filmes.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">04</span></span><br /><span style="font-size: 14pt; line-height: 150%;">Philip
Marlowe é um solitário. Um herói honesto, por vezes, sentimental. Símbolo do
detetive durão, foi vivido no cinema por Dick Powell, Humphrey Bogart, Robert
Montgomery, James Garner, Elliot Gould</span><span style="font-size: 14pt;"> e </span><span style="font-size: 14pt; line-height: 150%;">Robert Mitchum. Com excepção de <span style="color: #3d85c6;">“Para
Sempre ou Nunca Mais / Playback”</span> (1958), todos os romances do escritor tiveram
adaptação cinematográfica, alguns deles mais de uma vez.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">05</span></span><br /><span style="font-size: 14pt; line-height: 150%;">Sucesso de crítica e de vendas, escreveu oito romances e uma
infinidade de contos. Entre suas obras estão <span style="color: #3d85c6;">“O Sono Eterno”</span>,
<span style="color: #3d85c6;">“Adeus, Minha Querida / Farewell, My Lovely”</span> (1940)</span><span style="font-size: 14pt;">, <span style="color: #3d85c6;">“</span></span><span style="font-size: 14pt; line-height: 150%;"><span style="color: #3d85c6;">A Dama do
Lago / The Lady in the Lake”</span> (1943) e <span style="color: #3d85c6;">“O Longo Adeus / The Long Goodbye”</span> (1954).</span><span style="font-size: 14pt;">
</span><span style="font-size: 14pt; line-height: 150%;">Deixou
inacabada a novela <span style="color: #3d85c6;">“Amor e Morte em Poodle Springs / Poodle Springs”</span> (1959),
que foi concluída por Robert Parker e publicada em 1989. Seus contos foram reunidos
nos volumes <span style="color: #3d85c6;">“A Simples Arte de Matar”</span> e <span style="color: #3d85c6;">“Assassino na Chuva”</span>.</span><br /></span><p></p></div></span></span><span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">06</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O
magnífico <span style="color: #3d85c6;">“O Sono Eterno”</span>, sua obra prima, retrata um mundo sórdido, povoado de
pornógrafos, um assassino bissexual, uma ninfomaníaca psicótica e
toxicodependente, diversos bêbados, bares fumarentos, loiras oxigenadas,
múltiplos adultérios e cadáveres descritos detalhadamente. Além de assassinatos,
claro, chantagens, policiais corruptos e mulheres fatais sem escrúpulos.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCnpYnSaaxWOk0qF-0Kx_euEk3ocghrZoATt0H-85sf-PRGOuUgM7ytMbotOKvNvsLiPyqTiBD75j4hNIyDTJl5qCNzSAOe5vw5VIIyzC9wVH12Ut9j08rm1PPc2xt8h9o4jtMt6VqClJMrqZBc-wcu9rvNX2t_XfSnDbOJdsTAB4-8z5KVUeLU42v2A/s1461/Apr3_Image_3_(2)1500x1202.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="1138" data-original-width="1461" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCnpYnSaaxWOk0qF-0Kx_euEk3ocghrZoATt0H-85sf-PRGOuUgM7ytMbotOKvNvsLiPyqTiBD75j4hNIyDTJl5qCNzSAOe5vw5VIIyzC9wVH12Ut9j08rm1PPc2xt8h9o4jtMt6VqClJMrqZBc-wcu9rvNX2t_XfSnDbOJdsTAB4-8z5KVUeLU42v2A/w400-h311/Apr3_Image_3_(2)1500x1202.jpg" width="400" /></a></div></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">07</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Virgem
até aos 32 anos, ele conhecia muito da vida, menos as mulheres. A
violência do casamento dos pais o atirou para a castidade. Engenheiro civil, o
pai, talvez por ser bêbado, espancava a mãe, cobrindo-a de nódoas e dores. Sem ninguém,
<span style="background-color: #274e13; color: white;">RAYMOND CHANDLER</span> tinha um salário de três mil dólares por mês e
sofria de alcoolismo que lhe provocava desmaios e amnésia.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">08</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Aos 31
anos, apaixonou-se pela melhor amiga da mãe. Ela tinha 49 e um marido. Casaram
assim que a mãe do escritor, que era contra o relacionamento, morreu. Cissy
Pascal era uma antiga modelo e pianista clássica. Costumava limpar a casa toda nua. Foi a sua musa, já que ele
não escreveu nada antes de a conhecer e pouco escreveu depois de ela ter falecido.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">09</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Após
perder a esposa, em 1954, entrou em profunda depressão, recaiu no alcoolismo e
tentou o suicídio. Viria a morrer, quatro anos depois, em 1959, aos 70 anos, em
San Diego, nos Estados Unidos, deixando expresso o desejo de ser cremado e
colocado junto às cinzas da sua amada.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">10</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Em 1994, a Praça Raymond
Chandler, em Los Angeles, foi designada monumento histórico-cultural. Situa-se na esquina das avenidas
Hollywood e Cahuenga, o local exato do escritório de Philip Marlowe. A Los
Angeles que <span style="background-color: #274e13; color: white;">RAYMOND CHANDLER</span> descreveu é uma paisagem moralmente bárbara, mas
bela – palmeiras a contraluz, a beleza das manhãs e o ambiente enigmático
das noites. Terra de atores de segunda categoria, produtores fracassados, gângsteres,
prostitutas, tiras corruptos, atrizes decadentes e figurões em busca de oportunidade para ganhar um bom dinheiro, seja limpo ou não.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimi_2vEIjfro8af-yj3-qY8lt2N1rAtia4bGvP5E-8ohxqykbyl9anZZPLCiY3BOZyxaTm8po7Q3flXIw_OsziO2yZ5lbafprFwcm4koBNZWeadndFbLpli5MSgYjfrHIsbuUWknXBPNdyL2FT1rqYzh5JV_Za6JcRiT1fCK9WNTbT3qIKzlR03UXr9Q/s651/06209c6f1c69172fc780836f91844d53.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="651" data-original-width="649" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimi_2vEIjfro8af-yj3-qY8lt2N1rAtia4bGvP5E-8ohxqykbyl9anZZPLCiY3BOZyxaTm8po7Q3flXIw_OsziO2yZ5lbafprFwcm4koBNZWeadndFbLpli5MSgYjfrHIsbuUWknXBPNdyL2FT1rqYzh5JV_Za6JcRiT1fCK9WNTbT3qIKzlR03UXr9Q/w638-h640/06209c6f1c69172fc780836f91844d53.jpg" width="638" /></a></div><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">POEMA
PARA CISSY</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">RAYMOND
CHANDLER</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Há um
momento após a morte</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">em que o
rosto se torna belo</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e os
suaves olhos fatigados se fecham;</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">em que a
dor acabou</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e a
antiga, antiga inocência do amor</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">gentilmente
retorna e fica por perto</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">apenas
por mais um instante.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Há um
momento após a morte (que sequer é um momento)</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">em que as
coloridas roupas penduradas no armário perfumado</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e o sonho
perdido fenecem lentamente;</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">em que os
vidros e o copo de prata e o espelho vazio</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e os três
compridos fios de cabelo na escova</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e o lenço
dobrado e a cama refeita</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">com seus
gordos travesseiros (onde nenhuma cabeça</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">se
pousará) é tudo que restou de um grande sonho selvagem.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Mas
existem sempre as cartas.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Eu as
seguro nas mãos, amarradas numa fita verde,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">com firme
pureza entre os suaves e fortes dedos do amor.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">As cartas
não morrerão, esperando pelo estranho que virá lê-las.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Virá
lentamente, emergindo da névoa do tempo e da mudança.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Virá
lentamente, desafiador, pelo correr dos anos</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">cortará a
fita e as espalhará a sua volta</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e
cuidadosamente as lerá página por página.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">E a
antiga inocência do amor voltará</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Virá
lentamente, emergindo da névoa do tempo e da mudança,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">suave
como uma borboleta por uma janela aberta no verão</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">só por
mais um momento, em silêncio, para estar perto,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">mas o
estranho nunca saberá. O sonho acabou.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">O
estranho sou eu.</span></div></span></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Tradução
de Newton Goldman</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI3r_dbERqPVQtQAzsmcHr-LCwkhSbJACsH3EExLHRN-OEzKrnFg_7romUMn03HK2gdotvGRaiEB7_LNhDFwLRhZRGJS-mqIJAcLjTz9bP1-BZbDOFHbD4pA8KIDvC8HH3sBzCPqpJTehVJD29oG2bU_UHH1LC5pqD5RQerVMN6lTkidACceSCow2i6w/s918/Rockwell-Kent-Fair-Wind-1931-1024x831.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="745" data-original-width="918" height="325" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI3r_dbERqPVQtQAzsmcHr-LCwkhSbJACsH3EExLHRN-OEzKrnFg_7romUMn03HK2gdotvGRaiEB7_LNhDFwLRhZRGJS-mqIJAcLjTz9bP1-BZbDOFHbD4pA8KIDvC8HH3sBzCPqpJTehVJD29oG2bU_UHH1LC5pqD5RQerVMN6lTkidACceSCow2i6w/w400-h325/Rockwell-Kent-Fair-Wind-1931-1024x831.jpg" width="400" /></a></div><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">FRAGMENTOS</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">“Sou
detetive particular há já bastante tempo. Sou solitário, solteiro, quarentão e
pobre. Já estive preso mais do que uma vez e não trato casos de divórcio. Gosto
de beber, de mulheres, de xadrez e de mais umas coisas. Os tiras não gostam
muito de mim, mas conheço alguns com quem me dou bastante bem. Se algum dia
derem cabo de mim num beco escuro, como pode acontecer a qualquer um com a
minha profissão, ninguém ficará chorando de pena”.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">“O que
importa onde descansamos depois de morrermos? Que diferença pode haver entre um
reservatório imundo e uma torre de mármore, no topo de uma alta colina? Estamos
mortos, dormimos o grande sono e essas preocupações não nos incomodam. Petróleo
e água são o mesmo que vento e ar, para nós. Dormimos o sono eterno, sem nos
importarmos com a perversidade que nos matou nem onde caímos.</span><a name="_Hlk120699868" style="font-size: 14pt;">”</a></div><div style="text-align: justify;"><a name="_Hlk120699868" style="font-size: 14pt;"><br /></a></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdxOuDuKih6KF9Qz8dusoDQJHv8BtVIeUXPrfLVItNjXYFuBCC7uEJNk-n7oKDYsme1GITWfHLeIilYx3D9JZwGAm4AoX_YRJUdf_3_61HEBhTQZ0tAzeWMu3JQyelqPzLPPojQA_OlJzvJpgWyRDf8NGuawy51iKZMfOOEbCC3WxqDYD3esDpweGzgA/s696/567e0f8535ea4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="475" data-original-width="696" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdxOuDuKih6KF9Qz8dusoDQJHv8BtVIeUXPrfLVItNjXYFuBCC7uEJNk-n7oKDYsme1GITWfHLeIilYx3D9JZwGAm4AoX_YRJUdf_3_61HEBhTQZ0tAzeWMu3JQyelqPzLPPojQA_OlJzvJpgWyRDf8NGuawy51iKZMfOOEbCC3WxqDYD3esDpweGzgA/w400-h272/567e0f8535ea4.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhki1ce4qquUJxWOX_XljcCQrrdpw4JUSPDtvYxCfIrRSbfoHnPkNF7v1Xci5NOc5e-DXyNSVN_mCLF5wkcBj-7q8dm7i4ywtGuVw1625LEHlu55JMjC-pcD9iL_GEUsFpYczThqaET8IMhEgcjoQ-YXz6mOVogDu9ne1-jwsbHufQ5eEisO5ILZwwKSA/s996/Angel.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="761" data-original-width="996" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhki1ce4qquUJxWOX_XljcCQrrdpw4JUSPDtvYxCfIrRSbfoHnPkNF7v1Xci5NOc5e-DXyNSVN_mCLF5wkcBj-7q8dm7i4ywtGuVw1625LEHlu55JMjC-pcD9iL_GEUsFpYczThqaET8IMhEgcjoQ-YXz6mOVogDu9ne1-jwsbHufQ5eEisO5ILZwwKSA/w400-h305/Angel.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8C_dlq4NMOz28lxNCJKm6qGgsYDNkeo_lOPZDK4pTf-eHNzodfBsOXiyoRXSc78lp1LDBhgL-0vfPU59LEUtbLz1O_0GuLIyTqEIox6bVBM7JvnVFbpjJBC-Bg8V0OHUbri3t7aTGa1tnJ3YqFspBjjlpxvkVQE9v4RGY0h4dNZv9yqXL7WMlI8XuAA/s963/Apr3_image_8.jpg" style="margin-left: 1em; 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CLARICE e GULLAR - ENTREVISTA<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoUrBLFmGrQx88DJAXaeq-G-ita5Lj73upM0DcA_1Oz2DWAwJ2khlkbZn_Ic29qxsqD9N0XP529NZfPziVH8SBJx1gUxwXCzXM6ALLPhXBsdMWOQjPrXlziUvGYlPhqmodLHpJVMMwt_KGje7nXtwyt__-u-ZSJWoTIK3mDw_9tsEELqSA1mvtfwmrqw/s553/Foto-CPdoc-JB.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="364" data-original-width="553" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoUrBLFmGrQx88DJAXaeq-G-ita5Lj73upM0DcA_1Oz2DWAwJ2khlkbZn_Ic29qxsqD9N0XP529NZfPziVH8SBJx1gUxwXCzXM6ALLPhXBsdMWOQjPrXlziUvGYlPhqmodLHpJVMMwt_KGje7nXtwyt__-u-ZSJWoTIK3mDw_9tsEELqSA1mvtfwmrqw/w640-h422/Foto-CPdoc-JB.jpg" width="640" /></a></div><p><br /></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“A arte
existe porque a vida não basta.”</span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">FERREIRA
GULLAR</span></span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">Ilustrações:</span></span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">HENRI
MATISSE</span></span><br /><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1869 –
1954. Le Cateau-Cambrésis / França)</span></span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">De volta
para o Brasil, o poeta encontra os cariocas mais agitados, mais apressados,
como se não soubessem o que vai acontecer no minuto seguinte. Sou fervente
admiradora de <span style="background-color: #274e13; color: white;">FERREIRA GULLAR</span> <span style="color: #3d85c6;">(1930 - 2016. São Luís, Maranhão)</span>, desde os
tempos de <span style="color: #3d85c6;">“A Luta Corporal”</span> (1954) até esse escandalosamente belíssimo <span style="color: #3d85c6;">“Poema Sujo”</span>
(1976). Nossos mútuos contatos se fizeram no tempo da primeira revista <span style="color: #3d85c6;">“Senhor”</span>,
para a qual nós dois escrevíamos. Mas eu tinha um pouco de medo dele,
parecia-me que, com seu extraordinário poder verbal, eu seria aniquilada.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Éramos um
pouco distantes um do outro, e eu desconfiava que ele rejeitava a minha
<span style="color: #3d85c6;">“literatura”</span>. Mas o que fazer? Nada, senão continuar a gostar do que ele
escrevia e escreve. Nesta entrevista, ele me assegurou que a desconfiança
antiga era errada. Aleluia! Ele esteve em minha casa. Verifiquei que,
praticamente, não mudou, tem o rosto como que talhado em madeira. Madeira
sensível, madeira-de-lei. É pessoa extremamente simpática e com ar de bondade.</span><br /><span style="font-size: 14pt;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJZI9VfaGbL3PpCITNeL0ZFCUzeQvupCuFLWLRjkq8Gb33HNu2hmy8cuZ5ycnwHkz4uyD6MvGAcDMHmEBC5h7Z8Adw54-sTGfuKHWv3TRS5dngLTz-dtO4WsB2jztOJf6oPhuyvnOcyNViKjb-3_dkfjBYtKIns5eX5hixiu8NzJsiSjoNXaG_aDUDzA/s1024/Clarice-entre-1960-e-1965-Revista-Manchete-arquivo-da-fami%CC%81lia.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="931" data-original-width="1024" height="364" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJZI9VfaGbL3PpCITNeL0ZFCUzeQvupCuFLWLRjkq8Gb33HNu2hmy8cuZ5ycnwHkz4uyD6MvGAcDMHmEBC5h7Z8Adw54-sTGfuKHWv3TRS5dngLTz-dtO4WsB2jztOJf6oPhuyvnOcyNViKjb-3_dkfjBYtKIns5eX5hixiu8NzJsiSjoNXaG_aDUDzA/w400-h364/Clarice-entre-1960-e-1965-Revista-Manchete-arquivo-da-fami%CC%81lia.jpg" width="400" /></a></span></div><span style="font-family: inherit;"><br /></span><div style="text-align: center;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white;">CLARICE
LISPECTOR</span>: <span style="color: #3d85c6;">“Fatos & Fotos”,</span> 1977</span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"> </span><br /></span><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;"><span style="font-family: inherit;">Há quanto
tempo você não vinha ao Brasil?</span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Há cinco anos
e oito meses. Voltei no dia 10 de março deste ano.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Que
diferenças você notou entre o Rio de antes e o de agora?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O de hoje
me parece mais frenético do que o de antes. É uma impressão um tanto subjetiva,
de uma pessoa que apenas acaba de chegar. Sinto isso no comportamento das
pessoas e no próprio aspecto da cidade, que parece mais um canteiro de obras.
As pessoas estão mais agitadas, mais apressadas – como se não soubessem o que
vai acontecer no minuto seguinte. Não há um ponto da cidade onde eu chegue e
não veja buracos, terra e pedras, tudo amontoado e, às vezes, como se ali
estivesse para sempre. Outra coisa que noto também é o distanciamento maior
entre as classes sociais. Eu, que não tenho carro e que ando de ônibus, percebo
que os usuários desses veículos são quase exclusivamente pessoas muito
modestas. As outras devem estar no seu próprio carro. É uma sensação um pouco
parecida com a que eu sentia em Lima, no Peru, onde o contraste social é
enorme.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">O mesmo
eu senti na Colômbia, Gullar, onde havia multimilionários e o resto era
completamente abandonado por todos, inclusive pelo governo. Lá a miséria é
maior do que no Brasil, porque, com o frio, tudo piora.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">É claro,
o clima do Brasil é uma das sortes nossas, Clarice.</span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXzMAsb7aY7Rd2TH-SC6QwYWoSNiwcjrGoygvnK83GxoW-C7vmwOwpnWf2i3y5de-TQOVZWEVlMEK6RkMJO2KIgBGfFlXnRmhFY9mIzHifkIxmQBYwLtYLN2Ej_nYnI8ezMhUVjEemNBRBBK5fYqnNPGy9yhfL2l3HeZjVMbWeydkYIFFTKMW-00sPIA/s992/04.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="754" data-original-width="992" height="486" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXzMAsb7aY7Rd2TH-SC6QwYWoSNiwcjrGoygvnK83GxoW-C7vmwOwpnWf2i3y5de-TQOVZWEVlMEK6RkMJO2KIgBGfFlXnRmhFY9mIzHifkIxmQBYwLtYLN2Ej_nYnI8ezMhUVjEemNBRBBK5fYqnNPGy9yhfL2l3HeZjVMbWeydkYIFFTKMW-00sPIA/w640-h486/04.png" width="640" /></a></div><br /></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Você tem reencontrado
aqui os seus grandes amigos?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Claro, e
esta é uma das grandes alegrias da volta. Mas alguns desapareceram para sempre,
como Leo Vitor, o Vianinha e Paulo Pontes.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Você já
foi ao Maranhão, depois que voltou?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Não, no
momento não tenho condições para ver minha terra natal. Aqui me aguardavam
problemas muito graves de família que exigem solução urgente e minha total
dedicação. Mas, assim que eu puder, irei a São Luís para rever minha mãe, meus
irmãos e minha cidade.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Olhe,
Gullar, no “Poema Sujo” você me fez sentir uma criança diante de uma selva ou
de um altíssimo monumento. E quando você falou em “noites envenenadas de
jasmim” – pois bem, senti-me de volta a Recife, que é a minha terra.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">É,
suponho que o jasmim é algo muito forte. Assim o senti em Valparaíso, quando
tomei um susto em relação ao intenso perfume dessa flor. Também então eu fui
transportado de novo à minha cidade e infância. Em Lima, perto da casa onde
morava, havia um muro, de onde se debruçava um jasmineiro.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaWEIbn4Y0znT-9JT6QgGN2-q9rL--hhv4HnB-Cs1fuDUcDaMNcjTgwyo-KeSUxwj3wy_JVYe3XOWvrDbiD8NKs75cOlwrWpv6-kJCCEQpNorLCpUt1MPaojcdGwlqsvw2LeQGexmCiYCLFUelej-0pGrxIU5XrUfZjfcnWZ3jrl7t7r-yzpMMAUZsAA/s752/exhibition-poster-henri-matisse-1956-musee-national-art-moderne.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="546" data-original-width="752" height="464" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaWEIbn4Y0znT-9JT6QgGN2-q9rL--hhv4HnB-Cs1fuDUcDaMNcjTgwyo-KeSUxwj3wy_JVYe3XOWvrDbiD8NKs75cOlwrWpv6-kJCCEQpNorLCpUt1MPaojcdGwlqsvw2LeQGexmCiYCLFUelej-0pGrxIU5XrUfZjfcnWZ3jrl7t7r-yzpMMAUZsAA/w640-h464/exhibition-poster-henri-matisse-1956-musee-national-art-moderne.jpg" width="640" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Em que
cidades você morou, durante seu tempo de exílio?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">A maior
parte do tempo na América Latina, mas estive também em Paris e Roma. Depois
morei em Santiago do Chile, Lima e Buenos Aires.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Como é
que você se sustentava nesses lugares?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Como a
maior parte do tempo eu vivi sem a família, não necessitava de muito dinheiro
para me manter. Escrevi para revistas brasileiras e dei aulas de português.
Eventualmente, fazia palestras sobre arte e literatura brasileiras.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Você
encontrou aqui, na sua volta, facilidade de arranjar um bom emprego?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Durante
todo o tempo de minha ausência, me mantive profissionalmente vinculado ao
jornal <span style="color: #3d85c6;">“O Estado de S. Paulo”</span>, onde eu fora redator desde 1962. Ao voltar, o
diretor da sucursal do <span style="color: #3d85c6;">“Estado”</span>, Villas Boas, que me recebeu no aeroporto, foi
logo dizendo: <span style="color: #3d85c6;">“Como é? Amanhã você já estará na redação.”</span> Bem, no dia seguinte
não, mas na semana seguinte recomecei a trabalhar.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhROaNQ5_buBXf7GoqguZyj6Th3uSmS35PtczeABQRvkXgSOrvnjUoIk-n8pFnVJmRcQNjgCxeIcnDZrWwErwoGUWfIMNSDBj4XVcZ_wF3MCHyRBGQ9QSHJyP5Q4JiB5xEoDkkeOLZBVYyX5_yBQvHiqsdbGxNRMLTJFP1jeeDb0JTjwco0925plsGXbw/s1200/Henri-Matisse_Stilleven-met-Sinaasappels_1912-MuseePicassoParis-oc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="630" data-original-width="1200" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhROaNQ5_buBXf7GoqguZyj6Th3uSmS35PtczeABQRvkXgSOrvnjUoIk-n8pFnVJmRcQNjgCxeIcnDZrWwErwoGUWfIMNSDBj4XVcZ_wF3MCHyRBGQ9QSHJyP5Q4JiB5xEoDkkeOLZBVYyX5_yBQvHiqsdbGxNRMLTJFP1jeeDb0JTjwco0925plsGXbw/w640-h336/Henri-Matisse_Stilleven-met-Sinaasappels_1912-MuseePicassoParis-oc.jpg" width="640" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Qual a
sua função no “Estadão”?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Sou
copidesque, isto é, reescrevo o que os outros escrevem.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Marques
Rebelo me disse uma vez que reescrever era mais simples que escrever. Quanto a
mim, Gullar, eu discordo, pois minhas frases já vêm prontas. Em você, como se
processa o ato criador? Você reescreve?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Não, só
me sento para escrever quando sinto que a coisa está praticamente pronta dentro
de mim. Depois que escrevo, faço, como você, eventualmente, algumas emendas,
mas é só.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Gullar,
vou lhe fazer uma pergunta muito difícil que eu mesma não saberia como
responder. É o seguinte: como nasce, em você, o poema, a palavra escrita?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Em mim o
poema quase sempre é provocado por um choque emocional qualquer. Por exemplo,
quando escrevi o poema sobre o Vietnã, a coisa se deu do seguinte modo: eu
acordei, comecei a ler o jornal com suas tremendas notícias sobre a guerra. À
porta de minha casa havia uma feira. Quando vi aquelas pessoas se dirigindo
para as suas casas, com as cestas carregadas de verduras e frutas, deu-se o
choque. Eu pensei: se fosse no Vietnã aquela senhora poderia encontrar a sua
casa em chamas. Eu próprio havia marcado para sair de férias, um mês depois.
Pensei: num país em guerra deve ser impossível planejar a vida, ir ao cinema, tudo pode ser desfeito de um momento para o outro. É a
insegurança total. O choque emocional já por si provoca as palavras, eu em
geral não me preocupo em escolhê-las, elas jorram.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge1R8_tuakWLNGD8AOdmPFgOBGgscyKRIGYc4Snm5-52u2xBOl3r-3OhCGjtEbK97co0JbocGKw-muwQpnxQS7VPZImcFeW-VdMjPAJko5FXps3nOQ6LFCfJeoam_xxkArqsorkwDOYvaz0wDgJNz0SfTR5B872QLa16r5A1FSm5rfosj-OlHxCZA-7w/s1023/24138124612_c48661238e_b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="948" data-original-width="1023" height="594" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge1R8_tuakWLNGD8AOdmPFgOBGgscyKRIGYc4Snm5-52u2xBOl3r-3OhCGjtEbK97co0JbocGKw-muwQpnxQS7VPZImcFeW-VdMjPAJko5FXps3nOQ6LFCfJeoam_xxkArqsorkwDOYvaz0wDgJNz0SfTR5B872QLa16r5A1FSm5rfosj-OlHxCZA-7w/w640-h594/24138124612_c48661238e_b.jpg" width="640" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Glauber
Rocha disse que o “Poema Sujo” é o ponto culminante do concretismo. Qual é a
sua opinião?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O <span style="color: #3d85c6;">“Poema Sujo”</span>
não tem nada a ver com o concretismo. Eu mesmo nunca fiz concretismo, já que
meus poemas, naquela época, destoavam da concepção ortodoxa dos paulistas que
lançaram o movimento. As coisas que escrevia, então, davam continuidade à minha
própria experiência, onde já havia a utilização dos elementos visuais. O <span style="color: #3d85c6;">“Poema
Sujo”</span> incorpora toda a minha experiência formal e, no aspecto gráfico, se liga
ao neoconcretismo. Conversando posteriormente com Glauber, soube que ele nessa
frase, usando a expressão concretismo, incluía a poesia neoconcreta.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Sua
poesia passou por sucessivas etapas, verdadeiras rupturas com as fases
anteriores, e há quem diga que seu último poema rompe com tudo o que você fez
antes. Como explica isso?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">As
rupturas são aparentes, ou melhor, de superfície. Sempre fiz literatura como um
modo de entender a vida e a mim mesmo. A vida muda, eu mudo, as formas de
expressão refletem essas mudanças. O <span style="color: #3d85c6;">“Poema Sujo”</span> rompe com certa rigidez, a
que a própria prática de escrever vai submetendo o escritor, este poema é mais
livre, é sobretudo um reencontro comigo mesmo.</span></div></span><span style="color: white;"><span style="background-color: #274e13; font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; font-size: 14pt;">O “Poema Sujo”
é um poema de exílio?</span></div></span></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Não
somente. Acredito que a condição de exilado penetra todo o poema e deve ter
sido uma de suas motivações. Mas creio que o poema vai além disso – ele é uma
tentativa de dizer tudo como se depois dele eu fosse morrer. O que ele
significa exatamente, eu não sei.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZlI80Ngaac5mLQKsayk2S9TZE6uxBINqwswSs1zaP_jOjhdT6N8wNcy7Z2W-aHEVsFUseszHKwcECSy39BOJe-ayONWkuqsN-Ora0G-ww_sqfcUyYUbyR92gXSRiHPE16dxcUJQpkDSMGZPoBiu-gOGhaNj3YKFfdTpDUSsnrXEMvYideTw8kH4ADtg/s848/Henri-Matisse.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="565" data-original-width="848" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZlI80Ngaac5mLQKsayk2S9TZE6uxBINqwswSs1zaP_jOjhdT6N8wNcy7Z2W-aHEVsFUseszHKwcECSy39BOJe-ayONWkuqsN-Ora0G-ww_sqfcUyYUbyR92gXSRiHPE16dxcUJQpkDSMGZPoBiu-gOGhaNj3YKFfdTpDUSsnrXEMvYideTw8kH4ADtg/w640-h426/Henri-Matisse.jpg" width="640" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Você está
escrevendo atualmente algum poema?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Não. Em 1975
escrevi um curto poema sobre a arquitetura de Oscar Niemeyer. Mas é
praticamente inédito pois só foi publicado uma vez numa revista especializada
de arquitetura.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">Ah, se
você soubesse de cor esse poema desconhecido, nós, que gostamos tanto de você e
de Oscar, ficaríamos muito contentes...</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Sei de
cor, chama-se <span style="color: #3d85c6;">“Lições de Arquitetura”</span>:</span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><br /></span></div></span><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">No ombro
do planeta (em Caracas)</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Oscar
depositou para sempre uma ave uma flor</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">ele não
faz de pedra nossas casas</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">faz de
asas.</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">No
coração de Argel sofrida</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">fez aterrissar
uma tarde uma nave estelar</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e linda</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">como
ainda há de ser a vida</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(Com seu
traço futuro Oscar nos ensina que o sonho é popular)</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Nos
ensina a sonhar</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">mesmo se
lidamos com matéria dura</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">o ferro o
cimento a fome</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">da humana
arquitetura</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Nos
ensina a viver</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">no que
ele transfigura</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">no açúcar
da pedra</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Ferreira
Gullar</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">no açúcar
da pedra</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">no sonho
do ovo</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">na argila
da aurora</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">na pluma
da neve</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">na alvura
do novo</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Oscar nos
ensina</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">que a
beleza é leve.</span></div></span></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-size: 14pt;">É uma
beleza, Gullar, digna de Oscar. E o que é que você gostaria de ter escrito e
não escreveu?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Um poema
capaz de abarcar toda a história sofrida e obscura da gente brasileira.</span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZzMf4ggq_9_o10H9luzt9IaWHlkegZXkQ0GwBN_KAgarm97tO7XS2JaMl-4aVPXOOfA1cr9UzQE38li5FctDrXK-QE9NS4zRZ-Vd_drxoM3QnUMovvRO_6Uimcp98jNogSRMN5zF7QfXZ64jjKX1D1_WTP3ZiS5dicrYyyBmfx0yXdNZOBAPevP2MA/s2319/15996756765f591d1c8ed3b_1599675676_3x2_rt.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1533" data-original-width="2319" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOZzMf4ggq_9_o10H9luzt9IaWHlkegZXkQ0GwBN_KAgarm97tO7XS2JaMl-4aVPXOOfA1cr9UzQE38li5FctDrXK-QE9NS4zRZ-Vd_drxoM3QnUMovvRO_6Uimcp98jNogSRMN5zF7QfXZ64jjKX1D1_WTP3ZiS5dicrYyyBmfx0yXdNZOBAPevP2MA/w400-h265/15996756765f591d1c8ed3b_1599675676_3x2_rt.jpg" width="400" /></a></div><br /></div></span></span><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white; font-family: inherit;">QUEM foi
FERREIRA GULLAR</span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O poeta
de <span style="color: #3d85c6;">“Poema Sujo”</span> e <span style="color: #3d85c6;">“Muitas Vozes”</span> foi um dos criadores do neoconcretismo. José
de Ribamar Ferreira, conhecido como <span style="background-color: #274e13; color: white;">FERREIRA
GULLAR</span>, aos 18 anos lançou o seu primeiro livro de poesias: <span style="color: #3d85c6;">“Um Pouco
Acima do Chão”</span>. Rumo ao Rio de Janeiro, onde se estabeleceu em 1951, passou a
atuar como revisor de textos da revista <span style="color: #3d85c6;">“O Cruzeiro”</span>. Escreveu ao longo de
décadas, se debruçando no gênero poético e na temática das questões sociais.
Também escreveu peças de teatro e roteiros de telenovela. Durante o regime
militar se exilou na França, no Chile, no Peru e na Argentina. Em março de 1977
voltou do exílio. Nesta ocasião concedeu uma entrevista à Clarice Lispector
para a revista <span style="color: #3d85c6;">“Fatos & Fotos”</span>.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span></span><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white; font-family: inherit;">Fonte:</span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Clarice
Lispector – Entrevistas” (2007)</span></span><br /><span style="font-size: 14pt;"> </span><br /></span><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white; font-family: inherit;">CINCO
POEMAS de FERREIRA GULLAR</span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">01</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhVXe2cFrnbVTkU88pIME-JeThEIecgKxLVVdkYjC1CWN4SqqIfdJc-OikiVzk1THS7AVJyBeFdqD1TNf9_UOyEJaWAFIYR60lsG7Yv2aONgX1JLoZHlMHtf0V6pEwi7UMjCS043s1JCVlOlBxwwDdEDBWrKrawpUypjKyx3HwkJNrsMexMBSh1bMPTg/s2126/01.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1376" data-original-width="2126" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhVXe2cFrnbVTkU88pIME-JeThEIecgKxLVVdkYjC1CWN4SqqIfdJc-OikiVzk1THS7AVJyBeFdqD1TNf9_UOyEJaWAFIYR60lsG7Yv2aONgX1JLoZHlMHtf0V6pEwi7UMjCS043s1JCVlOlBxwwDdEDBWrKrawpUypjKyx3HwkJNrsMexMBSh1bMPTg/w400-h259/01.webp" width="400" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">TRADUZIR-SE</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Uma parte
de mim</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">é todo
mundo:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">outra
parte é ninguém:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">fundo sem
fundo.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Uma parte
de mim</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">é
multidão:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">outra
parte estranheza</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e
solidão.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Uma parte
de mim</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">pesa,
pondera:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">outra
parte</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">delira.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Uma parte
de mim</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">almoça e
janta:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">outra
parte</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">se
espanta.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Uma parte
de mim</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">é
permanente:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">outra
parte</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">se sabe
de repente.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Uma parte
de mim</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">é só vertigem:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">outra
parte,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">linguagem.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Traduzir
uma parte</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">na outra
parte</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">— que é
uma questão</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">de vida
ou morte —</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">será
arte?</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">02</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTH-9iwibZ8aF0L5dn6Q7He2xtK3V18dYmqwyc7XzAyQpyx9UCcKL3x0AC1rkH3RGde91mQPA2jWEbqNwChT9vXfEVetBs-z3aJJikhFJRznw-yVhfQqvELEYfFqlS68j3ViWDz_MEouhL6aMba3EO8UG93DAyNCGydQ03bLfCHcnGOKIbvvXyrl7asQ/s3803/03.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2881" data-original-width="3803" height="303" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTH-9iwibZ8aF0L5dn6Q7He2xtK3V18dYmqwyc7XzAyQpyx9UCcKL3x0AC1rkH3RGde91mQPA2jWEbqNwChT9vXfEVetBs-z3aJJikhFJRznw-yVhfQqvELEYfFqlS68j3ViWDz_MEouhL6aMba3EO8UG93DAyNCGydQ03bLfCHcnGOKIbvvXyrl7asQ/w400-h303/03.jpg" width="400" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">CANTIGA
PARA NÃO MORRER</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Quando
você for se embora,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">moça
branca como a neve,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">me leve.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Se acaso
você não possa</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">me
carregar pela mão,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">menina
branca de neve,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">me leve
no coração.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Se no
coração não possa</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">por acaso
me levar,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">moça de
sonho e de neve,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">me leve
no seu lembrar.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">E se aí
também não possa</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">por tanta
coisa que leve</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">já viva
em seu pensamento,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">menina
branca de neve,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">me leve
no esquecimento.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">03</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKZUSsu01yFSTUu81sGsT_JNIFZ932m16k_Y5j6FBDFf797tNN0U90R1SrV0d1Jb0A_GIYtWEtXpick0PJWCLrDwqhNdw2AlcXyL-ItQoGB-w57YcpotoW7kIy7brevL55dXTNSVU70_BZudmafl4IJoO_iSZYHBXEhFW3yFzWBF0WJ_OMVHN1JOWLZQ/s951/30852e06a64adf69c31a5f66b62b3142.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="951" data-original-width="639" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKZUSsu01yFSTUu81sGsT_JNIFZ932m16k_Y5j6FBDFf797tNN0U90R1SrV0d1Jb0A_GIYtWEtXpick0PJWCLrDwqhNdw2AlcXyL-ItQoGB-w57YcpotoW7kIy7brevL55dXTNSVU70_BZudmafl4IJoO_iSZYHBXEhFW3yFzWBF0WJ_OMVHN1JOWLZQ/w269-h400/30852e06a64adf69c31a5f66b62b3142.jpg" width="269" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">POEMA
SUJO</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(trecho)</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">turvo
turvo</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">a turva</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">mão do
sopro</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">contra o
muro</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">escuro</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">menos
menos</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">menos que
escuro</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">menos que
mole e duro</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">menos que
fosso e muro:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">menos que
furo</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">escuro</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">mais que
escuro:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">claro</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">como
água? como pluma?</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">claro
mais que claro claro:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">coisa
alguma</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e tudo</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(ou
quase)</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">um bicho</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">que o
universo fabrica</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e vem
sonhando</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">desde as
entranhas</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">azul</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">era o
gato</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">azul</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">era o
galo</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">azul</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">o cavalo</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">azul</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">teu cu</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">tua
gengiva</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">igual a
tua bocetinha</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">que
parecia sorrir entre</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">as folhas
de banana</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">entre os
cheiros de flor</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">e bosta
de porco aberta como</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">uma boca
do corpo</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">(não como
a tua boca de palavras)</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">como uma</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">entrada
para</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">eu não
sabia tu</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">não
sabias</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">fazer
girar a vida</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">com seu
montão</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">de
estrelas e oceano</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">entrando-nos
em ti</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">bela bela</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">mais que
bela</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">mas como
era o nome dela?</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Não era
Helena nem Vera</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">nem Nara
nem Gabriela</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">nem
Tereza nem Maria</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Seu nome
seu nome era…</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Perdeu-se
na carne fria</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">perdeu na
confusão</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">de tanta
noite e tanto dia</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">04</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNscHahRTDDeRbqTPGXlg9qNBZoTfNDZ9NYXhUWzdOym-5JXifxZixZN22r-tfCd5rEidX2Jshe1nn4oP5gsN9UoaDuMzk062NLlwkUyXS1xHTbL-lUenebsa6xVuzoHIVeWb-enpQxg3VfW7ercr9dpeEJg7BxxG26I8r2dciVOmd01LYrE_GkvmQaA/s778/4210.webp" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="778" data-original-width="635" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNscHahRTDDeRbqTPGXlg9qNBZoTfNDZ9NYXhUWzdOym-5JXifxZixZN22r-tfCd5rEidX2Jshe1nn4oP5gsN9UoaDuMzk062NLlwkUyXS1xHTbL-lUenebsa6xVuzoHIVeWb-enpQxg3VfW7ercr9dpeEJg7BxxG26I8r2dciVOmd01LYrE_GkvmQaA/w326-h400/4210.webp" width="326" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">Um
INSTANTE</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Aqui me
tenho</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Como não
me conheço</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">nem me
quis</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">sem começo</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">nem fim</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">aqui me
tenho</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">sem mim</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">nada
lembro</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">nem sei</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">à luz
presente</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">sou
apenas um bicho</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">transparente.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">05</span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY2SYtX1ydyvr2K1z7J38nQPe4pfDLNNVDXzax_raLba636jOPX_2ohioCASFiugRkg-nXJgnXlP2psIlvddUZKos3k2wAHVUFuPy1OkKTj-oqaf098baK1r7yqy0qxidc2N1jLiO7ntbtGl0S0Epr030BjMXiIh4hacaxMtEDafns7iCLvpSr1iWp_w/s1162/Pod2TJXNJZ2TAl2vC2Dk-KrSGWQ.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="518" data-original-width="1162" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhY2SYtX1ydyvr2K1z7J38nQPe4pfDLNNVDXzax_raLba636jOPX_2ohioCASFiugRkg-nXJgnXlP2psIlvddUZKos3k2wAHVUFuPy1OkKTj-oqaf098baK1r7yqy0qxidc2N1jLiO7ntbtGl0S0Epr030BjMXiIh4hacaxMtEDafns7iCLvpSr1iWp_w/w400-h179/Pod2TJXNJZ2TAl2vC2Dk-KrSGWQ.jpg" width="400" /></a></div><span style="font-size: 14pt;"><br /></span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">NESTE
LEITO de AUSÊNCIA</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Neste
leito de ausência em que me esqueço</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">desperta
o longo rio solitário:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">se ele
cresce de mim, se dele cresço,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">mal sabe
o coração desnecessário.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">O rio
corre e vai sem ter começo</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">nem foz,
e o curso, que é constante, é vário.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Vai nas
águas levando, involuntário,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">luas onde
me acordo e me adormeço.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Sobre o
leito de sal, sou luz e gesso:</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">duplo
espelho — o precário no precário.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Flore um
lado de mim? No outro, ao contrário,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">de
silêncio em silêncio me apodreço.</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Entre o
que é rosa e lodo necessário,</span></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">passa um
rio sem foz e sem começo.</span></div></span></span><p></p>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6jXtZ4m6j025kj33yX1CtNofZ9hPpp0Dkb5SN5kvXxvJ3y0T1JQN4BWrM33bFxas8aTnYEDVkYgIracziRXc5CdEkHeHAuEpPr7sUn4ahhZSvaqvuc8Kan74ztsviPpJsUGFMctm0WzHB1eIDoEB67FoaJeCt8Z6AOTCPzb1eB4Gk69GmlaFYRb-ffQ/s2172/027806_CLARICE_LISPECTOR_1960.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2172" data-original-width="2109" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6jXtZ4m6j025kj33yX1CtNofZ9hPpp0Dkb5SN5kvXxvJ3y0T1JQN4BWrM33bFxas8aTnYEDVkYgIracziRXc5CdEkHeHAuEpPr7sUn4ahhZSvaqvuc8Kan74ztsviPpJsUGFMctm0WzHB1eIDoEB67FoaJeCt8Z6AOTCPzb1eB4Gk69GmlaFYRb-ffQ/w622-h640/027806_CLARICE_LISPECTOR_1960.jpg" width="622" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">clarice lispector</span></td></tr></tbody></table><div style="text-align: center;"><br /></div><p></p>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com0tag:blogger.com,1999:blog-1221158885572115483.post-72464786841679808952022-09-30T16:22:00.007-02:002022-09-30T16:49:27.067-02:00..................................................................... Um SENTIDO para a VIDA<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzcyFwS3saENqoFjzwP9Sn365prLxuIr0gLaojr8ubUgAUu4AaRSxzFzX2mIELqTwIq97dpv6BxXL9HjB6Zm55cnMvn4dS2G0Keds6kkM_gzVd_qPDN23ZHfrFYVXyY5X8bDhVdNHLfwgaDLRj_SDjSNG7tyNwM4VzrBiE8sJ4NDeNekdNASVm5fpIkA/s876/dorian.jpg" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" data-original-height="868" data-original-width="876" height="634" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzcyFwS3saENqoFjzwP9Sn365prLxuIr0gLaojr8ubUgAUu4AaRSxzFzX2mIELqTwIq97dpv6BxXL9HjB6Zm55cnMvn4dS2G0Keds6kkM_gzVd_qPDN23ZHfrFYVXyY5X8bDhVdNHLfwgaDLRj_SDjSNG7tyNwM4VzrBiE8sJ4NDeNekdNASVm5fpIkA/w640-h634/dorian.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">dorian gray caldas e antonio nahud</span></td></tr></tbody></table><p> <br /></p><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="font-size: 14pt; line-height: 107%;">Existe um
quadro de Vermeer, datado de 1657-59 e que se encontra na Pinakothek de
Dresden, intitulado <span style="color: #3d85c6;">“Moça Lendo uma Carta”</span>. O quadro retrata um momento de
profunda intimidade, no qual uma jovem, no interior de um quarto, lê uma carta.
A partir de um conjunto de toques microscópicos, quase granulares, o pintor
desvela a alma da moça. Ele não coloca sua protagonista em primeiro plano, nem
se aproxima em demasia do seu rosto. Lançado a luz entre a cortina e a parede, Vermeer
nos oferece a privacidade do quarto, para com delicadeza,
revelar o que há de mais profundo e intenso no espírito daquela jovem.</span></span><br /><span style="font-family: inherit; font-size: 14pt;"> </span><br /><span style="font-family: inherit; font-size: 14pt;">Quando eu
li o livro </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Um Sentido para a Vida – Uma Biografia de Diogenes da Cunha Lima”</span><span style="font-family: inherit; font-size: 14pt;">
(Editora Lidador, 2004), de autoria do escritor baiano Antonio Nahud,
imediatamente me lembrei desse quadro de Vermeer. Uma biografia nunca é fácil.
O autor sempre se encontra diante de dilemas terríveis quando chama para si a
tarefa de retratar em palavras a abrangência de uma vida. Um dos principais
riscos de uma biografia se situa no fato de que, às vezes, a força da
personalidade do biografado consegue sugar o autor do texto, dominá-lo,
lançá-lo de modo despudorado nos labirintos de sua própria complexidade. </span><br /><span style="font-size: 18.6667px;"><br /></span><span style="font-family: inherit; font-size: 14pt;">A
grande virtude do texto de Antonio Nahud está em escapar dessa armadilha. O Poeta
Diogenes da Cunha Lima é um personagem forte, polêmico, intenso. Sua vida
retrata essa intensidade, típica daqueles que pautam os seus dias pelo calor
das paixões e pela beleza da poesia. Seria muito difícil retratar essa
intensidade tentando explicar a pessoa do poeta, tentando decifrá-lo, construir
um discurso que buscasse desnudar os seus mistérios interiores e traçar a
geometria das suas paixões. Antonio Nahud conseguiu, como Vermeer, trabalhar
com grande domínio técnico a luz que deixaria à mostra a vida de Diogenes. Sem
se amarrar excessivamente ao mundo interior, ao profundo da psicologia do
poeta, direcionou a luz do seu texto para os arredores, para as circunstâncias
da vida desse filho de Nova Cruz, no RN, que, desde
cedo, apresentava a mais ambígua aflição que enraíza o homem a sua terra e que, ao mesmo tempo o lança,
como uma antena, na aventura de captar a grandiosidade do mundo.</span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJHX78qnkYnvBe-hxFtuMc8p7bc2ouAqPkGHA4r7JJRt0O0aimZDH_GMY4MW-CEqvqhnVMYS4HaoaEZLsMUDxF5oRqdAILf6FAfCb1BEndXb_i58JgH0b9OTVeXW2NTSYjhu-Ctuh5cJC6IxYh0MSiY5y0FO1OlBKNch9MvhKcJdt1AWPdw_HYHqeGLQ/s4271/Johannes_Vermeer_-_Girl_Reading_a_Letter_by_an_Open_Window_-_Google_Art_Project.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4271" data-original-width="3266" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJHX78qnkYnvBe-hxFtuMc8p7bc2ouAqPkGHA4r7JJRt0O0aimZDH_GMY4MW-CEqvqhnVMYS4HaoaEZLsMUDxF5oRqdAILf6FAfCb1BEndXb_i58JgH0b9OTVeXW2NTSYjhu-Ctuh5cJC6IxYh0MSiY5y0FO1OlBKNch9MvhKcJdt1AWPdw_HYHqeGLQ/w490-h640/Johannes_Vermeer_-_Girl_Reading_a_Letter_by_an_Open_Window_-_Google_Art_Project.jpg" width="490" /></a></div><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O livro
de Antonio Nahud nos guia pelo mundo de Diogenes, pelos seus arredores e suas
paisagens, físicas e afetivas, naturais e humanas. Ele aponta, com sua luz
poderosa e delicada, para o universo do poeta e, apresentando esse universo,
nos oferece, de modo inusitado e surpreendente o que há de mais profundo na
intimidade desse homem apaixonado por Neruda e Saint-Exupéry. Fascinante
perceber a lição de Vermeer transporta para o campo da literatura (sim, porque
uma biografia não pode ser uma tese, uma biografia deve, sempre, ser uma peça
de labuta poética, uma construção, uma criação literária). Deve oferecer a sutileza de um olhar que, direcionando-se as
circunstancias que constituem o humano, deixa vazar o que há de mais privado,
mais pessoal, mais velado e misterioso na alma de um homem.</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Existem vidas tão
complexas que não se deixam ver de perto. É preciso dar dois passos atrás para
perceber a marca que deixam no cenário de sua narrativa. Elas se expandem,
redimensionam os seus próprios arredores e ajudam a modelar o mundo em que se
encontram. A vida do Poeta Diogenes deixa essa lição e o texto do poeta Nahud
nos oferece o aprendizado de que fazer uma biografia é como olhar o mar:</span><span style="font-family: inherit; font-size: 14pt;"> </span><span style="font-family: inherit; font-size: 14pt;">captar o mais profundo na mais ampla superfície
e no mais inusitado lugar.</span></div></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"></p><div style="text-align: right;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: large;">PABLO CAPISTRANO</span></div><span style="color: #3d85c6;"><span style="font-size: 18.6667px;"><div style="text-align: right;">Escritor
e Professor de Filosofia</div></span><span style="font-size: 18.6667px;"><div style="text-align: right;">Publicado
na “Tribuna do Norte”, 16 de março de 2004</div></span></span><p></p><span style="font-family: inherit;"><span style="font-size: 14pt;"> </span><br /><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Em 2004,
no dia 4 de março, foi lançado na Academia Norte-Rio-Grandense de Letras (ANRL) </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“Um
Sentido para a Vida – Uma Biografia de Diogenes da Cunha Lima”</span><span style="font-family: inherit; font-size: 14pt;">, de minha autoria.
Com 220 páginas, o livro tem prefácio de Sanderson Negreiros e retrata a
infância, carreira profissional, cargos públicos, obras literárias, viagens,
casamentos e filhos, casos curiosos e polêmicos do Poeta do Baobá.</span></div><span style="font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">Confira
as fotos do evento e matérias de jornais.</span></div><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZb3F_keRDZJjDQP-614B5yiRs0J6OCl3ifoO6zP2KfbRZQ3TKKE3gdjFgAFOzjuvlQmw4xBPYRh0rIX_TgRl1i0-8_rkWvsAqDPSyCloxzlClp_W5_A9Lcqh2qb82iamEOyVD7sws7MJTTld_1ob49fj_4H8xuXvUZzhCZSurBj_kEEKoRK8fcEWg0A/s720/291885_152883568129207_3070088_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="500" data-original-width="720" height="278" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZb3F_keRDZJjDQP-614B5yiRs0J6OCl3ifoO6zP2KfbRZQ3TKKE3gdjFgAFOzjuvlQmw4xBPYRh0rIX_TgRl1i0-8_rkWvsAqDPSyCloxzlClp_W5_A9Lcqh2qb82iamEOyVD7sws7MJTTld_1ob49fj_4H8xuXvUZzhCZSurBj_kEEKoRK8fcEWg0A/w400-h278/291885_152883568129207_3070088_n.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; 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text-align: center;"><br /></div></div></span><p></p>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com11tag:blogger.com,1999:blog-1221158885572115483.post-9868771682915800832022-09-01T00:26:00.013-02:002022-09-01T23:03:42.340-02:00........................... KONSTANTÍNOS KAVÁFIS: DESEJO e HISTÓRIA<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMCcKA7fRG6ErGlIDTELg-4lRwNXW_akBd3RIhV7vcvy96yJBlUbfBajfXyjzGqfAYjsnuHS_hulPEnbLVMwpbxiuad9c_xtdMFZ3WKrtVIPeFptvLpixCaiyOvYKcfsq1oVtPnfNj_yqqEaUL8AmFbFKERl_5bR2EYh3xj6VkXSO9XZ55nfYXsTI3qQ/s1937/Parthenon-frieze-bb.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1180" data-original-width="1937" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMCcKA7fRG6ErGlIDTELg-4lRwNXW_akBd3RIhV7vcvy96yJBlUbfBajfXyjzGqfAYjsnuHS_hulPEnbLVMwpbxiuad9c_xtdMFZ3WKrtVIPeFptvLpixCaiyOvYKcfsq1oVtPnfNj_yqqEaUL8AmFbFKERl_5bR2EYh3xj6VkXSO9XZ55nfYXsTI3qQ/w640-h390/Parthenon-frieze-bb.jpg" width="640" /></a></div><p> </p><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt;">Esculturas:</span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">FÍDIAS</span></span><br /><span style="color: #3d85c6; font-size: 14pt;">(480 a.C.
- 430 a.C. Atenas, Grécia)</span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">LÍSIPO</span></span><br /><span style="color: #3d85c6; font-size: 14pt;">(390 a.C.
– 300 a.C. Sicião, Grécia)</span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">PRAXITELES</span></span><br /><span style="color: #3d85c6; font-size: 14pt;">(395
a.C.- 330 a.C. Atenas, Grécia)</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Considerado
o maior nome da poesia em idioma grego moderno, em vida não publicou nenhum
livro. Seus poemas eram distribuídos em folhas soltas ou, então, publicados em
revistas literárias. Nascido em uma comunidade grega em Alexandria (Egito), <span style="background-color: #274e13; color: white;">KONSTANTÍNOS
KAVÁFIS</span> <span style="color: #3d85c6;">(1863 – 1933)</span> produziu versos entre o particular e o histórico, representando
tanto a tradição quanto as próprias subjetividade e revelando uma percepção
muito particular da memória: não só a histórica, mas a íntima, a memória do
corpo, do desejo homoerótico velado, da beleza sensual da juventude e da
potência criadora da arte.</span><br /><span style="font-size: 14pt;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg2e1z9L-5LGO0NaFdqeVW386Ezu68XBRK2BzzsAf_CCQUHwGDBn7bTUqm05R-HmBBUSRRHLEjf0MO2Utsj60U8QxWskbcK8kRRGPy1S6--POJRC1SvNzK9yYlXlq_HO080DUVmH5uGIz-AZSp5sPdT6W6VAy3mWGEM_I6M1QOgEcVDAyXS3oZT2VCHQ/s894/Kavafis%20muy%20joven%20oval.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="894" data-original-width="882" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgg2e1z9L-5LGO0NaFdqeVW386Ezu68XBRK2BzzsAf_CCQUHwGDBn7bTUqm05R-HmBBUSRRHLEjf0MO2Utsj60U8QxWskbcK8kRRGPy1S6--POJRC1SvNzK9yYlXlq_HO080DUVmH5uGIz-AZSp5sPdT6W6VAy3mWGEM_I6M1QOgEcVDAyXS3oZT2VCHQ/w316-h320/Kavafis%20muy%20joven%20oval.jpg" width="316" /></a></span></span></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Sensível,
sensorial e sensual, o poeta conviveu com a pobreza
e o desconforto. Tendo trabalhado durante 30 anos na Bolsa de Valores Egípcia, morou
em Alexandria até à sua morte, que ocorreu por motivo de câncer da laringe. Faleceu
no dia do seu aniversário, 29 de abril. Seu último gesto foi desenhar um
círculo numa folha branca e depois colocar um ponto no meio do círculo. Ao
longo da vida, escreveu 154 poemas, os quais, por hábito, numerava. Todas eles com
boa circulação em português, sendo traduzidos por nomes de prestígio como
Haroldo de Campos e José Paulo Paes.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Uma das características
mais fortes da sua poesia é o diálogo entre o passado e o presente. A beleza e
a tragicidade da arte grega convivendo com o prazer de um eros pulsante e a
melancolia de um corpo que envelhece. Original e influente, <span style="background-color: #274e13; color: white;">KONSTANTÍNOS
KAVÁFIS</span> tem um lugar duradouro na tradição literária, entre outras razões,</span><span style="font-family: inherit; font-size: 14pt;"> </span><span style="font-family: inherit; font-size: 14pt;">pela sua franca abordagem dos temas
homossexuais, o esotérico sentido de história e a criação de um mundo
ricamente mítico.</span></div><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">18 POEMAS de KAVÁFIS</span></div></span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">01</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">LEMBRA,
CORPO…</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Corpo,
lembra não só o quanto foste amado,</span><br /><span style="color: #3d85c6; font-size: 14pt;">não só os
leitos em que deitaste,</span><br /><span style="color: #3d85c6; font-size: 14pt;">mas
também os desejos que por ti</span><br /><span style="color: #3d85c6; font-size: 14pt;">brilhavam
nos olhos, claros,</span><br /><span style="color: #3d85c6; font-size: 14pt;">e tremiam
na voz – e alguma</span><br /><span style="color: #3d85c6; font-size: 14pt;">barreira
do acaso os frustrou.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Agora que
tudo já é passado,</span><br /><span style="color: #3d85c6; font-size: 14pt;">parece
que àqueles desejos</span><br /><span style="color: #3d85c6; font-size: 14pt;">também te
entregaste – como brilhavam,</span><br /><span style="color: #3d85c6; font-size: 14pt;">lembra,
nos olhos que te fitavam;</span><br /><span style="color: #3d85c6; font-size: 14pt;">como
tremiam na voz, por ti, lembra, corpo.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">02</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">INÍCIOS</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Por
completo o ilegal prazer</span><br /><span style="color: #3d85c6; font-size: 14pt;">se deu.
Do leito se levantam,</span><br /><span style="color: #3d85c6; font-size: 14pt;">e com
pressa vestem-se sem nada dizer.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Saem
desunidos, escondidos, da casa; e seguem</span><br /><span style="color: #3d85c6; font-size: 14pt;">assim
inquietos pela rua, como se</span><br /><span style="color: #3d85c6; font-size: 14pt;">temessem
que algo neles denunciasse</span><br /><span style="color: #3d85c6; font-size: 14pt;">em que
tipo de cama há pouco deitaram-se.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Mas a
vida do artista se enriquece</span><br /><span style="color: #3d85c6; font-size: 14pt;">Amanhã,
no outro dia, anos mais tarde, serão escritos</span><br /><span style="color: #3d85c6; font-size: 14pt;">os versos
fortes que tiveram aqui seus inícios.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4NBFiSFOZIj6VqqP7kCEicf4DqZz8uSWLQABYV4IOQBJ77dMdmZcj_s3PiSvhEiXv4-EdIazkFeOlENAuRwBBkcRD0Kkl57iojtg4fQ5Qt9i6rHrmWjxoudjX77bdZrz0i_nUOT1sN9dnRLDdfoliJKppDMuplNUtNSGgeVv3L7O18NgVA-UMrgiirg/s969/68747470733a2f2f73332e616d617a6f6e6177732e636f6d2f776174747061642d6d656469612d736572766963652f53746f7279496d6167652f36534673354d5978545168654d673d3d2d313135353534303932322e3136623836613234663234383061636337393738.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="969" data-original-width="964" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4NBFiSFOZIj6VqqP7kCEicf4DqZz8uSWLQABYV4IOQBJ77dMdmZcj_s3PiSvhEiXv4-EdIazkFeOlENAuRwBBkcRD0Kkl57iojtg4fQ5Qt9i6rHrmWjxoudjX77bdZrz0i_nUOT1sN9dnRLDdfoliJKppDMuplNUtNSGgeVv3L7O18NgVA-UMrgiirg/w637-h640/68747470733a2f2f73332e616d617a6f6e6177732e636f6d2f776174747061642d6d656469612d736572766963652f53746f7279496d6167652f36534673354d5978545168654d673d3d2d313135353534303932322e3136623836613234663234383061636337393738.png" width="637" /></a></div></span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">03</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">VITRINE de
TABACARIA</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Perto da
vitrine iluminada</span><br /><span style="color: #3d85c6; font-size: 14pt;">de uma
tabacaria pararam em meio a muitos outros.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Por
acaso, seus olhares se encontraram</span><br /><span style="color: #3d85c6; font-size: 14pt;">e o
ilegal desejo das suas carnes</span><br /><span style="color: #3d85c6; font-size: 14pt;">se
revelou timidamente, hesitante.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Depois,
alguns passos ansiosos pela calçada</span><br /><span style="color: #3d85c6; font-size: 14pt;">até que
sorriram e trocaram acenos discretos.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">E depois,
na carruagem fechada…</span><br /><span style="color: #3d85c6; font-size: 14pt;">O sensual
aproximar de corpos;</span><br /><span style="color: #3d85c6; font-size: 14pt;">as mãos
que se penetram, os lábios que se penetram.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">04</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">LONGE</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Quisera
referir essa lembrança…</span><br /><span style="color: #3d85c6; font-size: 14pt;">Mas já se
apagou tanto… visto que nada se mantém –</span><br /><span style="color: #3d85c6; font-size: 14pt;">pois
longe, nos primeiros anos de minha adolescência, ela jaz.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Uma pele
como feita de jasmim…</span><br /><span style="color: #3d85c6; font-size: 14pt;">Aquela
noite de agosto – era agosto? – aquela noite…</span><br /><span style="color: #3d85c6; font-size: 14pt;">Mal me
lembro agora dos olhos – eram, creio, azuis…</span><br /><span style="color: #3d85c6; font-size: 14pt;">Ah! sim,
azuis: um azul de safira.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQMqqQbShnU_tCEu24SCoGdMhNoEBp0YFMn4BarsiGX0kbGP-VMpQ-FYsDUtnHuh53vpuHpYjJIa8XQ4NRjc3lMEMDCYXTdOD--e4awmOxJWqiKv1TZlFYKB4SNuEHYzn4oyHammm5GOR2E6rXgKaheh8hthjp43I_lKJkEdltHUjPZzKOOiPn61q6KA/s1024/tumblr_npn7a9yR571u0dmcio2_1280.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1024" data-original-width="832" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQMqqQbShnU_tCEu24SCoGdMhNoEBp0YFMn4BarsiGX0kbGP-VMpQ-FYsDUtnHuh53vpuHpYjJIa8XQ4NRjc3lMEMDCYXTdOD--e4awmOxJWqiKv1TZlFYKB4SNuEHYzn4oyHammm5GOR2E6rXgKaheh8hthjp43I_lKJkEdltHUjPZzKOOiPn61q6KA/w520-h640/tumblr_npn7a9yR571u0dmcio2_1280.jpg" width="520" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">05</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">VOLTA</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Volta
outras vezes e domina-me,</span><br /><span style="color: #3d85c6; font-size: 14pt;">frêmito
amado, volta outras vezes e domina-me –</span><br /><span style="color: #3d85c6; font-size: 14pt;">quando a
memória do corpo despertar,</span><br /><span style="color: #3d85c6; font-size: 14pt;">quando ao
sangue retornar o desejo de outrora</span><br /><span style="color: #3d85c6; font-size: 14pt;">e os
lábios e a pele lembrarem e as mãos</span><br /><span style="color: #3d85c6; font-size: 14pt;">sentirem-se
como que tocadas de novo.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Volta
outras vezes e domina-me, quando a noite</span><br /><span style="color: #3d85c6; font-size: 14pt;">fizer com
que os lábios e a pele se lembrem.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">06</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="color: white; font-family: inherit; font-size: 14pt;"><span style="background-color: #274e13;">O ESPELHO
da ENTRADA</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">À entrada
da mansão</span><br /><span style="color: #3d85c6; font-size: 14pt;">havia um
grande espelho muito antigo</span><br /><span style="color: #3d85c6; font-size: 14pt;">comprado
pelo menos há mais de oitenta anos.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Um rapaz
belíssimo, empregado de alfaiate</span><br /><span style="color: #3d85c6; font-size: 14pt;">(e nos
domingos atletas diletante)</span><br /><span style="color: #3d85c6; font-size: 14pt;">estava
ali com um pacote.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Deu-o a
alguém da casa, que o levou para dentro</span><br /><span style="color: #3d85c6; font-size: 14pt;">com o
recibo. O empregado do alfaiate</span><br /><span style="color: #3d85c6; font-size: 14pt;">ficou
sozinho, à espera.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Acercou-se
do espelho e mirou-se</span><br /><span style="color: #3d85c6; font-size: 14pt;">para
ajeitar a gravata. Após cinco minutos,</span><br /><span style="color: #3d85c6; font-size: 14pt;">trouxeram-lhe
o recibo e ele se foi.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Mas o
antigo espelho que vira e revira</span><br /><span style="color: #3d85c6; font-size: 14pt;">nos seus
longos anos de existência</span><br /><span style="color: #3d85c6; font-size: 14pt;">coisas e
rostos aos milhares;</span><br /><span style="color: #3d85c6; font-size: 14pt;">mas o
antigo espelho agora se alegrava</span><br /><span style="color: #3d85c6; font-size: 14pt;">e
exultava de haver mostrado sobre si</span><br /><span style="color: #3d85c6; font-size: 14pt;">por um
instante a beleza culminante.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU_0UqaEPc3jEarvO6Du7HP2lJqJ3_rYzNxqZQzAt_wfmt1xnfjEpBuq7--Hd5tXMGmpGd4fepvq-MfMU12gzjTlLVxDg1EVjuHikUssxIFX0vqpTVRoTLZnW39fc21SmQBhicOjgjtEV9pgtsMFYdtTZiwqPxlZW496kIrrYibWs-3Mw5AYO4VPCIqg/s1600/1200px-Ny_Carlsberg_Glyptothek_-_Hermes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1200" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU_0UqaEPc3jEarvO6Du7HP2lJqJ3_rYzNxqZQzAt_wfmt1xnfjEpBuq7--Hd5tXMGmpGd4fepvq-MfMU12gzjTlLVxDg1EVjuHikUssxIFX0vqpTVRoTLZnW39fc21SmQBhicOjgjtEV9pgtsMFYdtTZiwqPxlZW496kIrrYibWs-3Mw5AYO4VPCIqg/w480-h640/1200px-Ny_Carlsberg_Glyptothek_-_Hermes.jpg" width="480" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div></span><span style="color: #3d85c6; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">07</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">DESEJOS</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Como
belos corpos de mortos que não envelheceram</span><br /><span style="color: #3d85c6; font-size: 14pt;">e foram
encerrados, com lágrimas, em magnífico mausoléu,</span><br /><span style="color: #3d85c6; font-size: 14pt;">com rosas
nas cabeças e jasmins nos pés –</span><br /><span style="color: #3d85c6; font-size: 14pt;">assim se
lhes assemelham os desejos que passaram</span><br /><span style="color: #3d85c6; font-size: 14pt;">sem se
realizar, sem que nenhum</span><br /><span style="color: #3d85c6; font-size: 14pt;">alcançasse
uma noite de prazer, ou sua manhã luminosa.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">08</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">TANTO
CONTEMPLEI</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Tanto
contemplei a beleza</span><br /><span style="color: #3d85c6; font-size: 14pt;">que minha
vista dela se fartou.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Linhas do
corpo. Lábios rubros. Membros sensuais.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Cabelos
como que tomados de estátuas gregas:</span><br /><span style="color: #3d85c6; font-size: 14pt;">sempre
belos, mesmo quando estão despenteados,</span><br /><span style="color: #3d85c6; font-size: 14pt;">e caem,
um pouco, sobre a fronte branca.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Rostos do
amor, assim como os desejava</span><br /><span style="color: #3d85c6; font-size: 14pt;">minha
poesia… nas noites de minha juventude,</span><br /><span style="color: #3d85c6; font-size: 14pt;">em minhas
noites, às ocultas, encontrados…</span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEt6yeRVok7sx0fuW33BZLmNbt4ZB2Qba_3vk3Ys-eLcCUHmDStR4YzGHS48UUtjoDppOeb4UpnGsLTSxT1ycYHH_2twX2bEkLT5mCdeh0H4eUfQ3lFEuc5mFOPIVnROxx9CJh5z2mrxfjt92LGqFLy2iLCqCJ8nUy6iBDI5i_u5TJWlE2RuBj6_2lug/s1095/Vincennes_-_Statue_-_PA00079920_-_014.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="847" data-original-width="1095" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEt6yeRVok7sx0fuW33BZLmNbt4ZB2Qba_3vk3Ys-eLcCUHmDStR4YzGHS48UUtjoDppOeb4UpnGsLTSxT1ycYHH_2twX2bEkLT5mCdeh0H4eUfQ3lFEuc5mFOPIVnROxx9CJh5z2mrxfjt92LGqFLy2iLCqCJ8nUy6iBDI5i_u5TJWlE2RuBj6_2lug/w640-h496/Vincennes_-_Statue_-_PA00079920_-_014.jpg" width="640" /></a></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><br /></span></div><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 18.6667px;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">09</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">QUANTO
POSSAS</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">E se não
podes fazer tua vida como a queres,</span><br /><span style="color: #3d85c6; font-size: 14pt;">esforça-te
pelo menos nisto,</span><br /><span style="color: #3d85c6; font-size: 14pt;">quanto
possas: não a degrades</span><br /><span style="color: #3d85c6; font-size: 14pt;">na
convivência demasiada com as pessoas,</span><br /><span style="color: #3d85c6; font-size: 14pt;">nos
demasiados movimentos e colóquios.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Não a
degrades levando-a,</span><br /><span style="color: #3d85c6; font-size: 14pt;">trazendo-a
frequentemente e expondo-a</span><br /><span style="color: #3d85c6; font-size: 14pt;">à estupidez
cotidiana</span><br /><span style="color: #3d85c6; font-size: 14pt;">das
relações e das companhias,</span><br /><span style="color: #3d85c6; font-size: 14pt;">até que
se torne pesada como uma estranha.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">10</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">As
JANELAS</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">No escuro
do habitáculo eu passo</span><br /><span style="color: #3d85c6; font-size: 14pt;">a
depressão dos dias e meus passos</span><br /><span style="color: #3d85c6; font-size: 14pt;">buscam
janelas. Quando abrir-se uma</span><br /><span style="color: #3d85c6; font-size: 14pt;">delas,
peço ao fulgor que me consuma.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Mas a
janela não há, ou não consigo</span><br /><span style="color: #3d85c6; font-size: 14pt;">vê-la.
Que fique ausente, a sós, consigo!</span><br /><span style="color: #3d85c6; font-size: 14pt;">Talvez a
luz tão-só renove a dor.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Quem sabe
a nova que ela irá me impor?</span><br /><span style="color: #3d85c6; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMjSv-aGabQMXjufDHCmXSdkP5aX4T_UCkytovJ45T49ED_78UFE70CSZEnLM7CNe8wLRjPCkZvtbuAbIOliXmoq8Y9_pIdPYkZ3deZd8gQqQBMzBZLGEfZKmRe8JlK4xlfbA4uL4bhz1Zir5FyqbIds8hBnQ6Cd_Hy7V83-v6K8TWl3UQFN9PAuLPiA/s1971/Bust_Athena_Velletri_Glyptothek_Munich_213.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1971" data-original-width="1821" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMjSv-aGabQMXjufDHCmXSdkP5aX4T_UCkytovJ45T49ED_78UFE70CSZEnLM7CNe8wLRjPCkZvtbuAbIOliXmoq8Y9_pIdPYkZ3deZd8gQqQBMzBZLGEfZKmRe8JlK4xlfbA4uL4bhz1Zir5FyqbIds8hBnQ6Cd_Hy7V83-v6K8TWl3UQFN9PAuLPiA/w592-h640/Bust_Athena_Velletri_Glyptothek_Munich_213.jpg" width="592" /></a></div></span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">11</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">DESLEALDADE</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">No
casamento de Peleu e Tétis,</span><br /><span style="color: #3d85c6; font-size: 14pt;">Apolo
ergueu-se no festim sublime</span><br /><span style="color: #3d85c6; font-size: 14pt;">para
felicitar os neoconsortes</span><br /><span style="color: #3d85c6; font-size: 14pt;">pelo
filho que a união traria:</span><br /><span style="color: #3d85c6; font-size: 14pt;">"Não
haverá doença que o afete,</span><br /><span style="color: #3d85c6; font-size: 14pt;">sua vida
será longa." À previsão,</span><br /><span style="color: #3d85c6; font-size: 14pt;">Tétis
sorriu. Sabia que as palavras</span><br /><span style="color: #3d85c6; font-size: 14pt;">de Apolo
se cumpriam, eram proféticas,</span><br /><span style="color: #3d85c6; font-size: 14pt;">davam
aval à sina de seu filho.</span><br /><span style="color: #3d85c6; font-size: 14pt;">E Aquiles
vicejava na Tessália,</span><br /><span style="color: #3d85c6; font-size: 14pt;">que sua
beleza tanto enobrecia;</span><br /><span style="color: #3d85c6; font-size: 14pt;">não
olvidava Tétis o que ouvira.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Mas, um
dia, gerontes noticiam</span><br /><span style="color: #3d85c6; font-size: 14pt;">que o
pés-velozes falecera em Tróia.</span><br /><span style="color: #3d85c6; font-size: 14pt;">E Tétis
rasga a indumentária púrpura,</span><br /><span style="color: #3d85c6; font-size: 14pt;">a
desvestia brusca; anéis, pulseiras</span><br /><span style="color: #3d85c6; font-size: 14pt;">arroja ao
chão. Rememorava, imersa</span><br /><span style="color: #3d85c6; font-size: 14pt;">em
pranto, a previsão de outrora. “O que</span><br /><span style="color: #3d85c6; font-size: 14pt;">pretende
Apolo, o sábio?”– a si indaga.</span><br /><span style="color: #3d85c6; font-size: 14pt;">“O poeta
onde andava, que em festins</span><br /><span style="color: #3d85c6; font-size: 14pt;">embasbacava
com a fala? O áugure</span><br /><span style="color: #3d85c6; font-size: 14pt;">onde ia,
quando morre um ser tão jovem?”</span><br /><span style="color: #3d85c6; font-size: 14pt;">E os
gerontes disseram que o Flecheiro</span><br /><span style="color: #3d85c6; font-size: 14pt;">ele próprio
descera em Tróia e sócio</span><br /><span style="color: #3d85c6; font-size: 14pt;">dos
troianos aniquilara Aquiles.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">12</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">Os RISCOS</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Mírtias
profere (sírio, estudava</span><br /><span style="color: #3d85c6; font-size: 14pt;">em
Alexandria, sob o reinado,</span><br /><span style="color: #3d85c6; font-size: 14pt;">entre
gentio e cristão,</span><br /><span style="color: #3d85c6; font-size: 14pt;">de
Constante e Constâncio, ambos augustos):</span><br /><span style="color: #3d85c6; font-size: 14pt;">“Teoria e
estudo hão de dar-me vigor</span><br /><span style="color: #3d85c6; font-size: 14pt;">e não
serei frouxo com meus apetites!</span><br /><span style="color: #3d85c6; font-size: 14pt;">Meu
corpo, entrego-o ao hedonismo,</span><br /><span style="color: #3d85c6; font-size: 14pt;">à evasão
onírica,</span><br /><span style="color: #3d85c6; font-size: 14pt;">aos
ímpetos carnais mais radicais,</span><br /><span style="color: #3d85c6; font-size: 14pt;">à pulsão
lasciva de meu sangue, sem</span><br /><span style="color: #3d85c6; font-size: 14pt;">laivos de
fobia, a meu talante—</span><br /><span style="color: #3d85c6; font-size: 14pt;">e a
volição não falha, pois teoria e estudo</span><br /><span style="color: #3d85c6; font-size: 14pt;">hão de
ser meu lastro —,</span><br /><span style="color: #3d85c6; font-size: 14pt;">quando me
arisque, o hausto</span><br /><span style="color: #3d85c6; font-size: 14pt;">reencontro-o,
como outrora, ascético”.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaqV1e78Zu2JXaVf0nnHQYlcBpUOLw5mY471RKg4vRg1yf3od5fYLB6yKlXp85guGN9_-bbiQWgxPgw94Pvrhg7WxyJCdpOrzmOyAqcbj8Km7cQcs38Og5wlK9GiWk4kywa7UVnr5liJcTmcZAyzQp7fxfVgF8OFK92AtD1VRQ503pxkek-7UpgkITgQ/s1200/galeria_1_457652985.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="900" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaqV1e78Zu2JXaVf0nnHQYlcBpUOLw5mY471RKg4vRg1yf3od5fYLB6yKlXp85guGN9_-bbiQWgxPgw94Pvrhg7WxyJCdpOrzmOyAqcbj8Km7cQcs38Og5wlK9GiWk4kywa7UVnr5liJcTmcZAyzQp7fxfVgF8OFK92AtD1VRQ503pxkek-7UpgkITgQ/w480-h640/galeria_1_457652985.jpg" width="480" /></a></div></span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">13</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="color: white; font-family: inherit; font-size: 14pt;"><span style="background-color: #274e13;">A GLÓRIA
dos PTOLEMEUS</span></span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Sou o
Lagida, rei. Ninguém conhece</span><br /><span style="color: #3d85c6; font-size: 14pt;">(força e
riqueza ajudem-me) como eu,</span><br /><span style="color: #3d85c6; font-size: 14pt;">(bárbaro
ou macedônio se entristece)</span><br /><span style="color: #3d85c6; font-size: 14pt;">o que é
prazer. É reles o Selêu-</span><br /><span style="color: #3d85c6; font-size: 14pt;">cida com
o que julga – rio! – o sexo.</span><br /><span style="color: #3d85c6; font-size: 14pt;">O que
procuras tens aqui complexo:</span><br /><span style="color: #3d85c6; font-size: 14pt;">a pólis
mestra, o cume ampliconvexo</span><br /><span style="color: #3d85c6; font-size: 14pt;">pan-grego,
a fala, a arte, em tudo há nexo.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">14</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">FUI</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Não me
retive. Abri-me inteiro e fui.</span><br /><span style="color: #3d85c6; font-size: 14pt;">À
voluptuosidade, real às vezes,</span><br /><span style="color: #3d85c6; font-size: 14pt;">concretizada
às vezes em meu cérebro,</span><br /><span style="color: #3d85c6; font-size: 14pt;">fui, no
luzidio pleno de uma noite.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Goles de
vinhos encorpados, como sói ser</span><br /><span style="color: #3d85c6; font-size: 14pt;">com quem
desteme o prazeroso.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmtYCoEmGQodkXPNsT654ggSZUOk4ox0AHngSgtiJpq9EHFcBU2CPTyTcePMJ_pprCorX3Ox0B-hxWG06O3Wy9uUXdgwZiR7bFSZ_VKOhaPwnQyvl8bdAtenn-I8pJUMbH7XZ_5RejAuIuXE6aSH3Yln8eMqVJuhVqIe_3FAnNg19ydqbmxlDcp-YSMA/s1050/3.24Laoconte.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1050" data-original-width="1050" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmtYCoEmGQodkXPNsT654ggSZUOk4ox0AHngSgtiJpq9EHFcBU2CPTyTcePMJ_pprCorX3Ox0B-hxWG06O3Wy9uUXdgwZiR7bFSZ_VKOhaPwnQyvl8bdAtenn-I8pJUMbH7XZ_5RejAuIuXE6aSH3Yln8eMqVJuhVqIe_3FAnNg19ydqbmxlDcp-YSMA/w640-h640/3.24Laoconte.jpg" width="640" /></a></div></span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">15</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">MAR
MATUTINO</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Deter-me
aqui. Vislumbre um pouco a natura.</span><br /><span style="color: #3d85c6; font-size: 14pt;">O rútilo
blau do mar matutino,</span><br /><span style="color: #3d85c6; font-size: 14pt;">a abóbada
sem nódoa, a orla ocre. A tudo</span><br /><span style="color: #3d85c6; font-size: 14pt;">embeleza
a luz efusa.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Deter-me
aqui. Me iluda um tal panorama</span><br /><span style="color: #3d85c6; font-size: 14pt;">(verdade:
estático, o vi fugaz);</span><br /><span style="color: #3d85c6; font-size: 14pt;">um tal, e
não, também aqui, as fantasmagorias,</span><br /><span style="color: #3d85c6; font-size: 14pt;">as
rememorações, a luxúria das miragens.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">16</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">CLITO,
ADOECIDO</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Clito,
rapaz gentil,</span><br /><span style="color: #3d85c6; font-size: 14pt;">beirando
os vinte e três anos,</span><br /><span style="color: #3d85c6; font-size: 14pt;">educação
primorosa, exímio em grego,</span><br /><span style="color: #3d85c6; font-size: 14pt;">sofre de
enfermidade grave. A febre o abate,</span><br /><span style="color: #3d85c6; font-size: 14pt;">a mesma
que, no ano em curso, arruína Alexandria.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">A febre o
abate, bem agora que o desgosto já</span><br /><span style="color: #3d85c6; font-size: 14pt;">o
derrubara, quando o amigo, ator novato,</span><br /><span style="color: #3d85c6; font-size: 14pt;">não mais
o quis, cansou de amá-lo.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">A
enfermidade é grave e aturde os genitores.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Aturde
também a fâmula senil,</span><br /><span style="color: #3d85c6; font-size: 14pt;">responsável
por ele desde sempre.</span><br /><span style="color: #3d85c6; font-size: 14pt;">No auge
do desconforto,</span><br /><span style="color: #3d85c6; font-size: 14pt;">lhe vem à
mente um ídolo que, infante,</span><br /><span style="color: #3d85c6; font-size: 14pt;">idolotrava,
antes de, servil,</span><br /><span style="color: #3d85c6; font-size: 14pt;">ingressar
no lar de cristãos probos, antes de cristianizar-se.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Sorrateira,
apodera-se de uns biscoitos, vinho e mel.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Deposita-os
à beira-ídolo. Entoa ladainha súplices,</span><br /><span style="color: #3d85c6; font-size: 14pt;">rememoradas
tangencialmente. A tolo não se apercebe</span><br /><span style="color: #3d85c6; font-size: 14pt;">de que ao
dâimon fusco é igual</span><br /><span style="color: #3d85c6; font-size: 14pt;">se um
cristão recobra ou não sua saúde.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCc1JS8OPWp1OVlI8jr-GELtVHiEhu4fyFJbyiVjYz-8RkNTlXgPZANLnJUgTGO4qMhp9jPiM_TB2iAYlE187xuqoQC9nWCXrDIvl9aEjpSYfaPJreoCo9eGF0YY1tQv9EQeETQkndRF6Zbm8Du9o51dpos9jQakq3N1SLFYkcnFcP7Jc-52v4sszBdQ/s1146/800px-Hermes_Logios_Altemps_Inv8624_n2bb.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1146" data-original-width="800" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCc1JS8OPWp1OVlI8jr-GELtVHiEhu4fyFJbyiVjYz-8RkNTlXgPZANLnJUgTGO4qMhp9jPiM_TB2iAYlE187xuqoQC9nWCXrDIvl9aEjpSYfaPJreoCo9eGF0YY1tQv9EQeETQkndRF6Zbm8Du9o51dpos9jQakq3N1SLFYkcnFcP7Jc-52v4sszBdQ/w446-h640/800px-Hermes_Logios_Altemps_Inv8624_n2bb.jpg" width="446" /></a></div></span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">17</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">O OMBRO
ENFAIXADO</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Disse que
bateu em um muro ou que caiu.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Mas
provavelmente a razão seria outra</span><br /><span style="color: #3d85c6; font-size: 14pt;">para o
ombro ferido e enfaixado.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Por conta
de um movimento um tanto brusco</span><br /><span style="color: #3d85c6; font-size: 14pt;">em
direção à estante, para descer algumas</span><br /><span style="color: #3d85c6; font-size: 14pt;">fotos que
queria ver de perto,</span><br /><span style="color: #3d85c6; font-size: 14pt;">soltou-se
a faixa e um pouco de sangue escorreu.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Novamente
enfaixei o ombro, e demorei-me</span><br /><span style="color: #3d85c6; font-size: 14pt;">um pouco
nesta tarefa, pois não doía</span><br /><span style="color: #3d85c6; font-size: 14pt;">e
agradava-me ver o sangue. Coisa</span><br /><span style="color: #3d85c6; font-size: 14pt;">do meu
amor era aquele sangue.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Assim que
saiu, encontrei sobre a cadeira em</span><br /><span style="color: #3d85c6; font-size: 14pt;">Frente um
pano das ataduras manchado de sangue,</span><br /><span style="color: #3d85c6; font-size: 14pt;">pano que
parecia dever ir direto pro lixo</span><br /><span style="color: #3d85c6; font-size: 14pt;">e que
sobre os meus lábios mantive eu,</span><br /><span style="color: #3d85c6; font-size: 14pt;">e que
beijei por longo tempo –</span><br /><span style="color: #3d85c6; font-size: 14pt;">o sangue
do meu amor nos meus lábios.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">18</span></div><span style="font-size: 14pt;"><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">ÍTACAS</span></div></span><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Quando,
de volta, viajares para Ítaca</span><br /><span style="color: #3d85c6; font-size: 14pt;">roga que
tua rota seja longa,</span><br /><span style="color: #3d85c6; font-size: 14pt;">repleta
de peripécias, repleta de conhecimentos.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Aos
Lestrigões, aos Cíclopes,</span><br /><span style="color: #3d85c6; font-size: 14pt;">ao
colério Posêidon, não temas:</span><br /><span style="color: #3d85c6; font-size: 14pt;">tais
prodígios jamais encontrará em teu roteiro,</span><br /><span style="color: #3d85c6; font-size: 14pt;">se
mantiveres altivo o pensamento e seleta</span><br /><span style="color: #3d85c6; font-size: 14pt;">a emoção
que tocar teu alento e teu corpo.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Nem
Lestrigões nem Cíclopes,</span><br /><span style="color: #3d85c6; font-size: 14pt;">nem o
áspero Posêidon encontrarás,</span><br /><span style="color: #3d85c6; font-size: 14pt;">se não os
tiveres imbuído em teu espírito,</span><br /><span style="color: #3d85c6; font-size: 14pt;">se teu
espírito não os suscitar diante de ti.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Roga que
tua rota seja longa,</span><br /><span style="color: #3d85c6; font-size: 14pt;">que,
múltiplas se sucedam as manhãs de verão.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Com que
euforia, com que júbilo extremo</span><br /><span style="color: #3d85c6; font-size: 14pt;">entrarás,
pela primeira vez num porto ignoto!</span><br /><span style="color: #3d85c6; font-size: 14pt;">Faze
escala nos empórios fenícios para arrematar mercadorias belas;</span><br /><span style="color: #3d85c6; font-size: 14pt;">madrepérolas
e corais, âmbares e ébanos</span><br /><span style="color: #3d85c6; font-size: 14pt;">e
voluptuosas essências aromáticas, várias,</span><br /><span style="color: #3d85c6; font-size: 14pt;">tantas
essências, tantos arômatos, quantos puderes achar.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">Detém-te
nas cidades do Egito -nas muitas cidades-</span><br /><span style="color: #3d85c6; font-size: 14pt;">para
aprenderes coisas e mais coisas com os sapientes zelosos.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Todo
tempo em teu íntimo Ítaca estará presente.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Tua sina
te assina esse destino,</span><br /><span style="color: #3d85c6; font-size: 14pt;">mas não
busques apressar tua viagem.</span><br /><span style="color: #3d85c6; font-size: 14pt;">É bom que
ela tenha uma crônica longa, duradoura,</span><br /><span style="color: #3d85c6; font-size: 14pt;">e que
aportes velho, finalmente, à ilha,</span><br /><span style="color: #3d85c6; font-size: 14pt;">rico do
muito que ganhares no decurso do caminho,</span><br /><span style="color: #3d85c6; font-size: 14pt;">sem
esperares de Ítaca riquezas.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Ítaca te
deu essa beleza de viagem.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Sem ela
não a terias empreendido.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Nada mais
precisa dar-te.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Se te
parece pobre, Ítaca não te iludiu.</span><br /><span style="color: #3d85c6; font-size: 14pt;">Agora tão
sábio, tão plenamente vivido,</span><br /><span style="color: #3d85c6; font-size: 14pt;">bem
compreenderás o sentido das Ítacas.</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /></span><p></p><div style="text-align: center;"><span style="font-family: inherit;"><span style="background-color: #274e13; color: white; font-family: inherit; font-size: 14pt;">Tradutores:</span><br /><span style="font-family: inherit; font-size: 14pt;">Fernanda
Lima</span><br /><span style="font-family: inherit; font-size: 14pt;">Ísis Borges da Fonseca</span><br /><span style="font-family: inherit; font-size: 14pt;">José Paulo Paes </span><br /><span style="font-family: inherit; font-size: 14pt;">e Trajano Vieira</span></span></div><div style="text-align: center;"><br /></div><div style="text-align: center;"><span style="font-family: inherit;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcj5PrkloH1f51KThqjxEqT8oCy9hN9_5UkyNaqyDg3zFfc2boQFgXd6XK85nMWtPUSIkD-B0rqt-iDQBVn4q_94CnWtfZLPZDuZ6vBa8KueHPgrXARf_evPw4seFLEq-3oN7km1Olt3maS_03s5XIpqLoiaNinEMhbqL7OzrKSzQCo8zviro5m-LdQA/s1995/V-750-o.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1043" data-original-width="1995" height="209" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcj5PrkloH1f51KThqjxEqT8oCy9hN9_5UkyNaqyDg3zFfc2boQFgXd6XK85nMWtPUSIkD-B0rqt-iDQBVn4q_94CnWtfZLPZDuZ6vBa8KueHPgrXARf_evPw4seFLEq-3oN7km1Olt3maS_03s5XIpqLoiaNinEMhbqL7OzrKSzQCo8zviro5m-LdQA/w400-h209/V-750-o.jpg" width="400" /></a></div><div class="separator" style="clear: both; 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<p></p>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com0tag:blogger.com,1999:blog-1221158885572115483.post-39237546519077470792022-08-07T19:06:00.056-02:002022-08-07T23:14:11.468-02:00....................... BOLSONARO - a HISTÓRIA do CAPITÃO do POVO<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0sGsj4CxEw3Q-zmkQG8GJzPTWG3FPethk3ZmysJaFxPqN-HbnuSinJ2j1fezRFeWM8ZsSQ5-ziNq7jnXt2EEDE8fyX05SyG_w2HulvWlFUo7MxQQwYnsVDtTTEJGJHVX6txzBrIDm0E-CMc2e11ex1RaypsidGd87Ys68uQlCGvsyMd2tMOW8hjFwXA/s1229/271265723_457192242651764_7240004158723226183_n.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1212" data-original-width="1229" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0sGsj4CxEw3Q-zmkQG8GJzPTWG3FPethk3ZmysJaFxPqN-HbnuSinJ2j1fezRFeWM8ZsSQ5-ziNq7jnXt2EEDE8fyX05SyG_w2HulvWlFUo7MxQQwYnsVDtTTEJGJHVX6txzBrIDm0E-CMc2e11ex1RaypsidGd87Ys68uQlCGvsyMd2tMOW8hjFwXA/w640-h632/271265723_457192242651764_7240004158723226183_n.jpg" width="640" /></a></div><p><br /></p><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana; font-size: large;"><span style="line-height: 107%;"><span style="color: #3d85c6;">“Meu compromisso
é o de seguir reduzindo a violência, criando um ambiente propício à geração de
empregos, acelerando o crescimento da nossa economia e defendendo os valores
sagrados da nossa pátria.” </span></span><span style="background-color: #274e13;"><span style="color: white;">JAIR
MESSIAS BOLSONARO</span></span><br /><span> </span><br /><span> </span><br /><span style="line-height: 107%;">Ele fala
a nossa língua. É diferenciado por dizer o que pensa sem meias-verdades, sem frescura,
sem o politicamente correto. O brasileiro raiz dá valor. Um político autêntico,
conservador, honesto, religioso, sério, competente. Algo raro na história tupiniquim.</span>
<span style="line-height: 107%;">O capitão
reformado do Exército <span style="background-color: #274e13; color: white;">JAIR MESSIAS BOLSONARO</span> foi vereador e depois deputado por
28 anos. Nos seus quase quatro anos como Presidente da República não consta
corrupção. Pegou o país em frangalhos, saneou a economia, redescobriu os nossos
valores e restabeleceu o amor à pátria. </span><span>Perseguido
implacavelmente pelo sistema, a esquerda insana e a mídia vendida, é
acusado, sem qualquer prova, de ameaça à democracia, golpismo, populismo, discurso
de ódio, homofobia, misoginia, racismo, apologia à tortura, masculinidade
tóxica, entre outras infâmias. Em contrapartida, foi premiado como
Personalidade do Ano de 2019 pela Câmara de Comércio Brasil-EUA e
uma das 100 pessoas mais influentes do mundo da revista <span style="color: #3d85c6;">“Time”</span> em 2019 e 2020.</span><br /></span></p><div style="text-align: right;"><span style="font-family: verdana; font-size: large;"> </span></div><span style="font-family: verdana; font-size: large;"><span><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpnfoRgBOvtN4fTkKm4FaPLvqhB4WjIdjTDG3W1CQh7q8eY11hmte4B57VGSaHYECJ9T2hA1dR_C-kSbPuqWqOOVgNv3RZCcd9sh14qEHue07pmurgrUu4ilCjcKumfcqrW1Ty98DqeZnhiJKTHnUSx7iwroXX9uFBKuij9x4Ub_SSHU0MhkoEGva_6w/s903/198899820_3000716473546810_4143177019604450474_n.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: left;"><img border="0" data-original-height="607" data-original-width="903" height="269" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpnfoRgBOvtN4fTkKm4FaPLvqhB4WjIdjTDG3W1CQh7q8eY11hmte4B57VGSaHYECJ9T2hA1dR_C-kSbPuqWqOOVgNv3RZCcd9sh14qEHue07pmurgrUu4ilCjcKumfcqrW1Ty98DqeZnhiJKTHnUSx7iwroXX9uFBKuij9x4Ub_SSHU0MhkoEGva_6w/w400-h269/198899820_3000716473546810_4143177019604450474_n.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-size: large;">bolsonaro e tarcísio de freitas</span></td></tr></tbody></table></span><span><div style="text-align: justify;">Como Chefe
do Executivo Federal, recuperou as estatais, que agora dão lucros bilionários, faz
obras por todo o país, diminuiu a violência e o estado, digitalizou os serviços,
está melhorando a educação e investindo em ciência e tecnologia. Mesmo com uma
pandemia e uma guerra no leste europeu, que afetou a todos, fez os indicadores
econômicos melhorarem e conseguiu surpreender o mundo. Sem o fecha tudo
radical, a guerra, o escancarado ativismo judicial e o travamento de projetos
no Congresso, os avanços seriam ainda maiores.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">Acompanho
a nossa política desde João Baptista Figueiredo, entre 1979 e 1985. Era muito
jovem, tinha vaga noção das intrigas em Brasília, repassadas por meu pai e meu
padrinho, mas pouco me interessava, considerando a política enfadonha. Com a
maturidade me aproximei do PSDB. Não confiava no sub-marxista FHC, mas admirava
Dona Ruth Cardoso. O partido me parecia bem intencionado comparado aos de
esquerda. Sem empolgação, votava em seus candidatos. O aloprado mineiro Aécio
Neves foi o último deles. Hoje sei do Teatro das Tesouras. O PSDB também era de
esquerda, cúmplice do Partido das Trevas nos bastidores. Enganado, não restou
remorso, afinal não havia outra opção.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;"><span>Quase
todos os presidentes do</span><span> </span><span>Brasil foram
vergonhosos, medíocres, nocivos para a consolidação de um país viável,
transparente e soberano. O trono presidencial</span><span> foi </span><span>ocupado por comunistas, ladrões, demagogos, irresponsáveis,
medíocres e impostores. JB é diferenciado. Um fenômeno de popularidade que assusta
o <i>establishment</i>. Ele se tornou o político ideal por representar justamente o
combate ao politicamente correto e à mídia mercenária, que passa pano no Partido
das Trevas desde sempre. Ele é um <i>outsider</i> nesse aspecto, e a população percebe
as manipulações, as deturpações, as mentiras e exageros dos opositores.</span></div></span><span><div style="text-align: justify;"> </div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg-5s72YXr6gsrEb1K8Eld5JhX_kKBlc5bk-aZ3ueJ8mvD1QtS9y8DtQy_5_3om0Zr8ptSmELLcyBR29TH-BUsyAezOZ1ikA2JIU2bBcPIzFjgodpWZVrlnulya4E0YpuhZpbcOuFT1awxXSseAclsR62MScNQJ38zPQDmS2QmtvFh2xQtB_CD9oUUaQ/s1140/624b3d47be8073c514c7a32c_facada.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: justify;"><img border="0" data-original-height="575" data-original-width="1140" height="201" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjg-5s72YXr6gsrEb1K8Eld5JhX_kKBlc5bk-aZ3ueJ8mvD1QtS9y8DtQy_5_3om0Zr8ptSmELLcyBR29TH-BUsyAezOZ1ikA2JIU2bBcPIzFjgodpWZVrlnulya4E0YpuhZpbcOuFT1awxXSseAclsR62MScNQJ38zPQDmS2QmtvFh2xQtB_CD9oUUaQ/w400-h201/624b3d47be8073c514c7a32c_facada.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-size: large;">o atentado em juiz de fora</span></td></tr></tbody></table></span><span><div style="text-align: justify;">Sua
campanha presidencial em 2018 abalou o país após o atentado sofrido em Juiz de
Fora, em 6 de setembro. Ferido por uma facada de Adélio Bispo de Oliveira,
passou por várias cirurgias e ficou três semanas internado no Hospital Albert
Einstein, em São Paulo. Sem poder promover atos nas ruas, continuou a bem sucedida estratégia online de campanha. Deixar de
comparecer aos debates na televisão não gerou efeitos negativos. Ao contrário,
evitou o desgaste das discussões com adversários.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">O matador
de aluguel Adélio Bispo tinha sido membro do desclassificado PSOL, um dos partidos
mais ordinários do Brasil. No dia do atentado, em Minas Gerais, dois registros
na Câmara dos Deputados apontam que ele entrou no prédio, em Brasília. A
administração conspiradora jura que foi um <span style="color: #3d85c6;">“erro interno”</span>. Preso com quatro
celulares e um notebook, mesmo estando desempregado há muito tempo. No mesmo
dia do atentado, três advogados caríssimos se apresentaram para defendê-lo.
Deslocaram grandes distâncias em jatos particulares para encontrar o criminoso.
Segundo eles, o financiador de seus serviços firmou contrato com cláusula de
confidencialidade.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">Sem
nenhum sinal aparente de loucura, Adélio foi flagrado por câmeras em 2018
durante uma manifestação de esquerda do <span style="color: #3d85c6;">“Fora Temer”</span>, em Florianópolis. Nas
redes sociais, defendia o comunismo, curtia a página do ladrão Nove Dedos e
compartilhava vídeos elogiando o ditador venezuelano Nicolás Maduro. Muitos
dizem que tinha uma certa intimidade com o deputado cuspidor Jean Wyllis. Diagnosticado
com transtorno delirante persistente, terminou considerado que não pode ser condenado
devido aos problemas mentais. De acordo com o juiz do caso, o encarceramento irá durar até o fim da sua periculosidade. Um
teatro de quinta categoria.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl8_jht8o0gj2HyqQox9pTGDWui0E1PGhNMU0mhLr-E4iVyQs-w8cWjJfSKbieMb2yoAxcJ41Dbm1s7bgFr3p7tuUxhLkKiCslh5v-mGE6iK7R2O_1xOiS2iq-RO1jdSV8E-evFe9Dp0X_cP4aHqITe1vXnhrZ5SdIqt_olQAyNnaUMELWM__z6CoGKQ/s694/21.06spJannuzzi_page-0001-958x1197.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: justify;"><img border="0" data-original-height="464" data-original-width="694" height="268" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl8_jht8o0gj2HyqQox9pTGDWui0E1PGhNMU0mhLr-E4iVyQs-w8cWjJfSKbieMb2yoAxcJ41Dbm1s7bgFr3p7tuUxhLkKiCslh5v-mGE6iK7R2O_1xOiS2iq-RO1jdSV8E-evFe9Dp0X_cP4aHqITe1vXnhrZ5SdIqt_olQAyNnaUMELWM__z6CoGKQ/w400-h268/21.06spJannuzzi_page-0001-958x1197.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-size: large;">jb com a esposa rogéria e os filhos</span></td></tr></tbody></table><span style="line-height: 107%;"><div style="text-align: justify;"><span style="line-height: 107%;">Pouco se
sabe sobre a vida amorosa do Presidente JB. Ele foi casado três vezes. Com
Rogéria</span> <span style="line-height: 107%;">Nantes
Nunes Braga, a quem ajudou a eleger-se vereadora da capital fluminense, em 1992
e 1996, e com quem teve Flávio (senador), Carlos (vereador) e Eduardo (deputado
federal). Todos os filhos são próximos a ele, trabalhando em sintonia em suas
vidas públicas. Divorciado, casou-se com Ana
Cristina Valle e teve Renan. Em 2007, conheceu a atual esposa, Michelle de Paula
Firmo Reinaldo, quando ela era secretária parlamentar na Câmara dos Deputados.
Em dois meses casaram-se no papel. O casal fez uma cerimônia religiosa,
realizada pelo pastor Silas Malafaia, em 2013. Com Michelle, JB teve em 2010 sua
única filha, Laura.</span></div></span> <br /><span style="line-height: 107%;">O Presidente
é católico, Michelle e seus filhos são evangélicos. Ele possui passatempos
relacionados ao atletismo desde os tempos de militar. Anda de moto, cavalga,
nada, acompanha jogos de futebol. Galego de olhos azuis, nasceu em Glicério, São
Paulo, em 21 de março de 1955, e foi registrado em Campinas. Filho dos humildes
descendentes de italianos Percy Geraldo Bolsonaro e Olinda Bonturi, é o
terceiro entre os irmãos - três meninos e três meninas.</span> <span style="line-height: 107%;">Em 25 de
outubro de 2021, foi reconhecido como cidadão honorário pela Câmara Municipal
de Anguillara Veneta, na Itália, cidade natal de seu avô paterno.</span></div></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana; font-size: large;"></span></p><div style="text-align: justify;"><span style="font-family: verdana; font-size: large;">O nome de
batismo é uma homenagem ao jogador Jair da Rosa Pinto, meia que atuou pelo
Palmeiras e pela seleção brasileira nos anos 50. Inicialmente, seria chamado
apenas Messias Bolsonaro porque sua mãe, após uma gravidez complicada, atribuiu
a Deus o milagre do nascimento do filho. Na juventude, trabalhou com extração de palmito silvestre. Aos 15 anos, em maio de 1970, Carlos
Lamarca, terrorista comunista, iniciou um tiroteio na cidade em que ele morava,
resultando no assassinato de um policial. Ele e seus amigos deram pistas aos
militares sobre o paradeiro do esquerdista. Marcado com o acontecimento, decidiu
se tornar militar.</span></div><span style="font-family: verdana; font-size: large;"><span> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi88Eb3rMU6SopkzlSOeCjlZBJ4Uj8Feh3aWK8O1s_q_jZ962ZuiLIJhA1IccIvr4bNytvKJ9HBLCTKLtDqnsMpIigQv7aGcJTpBk4K8vBZIhKRiOA3l4SQEXf6XfzLmdO602qzpOhpDokHNcKCx_UD4yM19BsO8nX0ETSEeP9E7uDJgRhNEcFsUi-ycQ/s1500/227775266_353956962975293_5945876846809302044_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1000" data-original-width="1500" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi88Eb3rMU6SopkzlSOeCjlZBJ4Uj8Feh3aWK8O1s_q_jZ962ZuiLIJhA1IccIvr4bNytvKJ9HBLCTKLtDqnsMpIigQv7aGcJTpBk4K8vBZIhKRiOA3l4SQEXf6XfzLmdO602qzpOhpDokHNcKCx_UD4yM19BsO8nX0ETSEeP9E7uDJgRhNEcFsUi-ycQ/w640-h426/227775266_353956962975293_5945876846809302044_n.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-size: large;">michelle e jair bolsonaro</span></td></tr></tbody></table></span><div style="text-align: justify;">Em sua
infância, morou em diversas cidades do estado de São Paulo. Nos primeiros anos
de vida, sua família mudou-se para Ribeira. Após alguns anos, em 1964, para
Jundiaí. Em 1965, para Sete Barras. Finalmente, em 1966, mudaram-se para
Eldorado, no Vale do Ribeira, onde JB cresceu. Completou o ensino médio no
Científico Estadual de Eldorado Paulista. Ingressou na Escola Preparatória de
Cadetes do Exército, em Campinas, em 1971. Frequentou a Academia Militar das
Agulhas Negras, no Rio de Janeiro. Subiu na hierarquia do exército até
tornar-se capitão.</div><span></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana; font-size: large;"><span style="line-height: 107%;">No
exército, houve polêmicas. Em 1986, muitos colegas estavam desapontados com o
baixo salário que recebiam, então JB escreveu um artigo na revista <span style="color: #3d85c6;">“Veja”</span>
intitulado <span style="color: #3d85c6;">“O Salário está Baixo”</span>. Devido a este manifesto, recebeu ordem de
prisão por 15 dias</span> <span style="line-height: 107%;">e a admiração geral. Diversos militares
compadeceram-se dele, inclusive o lendário general Newton Cruz. Houve até mobilizações
públicas em seu favor. Terminou absolvido pelo Superior Tribunal
Militar.</span></span></p>
<p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana; font-size: large;"><span style="line-height: 107%;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDzmD7FY61RzWZ7cxbnEpWDVSz2I-9v7tzdrnoXL3uDVu4yn4HPGUKRTc_Nr8tarFTQE1Ip8DwkqUdbq3hC0qeU33Dl1GEhzNi3gQLNBnd3K6r_1SQwSmL9Afc9UmDwudDfCwoCX1w6croW3_MbqHMmeOKBahWiTKq8gFqbqgPyXcOoINoAm-gSJfJ1Q/s1235/Bolsonaro_e_pais.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: left;"><img border="0" data-original-height="1235" data-original-width="800" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDzmD7FY61RzWZ7cxbnEpWDVSz2I-9v7tzdrnoXL3uDVu4yn4HPGUKRTc_Nr8tarFTQE1Ip8DwkqUdbq3hC0qeU33Dl1GEhzNi3gQLNBnd3K6r_1SQwSmL9Afc9UmDwudDfCwoCX1w6croW3_MbqHMmeOKBahWiTKq8gFqbqgPyXcOoINoAm-gSJfJ1Q/w259-h400/Bolsonaro_e_pais.jpg" width="259" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-size: large;">jair bolsonaro e os pais</span></td></tr></tbody></table></span></span></p><div style="text-align: justify;"><span style="font-family: verdana; font-size: large;"><span style="line-height: 107%;">Em 1987,
a mesma <span style="color: #3d85c6;">“Veja”</span>,</span> <span style="line-height: 107%;">com o título de <span style="color: #3d85c6;">“Pôr Bomba nos Quartéis, um Plano
na ESAO”</span>, divulgou um suposto plano em que JB e um colega planejavam explodir
bombas em unidades militares. Meses após a reportagem, ele e outros militares
foram condenados. A punição seria a perda do posto e da patente militar. Desde
o início, declarou-se inocente. Terminou absolvido, não havia provas para
condená-lo.</span> <span style="line-height: 107%;">Seis meses depois, o capitão foi para a reserva e se elegeu
como vereador da cidade do Rio de Janeiro, pelo Partido Democrata Cristão
(PDC), com 11.062 votos. Na época, representava as causas das famílias de
militares. Em 1991, assumiu seu primeiro mandato na Câmara dos Deputados, com
67.041 votos, pelo Rio de Janeiro. Nunca mais deixou a Casa. </span></span></div><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana; font-size: large;"><span style="line-height: 107%;"></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: verdana; font-size: large;"><span style="line-height: 107%;"></span><span></span></span></p><div style="text-align: justify;"><span style="font-family: verdana; font-size: large;"><span><span>Sua
atuação parlamentar ficou marcada pela defesa de benefícios para as Forças
Armadas e segurança pública. Apoiou a pena de morte em caso de crime
premeditado, a redução da maioridade penal para 16 anos, a liberação do porte
de armas para a população e o excludente de ilicitude para que policiais não
sejam responsabilizados por mortes em serviço. Em 1993, foi para o Partido
Progressista Reformador (PPR), uma fusão do PDC e do Partido Democrático Social
(PDS). Depois trocou por outros: </span><span>PP (1993); PPR (1993 - 1995); PPB (1995 - 2003); PTB (2003 - 2005); PFL (2005); PP (2005 - 2016);
PSC (2016 - 2018); PSL (2018 - 2019); PL (2021 - presente).</span></span></span></div><div style="text-align: justify;"><span style="font-family: verdana; font-size: large;"><span><span style="line-height: 107%;"><br /></span></span></span></div><div style="text-align: justify;"><span style="font-family: verdana; font-size: large;"><span><span style="line-height: 107%;">Permaneceu como deputado federal por 6
legislaturas seguidas, alcançando o posto do mais votado </span><span style="line-height: 107%;">do Rio de
Janeiro nas eleições de 2014. Embora tenha apresentado 171 projetos de lei, só
conseguiu aprovar dois: um que autoriza o uso da fosfoetanolamina, substância
conhecida como <span style="color: #3d85c6;">“pílula do câncer”</span>; e outro que estende a produtos de
informática a isenção de IPI. Segundo ele, foi discriminado por ser um parlamentar
de direita. Com certeza.</span> <span style="line-height: 107%;">O maior destaque da sua carreira legislativa foi a
atuação para barrar alguns projetos. A causa mais conhecida e que lhe trouxe
fama foi o movimento contra o <span style="color: #3d85c6;">“kit gay”</span>, do Ministério da Educação, durante a
gestão de Dilma Rousseff, que apresentava em livros didáticos homossexualismo
para crianças.</span></span></span></div><span style="font-family: verdana; font-size: large;"><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">Na última
legislatura, JB foi membro titular das comissões de Direitos Humanos e
Minorias, de Relações Exteriores e Defesa Nacional, de Segurança Pública e
Combate ao Crime Organizado, e de Educação. Com a decadência do governo petista
e a abertura do processo do impeachment, em 2016, ele ganhou projeção. Na
votação para autorizar ou não a abertura do processo contra a presidente, no
dia 17 de abril de 2016, voltou a ser o centro de uma polêmica. Ao declarar o
voto a favor do afastamento, homenageou o coronel Carlos Alberto
Brilhante Ustra, que fez parte ativa do regime militar, levando a seguir uma
cusparada do colega Jean Wyllys (Psol - RJ).</div></span><span> <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUVuNoSxmBwNrty90OCaXIGyU7Z_ADFyt2cFOgQ9BnYy8QLK8Vl1bzhPw0c-If1kT9rwVc9XkrPT-8Gwy13lMxEtIhUwoNKchrsSfTrn5rLovlhy0jkAwrbZMbdOCqbmlYSGdlmlsUutxVbW2rHhq4ZC5kmLH6r_3dygDo6n4ZdmBfJtWr1KpnF8bFGQ/s504/Bolsonaro_em_mar%C3%A7o_de_1990_(Acervo_Globo).jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="504" data-original-width="370" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUVuNoSxmBwNrty90OCaXIGyU7Z_ADFyt2cFOgQ9BnYy8QLK8Vl1bzhPw0c-If1kT9rwVc9XkrPT-8Gwy13lMxEtIhUwoNKchrsSfTrn5rLovlhy0jkAwrbZMbdOCqbmlYSGdlmlsUutxVbW2rHhq4ZC5kmLH6r_3dygDo6n4ZdmBfJtWr1KpnF8bFGQ/w294-h400/Bolsonaro_em_mar%C3%A7o_de_1990_(Acervo_Globo).jpg" width="294" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-size: large;">bolsonaro vereador</span></td></tr></tbody></table></span><span><div style="text-align: justify;">A sua vida
política possui diversas polêmicas. Esses casos, inclusive, o levaram a ter
grande projeção. Entre eles, a briga com Maria do Rosário, e a defesa do Regime
Militar de 1964. A confusão com a deputada petralha aconteceu em 2003, no caso
Champinha, um psicopata que estuprou durante dias uma adolescente e depois a
degolou e esquartejou. Maria do Rosário era contra que criminosos com menos de
18 anos fossem punidos da mesma forma que adultos. JB, muito pelo contrário. Entrevistado
sobre o assunto, na <span style="color: #3d85c6;">“RedeTV!”</span>, foi interrompido pela parlamentar que o chamou
de estuprador na frente das câmeras. Ele rebateu: <span style="color: #3d85c6;">“Eu não te estupro porque
você não merece”</span>. E mais: <span style="color: #3d85c6;">“Sua família é que tem estuprador de vulnerável”</span>. Se
referia ao cunhado da deputada que foi pego abusando de menores de idade e foi
preso.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">Ele sempre
defendeu o regime militar de 1964. Em 2016, no aniversário de 42 anos do início
do regime, proclamou na Câmara: <span style="color: #3d85c6;">“Eu quero saudar o 31 de março de 1964, segunda
data da independência do nosso Brasil. Não quero saudar apenas os militares das
Forças Armadas. Quero saudar todo o povo brasileiro, que naquela época foi às
ruas pedir o afastamento do comunista João Goulart. O Congresso, ouvindo a voz
das ruas, este Congresso que aqui está, no dia 2 de abril de 1964, cassou João
Goulart. Forças Armadas nunca foram intrusas na política. Sempre estiveram
subordinadas à vontade nacional, e assim será”</span>.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">Com o
tempo, sua popularidade só aumentou. A confirmação de que seria candidato veio
em 2016, mas em 2014 ele já dizia que seria o <span style="color: #3d85c6;">“candidato da direita em 2018</span>”. De
couro grosso, enfrenta a sabotagem de esquerdistas instalados no Sinistro
Tribunal Federal (STF), cuja maioria dos integrantes foi nomeada pelos
condenados Nove Dedos e Zé Dirceu. JB também luta contra a má fé da mídia
militante que, saudosa dos bilhões despejados pelos desgovernos do ladrão Nove
Dedos e Dilma, transforma a mentira em manchete para detonar o governo. Ela
inventa e divulga montes de escândalos e falsas denúncias.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">No pacote
de maldades da oposição, avolumam-se as pesquisas de intenções de votos
levantadas pelo DataFoice e outros institutos fajutos, que
alimentam a vitória do Nove Dedos sobre JB (embora compareçam multidões nas
manifestações em apoio ao Presidente enquanto adversos contados
nos dedos apareçam nas passeatas mortadelas). Completando os ataques bafejados
pelo ódio, pronunciamentos do STE em favor das suspeitas urnas eletrônicas.
Neste sentido, aliás, a CIA enviou relatório à Presidência da República
detalhando articulação golpista tramada pelas esquerdas. O que os comunistas
esquecem, na trama diabólica urdida publicamente, é que JB interpreta, como
nenhum outro líder, o espírito do povo brasileiro, razão pela qual milhões
seguem os seus passos e escutam os seus pronunciamentos. São patriotas que
estão alertas.</div></span><span><div style="text-align: justify;"> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZT0eAtr_JAD9UHsbvzZaZbmUhBE_UDJnWWytzmi1mw8WT7tyE7FM-Hi77HZmGd4VRqVi-0e9GvRRqZ3m-ESX_Pz8U-Ud6ypzlrLjrrCWIzw3dXPVR63Oa-m1Rv3-ffg8urbnOBoh9jz8bku-RbxUPec19xEKNmASY2rSHzKD51_YCVzXswiJJpXv1wA/s1006/15462652235c2a228789aea_1546265223_3x2_xl.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="741" data-original-width="1006" height="472" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZT0eAtr_JAD9UHsbvzZaZbmUhBE_UDJnWWytzmi1mw8WT7tyE7FM-Hi77HZmGd4VRqVi-0e9GvRRqZ3m-ESX_Pz8U-Ud6ypzlrLjrrCWIzw3dXPVR63Oa-m1Rv3-ffg8urbnOBoh9jz8bku-RbxUPec19xEKNmASY2rSHzKD51_YCVzXswiJJpXv1wA/w640-h472/15462652235c2a228789aea_1546265223_3x2_xl.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-size: large;">bolsonaro e os filhos flávio, eduardo e carlos</span></td></tr></tbody></table></div></span><span><div style="text-align: justify;"><span>Quando JB
se candidatou à presidência da República, a reação geral foi de incredulidade.
Mas o que muitos não esperavam aconteceu, e ele se tornou presidente. Eleito
aos 63 anos, fez de sua principal marca a crítica à esquerda, a defesa de
valores conservadores e do liberalismo econômico. Na campanha eleitoral, no
minúsculo PSL, se virou praticamente sem recursos. Contava com o apoio
voluntário nas redes sociais, lotava aeroportos e despertou uma militância
alimentada por patriotismo. Sem tempo de TV, num partido nanico e
vítima de atentado, nenhuma dessas adversidades foi capaz de impedir que se
elegesse o </span><a name="_Hlk110773398">38º</a><span> Presidente do Brasil.</span></div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">A luta
contra a corrupção ganhou o centro do palco e exorcizou o Partido das Trevas. O
arrogante José Dirceu chegou a declarar o real intuito: tomar o poder,
independentemente do resultado eleitoral. Todos sabem que o Nove Dedos quer
vingança e se arrepende de não ter investido mais no bolivarianismo,
especialmente no controle da imprensa. Os conservadores avançam e os vermelhos começam a perceber que os valores
vindos de fora, sob a chancela do politicamente correto, encontram
resistência na sociedade brasileira que até pouco se mantinha passiva.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">A burguesia
e seus artistas se aprisionaram numa bolha progressista. Suas pautas, como
legalização de drogas e aborto, ou ideologia de gênero, não falam ao povo,
interessado em segurança, emprego, saneamento básico e ensino de qualidade, em
vez de doutrinação ideológica. O esgarçamento dos valores morais foi a gota
d’água: o Brasil petista virou uma baixaria, e é preciso resgatar urgentemente um
comportamento ético. A campanha precoce de 2022 tem a militância da mídia e dos
institutos de pesquisa, que insistem em colocar o Nove Dedos, um bandido preso
e condenado, como favorito. O perigo da volta do PT e do que isso significa,
isto é, a transformação do Brasil numa Venezuela, é o principal ativo eleitoral
de JB.</div></span><span><div style="text-align: justify;"> </div></span><span><div style="text-align: justify;">O nosso Presidente é um fenômeno. Se por um lado fenômenos oferecem riscos, por outro tudo que
sempre quisemos foi um político de direita que conseguisse ser nacionalmente
popular e rompesse a tirania do comunismo, e se esse líder é ele, cabe-nos apoiá-lo.
Desde que tomou posse, em 2019, foi alvo de centenas de críticas e sabotagens. Incrivelmente,
superou todas elas. Ele ama seu povo e seu país, trabalha para um Brasil melhor
para todos. Tornou-se referência para os conservadores. Sua reeleição é essencial
para a nossa explorada Nação.</div></span><span> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCJ2dGltV2HEimdMF3E_wy8mWU_V1LGZKrHi94_o32D44LZViox1FhgM7T9pTCfE9rRmVUJDZF7dhKIaLBSeIOnyOFsXX_01n1ocEh8SZEH-wqdapbt7Q7eitJQlY5hpqtxK0Xamr2gD78mPAztyQey34AXscIG1JxrS5h4LvruBOL8WdK2ccw7bpV8Q/s956/Solenidades._Homenagens_(44744824410).jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="839" data-original-width="956" height="562" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCJ2dGltV2HEimdMF3E_wy8mWU_V1LGZKrHi94_o32D44LZViox1FhgM7T9pTCfE9rRmVUJDZF7dhKIaLBSeIOnyOFsXX_01n1ocEh8SZEH-wqdapbt7Q7eitJQlY5hpqtxK0Xamr2gD78mPAztyQey34AXscIG1JxrS5h4LvruBOL8WdK2ccw7bpV8Q/w640-h562/Solenidades._Homenagens_(44744824410).jpg" width="640" /></a></div></span></span><p></p><div style="text-align: center;"><span><span style="background-color: #274e13; color: white; font-family: verdana; font-size: large;">FEITOS do
GOVERNO JAIR MESSIAS BOLSONARO</span></span></div><span style="font-family: verdana; font-size: large;"><span> </span><br /><div style="text-align: justify;"><span style="color: #3d85c6;">Lei da
Liberdade econômica;</span></div><div style="text-align: justify;"><span style="color: #3d85c6;"><br /></span></div><span style="color: #3d85c6;"><span><div style="text-align: justify;"><span>Conclusão
de dezenas de obras paradas há décadas;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Redução
de impostos;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Água para
o Nordeste;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Marco do
Saneamento Básico;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Apreensão
recorde de drogas;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Redução
recorde de homicídios;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Programa
social superior ao Bolsa Família;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Desemprego
abaixo de 2 dígitos;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Independência
do Banco Central;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Reforma
da Previdência;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Retomada
da Malha Ferroviária;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Digitalização
recorde de serviços;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Desestatização
da Eletrobrás;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>PEC que
limita imposto estadual sobre combustíveis;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Acordo de
Salvaguardas Tecnológicas para a base de Alcântara – MA;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>360 mil
títulos de concessões de terra;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Facilitação
da posse de armas;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Desenvolvimento
da infraestrutura do país;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Redução
da violência;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Desenvolvimento
da cultura conservadora;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Desenvolvimento
da liberdade econômica;</span></div><div style="text-align: justify;"><span><br /></span></div></span><span><div style="text-align: justify;"><span>Defesa da
soberania nacional;</span></div></span><span><div style="text-align: justify;"><span> </span></div></span><span><div style="text-align: justify;"><span>Reduziu
25% dos impostos sobre carros, geladeiras, máquinas de lavar, videogames e
outros produtos industrializados (IPI);</span></div></span><span><div style="text-align: justify;"><span> </span></div></span><span><div style="text-align: justify;"><span>Reduziu o
número de cargos públicos para diminuir os gastos do governo. Em 2019, 46 mil
servidores públicos foram exonerados. Essa foi a maior redução da máquina
pública do Brasil;</span></div></span><span><div style="text-align: justify;"><span> </span></div></span><span><div style="text-align: justify;"><span>Obras
consideradas urgentes foram começadas em governos anteriores e abandonadas,
muitas contendo escândalos de corrupção ao seu redor. Um exemplo foi a
conclusão da transposição do rio São Francisco. Começou no governo Carniça, em
2007, com o objetivo de levar água do rio São Francisco para áreas do Nordeste
que sofrem com a seca. A previsão do governo à época era terminar a obra em
três anos, ou seja, em 2010, com um custo de 4.6 bilhões de reais. Após 10
anos, em 2017, a obra não havia sido concluída e os custos foram elevados para
10 bilhões de reais. A Polícia Federal descobriu em 2015 o desvio de R$ 200
milhões na transposição. Em três anos, JB inaugurou os principais eixos da
transposição do rio São Francisco, entregando água para os que sofriam com a
seca;</span></div></span><span><div style="text-align: justify;"><span> </span></div></span><span><div style="text-align: justify;"><span>A
retomada dos investimentos em ferrovias, pelo fato dos trens serem transportes
baratos e altamente eficientes. Com as políticas do governo JB, o país pode
passar de 15% de ferrovias no total de seus meios de transporte para 35% em
8-10 anos. As obras da ferrovia Norte-Sul estavam quase paradas, até sua
retomada. O governo já entregou 172 quilômetros da obra, conectando Goiás até o
Porto de Santos, facilitando o escoamento da produção agrícola;</span></div></span><span><div style="text-align: justify;"><span> </span></div></span><span><div style="text-align: justify;"><span>Criação do
“Wi-Fi Brasil”, responsável por entregar internet gratuita para comunidades
carentes ou afastadas de postos de energia e conexão de internet. O programa
contabiliza, desde janeiro de 2019, 13.671 localidades beneficiadas, “sendo
mais de 80% das conexões instaladas nas regiões Norte e Nordeste”;</span></div></span><span><div style="text-align: justify;"><span> </span></div></span><span><div style="text-align: justify;"><span>Alterou
os valores que a Lei Rouanet pode entregar. Os gastos mudaram do máximo de R$
60 milhões para R$ 1 milhão por projeto. A medida sofreu forte rejeição por
parte da classe artística mamateira;</span></div></span><span><div style="text-align: justify;"><span> </span></div></span><span><div style="text-align: justify;"><span>Projetos
como a MP da liberdade econômica diminuíram a quantidade de impostos das
empresas e facilitaram o cidadão brasileiro começar seus próprios negócios com
menos burocracias;</span></div></span><span><div style="text-align: justify;"><span> </span></div></span><span><div style="text-align: justify;"><span>Em 2019,
potências estrangeiras defenderam uma intervenção internacional na Amazônia
brasileira. JB criticou as medidas na ONU, falando diretamente contra os
líderes dos países interventores e defendendo a soberania nacional.</span></div></span></span></span><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"></p><div style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img border="0" data-original-height="853" data-original-width="1280" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDz4XDOwHwPK9FFe74uFigbtTxWxZsc-MoZ4H-IhoOPomiQFsZ9MrTUx3plxY8ZI98q8p-VFDl6RmVr_p26ScX6dfQqKEeW6M4Kqj6rSe4RrCYrthqJ7W-gsMGB0fTZkf0HDMDo2GLiSZ_ETgpqiL1gBD_i7q_ni09N6gnjVDGDwABE0jgi9Gd8ga5WQ/w640-h426/Jair_Bolsonaro_e_Paulo_Guedes_em_solenidade.jpg" style="margin-left: auto; margin-right: auto;" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: verdana; font-size: large;">jb e paulo guedes<br /><br /></span></td></tr></tbody></table></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;">DEZ
GRANDES MINISTROS do GOVERNO JB</span></span></div><span> </span><br /><div style="text-align: center;"><span style="color: #3d85c6;">01</span></div><span><div style="text-align: center;"><span style="background-color: #274e13; color: white;">ADOLFO
SACHSIDA</span><span style="color: #3d85c6;"> </span></div></span></span><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro de Minas e Energia)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">02</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">AUGUSTO
HELENO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro da Defesa e ministro-chefe do Gabinete de Segurança
Institucional)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="background-color: black;"><span style="color: #3d85c6;">03</span></span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">DAMARES
ALVES</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministra da Mulher, da Família e dos Direitos Humanos)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">04</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">PAULO
GUEDES</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro da Economia)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">05</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">RICARDO
SALLES</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro do Meio Ambiente)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">06</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">ROBERTO
CAMPOS NETO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Presidente do Banco Central)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">07</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">ROGÉRIO
MARINHO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro do Desenvolvimento Regional)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">08</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">TARCÍSIO
GOMES de FREITAS</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro da Infraestrutura)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">09</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">TEREZA
CRISTINA</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministra da Agricultura, Pecuária e Abastecimento)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">10</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">WALTER
BRAGA NETTO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Casa Civil e Ministro da Defesa)</span></span></div><span style="font-family: verdana; font-size: large;"><span> <table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf6q9ey22CywgiJSstBcAd76t4v9xcj0SfE1KJTTJLlMiqtyeWzYUpT4msohYaHq6vZF_zPiYXcD5dvDzYH_WPa26b1sAUBFayEJCUDrUIRauoVB7BxihzK5KQQU_lvBas3mLlDTlGItpoKehq1xv4b-BargTiIO_ZyFPjjQ-2vFmu9diYnaJmQ75I2A/s1280/2019_Solenidade_de_Lan%C3%A7amento_do_Projeto_em_Frente_Brasil_-_48644135303.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="853" data-original-width="1280" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhf6q9ey22CywgiJSstBcAd76t4v9xcj0SfE1KJTTJLlMiqtyeWzYUpT4msohYaHq6vZF_zPiYXcD5dvDzYH_WPa26b1sAUBFayEJCUDrUIRauoVB7BxihzK5KQQU_lvBas3mLlDTlGItpoKehq1xv4b-BargTiIO_ZyFPjjQ-2vFmu9diYnaJmQ75I2A/w640-h426/2019_Solenidade_de_Lan%C3%A7amento_do_Projeto_em_Frente_Brasil_-_48644135303.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-size: large;">sérgio moro e jb<br /><br /></span></td></tr></tbody></table></span><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;">DEZ
TRAÍRAS no GOVERNO JB</span></span></div><span> </span><br /><div style="text-align: center;"><span style="color: #3d85c6;">01</span></div><span><div style="text-align: center;"><span style="background-color: #274e13; color: white;">ABRAHAM
WEINTRAUB</span><span style="color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro da Educação)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">02</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">ERNESTO
ARAÚJO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro das Relações Exteriores)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">03</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">GENERAL
SANTOS CRUZ</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Secretaria de Governo)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">04</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">GUSTAVO
BEBIANNO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Secretaria-Geral da Presidência da República)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">05</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">JOICE HASSELMANN</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Líder do governo no Congresso Nacional em 2019)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">06</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">LUIZ
HENRIQUE MANDETTA</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro da Saúde)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">07</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">MAJOR
OLÍMPIO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Senador)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">08</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">RODRIGO
MAIA</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Presidente da Câmara dos Deputados)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">09</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">RODRIGO
PACHECO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Presidente do Senado)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><span style="font-family: verdana; font-size: large;"><div style="text-align: center;"><span style="color: #3d85c6;">10</span></div><span><div style="text-align: center;"><span><span style="background-color: #274e13; color: white;">SÉRGIO
MORO</span></span><span style="background-color: transparent; color: #3d85c6;"> </span></div></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">(Ministro da Justiça e da Segurança Pública)</span></span></div><span style="font-family: verdana; font-size: large;"><span> </span><br /><div style="text-align: center;"><span style="background-color: #274e13;"><span style="color: white;">Fontes:</span></span></div><span><div style="text-align: center;"><span style="color: #3d85c6;">Gazeta do
Povo</span></div></span></span></div><div style="text-align: center;"><span><span><span style="color: #3d85c6; font-family: verdana; font-size: large;">Revista Oeste</span></span></span></div><div style="text-align: center;"><span><span><span style="color: #3d85c6; font-family: verdana; font-size: large;">Brasil Paralelo </span></span></span></div><div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">e “Mito ou Verdade: Jair Messias
Bolsonaro” (2017)</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;">de Flávio Bolsonaro.</span></span></div><div style="text-align: center;"><span style="color: #3d85c6;"><span style="font-family: verdana; font-size: large;"><br /></span></span></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPTK0nRUzFsHuV7-bCERnVIEWSBQ-iMlCFtxwriulJmKQu2cQxbkKy713Jh0ZxnOXKHMpIeMFjWkCBE8je4IMaszHSIlC7CtX27pRyFxipB7ZFHKDa_tByd9N-pJRvynw8GPRmXE5zvZWXYC_28sPo_pIlmttCQaKz0tjkgI0ilLRZSBWc0aHoG2Fqdw/s815/624b3cbd9c98afb85764fd8b_jovem%20militar.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: verdana; font-size: large;"><img border="0" data-original-height="625" data-original-width="815" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPTK0nRUzFsHuV7-bCERnVIEWSBQ-iMlCFtxwriulJmKQu2cQxbkKy713Jh0ZxnOXKHMpIeMFjWkCBE8je4IMaszHSIlC7CtX27pRyFxipB7ZFHKDa_tByd9N-pJRvynw8GPRmXE5zvZWXYC_28sPo_pIlmttCQaKz0tjkgI0ilLRZSBWc0aHoG2Fqdw/w400-h306/624b3cbd9c98afb85764fd8b_jovem%20militar.jpg" width="400" /></span></a><div class="separator" style="clear: both; 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O ELOGIO da VIAGEM<p style="text-align: left;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrB9tH52aocDYiBczXDtdSn9BZ35kV5RjU1j29GSPVoOK57jdEA-qGtjvgY8GKHJSov8BzZ4BweWeAFzNlqTvd0L4jXxhTk8rgpqipie9k7t0fAugKYNisjYtAwabOiccyzSyIgFaN69k-jpVpPV6wNpy3ZiASFpu7KReSfvc9WTi5KreGLvgaBn6Fig/s1568/paris3.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1063" data-original-width="1568" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrB9tH52aocDYiBczXDtdSn9BZ35kV5RjU1j29GSPVoOK57jdEA-qGtjvgY8GKHJSov8BzZ4BweWeAFzNlqTvd0L4jXxhTk8rgpqipie9k7t0fAugKYNisjYtAwabOiccyzSyIgFaN69k-jpVpPV6wNpy3ZiASFpu7KReSfvc9WTi5KreGLvgaBn6Fig/w640-h434/paris3.jpg" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">paris, frança</span></td></tr></tbody></table><p></p><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><br /></div><span style="font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">“Solte
suas amarras. Afaste-se do porto seguro. Agarre o vento em suas velas. Explore.
Sonhe. Descubra.”</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">MARK
TWAIN</span></span></div></span><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">(1835 –
1910. Florida, Missouri / EUA)</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">“Se você
acha que a aventura é perigosa, experimente a rotina, é mortal.”</span></div></span></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">PAULO
COELHO</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;">(1947.
Rio de Janeiro, RJ / Brasil)</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6;"><br /></span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="color: #3d85c6; font-family: inherit;">Fotos:</span></span></div><div style="text-align: justify;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white; font-family: inherit;">ANTONIO NAHUD</span></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Uma das
melhores sensações da vida é a de chegar em uma cidade desconhecida e traduzir os seus contornos. A língua local, os costumes, os rostos
típicos, a paisagem. Uma estrada desenhada por adivinhações,
um vestígio dos sentimentos de descoberta que os meninos vivenciam e os adultos
ignoram. Na idade madura, só o amor provoca essa novidade, esse desatino de ir
sem saber para onde. Aventureiro, agarro-me insaciável
ao desejo de viajar, descartando lugares onde meu coração não pulsa.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">A viagem
é uma porta gótica escancarada, uma lâmpada que arde na escuridão sem se
apagar, um milagre como uma chuva de estrelas cadentes. É um par de asas que
substitui os pés. Nos dias de tédio, de revolta contra a sabotagem da esquerda aloprada,
de angústia provocada pela barbárie da solidão ou da limitação insuportável de
dinheiro, conforto-me com recordações transcendentes de viagens. Geralmente esqueço
os acontecimentos desagradáveis. Por exemplo, não há nada mais enfadonho do que
lembrar problemas em alfândegas, a sujeira das ruas de Roma ou a péssima comida
de Londres.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Viajar
significa guardar no coração o sublime do visto e vivido, aprender com o
incógnito ou somente fugir da rotina cotidiana? Lembro com embevecimento do
canto do Alcorão numa madrugada marroquina, o inverno nos Pirineus espanhóis, a
casa esbelta de George Orwell, os antros delirantes do Bairro Alto lisboeta, a
névoa do Lago Ness, noites lúdicas em Sintra, um encontro místico no parque El
Retiro em Madri, certas identificações com museus parisienses, um barco em alto
mar iluminado por lua cheia em Boipeba, o deslumbramento da Floresta Negra na
Alemanha, os bosques austríacos montanhosos, daiquiris em Cuba, fontes italianas,
livrarias argentinas, igrejas barrocas mineiras etc.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><div style="text-align: left;"><span style="font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbtA5zwMrywImVrsbxmSHpn-03i14JdBDPVelecYX9mP4m3-NnZBMDiXDcpCu65drTJE_nBA6peWIeSa3TxOlHGtwPpNy6FjsUe8Fg1swRN8EGT6TQCbJQmVxqYFTpde8bkAK2fQnSeOWSg4qKdEcm-IukN_truCYFRORCGCvc2HM9aOHQYOZZZLVzpg/s942/MARROCOS2.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="707" data-original-width="942" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbtA5zwMrywImVrsbxmSHpn-03i14JdBDPVelecYX9mP4m3-NnZBMDiXDcpCu65drTJE_nBA6peWIeSa3TxOlHGtwPpNy6FjsUe8Fg1swRN8EGT6TQCbJQmVxqYFTpde8bkAK2fQnSeOWSg4qKdEcm-IukN_truCYFRORCGCvc2HM9aOHQYOZZZLVzpg/w400-h300/MARROCOS2.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">fez, marrocos</span></td></tr></tbody></table></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Deixar de
viajar é um suicídio lento. Viajar rejuvenesce a alma, aclara o pensamento. Nos
autoriza a enxergarmos diferente, sem as contrariedades e os naufrágios do dia
a dia. Nos deixa livre para sermos poéticos e até para procurar o que possivelmente
não existe. É um santo remédio contra o provincianismo, a monotonia ou a
maledicência de quem não tem mais o que fazer. Com o pé na estrada, escritores
e poetas construíram sua obra: Rilke, Michaux, Rimbaud, Ginsberg,
Whitman, Gide, Bowles etc. Sempre soube que no dia em que eu não pudesse mais
viajar, nem a viagem interior, a do leitor de livros, o mundo teria para
mim a opressão de uma jaula.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Cada
viajante tem a sua sorte. Como disse Paul Bowles e Bruce Chatwin, virtuosos
escritores-viajantes, <span style="color: #3d85c6;">“o importante é ser viajante, nunca turista”</span>. O turismo
vive de vaidades, destruindo simultaneamente as cidades litorâneas do Nordeste
brasileiro, assim como as selvas da Costa Rica. Compare, por exemplo, Pipa ou
Porto Seguro, o que foram um dia e o que são hoje. Uma tragédia! Tive a sorte
de ter elegido uma profissão que me permitiu viajar. Aprecio explorar cidades além do convencional. Nunca
deixo de ir ao cinema ou ao teatro local, mesmo que não entenda o idioma.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">As
igrejas e os templos fora da rota turística são indispensáveis, assim como os
mercados populares, zonas sórdidas, cemitérios, bares frequentados por
fracassados, mosteiros, castelos, bosques e rios. Não se descobre segredos em
um mundo explorado. Visitar a Torre Eiffell ou o Corcovado é redundância. Também
é inútil acumular monumentos em poucas horas, gastar fotografias, ouvir
lengalenga de guias. Bom é passear sem destino, parar, observar. É preciso
viajar para deixar a cabeça girar e exercitar o cérebro. Primeiro elegendo um
destino como se elege um amante. Haverá que pesquisar, observar, intuir, arriscar.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Conheço
gente que leva na bagagem seus vícios burgueses. Investe em compras
fantásticas, discotecas enlouquecidas, hotéis de luxo. Os cruzados da Idade
Média viajavam para salvar a alma e viver aventuras. Os turistas obcecados pelo
consumo apenas disfarçam o vazio de suas existências. Viajar é pedir pouco, apostar no inesperado, compreender que o movimento cura a
melancolia. Como dizia Robert Louis Stevenson, <span style="color: #3d85c6;">“quando
viajo peço somente o céu sob meu corpo e um caminho para os meus pés”</span>.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx_ndsQxQvTpGeWbecAMcpiK05oZnCl9jYEj6wULnaqMVU8moSPcEiDYhFP3iVGav6u4xEKEZHmovUjv1zIRYEBOp4MfyVT-6G6Ag-blY0ckTf0X5hbMDIg0EXe0So6psDcoQQ0y6yaebORn3YJCrjZpvyWCAky9-NOrfLzxRqy5zxON3rvU86AeY0Zw/s922/37815595_2148210335464099_6928098147587588096_n.jpg" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="873" data-original-width="922" height="379" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgx_ndsQxQvTpGeWbecAMcpiK05oZnCl9jYEj6wULnaqMVU8moSPcEiDYhFP3iVGav6u4xEKEZHmovUjv1zIRYEBOp4MfyVT-6G6Ag-blY0ckTf0X5hbMDIg0EXe0So6psDcoQQ0y6yaebORn3YJCrjZpvyWCAky9-NOrfLzxRqy5zxON3rvU86AeY0Zw/w400-h379/37815595_2148210335464099_6928098147587588096_n.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">antonio nahud em tânger, marrocos</span></td></tr></tbody></table></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Viajei inúmeras
vezes com o dinheiro contado. Chegava na cidade estrangeira e fazia serviços simplórios
em troca de alimentação, hospedagem ou alguns trocados. Cuidei de jardins,
carreguei malas em pensões e albergues, fui ajudante de cozinha, colhi laranjas
e uvas, trabalhei em tavernas, ajudei a carregar mesas e cadeiras para shows
etc. Valia a pena. Nunca ficava mais de uma semana e nas horas vagas conhecia o
lugar. O meu trabalho mais estranho aconteceu no Reino Unido, num inverno
rigoroso, numa granja onde eu passava o dia depenando dezenas de perus. Era uma
Torre de Babel. Ao meu lado, croatas, chineses, marroquinos e italianos.
Ninguém entendia ninguém. Com o bom dinheiro que recebi, passei quinze dias
viajando pela Irlanda, País de Gales e Escócia.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Pela
primeira vez em Londres, hospedei-me no apartamento de um amigo de infância, um
escultor, na agradável Wimbledon. Ele preparava jantares impecáveis, dava dicas
das melhores galerias e me apresentou aos debates na BBC da inteligente
Germaine Greer. Foi válido, mas não era bem o que eu queria. Mudei-me para um
prédio vitoriano invadido por jovens, sem energia elétrica, aquecimento ou água
canalizada, num turbulento bairro de negros e imigrantes: Elephant and Castle.
Do meu quarto no último andar, iluminado por velas em candelabros, escrevi
poemas e organizei reuniões festivas. Uma experiência enriquecedora, e eu somente
o abandonei quando neo-nazistas ameaçaram atear fogo no local. Dias antes haviam queimado uma família de hindus.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Perigos
existem, mas o êxito de uma viagem depende principalmente do aprendizado e da entrega
apaixonada, e nada disso se encontra em grupos turísticos, hotéis requintados
ou numa loja de souvenires. Sempre deixei de lado mordomias e apostei no misterioso.
Viajava sem problemas. Com a experiência de anos como
viajante, a vida floresceu, completando a peça que faltava no
quebra-cabeças interior. Entre outras coisas, porque a memória - intelectual,
espiritual, erótica - tornou-me um cidadão do mundo.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Atualmente
não tenho reservas financeiras para viajar nem juventude para me arriscar. Vivo
no limite. Isso me desgasta, me envelhece. Viajar é fundamental para a
felicidade. A última viagem que fiz foi em 2017. Estive na Espanha e Suíça. Foi
uma experiência milagrosa, embora na época eu estivesse possuído por uma sonífera
depressão pós-morte de Morvan. Lembro especialmente de Sevilha. Uma bela cidade
que se caracteriza por seus bairros antigos preservados, suas cores, suas
laranjeiras carregadas de frutas, suas ruas pitorescas, pelo céu azul e pela
luz peculiar. Some-se a isso sua história e personagens literários.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFd0Xv_DGeJ8lml3Z24m-48X8ljqBnbPkjE6FloEwiU7b_9RAbwfkCiWSN-MKi2GBZdHqGWrhJERHfoX2twq-oCQlTjZrOKZvoszVtINaxgx-3IdyPH-l5vaXzcr2seoHGgSCBlnvi5IpIyTboTTMh5crLaCTbca4mxKsxR1HmP_Ia4AcRXMW4zDpjmQ/s960/NOTRE-DAME%20de%20PARIS.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="702" data-original-width="960" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFd0Xv_DGeJ8lml3Z24m-48X8ljqBnbPkjE6FloEwiU7b_9RAbwfkCiWSN-MKi2GBZdHqGWrhJERHfoX2twq-oCQlTjZrOKZvoszVtINaxgx-3IdyPH-l5vaXzcr2seoHGgSCBlnvi5IpIyTboTTMh5crLaCTbca4mxKsxR1HmP_Ia4AcRXMW4zDpjmQ/w400-h293/NOTRE-DAME%20de%20PARIS.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">catedral de notre dame, paris</span></td></tr></tbody></table></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Quando a
conheci pela primeira vez em 2004, Sevilha já possuía fortes conotações
culturais para mim. Desde sempre, era o local que eu associava a Carmen, a
Velázquez - que nasceu na cidade –, à figura de Figaro e à estória de Don Juan,
que inspirou Molière e Mozart. Ao passar ao longo do muro da antiga Real
Fábrica de Tabacos, atualmente sede da Universidade, pensava que é lá onde
trabalha a fictícia sedutora Carmen e cantarolava alguma ária da ópera de Bizet.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Cervantes
menciona Sevilha frequentemente em sua obra. Caminhando pela cidade, vi duas
placas, ambas de azulejos, comemorando o escritor. Em 1999, em entrevista
publicada pela revista <span style="color: #3d85c6;">“Sibila”</span>, o poeta João Cabral de Melo Neto, que morou em
Sevilha mais de uma vez e dedicou a ela os poemas recolhidos no livro “Sevilha
Andando”, perguntado sobre que imagem lhe vinha à cabeça quando pensava na
cidade, respondeu: <span style="color: #3d85c6;">“Acho que é a calle Sierpes, a rua principal. Chama-se
Sierpes por isso, porque ela não é reta”</span>. Haverá forma mais bonita de celebrar
uma cidade do que o famoso poema dele “Sevilhizar o Mundo”?</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="color: #3d85c6;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">Como é
impossível, por enquanto,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">civilizar
toda a terra,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">o que não
veremos, verão,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">de certo,
nossas tetranetas,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">infundir
na terra esse alerta,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">fazê-la
uma enorme Sevilha,</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">que é a
contra-pelo, onde uma viva</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-size: 14pt;">guerrilha
do ser, pode a guerra.</span></div></span></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">Ainda em
Sevilha, caminhando ao acaso, encontrei uma placa de azulejos colocada em
homenagem ao poeta Antonio Machado, nascido na propriedade em 1875, pois seu
pai era advogado ou administrador dos Duques de Alba, que alugavam casas no
recinto de seu palácio. Ver essa homenagem a Machado foi comovente para mim
porque, na adolescência, em Itabuna, minha professora de literatura era
admiradora de sua poesia e muitas de suas aulas eram passadas dissecando obras
suas. Anos depois, morando em Barcelona, visitei seu túmulo em Collioure, na
França.</span></div><div style="text-align: justify;"><br /></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP_WN_bpihuEo8ZE3QCV48iBvpo4eM2YCjmTran8UBwZQSRT67lMbHiiP4e_cJkjdG2s5ni0ys3yqtc-tLyF85synFBKfaEznjMk8Ycm0mrMdeLNfP_dk8ciedsGZ2beYWngNsdSKCOJrouZVLsmkb2QHzHXsBAFlvAl2ZUxscr-a4LGM9-XhhHTxuig/s941/34605354_2100621490222984_6173968342143991808_n.jpg" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" data-original-height="861" data-original-width="941" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiP_WN_bpihuEo8ZE3QCV48iBvpo4eM2YCjmTran8UBwZQSRT67lMbHiiP4e_cJkjdG2s5ni0ys3yqtc-tLyF85synFBKfaEznjMk8Ycm0mrMdeLNfP_dk8ciedsGZ2beYWngNsdSKCOJrouZVLsmkb2QHzHXsBAFlvAl2ZUxscr-a4LGM9-XhhHTxuig/w400-h366/34605354_2100621490222984_6173968342143991808_n.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><span style="background-color: black; color: #3d85c6; font-family: inherit; font-size: large;">antonio nahud na notre dame, paris</span></td></tr></tbody></table></span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;">O grande Antonio
Machado, nascido no Palacio de las Dueñas e que depois de se mudar para Madri,
em 1883, aos oito anos de idade, nunca mais moraria em Sevilha, lembraria-se
para sempre, como mostra sua poesia, dos <span style="color: #3d85c6;">“naranjos encendidos”</span>, do <span style="color: #3d85c6;">“limonero
lánguido”</span>, do <span style="color: #3d85c6;">“encanto de la fuente limpia”</span>, da <span style="color: #3d85c6;">“tarde alegre y clara”</span>. Seus
versos fazem referência a Sevilha, fonte para ele de paz, beleza, harmonia.
Mesmo estrangeiro e de passagem, senti o mesmo que o poeta.</span></div></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"> </span></div></span></span><span style="font-size: 14pt;"><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;">Conheço bem
o Brasil. Gostaria de revisitar certos países e algumas cidades brasileiras.
Sem grupos turísticos, sem parceiros, eu e a vontade de contemplar o belo. Talvez
não seja possível. Talvez as oportunidades tenham passado. Mas não há queixas.
Com poucos recursos, vi e aprendi muito mais do que muitas pessoas afortunadas.
E a vida segue. A morte, quem sabe, pode ser uma grata surpresa. Talvez com
lugares formosos para conhecer e guardar eternamente no espírito, sem a
necessidade de dinheiro no bolso ou a preocupação capenga de pagar contas ou
não morrer de fome. Ah, aqui encerro esse êxtase viajante, garantindo que
viajar me tornou um homem modesto. Vi o lugar minúsculo que ocupo no mundo.
Portanto, fica a recomendação: viva, viaje, aventure-se, abençoe e não se
arrependa!</span></span></div><div style="text-align: justify;"><span style="font-size: 14pt;"><span style="font-family: inherit;"><br /></span></span></div><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white; font-family: inherit;">ÁLBUM de FOTOGRAFIAS</span></span></div><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><span style="font-family: inherit;"><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6; font-family: inherit;">Barcelona
(Espanha), Sintra e Lisboa (Portugal), Granada (Espanha). Gruyères e Genebra
(Suíça), Aix-en-Provence e Paris (França), Tânger (Marrocos), Veneza (Itália) e
Salvador (Bahia).</span><span style="color: white; font-family: Cambria, serif;"><o:p></o:p></span></span></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: Cambria, serif; font-size: 14pt; line-height: 107%;"><span style="color: #3d85c6;"><br /></span></span></p></span></span></div><div style="text-align: center;"><span style="background-color: #274e13; font-size: 14pt;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNtEe-F-Sph1tTp77fSykE2VfzmzWp3EUvMeNrhSYXwbx9PYwMiWgpVMtuHsV06ccI4iu2uResAsvzrzDGhh_eJdyryAWhLJEB90J8b8UBsKzimM5z_oLOvVhhvKlVE7_SBEU7Nmz4Rlhgd21HcoLMVnRuujwiIUNe6DVUTKRAgF-J53rbWD-jB9OXyw/s1559/Paseo%20de%20Gr%C3%A1cia,%20La%20Pedrera%20y%20Casa%20Batll%C3%B3.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="878" data-original-width="1559" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNtEe-F-Sph1tTp77fSykE2VfzmzWp3EUvMeNrhSYXwbx9PYwMiWgpVMtuHsV06ccI4iu2uResAsvzrzDGhh_eJdyryAWhLJEB90J8b8UBsKzimM5z_oLOvVhhvKlVE7_SBEU7Nmz4Rlhgd21HcoLMVnRuujwiIUNe6DVUTKRAgF-J53rbWD-jB9OXyw/w640-h360/Paseo%20de%20Gr%C3%A1cia,%20La%20Pedrera%20y%20Casa%20Batll%C3%B3.jpg" width="640" /></a></div><div class="separator" style="clear: both; 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margin-right: 1em;"><img border="0" data-original-height="960" data-original-width="647" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrTMPP2hzIcrGZjh1Ejw2T9fJm2YymFpODB8y0bAMy76JAo4yiXGvjgNridZ8i3MoMvqqHt4O52UvemDeKlff84cysXNNYNx2MSJ5f5F9Wc81LV3X5dpJWnrwfHBblcZ6A24I2ObfD2zdPWnqH_O9YJsoTTz7SMu0DhUjxJrXYkVD7PtuNFeNJxhpLCA/w270-h400/Santo%20Ant%C3%B4nio%20Al%C3%A9m%20do%20Carmo.jpg" width="270" /></a></div><br />Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com36tag:blogger.com,1999:blog-1221158885572115483.post-53295035827419285942022-06-24T18:59:00.029-02:002022-07-08T00:14:51.713-02:00............................................................... A LUZ dos VAGA-LUMES <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuAZYC4Ipjx7lcdmC8uGt03NH0RdycG5UhwAJrpjRyO49osnniVt3c5HuKZIW2ySDhc0NKKsRTGri1tHex2Djk-3_oyFCy8eoFwpO8kU6u55XXAqb2lXAmhMKzKONI1udt3g9go6ow6iD0hPVMBa48kpGcI8057zqc8CjNkH-uyUcJpBMNVSZgd-zwNw/s960/10371608_1403158086635998_1407319937593545754_n.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="640" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuAZYC4Ipjx7lcdmC8uGt03NH0RdycG5UhwAJrpjRyO49osnniVt3c5HuKZIW2ySDhc0NKKsRTGri1tHex2Djk-3_oyFCy8eoFwpO8kU6u55XXAqb2lXAmhMKzKONI1udt3g9go6ow6iD0hPVMBa48kpGcI8057zqc8CjNkH-uyUcJpBMNVSZgd-zwNw/w640-h426/10371608_1403158086635998_1407319937593545754_n.jpg" width="640" /></a></div><p> </p><p></p><p class="MsoNormal" style="margin-bottom: 0cm; text-align: justify;"><span style="font-family: inherit;"><span style="color: #3d85c6; font-size: 14pt; line-height: 107%;">“Voava a
luzinha verde, vindo mesmo da mata, o primeiro vaga-lume. Sim, o vaga-lume,
sim, era lindo! Tão pequenino, no ar, um instante só, alto, distante, indo-se.
Era, outra vez em quando, a alegria”.</span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">GUIMARÃES
ROSA</span></span><br /><span style="color: #3d85c6; font-size: 14pt;">Primeiras
Estórias (1962)</span><br /><span style="color: #3d85c6; font-size: 14pt;"> </span><br /><span style="color: #3d85c6; font-size: 14pt;">“O
instante-já é um pirilampo que acende e apaga, acende e apaga. O presente é o
instante em que a roda do automóvel em alta velocidade toca minimamente no
chão. E a parte da roda que ainda não tocou, tocará num imediato que absorve o
instante presente e torna-o passado. Eu, viva e tremeluzente como os instantes,
acendo-me e me apago, acendo e apago, acendo e apago”.</span><br /><span style="background-color: #274e13; font-size: 14pt;"><span style="color: white;">CLARICE
LISPECTOR</span></span><br /><span style="color: #3d85c6; font-size: 14pt;">Água Viva
(1973)</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">O passado
é apenas alguma coisa que acabou, mas também renasce das cinzas da
memória quando menos esperamos. Ao encontrar uma série de fotografias feitas por Morvan França <span style="color: #3d85c6;">(Belo Horizonte, Minas Gerais. 1987 –
2016)</span>, na última vez que visitamos Galinhos, no Rio Grande do Norte, em 2014,
pensei imediatamente em vaga-lumes. Essas imagens poéticas merecem compartilhamento.
Galinhos é uma península encantada que nos recebeu várias vezes. Fomos felizes
naquele pedaço de chão. A gente fazia sexo em tudo que é lugar. Na Ilha das
Cobras, nos barcos dos pescadores, nas salinas, no farol, no mar sem fim, na
rede, nas dunas, nas ruas desertas, nas piscinas naturais. Por fim, seria o
túmulo de Morvan.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Na
primeira vez que lá estivemos, em 2012, Morvan ficou tomado por uma felicidade
comovedora, quase infantil, inédita em sua personalidade desiludida. Na calada da
noite, deslumbrado com a alegria de viver, arrastou-me sem destino pela
vila e praias. Não havia ninguém. Nenhuma viva alma. Tudo à meia-luz. De
repente, ele correu como um louco. Mais adiante parou, tirou toda a roupa e desnudo
abraçou o tronco de uma árvore frondosa. Eu me aproximei sem entender o que
acontecia. Ele estava coberto de pequenas luzes. Todo o local tomado por
vaga-lumes. Em êxtase, era a primeira vez que ele via pirilampos em sua vida. Ria
com essas centelhas por todo o seu corpo, deslumbrado de se achar assim
enfeitado de joias.</span><br /><span style="font-size: 14pt;"> </span><br /><span style="font-size: 14pt;">Os
mágicos insetos bailavam no negrume e Morvan falava palavras emocionadas. Das
noites que se foram, do seu tempo de menino e dos vaga-lumes que não conhecia e
tanto dizem ao coração. Ele me beijava, ele delirava. <span style="color: #3d85c6;">“Você percebe? Os
vaga-lumes iluminam a alma”</span>, afirmou. Tendo passado a maior parte da existência
sob as luzes cruas da cidade, o sutil piscar dos bichinhos nunca fez parte do seu
cotidiano. <span style="color: #3d85c6;">“A poluição luminosa das cidades tornou inviável a vida desses insetos, ofuscou seu brilho. Os que restaram se escondem nos mesmos lugares que
as abelhas e as borboletas: bem longe de nós.”</span>, disse.</span><br /><span style="font-size: 14pt;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxBxX0107DaWZwkud-Nxh_psjMTUbtbSLRyjR--2fI-c1TY6MdTPh24WykIsxVdBnbHn0IRzuPxBpjmKlfr7gKJeWNtqwXiTNPqBO8QyzSMWJLGch46xiDjUiimOceGWFEPlucSDgkpk3sXyjm5k-Dk7E5HXl2DHtceA2o_3fzFzsxgIZf3Q47hqcr_g/s960/10366238_1403157419969398_1382839822222942771_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxBxX0107DaWZwkud-Nxh_psjMTUbtbSLRyjR--2fI-c1TY6MdTPh24WykIsxVdBnbHn0IRzuPxBpjmKlfr7gKJeWNtqwXiTNPqBO8QyzSMWJLGch46xiDjUiimOceGWFEPlucSDgkpk3sXyjm5k-Dk7E5HXl2DHtceA2o_3fzFzsxgIZf3Q47hqcr_g/w640-h426/10366238_1403157419969398_1382839822222942771_n.jpg" width="640" /></a></span></div><span><br /><div style="font-family: inherit; text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Entre os
vaga-lumes, nos abraçamos e deitamos na areia. Morvan falou de Pasolini. De uma
crônica em que o poeta italiano compara a luz ofuscante dos projetores da
propaganda fascista com as pequenas luzes de resistência, de arte e beleza, de
momentos cheios de humanidade, tão frágeis quanto autênticos, que ele chamava
de vaga-lumes. Discretos, fugazes, mas insistentes, incansáveis. Esses momentos
de inspiração, de brilho cotidiano, lembram que somos resilientes e amorosos. Durante
um bom tempo, sua voz pausada continuou falando dos vaga-lumes. Era um moço
muito inteligente. Estudava biologia na Universidade Federal do Rio Grande do
Norte e sabia mais do que os próprios professores.</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Aquela noite
imortal, ensinou-me que os povos astecas acreditavam que a luz dos vaga-lumes
sinalizava instantes de perspicácia e de conhecimento, uma ação combativa onde
antes havia a escuridão. Da obra de Pasolini, os vaga-lumes aparecem como
personagens erráticos, intocáveis e resistentes em momentos de alegria e furor,
resistindo ao mundo opressor. A fala de Morvan foi um dos bonitos
momentos da minha vida. No escuro, ao som do mar, avistando a lua, a
árvore frondosa, centenas de vaga-lumes e ele desfilando
sensibilidade. Seus olhos eram luzes tão frágeis quanto os próprios vaga-lumes.
Ou como as estrelas, que embora sejam astros gigantescos, daqui de onde estamos
são apenas luzinhas minúsculas.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">As luzes
tem algo de místico que nos faz perguntar como pode ser tão fantástica a
natureza. Por isso, a alegria da visão de uma estrela ou de
vaga-lumes. Aquele momento foi de inspiração. Tomado pela sortilégio, percebi o abismo futuro, mas nada revelei, mastigando o silêncio
emocionado. Na mente vidente, soube que os fantasmas do fascismo assombrariam nossas vidas. Soube dos ímpetos
irados, da banalização, da intolerância e da maldade, de todas as incertezas e
da solidão de todos nós. Os insetos de luz me disseram tudo isso, mas só me importava a felicidade inédita de Morvan. Depois de um longo tempo, entre voos e
pousos nos nossos corpos, eles partiram, deixando-nos tomados pela benção de
Deus.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtVLTc5X-I5VDvzoRqQ8Y-KfM8CdwIFW8XttxDZ6gwfxG4_-NmfFxmxvcwYCZbf652FdqVbUmTK970mk0JuVGjdOra-subZLzKO8xX96AcsHg13fjBOWhWtd290NwwNLSf3GD2gbdlrRUuINkZ_jEZuolat67vPZrC1acW44DM1rSq4WwxGW02H8MPMg/s960/10305413_1403157023302771_5051371024775886674_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="643" data-original-width="960" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtVLTc5X-I5VDvzoRqQ8Y-KfM8CdwIFW8XttxDZ6gwfxG4_-NmfFxmxvcwYCZbf652FdqVbUmTK970mk0JuVGjdOra-subZLzKO8xX96AcsHg13fjBOWhWtd290NwwNLSf3GD2gbdlrRUuINkZ_jEZuolat67vPZrC1acW44DM1rSq4WwxGW02H8MPMg/w640-h428/10305413_1403157023302771_5051371024775886674_n.jpg" width="640" /></a></div></span><br /><div style="font-family: inherit; text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Essa
noite me marcou. Aprendi a procurar o brilho de vaga-lumes, de capturá-los em
essência, de refletir sua luz. Sei que eles não desapareceram, apenas migraram
para outras consciências, fugindo dos holofotes que os confundem. Alguns estão
bem perto de nós, nos roçam na escuridão; outros partiram além do
horizonte, tentando refazer em outro lugar sua comunidade, sua minoria, seu
desejo partilhado. Cabe a nós encontrá-los. Persistente, defendo o amor. Os
vaga-lumes do coração representam as diversas formas de resistência da cultura,
do pensamento e do corpo diante das luzes ofuscantes da sobrevivência, da política e da mídia. Acredito que a experiência luminosa do amor ainda é
possível.</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Sendo
assim, apresento Galinhos para amantes capazes de enxergar vaga-lumes. Galinhos
não é magia, não é miragem. É um milagre natural. A receita duna, vento e
tranquilidade segue inabalável na formosa e pequena vila de pescadores. Bucólica
e semideserta, é desses oásis resguardado do turismo de massa graças à
localização estratégica. Uma península com águas turquesa, salinas e
manguezais, habitat de peixes e frutos do mar. A tranquilidade reina no ritmo
dos ventos e das marés. Nesse pequeno vilarejo a 170 km de Natal, capital do
Rio Grande do Norte, paira a sensação de que o tempo se arrasta infinitamente.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">O mar
calmo quase sem ondas, barcos de pescas, pássaros de variadas espécies,
o vento movendo lentamente as dunas, o trapiche, nativos cordiais sentados nas
calçadas, bancos de areia que se formam em meio ao oceano, o Farol, salinas
naturais formando pirâmides, imponentes parques eólicos lembrando moinhos de D.
Quixote e a rusticidade local criam uma atmosfera poética memorável. Com mais de dois mil habitantes, é favorável à pesca e concentra cardumes de
peixe-galo, daí a origem do nome do município.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil-u14WYItPZlhNgXD9Ckv1qNDPOqcuR5F2UfeRm8ljdrDU8djW6mY2MY1jMVli5ut828N6ZMQFGnnH82O_51K1GFk5jdKagIL3yxHcYScIGnJ8TAfnzPeE_xPBodlUmiXhIUAccDTwk4cDnZGuB0KiyqGDXTBLc1hpaK4JfsQd7op-HflTHMiNO_IYw/s960/988451_1403157336636073_1590861218221955109_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEil-u14WYItPZlhNgXD9Ckv1qNDPOqcuR5F2UfeRm8ljdrDU8djW6mY2MY1jMVli5ut828N6ZMQFGnnH82O_51K1GFk5jdKagIL3yxHcYScIGnJ8TAfnzPeE_xPBodlUmiXhIUAccDTwk4cDnZGuB0KiyqGDXTBLc1hpaK4JfsQd7op-HflTHMiNO_IYw/w640-h426/988451_1403157336636073_1590861218221955109_n.jpg" width="640" /></a></div><br /></span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Até 1963
pertencia a São Bento do Norte, e, no período colonial, foi propriedade do
padre jesuíta João de Melo. Reúne manguezal, sertão e caatinga. Quem pisa em
suas areias, geralmente, é turista que aprecia locais agrestes, sem badalação.
Essa tranquilidade seduz europeus, em particular portugueses e franceses. Os
bons ventos que sopram na região atraem os praticantes do kitesurf e windsurf.
No passeio de barco, escoltado por águas limpas, avistamos o imenso céu azul, o
branco opaco das salinas que abastecem os mercados internacionais, arbustos
verdes do mangue e areias amareladas das dunas.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Do alto
das montanhas de areia, avista-se o pacato vilarejo e o mar aberto que
emolduram a paisagem paradisíaca. Não há agências de turismo, mas os próprios
moradores se oferecem como guias. Para circular, aluga-se uma charrete,
conhecida como </span><span style="color: #3d85c6; font-family: inherit; font-size: 14pt;">“jegue-táxi”</span><span style="font-family: inherit; font-size: 14pt;">, o único meio de transporte disponível. Nesse
panorama que cintila ao sol, moram artistas e poetas, entre eles o escultor
açoriano João Monteiro e o poeta de Touros (RN), Ivo Rodrigues Ribeiro. Monteiro
produz vistosas esculturas de figuras humanas e animais, em imburana, mantendo
seu atelier aberto para visitação, embora não comercialize suas obras. O poeta Ivo
louva a terra de adoção em versos singelos:</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><div style="font-family: inherit; text-align: center;"><span style="font-family: inherit; font-size: 14pt;"><span style="color: #3d85c6;">Galinhos
de brancas velas</span></span></div><span style="color: #3d85c6; font-family: inherit;"><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">De dunas
e praias bonitas</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">A sua
beleza imita</span></div></span><span style="font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;">O
puríssimo céu azul.</span></div></span></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: center;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">De areias
quentes, sol escaldante e águas mornas, a verdadeira magia de Galinhos está na
simplicidade. Uma das suas atrações é a Praia do Farol. Extensa, ela não tem
falésias, tem sossego, cenários das mil-e-uma-noites e piscinas naturais na
Ponta do Farol, local perfeito para curtir o pôr-do-sol. Por volta das 17h30, o
astro-rei se transforma numa imensa bola de fogo e inicia seu mergulho no
horizonte. Como nem tudo é perfeito, a cidade
sofre com problemas de saneamento básico, coleta de lixo e abastecimento de
água.</span></div></span><span style="font-family: inherit; font-size: 14pt;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG93TliKYRrwB6xjDTsGCgT_B6UYouqRoThUE24ZJRun5Aao3TezUlFOXTnkj8kR1JikT-sOZEEYLMUjfRjz9Fl6OIDnq12c-DQ3fXoRmX8_gVmQ9ZRFQCHlzBcTgMQZVsZDeOH3gqxl-VocrPo6E7JS_fatkq_Ho-f2Ea6riVXaG825NGPyjFaS7AzQ/s960/10269378_1403157209969419_4245144314735227304_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG93TliKYRrwB6xjDTsGCgT_B6UYouqRoThUE24ZJRun5Aao3TezUlFOXTnkj8kR1JikT-sOZEEYLMUjfRjz9Fl6OIDnq12c-DQ3fXoRmX8_gVmQ9ZRFQCHlzBcTgMQZVsZDeOH3gqxl-VocrPo6E7JS_fatkq_Ho-f2Ea6riVXaG825NGPyjFaS7AzQ/w640-h426/10269378_1403157209969419_4245144314735227304_n.jpg" width="640" /></a></div></span><br /><div style="font-family: inherit; text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Galinhos
convida à contemplação, preguiça e desapego ao corre-corre das grandes cidades.
Lugar de paisagem preservada, sem poluição, carros, violência, muvuca.
Um paraíso para quem procura serenidade. Não há muito o que fazer, a não ser
curtir o sossego e o sol, numa região onde quase nunca chove. Panorama para aproveitar, sem culpa, uma temporada de ócio ou de amor. Se der
sorte, quem sabe, até mesmo encontrar na noite uma revoada de vaga-lumes que
pousem em corações apaixonados.</span></div><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Supondo que os mortos revisitem os lugares onde foram felizes, Morvan seria capaz
de voltar para ver como andam os vaga-lumes de Galinhos. Seria isso satisfatório?
Valeria a pena? Não há motivo para questionar isso agora. Tudo não passa
de miragem de outra época. Algum estímulo, nada mais, para a meia-idade e a
solidão. É tudo, absolutamente tudo, simbólico. Do fundo do coração, agradeço a
essas memórias por sua beleza. Elas tornam o presente maravilhoso, e a própria
vida menos inútil. Na verdade, para mexer comigo, recordo cidades, aventuras e o amor. Mas o romantismo não se deixa desconcertar. Quer mais. Está justamente
predisposto à embriaguez do devaneio.</span></div></span><span style="font-family: inherit; font-size: 14pt;"><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"> </span></div></span><span><div style="text-align: justify;"><span style="font-family: inherit; font-size: 14pt;">Sempre
me lembrarei da luz dos vaga-lumes de Galinhos. Ela ainda brilha, como centelhas de fósforos, mas eu não a vejo muito bem. Nesse
momento, no passado, Morvan com gritos de
entusiasmo corre para o mar. Inteiramente nu, mergulhando dentro da água, como
um destemido guerreiro nativo. Decidido a cumprir seus ritos de purificação. Era
uma incrível visão: um homem limpo, livre, despojado. Envolvido na
semi-escuridão, eu o observava, feliz por ele, por mim, pelos vaga-lumes já distantes com seu clarão. Mas essa longa noite terminou; cedeu lugar ao
presente. E, exatamente como as águas do oceano invadindo a noite, a
consciência que não é de ninguém, em particular, mas que contém a todos e a tudo,
passado, presente e futuro, se estende, ininterrupta, para além dos mais sensíveis
contos de amor e dor.</span></div><div style="text-align: justify;"><span style="font-size: 18.6667px;"><br /></span></div><div style="text-align: justify;"><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih6kQNFatJOeo_CYIQn8KSdIA4-VVM9tlzqiJevyWpIV8PY6i3XexnD3RvKXQxIE4OKOUOgGnPTIf20hv9ZW6cWkh-ejvxZ89efrna0KKJ_td8uCzzG2SDngGaxgBw5qCW4R7ugDtbuS3J-TaVALWrcOypAmkzEz-jho2MArmZFG0wnijRjY0zNGql7g/s960/Morvan%20Fran%C3%A7a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih6kQNFatJOeo_CYIQn8KSdIA4-VVM9tlzqiJevyWpIV8PY6i3XexnD3RvKXQxIE4OKOUOgGnPTIf20hv9ZW6cWkh-ejvxZ89efrna0KKJ_td8uCzzG2SDngGaxgBw5qCW4R7ugDtbuS3J-TaVALWrcOypAmkzEz-jho2MArmZFG0wnijRjY0zNGql7g/w640-h426/Morvan%20Fran%C3%A7a.jpg" width="640" /></a></div><br /></div><span style="font-size: 18.6667px;"><div style="text-align: center;"><span style="font-size: 14pt;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;"><span style="color: white; font-family: inherit;">LEIA
sobre MORVAN</span></span></span></div></span></div><div style="font-size: 14pt; text-align: justify;"><span style="font-family: inherit; font-size: 14pt;"><p class="MsoNormal" style="margin-bottom: 0cm;"><span style="font-family: inherit;"><span style="font-size: 14pt;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;"><span style="color: white;">A
ALQUIMIA FOTOGRÁFICA de MORVAN</span></span></span><br /><a href="https://cinzasdiamantes.blogspot.com/2014/11/alquimia-fotografica-de-morvan-franca.html">https://cinzasdiamantes.blogspot.com/2014/11/alquimia-fotografica-de-morvan-franca.html</a><br /><b style="color: #3d85c6; font-size: 14pt;"><span style="font-size: 14pt; line-height: 107%;"><o:p> </o:p></span></b><br /><span style="font-size: 14pt;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;"><span style="color: white;">MORVAN:
ENCONTRO MARCADO</span></span></span><br /><a href="https://cinzasdiamantes.blogspot.com/2016/07/morvan-encontro-marcado.html">https://cinzasdiamantes.blogspot.com/2016/07/morvan-encontro-marcado.html</a><br /><b style="color: #3d85c6; font-size: 14pt;"><span style="font-size: 14pt; line-height: 107%;"><o:p> </o:p></span></b><br /><span style="font-size: 14pt;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;"><span style="color: white;">INTERLÚDIO
- 29 vezes MORVAN</span></span></span><br /><a href="http://cinzasdiamantes.blogspot.com/2017/03/interludio-29-vezes-morvan.html">http://cinzasdiamantes.blogspot.com/2017/03/interludio-29-vezes-morvan.html</a><br /><b style="color: #3d85c6; font-size: 14pt;"><span style="font-size: 14pt; line-height: 107%;"><o:p> </o:p></span></b><br /><span style="font-size: 14pt;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;"><span style="color: white;">ANATOMIA
da AUSÊNCIA</span></span></span><br /><a href="http://cinzasdiamantes.blogspot.com/2018/02/como-se-fosse-de-cristal-ou-anatomia-da.html">http://cinzasdiamantes.blogspot.com/2018/02/como-se-fosse-de-cristal-ou-anatomia-da.html</a><br /><b style="color: #3d85c6; font-size: 14pt;"><span style="font-size: 14pt; line-height: 107%;"><o:p> </o:p></span></b><br /><span style="font-size: 14pt;"><span style="background-color: #274e13; font-size: 14pt; line-height: 107%;"><span style="color: white;">ENTRE o
AMOR e o TEMPO: LUPE & MORVAN</span></span></span><br /><span style="font-size: 14pt;"><span style="font-size: 14pt; line-height: 107%;"><a href="http://cinzasdiamantes.blogspot.com/2020/03/entre-o-amor-e-o-tempo-lupe-morvan.html">http://cinzasdiamantes.blogspot.com/2020/03/entre-o-amor-e-o-tempo-lupe-morvan.html</a><br /></span></span></span></p>
</span></div></span><span style="font-family: inherit; font-size: 14pt;"> </span><br /><div style="font-family: inherit; text-align: center;"><span style="background-color: #274e13; font-family: inherit; font-size: 14pt;"><span style="color: white;">FOTOGRAFIAS
de MORVAN FRANÇA</span></span></div></span><p></p>
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text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhly-PpBbZjigXSVHji8FqkSywDmzwSlBwqUHm7WreRV5ACoPvAIt8f-9TKrMW1yfdOi-gVrGgh72LUGVRqYHerIOXsvjzfHxzlTh2yWzQyatORLgoLZVjCphg6sdgHehm1KG_06L2FGi9zgCZu8rmUCo09ZMSbEh1zpYU1j0iIXLRM-rOs-MMZKWNWOA/s960/1613900_1403157066636100_6172445505625170156_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="686" data-original-width="960" height="286" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhly-PpBbZjigXSVHji8FqkSywDmzwSlBwqUHm7WreRV5ACoPvAIt8f-9TKrMW1yfdOi-gVrGgh72LUGVRqYHerIOXsvjzfHxzlTh2yWzQyatORLgoLZVjCphg6sdgHehm1KG_06L2FGi9zgCZu8rmUCo09ZMSbEh1zpYU1j0iIXLRM-rOs-MMZKWNWOA/w400-h286/1613900_1403157066636100_6172445505625170156_n.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk7Wfc6HAfZAe1XvJ-jQ4L24R9wVRCtp0HNVRtlNTtiVokDYVmdQSM2XgNGerQHbrqnXFlujrKOJe45zeuXrV2aMAtlCJSaiUbM9ofDe_Jbm4129a2WqKY9XDC-2iAz0RvHHtcYpc6kTUVjvtMQm-S-YCfpO0DUVl90rmOS3mOZwIpeh-Uk7HRD_bzVg/s960/10330274_1403156926636114_1122557136156630618_n.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="640" data-original-width="960" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhk7Wfc6HAfZAe1XvJ-jQ4L24R9wVRCtp0HNVRtlNTtiVokDYVmdQSM2XgNGerQHbrqnXFlujrKOJe45zeuXrV2aMAtlCJSaiUbM9ofDe_Jbm4129a2WqKY9XDC-2iAz0RvHHtcYpc6kTUVjvtMQm-S-YCfpO0DUVl90rmOS3mOZwIpeh-Uk7HRD_bzVg/w400-h266/10330274_1403156926636114_1122557136156630618_n.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit;">ANTONIO NAHUD e GASTÃO</span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit;">Fotos de MORVAN FRANÇA</span></div><div class="separator" style="clear: both; text-align: center;"><br /></div>Cinzas e Diamanteshttp://www.blogger.com/profile/14737315500412110348noreply@blogger.com9tag:blogger.com,1999:blog-1221158885572115483.post-15957544883233344472022-05-20T23:30:00.027-02:002022-05-21T18:47:33.462-02:00................... MARIA GABRIELA LLANSOL: o OUTRO LADO da LUA<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXFV4cx_-qUH2jaJFOM_iB0is9U2VfQFEQUa0nq8MsTw-M8VoWUj3OQ9BdekiTZysVwIzlPRBd5iL0h9vjfEx5hoVzb_8Sdrgudp4zJLYAOhqWuBngQWJDSwUete89b94qToS96EiI-lEOCyC4EtoNN5dSSI7FNnvFQoVECFCy_fBYMv3xi-xfsq4C0A/s1106/img_1200x1200$2017_09_21_18_41_00_317588.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="660" data-original-width="1106" height="382" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXFV4cx_-qUH2jaJFOM_iB0is9U2VfQFEQUa0nq8MsTw-M8VoWUj3OQ9BdekiTZysVwIzlPRBd5iL0h9vjfEx5hoVzb_8Sdrgudp4zJLYAOhqWuBngQWJDSwUete89b94qToS96EiI-lEOCyC4EtoNN5dSSI7FNnvFQoVECFCy_fBYMv3xi-xfsq4C0A/w640-h382/img_1200x1200$2017_09_21_18_41_00_317588.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><p class="MsoNormal" style="margin-bottom: 0cm; text-align: center;"><span style="font-family: Cambria, serif; font-size: 14pt;"> </span><br /></p><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit; font-size: large;">“O poema
é solitário. É solitário e vai a caminho. Quem o escreve torna-se parte
integrante dele.”</span></div><span style="font-size: large;"><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">“Tantos
poetas, tão pouca poesia. A poesia não é para nós, é para o fim de nós.”</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><span style="font-family: inherit; line-height: 107%;"><div style="text-align: justify;"><span style="color: #3d85c6; line-height: 107%;">Fotografias:</span>
<span style="background-color: #274e13; line-height: 107%;"><span style="color: white;">DUARTE
BELO</span></span></div></span><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">(Lisboa,
Portugal. 1968)</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Acredito em
um encantamento místico que sublima a realidade. Enigmático, por vezes experimentado
quando atravessamos os limites do jardim do bem e do mal. Esse jardim, real ou
metafórico, sonhado ou vivido, protege um cotidiano razoável, onde as névoas
dos costumes sociais e do desassossego se destacam. Nele, praticamos uma moral amparada em dogmas, temores e tabus. Com o tempo,
nos tranquiliza a possibilidade da felicidade que surgirá de repente, até compreendermos que a felicidade é fugaz e somente deixa saudades.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Fugir
desse jardim seria sensato. Fugir para aventurar-se. Além dele, há <span style="background-color: #274e13; color: white;">O
OUTRO LADO da LUA</span>. Sem superar mediocridades, crenças estúpidas e convicções
fajutas ou sem nos confrontarmos com os desenganos, seremos robotizados. O
bonito da vida é abandonar-se nos braços – nos braços imensos – do misterioso,
em busca de uma existência desnuda. Ir além do jardim, entre tropeços e acertos,
sacrifícios e resiliências. Morando em Sintra, Portugal, soube de uma vizinha
escritora além desse jardim. Autora de escrita onírica, filosófica, metafísica.
Uma inclassificável literatura libertária, ponte entre o sonho e a vigília.</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghi8ZqLO1vL14xCuHa97d0RhHM_CxEKsxum2avJCpcs94_Ismc3z7z648kb3999LVgYgkAikSNfPFdZtL-OtqM01ENBlsA5KfoIxz5MtRWOCCeaTnNuSTJDe4meWT2gSlH6kozYBGEN2Vua1Z56JqJhT4zbRvPj3PsCC0Ew_b-I6LoK94f7gpKQnxmNw/s300/sopro_Edited.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="300" data-original-width="300" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghi8ZqLO1vL14xCuHa97d0RhHM_CxEKsxum2avJCpcs94_Ismc3z7z648kb3999LVgYgkAikSNfPFdZtL-OtqM01ENBlsA5KfoIxz5MtRWOCCeaTnNuSTJDe4meWT2gSlH6kozYBGEN2Vua1Z56JqJhT4zbRvPj3PsCC0Ew_b-I6LoK94f7gpKQnxmNw/w400-h400/sopro_Edited.jpg" width="400" /></span></a></div></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;">Bati na
sua porta. <span style="background-color: #274e13;"><span style="color: white;">MARIA GABRIELA LLANSOL</span></span>, a
autora da trilogia <span style="color: #3d85c6;">“Geografia de Rebeldes”</span>, sorriu gentilmente. A penumbra
enluarada preenchia a paisagem com tons dourados. Falei sem receio da
consideração por sua escrita. Escutou com paciência quase maternal. Por fim, convidou-me
para tomarmos um café no dia seguinte. Na hora, o coração tomou-se por um
assombro lúdico. O mesmo havia acontecido ao conhecer Paul Bowles em Tânger,
Hilda Hilst na Chácara do Sol, Al Berto numa tasca de Lisboa ou Doris Lessing
num subúrbio londrino. Sonâmbulo, vaguei noite adentro pelos melindres de
Sintra.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Vaguei
nessa vila em que tudo pode conhecer, desde árvores que falam a luas que se
duplicam. Perder-se naquelas ruas estreitas e mágicas era constatar que o tempo
não existe. Fazia perguntas ao vento. Quanto tempo terei para escrever
sensações? Quantas primaveras estão à disposição? Questionamentos
desimportantes, que fazem parte do jardim. O significativo são os sortilégios
do <span style="background-color: #274e13; color: white;">OUTRO LADO da LUA</span>. No horário marcado do encontro, apareci com um buquê de narcisos, e
lá estava ela: baixa estatura, meiga, cabelos grisalhos
presos num coque, vestida como uma camponesa com um bonito xale negro. Uma
aparição de contos de fadas!</span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><br /></span></div></div><div style="text-align: justify;"><span style="font-family: inherit;">Ofereceu
café e queijadas. Enveredamos pelos caminhos do
pensamento, falando da literatura que vem da alma, de ausências sentidas, de
poetas e da nossa história. Ela transmitia paz. Nos presenteamos com livros,
silêncios, cumplicidades. Iluminando o esplendor do Monte da Lua, visto através
da janela, a lua domava a escuridão. Depois de cerca de duas horas, despedi-me.
Sentia-me abençoado, como uma criança saciada. Subi o caminho que leva à Quinta
da Regaleira, asfixiado pelo perfume de amores-perfeitos, parecendo
que tudo girava. Segui em frente, como se lá em cima acabasse o mundo. A
vertigem tomando conta do meu ser.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOJ2BTwr6lktgV8nI_JiLwZ73xv9zLx9Q5Mlz9cQQKnZti3LHKzDlq9z3C3dExzBisSWFerJU7l83p1Cff5lrFWEiYH1H0i2nc-N4rvFGHh23Pzh18sIQx1fAqR1MhIaRbd6T3_i2Hg0nF9aj_HjBZi9WWPHJcSJfDGwlcJWRjTgTOGlLeHjiCHu1aKw/s1920/11-nb1839-43-1920x10806.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOJ2BTwr6lktgV8nI_JiLwZ73xv9zLx9Q5Mlz9cQQKnZti3LHKzDlq9z3C3dExzBisSWFerJU7l83p1Cff5lrFWEiYH1H0i2nc-N4rvFGHh23Pzh18sIQx1fAqR1MhIaRbd6T3_i2Hg0nF9aj_HjBZi9WWPHJcSJfDGwlcJWRjTgTOGlLeHjiCHu1aKw/w640-h360/11-nb1839-43-1920x10806.jpg" width="640" /></span></a></div><span style="font-family: inherit; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="line-height: 107%;">Durante o tempo em que morei em Sintra, no final
dos anos 1990 e início dos 2000, v</span></span>oltamos a nos encontrar outras vezes<span style="font-family: inherit; line-height: 107%;">. A senhora de olhos profundos, por
vezes mergulhando no silêncio contemplativo,</span><span style="font-family: inherit;"> </span><span style="font-family: inherit; line-height: 107%;">morava numa casa antiga,
amarela, com uma buganvília à porta. Sua moradia era um acumulo de heranças que vinham dos avós, dos pais, de tias, mais o que ela própria trouxe
da temporada na Bélgica. Dividia o lugar com inúmeros gatos. Ganhei dela um
deles, negro, vira-lata e sapeca, que dei o nome de Romeu, e meses depois
desapareceu durante uma das excursões ao bosque do Palácio da Pena. Entre um
gole de chá de camomila e deleitosas queijadas de cenoura, conversávamos sobre
plantas, culinária, pintura, literatura brasileira.</span></div><div style="text-align: justify;"><span style="font-family: inherit; line-height: 107%;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;"><span style="line-height: 107%;">Assistimos
juntos antigos filmes de Renoir, Mizoguchi e Antonioni.</span><span> </span><span style="line-height: 107%;">Havia
nela uma atmosfera de cordialidade e afeto. Era quase sempre vibrante a
intensidade que vinha das suas palavras. Revelava também uma sageza feita de
uma inteligência sutil e de algum humor, e sobretudo de uma enorme capacidade
de ir ao encontro do ponto de vista do outro, respeitando e acrescentando
sempre algo inquietante. Certa vez me tocou o coração ao falar sobre o <span style="color: #3d85c6;">“preço
da solidão”</span>. Eu me identifiquei plenamente. Em 2003, convidou-me para um
encontro literário em torno de sua obra, na Serra da Arrábida, em Setúbal. Tive
vontade de ir, mas não apareci devido a compromissos profissionais. Por fim,
depois que parti de Sintra, trocamos cartas.</span></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBMzRdUkw-YrZN3vLTcWE2xFO0IcyfTX8qwgVGQlxAsZUps_AeXLDV8jVPRPzigxXR-iYB88JdqVmh7J-sNshsZ5moXSFECDZ5TgUdMt56f5cEy03YfAHv5ppAvIUFJytaVZfTjGlZbal78iTeCHabyFomoYDnrH-axxnsiuEY_TJ4MQpSqvpGotL0yg/s923/Expresso-LH2.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="923" data-original-width="544" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBMzRdUkw-YrZN3vLTcWE2xFO0IcyfTX8qwgVGQlxAsZUps_AeXLDV8jVPRPzigxXR-iYB88JdqVmh7J-sNshsZ5moXSFECDZ5TgUdMt56f5cEy03YfAHv5ppAvIUFJytaVZfTjGlZbal78iTeCHabyFomoYDnrH-axxnsiuEY_TJ4MQpSqvpGotL0yg/w236-h400/Expresso-LH2.jpg" width="236" /></span></a></div><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;">Considerada
uma autora hermética e de difícil compreensão. Apontada como um dos nomes mais
inovadores e importantes da ficção portuguesa contemporânea, <span style="background-color: #274e13; color: white;">MARIA GABRIELA LLANSOL</span> <span style="color: #3d85c6;">(Lisboa, Portugal.
1931 – 2008) </span></span>leva às últimas consequências a criação de um universo pessoal. E<span style="font-family: inherit;">stilhaça as fronteiras entre o que designamos por ficção, poesia,
ensaio ou memórias. Ela iniciou sua carreira em 1962, ao publicar </span><span style="color: #3d85c6; font-family: inherit;">“Os Pregos na
Erva”.</span><span style="font-family: inherit;"> Toda sua escrita é a de um questionamento, sobretudo, das formas
literárias. Sua linguagem debate-se com a própria linguagem, processo
autofágico que problematiza a essência do ser e, ao mesmo tempo a essência da
palavra.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Audaciosa,
a poeta traduziu ao português nomes como Emily Dickinson, Paul Verlaine, Rainer
Maria Rilke, Arthur Rimbaud, Guillaume Apollinaire, Paul Éluard e Charles
Baudelaire. Nos anos 60, sob o regime de Salazar, a pobreza e a
opressão tinham empurrado milhares de portugueses para o exílio. Pessoas que se tornavam zeladores em Paris ou padeiros no Rio de Janeiro. A
cultura de Portugal tinha se reduzido a futebol, fado e Fátima. O marido de <span style="background-color: #274e13; color: white;">MARIA GABRIELA LLANSOL</span>, Augusto
Joaquim, recusara-se a participar das guerras coloniais na África e desertara.
Foram para a Bélgica, em 1965, numa cidadezinha chamada Jodoigne. Regressaram vinte
anos depois.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Para o
crítico e professor Eduardo Lourenço, a poeta está no âmbito de Camões e
Fernando Pessoa: <span style="color: #3d85c6;">“Nunca será uma autora fácil e consensual. É uma espécie de
fenômeno misterioso. Alguém vindo de uma outra espécie de planeta. Quem a
encontra é difícil não ficar fascinado por essa escrita”</span>. Segundo Maria
João Cantinho, ela <span style="color: #3d85c6;">“mergulha no abismo – já não da literatura – mas da própria
escrita, no que ela contém de perigosa implosão. E é nesse limiar,
entre o exprimível e o inexprimível, que se sustenta o texto llansoliano”</span>. Nesta
escrita enigmática e repleta de fulgor, há uma estranheza e uma complexidade
que envolvem toda sua obra. A arte de <span style="background-color: #274e13; color: white;">MARIA GABRIELA LLANSOL</span>, mais do que
narrativas, são conjuntos de pequenas meditações.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Um dos
traços da sua produção consiste na negação da escrita tradicional,
com inserção no texto de diferentes caracteres tipográficos, espaços em branco,
traços que dividem o texto. Muitos dos seus livros foram
publicados, mas seu arquivo em Sintra está abarrotado de escritos inéditos. Existem
78 cadernos, 53 agendas, 12 blocos de notas, e milhares de páginas
datilografadas e organizadas pela escritora, diários, obras de juventude, um
arquivo fotográfico, correspondência, uma biblioteca cujos livros estão cheios
de anotações.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">Em seu
primeiro diário, a escritora afirma que os seus textos compõem um livro
único. Sou llansoliano, um admirador daquela que
considero uma das grandes escritoras em português, do nível de Florberla
Espanca, Clarice Lispector, Sophia
de Mello Breyner Andresen, Cecília Meireles ou Hilda Hilst. Aprendi que não é em busca de enredo ou
do texto mastigado tradicional que lemos <span style="background-color: #274e13; color: white;">MARIA GABRIELA LLANSOL</span>, é pela fonte
de energia que seus livros contêm, uma energia substancial muito além do jardim
de todos nós.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEulLjifQdHpHCPf_ume9ypUjcK82rF9wVtXEnvtSdHIu2paT4No2eHDO_gXXe1oNoPqku676DpATIB3a3rw-r8sWXWS0hX_8y1zxoavj6pAgY8_82AAJiwVnHbRf4ZFZ0kSrDRW35qoTnYbOBbRQtQJSX_Zrsxfe-HRCiqSqpdq9h8XV9xVphbxhtFg/s1920/13-nb1896-22-1920x1080.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1080" data-original-width="1920" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEulLjifQdHpHCPf_ume9ypUjcK82rF9wVtXEnvtSdHIu2paT4No2eHDO_gXXe1oNoPqku676DpATIB3a3rw-r8sWXWS0hX_8y1zxoavj6pAgY8_82AAJiwVnHbRf4ZFZ0kSrDRW35qoTnYbOBbRQtQJSX_Zrsxfe-HRCiqSqpdq9h8XV9xVphbxhtFg/w640-h360/13-nb1896-22-1920x1080.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit;">POEMAS de
MARIA GABRIELA LLANSOL</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">01.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Não há
mais sublime sedução do que saber esperar alguém.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Compor o
corpo, os objectos em sua função, sejam eles</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">A boca,
os olhos, ou os lábios. Treinar-se a respirar</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Florescentemente.
Sorrir pelo ângulo da malícia.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Aspergir
de solução libidinal os corredores e a porta.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Velar as
janelas com um suspiro próprio. Conceder</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Às
cortinas o dom de sombrear. Pegar então num</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Objecto
contundente e amaciá-lo com a cor. Rasgar</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Num livro
uma página estrategicamente aberta.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Entregar-se
a espaços vacilantes. Ficar na dureza</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Firme.
Conter. Arrancar ao meu sexo de ler a palavra</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Que te
quer. Soprá-la para dentro de ti -------------------</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">-----------------------------
até que a dor alegre recomece.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">02.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Não há
mais sublime sedução do que saber esperar alguém.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Compor o
corpo, os objectos em sua função, sejam eles</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">A boca,
os olhos, ou os lábios. Treinar-se a respirar</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Florescentemente.
Sorrir pelo ângulo da malícia.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Aspergir
de solução libidinal os corredores e a porta.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Velar as
janelas com um suspiro próprio. Conceder</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Às
cortinas o dom de sombrear. Pegar então num</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Objecto
contundente e amaciá-lo com a cor. Rasgar</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Num livro
uma página estrategicamente aberta.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Entregar-se
a espaços vacilantes. Ficar na dureza</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Firme.
Conter. Arrancar ao meu sexo de ler a palavra</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Que te
quer. Soprá-la para dentro de ti</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">até que a
dor alegre recomece.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJCA2ECyR_PS7BkMioV6Wz8qtofKhHFnWw64HPOPvKYTQOvEkSYNUiK2F5hiXwGstFD2TIJTdqs_U_6jGnmUeWzlIXHjYOAlOIHPUl4Vk-Ie48EqLuWBWn8R__cJoFYuzDhxyZSmrBUOGUNCSaPui6NItNBOAPczhZp3q2fNxWd2lCm5pecztzXv2DTg/s670/duarte-belo-f36154_list-cropped.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="670" data-original-width="666" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJCA2ECyR_PS7BkMioV6Wz8qtofKhHFnWw64HPOPvKYTQOvEkSYNUiK2F5hiXwGstFD2TIJTdqs_U_6jGnmUeWzlIXHjYOAlOIHPUl4Vk-Ie48EqLuWBWn8R__cJoFYuzDhxyZSmrBUOGUNCSaPui6NItNBOAPczhZp3q2fNxWd2lCm5pecztzXv2DTg/w636-h640/duarte-belo-f36154_list-cropped.jpg" width="636" /></span></a></div><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;">03.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Não
resisto a contar à rapariga:</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Ontem
passei por um encontro entre dois rapazes que se amavam,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Curtiam,
como dizes, sentados no colo um do outro. Era um amor</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Humano
nas raias do explícito. Aquele laço de se receberem</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Mutuamente
no regaço estava todavia perto de desatar-se Triste</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Que assim
fosse.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Havia
sobre a cena uma pequena caixa, e aquele que decidira</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Desunir-se
escrevia o seu nome animal dentro dela. Por sua vez,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">O outro
para nomear o próximo, desenhou com lentidão um</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Pequeno
candeeiro de muitas luzes. Vi perfeitamente a progressão</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Do
desenho, e como ele se detinha na contemplação de cada</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Anjo.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">04.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Há-de-nós
– que refulges no texto – santificado</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">seja o
teu labor, sereno e incansável,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">o azul de
cada dia nos dai hoje</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">e assim
se prolongue a noite</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">e o seu
fruto – uma manhã de seda</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">tão cheia
de impensado como esta;</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">pelas
manchas das palavras que dizemos _______ nos dai</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">uma
língua, uma trepidação de incognoscível,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">não
universal mas</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">exacta,
que te atravesse, ó Há,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">e rasgue
na terra um jardim edénico,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">desocultado,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">florescendo
de é, de sempre e de aqui.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7PfqA9pECC2zyZcN8BCqOqIg278d94OwGi7raP4KmRFIgD8XAzTSvXFZiPXTX7V4GdBaYq51_nrtyLoJmwT0FXMr3YAZfOeHtgesMPobUlWG2Q0Dp5onCg8-K0lC7DRUGXYQpcislkOrQyYEJw533tG81QUOyakXrauY8Bw_Y2ZxX7-sGblKDLEPwkA/s925/10-duarte-belo1.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="611" data-original-width="925" height="422" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7PfqA9pECC2zyZcN8BCqOqIg278d94OwGi7raP4KmRFIgD8XAzTSvXFZiPXTX7V4GdBaYq51_nrtyLoJmwT0FXMr3YAZfOeHtgesMPobUlWG2Q0Dp5onCg8-K0lC7DRUGXYQpcislkOrQyYEJw533tG81QUOyakXrauY8Bw_Y2ZxX7-sGblKDLEPwkA/w640-h422/10-duarte-belo1.jpg" width="640" /></span></a></div><span style="font-family: inherit;"><br /></span></div><div style="text-align: justify;"><span style="font-family: inherit;">05.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">O começo
de um livro é precioso. Muitos começos são preciosíssimos.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Mas breve
é o começo de um livro – mantém o começo perseguindo.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Quando
este se prolonga, um livro seguinte se inicia.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Basta
esperar que a decisão de intimidade se pronuncie.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Vou
chamar-lhe fio ___ linha, confiança, crédito, tecido.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">06.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Como a
chuva não cessasse de cair em caudais,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Tiras de
tinta começaram a aparecer na fotografia</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">O tecto
da chuva rompera o abrigo da sua alma</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">E o verde
circulava a deriva rompendo as plantas.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Elvira
deixara cair seus olhos de objectiva nas</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Folhas
verdes. Verificava que era sobre elas e como</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Elas que
sempre olhara a natureza. Ver o real</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Em folhas
era amá-lo ininterruptamente. Essa</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Contiguidade
acabara por compor uma rede</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Que tinha
tanto de próximo como de diferente,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">E a chuva
não era chuva, transparecia. Eis, pensou.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Por que
chove na fotografia, por que chove</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Em
correntes sobre as folhas?</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOYc8HQ6k0OlVqhsc9C0d5JlJ78zJdwRfsnG2kxBAxLVXZZLM7hvhTZY_SiTI4SLc1Gu7H9hVzeRx7n2-legYZK9kPO1fJJlDOhi-koZVQxhbAdjNIhTFuWqZSKDCPmTLhhtDGl8LhBAHhnL6hdQ9NnYzyDx9EBXn1_Gi6Fak2ruy_xjIgH0nuZqKW6w/s700/EP14-duarteBelo-01_nb0926-44.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="466" data-original-width="700" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOYc8HQ6k0OlVqhsc9C0d5JlJ78zJdwRfsnG2kxBAxLVXZZLM7hvhTZY_SiTI4SLc1Gu7H9hVzeRx7n2-legYZK9kPO1fJJlDOhi-koZVQxhbAdjNIhTFuWqZSKDCPmTLhhtDGl8LhBAHhnL6hdQ9NnYzyDx9EBXn1_Gi6Fak2ruy_xjIgH0nuZqKW6w/w640-h426/EP14-duarteBelo-01_nb0926-44.jpg" width="640" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><br /></span></div></div><div style="text-align: justify;"><span style="font-family: inherit;">07.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">_______
escrevo,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">para que
o romance não morra.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Escrevo,
para que continue,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">mesmo se,
para tal, tenha de mudar de forma,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">mesmo que
se chegue a duvidar se ainda é ele,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">mesmo que
o faça atravessar territórios desconhecidos,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">mesmo que
o leve a contemplar paisagens que lhe são tão</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">difíceis
de nomear.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">08.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Abro-vos
a Casa numa interrogação.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">A Casa é
esta _____________ lugar e corpo dividido, onde meu</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">corpo se
interroga,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">reunindo
os fragmentos das coisas_____________coisa é</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">uma
janela,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">a noite,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">a descida
rápida da temperatura húmida,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">um carro
que parte em frente do portão,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">os
lugares à volta e as suas tardes de festa em dias de verão,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">o momento
seguinte do silêncio,</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">o que
nasce de nós</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">perto, em
redor e tão longe.</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="font-family: inherit;">09.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Eu sou
uma sala de espera para os meus companheiros, se vierem</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">na
piedade</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">na
ternura</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">na
humildade</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Esta é a
minha aliança</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">porque
agora as obras que escrevo e tenho para escrever são</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">múltiplas,
como o silêncio.</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpK4TlgsTuQMtCQccwg2iNNigiO0xgPfdoBdkGCAWDza2SGej8GcaOBqCSY1nP4xN7mBSQBRQL85KfeN6BFVZWh6nSJ1XUQcV0Cb2CQjUn7g9nWY-MPpPBS5O3iJ0cpUchjGdFrOo9-l0h56tJeS5eLTVV6qUtauVwo_5A_n8p2MJHJYcyk_uiDqL1lA/s1280/1%205ZD0Z83n5cD6YLDetNb8sg.jpeg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1280" data-original-width="960" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpK4TlgsTuQMtCQccwg2iNNigiO0xgPfdoBdkGCAWDza2SGej8GcaOBqCSY1nP4xN7mBSQBRQL85KfeN6BFVZWh6nSJ1XUQcV0Cb2CQjUn7g9nWY-MPpPBS5O3iJ0cpUchjGdFrOo9-l0h56tJeS5eLTVV6qUtauVwo_5A_n8p2MJHJYcyk_uiDqL1lA/w300-h400/1%205ZD0Z83n5cD6YLDetNb8sg.jpeg" width="300" /></span></a></div><span style="font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit;">TODA a
OBRA de MARIA GABRIELA LLANSOL</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Os PREGOS
na ERVA (1962)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">DEPOIS de
os PREGOS na ERVA (1973)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">O LIVRO das
COMUNIDADES (1977)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">A
RESTANTE VIDA (1983)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Na CASA de
JULHO e AGOSTO (1984)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">CAUSA
AMANTE (1984)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Um FALCÃO
em PUNHO (1985)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">CONTOS do
MAL ERRANTE (1986)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">FINITA
(1987)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Da SEBE ao
SER (1988)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">AMAR um
CÃO (1990)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">O RAIO
SOBRE o LÁPIS (1990)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Um BEIJO
DADO MAIS TARDE (1990)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">LISBOALEIPZIG
1: o ENCONTRO INESPERADO do DIVERSO (1994)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">LISBOALEIPZIG
2: o ENSAIO de MÚSICA (1995)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">A TERRA
FORA do SÍTIO (1998)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">CARTA ao
LEGENTE (1998)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">ARDENTE
TEXTO JOSHUA (1999)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">ONDE VAIS,
DRAMA-POESIA? (2000).</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><span>CANTILENO
(2000)</span><span style="text-align: center;">MARIA GABRIELA LLANSOL: o OUTRO LADO da LUA</span></span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-family: inherit;">DIÁRIOS</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Um FALCÃO
no PUNHO. DIÁRIO I (1985)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">FINITA.
DIÁRIO II (1987)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">INQUÉRITO
às QUATRO CONFIDÊNCIAS. DIÁRIO III (1996)</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-family: inherit;">PUBLICAÇÕES
PÓSTUMAS</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">LIVRO de
HORAS I: UMA DATA em CADA MÃO (2009)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">LIVRO de
HORAS II: UM ARCO SINGULAR (2010)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">LIVRO de
HORAS III: NUMEROSAS LINHAS (2013)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">LIVRO de
HORAS IV: A PALAVRA IMEDIATA (2014)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">LIVRO de
HORAS V: O AZUL IMPERFEITO (2015)</span></div><div style="text-align: justify;"><span style="font-family: inherit;"> </span></div><div style="text-align: justify;"><span style="background-color: #274e13; color: white; font-family: inherit;">TRADUÇÕES</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Emily
Dickinson, BILHETINHOS com POEMAS (1995)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Paul
Verlaine, SAGEZA (1995)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Rainer
Maria Rilke, FRUTOS e APONTAMENTOS (1996)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Rimbaud,
O RAPAZ RARO (1998)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Teresa de
Lisieux, O ALTO VOO da COTOVIA (1999)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Apollinaire,
MAIS NOVEMBRO do QUE SETEMBRO (2001)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Paul
Éluard, ÚLTIMOS POEMAS de AMOR (2002)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;">Charles
Baudelaire, As FLORES do MAL (2003)</span></div><div style="text-align: justify;"><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit;">A CASA de MARIA GABRIELA</span></div><div style="text-align: center;"><span style="color: #3d85c6; font-family: inherit;"><br /></span></div><div style="text-align: justify;"><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr3reDF2N5Zdi7uDtrREjyYepx5JuznqpDF9CGIXsV0dKDqZH1lghzmKW6eCev4V0wkLdJ1UAo18R71P9eeMoO4LQ3PQ5HdYg7dpt8mAfIDtKT0zdAShX1O2F-3LLRwtFOhVsLyChClOTthlkSl6dFaCYG-MQ5VD7FSvMD8jqx7-CWTjcKjtX3Zp34qA/s600/31032012903-001.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="450" data-original-width="600" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr3reDF2N5Zdi7uDtrREjyYepx5JuznqpDF9CGIXsV0dKDqZH1lghzmKW6eCev4V0wkLdJ1UAo18R71P9eeMoO4LQ3PQ5HdYg7dpt8mAfIDtKT0zdAShX1O2F-3LLRwtFOhVsLyChClOTthlkSl6dFaCYG-MQ5VD7FSvMD8jqx7-CWTjcKjtX3Zp34qA/w400-h300/31032012903-001.jpg" width="400" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9IAKXoM-enRyXhD8jYtRCdiMYjJE4XVB9PXJ96I6uJkfM9qG-TdgU0zCzUz7rlKP5aaMtCe3dACFdUv5SOQj4pwzTOmaCrv5f-QDckwLY4Xo6SMaIZkPXCg0oZmSaCESFFAARr3Y5Pcub60wSlxr4J_4gfwPgc3bNLX-2WYWQJ6_bXTT7hP453Cuykg/s2383/llansol-02.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1735" data-original-width="2383" height="291" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9IAKXoM-enRyXhD8jYtRCdiMYjJE4XVB9PXJ96I6uJkfM9qG-TdgU0zCzUz7rlKP5aaMtCe3dACFdUv5SOQj4pwzTOmaCrv5f-QDckwLY4Xo6SMaIZkPXCg0oZmSaCESFFAARr3Y5Pcub60wSlxr4J_4gfwPgc3bNLX-2WYWQJ6_bXTT7hP453Cuykg/w400-h291/llansol-02.jpg" width="400" /></a></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXabYuB79gA2FzHLInVHIJjVefgp3XjsVP8i5kmJjSlVuCBtubKWb8MKpjWtUV1gIPANM5qFyURd2Nco2Lo_u-bx9kOZH26eg1CAyagc5UpYJzVtDATK_EYHpBf7EPMEpVfLcXMAHD5mW05e5qLOSDYOgfjxKiQc1d9v3eh8NCTvte5Y_OvTYjaqZwBA/s2560/llansol-04.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1920" data-original-width="2560" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXabYuB79gA2FzHLInVHIJjVefgp3XjsVP8i5kmJjSlVuCBtubKWb8MKpjWtUV1gIPANM5qFyURd2Nco2Lo_u-bx9kOZH26eg1CAyagc5UpYJzVtDATK_EYHpBf7EPMEpVfLcXMAHD5mW05e5qLOSDYOgfjxKiQc1d9v3eh8NCTvte5Y_OvTYjaqZwBA/w400-h300/llansol-04.jpg" width="400" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeS9PCDXImQsUG1lG2swghJCU1dZ7rHWVnufvZynRHLaw-VMadaqPlYdumhUhWZQ7kNnvvUSlh9Ay4lpq5X73N9FUMxaEaKPD7YDJp5NE7LDpNeNBJaAzEjt2p4qPo9_RtgENrgP9-e15owDL1kQ6sXZZp_AvytfOV4cRnVOnngSQaWT6t1XxMPYU9AA/s749/OriginalSize$2017_09_21_18_41_07_317590%20-%20Copia.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="482" data-original-width="749" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgeS9PCDXImQsUG1lG2swghJCU1dZ7rHWVnufvZynRHLaw-VMadaqPlYdumhUhWZQ7kNnvvUSlh9Ay4lpq5X73N9FUMxaEaKPD7YDJp5NE7LDpNeNBJaAzEjt2p4qPo9_RtgENrgP9-e15owDL1kQ6sXZZp_AvytfOV4cRnVOnngSQaWT6t1XxMPYU9AA/w400-h258/OriginalSize$2017_09_21_18_41_07_317590%20-%20Copia.jpg" width="400" /></span></a></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span></div><div style="text-align: center;"><span style="background-color: #274e13; color: white; font-family: inherit;">ALGUMAS CARTAS de MARIA GABRIELA</span></div><div style="text-align: center;"><span style="font-family: inherit;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixsHZIlCzHCJuCyubi2KxyuNQJrjpOOLUC6GoFPDbrB6Wn9VfO4lJl5Dcg2pz9lut-iYKlJlnHIof3n4by_L04doveLakFt4rGT1hAHve4v106h8nHwZ1OY47_euCo2V0kF7uAhCvxI-uTvCpvYunfHT-ojnIAcjsKICnm9ziROVW2FoKjJlGYnNsbag/s2349/Envelope%2001.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1266" data-original-width="2349" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixsHZIlCzHCJuCyubi2KxyuNQJrjpOOLUC6GoFPDbrB6Wn9VfO4lJl5Dcg2pz9lut-iYKlJlnHIof3n4by_L04doveLakFt4rGT1hAHve4v106h8nHwZ1OY47_euCo2V0kF7uAhCvxI-uTvCpvYunfHT-ojnIAcjsKICnm9ziROVW2FoKjJlGYnNsbag/w400-h215/Envelope%2001.jpg" width="400" /></span></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-ghHgH-9qs8OQUjjrzSPW4q8c_1NB_XKnYlcTNWr8FTCC7dEEGZWsVkMofTarjmTm4C-IRyX-H5YDnF3wyBZdgoXgJpPJa5us2pQA_wggiEKWCeeTTRUupVGVgk1d26pC1UnTNLc1yWQXCPU-5VfFQsbKw58Gor_FA-8CdGgOh71YMWOuPEb4tSOJmA/s2346/Carta%2002-1.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="2346" data-original-width="2050" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-ghHgH-9qs8OQUjjrzSPW4q8c_1NB_XKnYlcTNWr8FTCC7dEEGZWsVkMofTarjmTm4C-IRyX-H5YDnF3wyBZdgoXgJpPJa5us2pQA_wggiEKWCeeTTRUupVGVgk1d26pC1UnTNLc1yWQXCPU-5VfFQsbKw58Gor_FA-8CdGgOh71YMWOuPEb4tSOJmA/w350-h400/Carta%2002-1.jpg" width="350" /></span></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiODSGEr3X4w9kajb9Jbnrfpg6B5ELV0cARxyKmiq4S1g-J8HfZ9NiYia8jugZi0AIvBQRDpQyPRrDaxmupmcEYo6Srkv-Ltic-G9Tzfw8pzmeHZBLewy9kGF7wy1fZ9RtheDDOgZ6HHRsaYg2MJhrwqt3xCmLUTdVnRi8glo2Hs4dyepUiE_m1M0ebyg/s2346/Carta%2002-2.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="2346" data-original-width="2050" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiODSGEr3X4w9kajb9Jbnrfpg6B5ELV0cARxyKmiq4S1g-J8HfZ9NiYia8jugZi0AIvBQRDpQyPRrDaxmupmcEYo6Srkv-Ltic-G9Tzfw8pzmeHZBLewy9kGF7wy1fZ9RtheDDOgZ6HHRsaYg2MJhrwqt3xCmLUTdVnRi8glo2Hs4dyepUiE_m1M0ebyg/w350-h400/Carta%2002-2.jpg" width="350" /></span></a></div><div style="text-align: justify;"><span style="font-family: inherit;"><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZMQ6SAM7fQ90fEdLy2st92d78eiCvRhM6woVZa6ZfpOXZpEDp1yv2xLqmwcZD9H5cOOPp1elXOX3ZbQLU6ncYvYeKHim-w3bLn1JGWzhFgMNmPpjZRhTB-b1pqE6LTaEGIkY5r1F7L0xbnVVeN3pG8NVzrIgRVhiRszfv8748OcUetPZpKZgoeJ4gDw/s2336/Envelope%2002.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: inherit;"><img border="0" data-original-height="1258" data-original-width="2336" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZMQ6SAM7fQ90fEdLy2st92d78eiCvRhM6woVZa6ZfpOXZpEDp1yv2xLqmwcZD9H5cOOPp1elXOX3ZbQLU6ncYvYeKHim-w3bLn1JGWzhFgMNmPpjZRhTB-b1pqE6LTaEGIkY5r1F7L0xbnVVeN3pG8NVzrIgRVhiRszfv8748OcUetPZpKZgoeJ4gDw/w400-h215/Envelope%2002.jpg" width="400" /></span></a></div></div><div class="separator" style="clear: both; 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